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EOS RP Advanced User Guide en
EOS RP Advanced User Guide en
2
Item Check List
Before starting, check that all the following items are included with your
camera. If anything is missing, contact your dealer.
Camera
(with body cap)
Strap
Battery Pack LP-E17 Battery Charger
(with protective cover) LC-E17E*
* Battery Charger LC-E17E comes with a power cord.
oo The camera does not come with a memory card (=10), interface cable, or HDMI
cable.
oo For details on the Advanced User Guide and Instruction Manuals, see the next page.
oo If you purchased a Lens Kit, check that the lenses are included.
oo Be careful not to lose any of the above items.
oo When you need Lens Instruction Manuals, download them from the Canon
website (=4).
oo The Lens Instruction Manuals (PDF files) are for lenses sold individually. Note
that when purchasing the Lens Kit, some of the accessories included with the
lens may not match those listed in the Lens Instruction Manual.
3
Instruction Manuals
The Instruction Manual included with the camera provides
basic instructions for the camera and Wi-Fi functions.
The Advanced User Guide (this PDF file), which provides
complete instructions, can be downloaded from the Canon
website to a computer or other device.
oo To view the PDF files, an Adobe PDF viewing software such as Adobe
Acrobat Reader DC (most recent version recommended) is required.
oo Adobe Acrobat Reader DC can be downloaded for free from the Internet.
oo Double-click the downloaded PDF file to open it.
oo To learn how to use PDF viewing software, refer to the software’s Help section
or the like.
4
Instruction Manuals
5
Quick Start Guide
1
Insert the battery (=42).
zz Upon purchase, charge the battery
to start using (=40).
2
Insert the card (=42).
zz With the card’s label facing toward
the back of the camera, insert it into
the card slot.
3
Attach the lens (=48).
zz Align the red mount index on the
lens with the red mount index on
the camera to attach the lens.
zz Make sure the lens’s focus mode
switch is set to <2> (=48).
4
Set the power switch to <1>
(=46).
5
Flip out the screen (=45).
zz When the date/time/zone setting
screen is displayed, see =374.
6
Quick Start Guide
6
Set the Mode dial to <A>
(=68).
zz All the necessary camera settings
will be set automatically.
7
Focus on the subject (=54).
zz <p> (an AF point) appears over
any face detected.
zz Press the shutter button halfway,
and the camera will focus on the
subject.
8
Take the picture (=54).
zz Press the shutter button completely
to take the picture.
9
Review the picture.
zz The image just captured will be
displayed for approx. 2 sec. on the
screen.
zz To display the image again, press
the <x> button (=296).
7
About This Manual
Icons in this Manual
<6> : Indicates the Main dial.
<5> : Indicates the Quick control dial.
<W><X><Y><Z> : Indicates the corresponding direction on the <V>
cross keys.
<T> : Indicates the lens control ring.
<0> : Indicates the Setting button.
* : Indicates the duration (in * seconds) of the operation
for the button you pressed, as timed after you
release the button.
* In addition to the above, the icons and symbols used on the camera’s buttons and
displayed on the screen are also used in this manual when discussing relevant
operations and functionality.
8
About This Manual
9
Compatible Cards
The following cards can be used with the camera regardless of capacity.
If the card is new or was previously formatted (initialized) by another
camera or computer, format the card with this camera (=367).
zzSD/SDHC/SDXC memory cards
UHS-II and UHS-I cards supported.
10
Chapters
Introduction 2
Basic Shooting 67
Creative Zone 95
Shooting 109
Playback 293
Set-up 357
Reference 553
11
Contents
Introduction 2
Basic Shooting 67
Creative Zone 95
Program AE...........................................................................................96
Shutter-Priority AE................................................................................98
Aperture-Priority AE............................................................................100
Manual Exposure................................................................................102
Flexible-Priority AE..............................................................................104
Long (Bulb) Exposures.......................................................................106
13
Contents
Shooting 109
15
Contents
Playback 293
Erasing Images...................................................................................314
Digital Print Order Format (DPOF)......................................................318
Specifying Images for a Photobook....................................................322
Processing RAW Images with the Camera.........................................325
Applying Your Favorite Effects (Creative Assist).................................331
Selecting the Type of RAW Image Processing...................................333
Editing Video Snapshot Albums..........................................................334
Cropping JPEG Images......................................................................337
Resizing JPEG Images.......................................................................339
Setting Ratings....................................................................................340
Slide Show (Auto Playback)................................................................343
Filtering Images for Playback..............................................................345
Jump Display (Jumping Through Images)..........................................347
Customizing Playback Information Display.........................................349
Displaying the Highlight Alert..............................................................351
Displaying AF Points...........................................................................352
Displaying a Grid.................................................................................353
Specifying Initial Image Display When Playback Begins....................354
Setting the Initial Magnification Ratio and Position.............................355
Set-up 357
17
Contents
18
Contents
19
Contents
Reference 553
Software Overview..............................................................................554
Importing Images to a Computer........................................................556
Charging a Battery in the Camera......................................................558
Using an Extension Grip.....................................................................560
Troubleshooting..................................................................................562
Error Codes.........................................................................................581
Performance Data...............................................................................582
Information Display.............................................................................591
Index...................................................................................................605
20
Index to Features
Power Viewfinder
zz Charging the battery (=40) zz Dioptric adjustment (=52)
zz Battery level (=47) zz Information display in viewfinder
zz Checking battery information (=389)
(=381) zz Viewfinder vertical display (=390)
zz Eco mode (=371) zz Viewfinder display format (=393)
zz Power saving (=372)
Screen
Cards zz Vari-angle (=45)
zz Formatting (=367) zz Touch control (=64)
zz Releasing shutter without card zz Brightness (=373)
(=182) zz Display settings (=394)
zz Cards compatible with movie zz Electronic level (=388)
recording (=585) zz Help (=396)
Lens AF
zz Attaching (=48, =50) zz AF operation (=185)
zz Detaching (=49, =51) zz AF method (=188)
zz Releasing shutter without lens zz AF point selection (=193)
(=544)
zz Eye Detection AF (=198)
zz Continuous AF (=199)
Basic Settings
zz Touch & drag AF (=183)
zz Language (=377)
zz MF peaking settings (=216)
zz Date/Time/Zone (=374)
zz Manual focusing (=214)
zz Beeper (=380)
zz Electronic manual focus (=200)
zz Copyright information (=411)
zz Clear all camera settings (=410)
21
Index to Features
Metering Shooting
zz Metering mode (=211) zz Shooting mode (=34)
zz HDR mode (=171)
Drive zz Multiple exposures (=165)
zz Drive mode (=206) zz Bulb timer (=107)
zz Self-timer (=209) zz Depth-of-field preview (=101)
zz Maximum burst (=118) zz Remote switch (=219)
zz Remote control (=217)
Image Recording Settings
zz Quick Control (=65)
zz Creating/Selecting a folder zz Touch Shutter (=163)
(=361)
zz Magnified view (=195)
zz File numbering (=363)
zz Grid display (=390)
zz Shooting information display
Image Quality
(=388)
zz Image quality (=116)
zz Display settings (=394)
zz Still photo cropping/aspect ratio
zz Multi-function lock (=58)
(=119)
zz Error codes (=581)
zz ISO speed (still photos) (=131)
zz Picture Style (=148) Exposure
zz White balance (=140)
zz Exposure compensation (=128)
zz Auto Lighting Optimizer (=136)
zz Exposure compensation with
zz Noise reduction for high ISO M+ISO Auto (=103)
speeds (=157)
zz AEB (=129)
zz Noise reduction for long exposures
zz AE lock (=213)
(=159)
zz Safety shift (=529)
zz Highlight tone priority (=137)
zz Exposure simulation (=139)
zz Lens aberration correction
(=123)
zz Reducing flicker (=179)
zz Color space (=147)
22
Index to Features
Flash Playback
zz External flash (=220) zz Image review time (=122)
zz Flash exposure compensation zz Single-image display (=296)
(=220) zz Shooting information display
zz FE lock (=220) (=597)
zz Flash function settings (=225) zz Grid display (=353)
zz Flash Custom Function settings zz Touch playback (=298)
(=230) zz Playback information display
(=349)
Movie Recording zz Index display (=300)
zz Autoexposure recording (=239) zz Image browsing (Jump display)
zz Manual exposure recording (=347)
(=241) zz Setting image search conditions
zz ISO speed (movie) (=286) (=345)
zz Movie Servo AF (=280) zz Magnified view (=299)
zz Movie Servo AF tracking sensitivity zz Image rotation (=313)
(=282) zz Protect (=310)
zz Movie Servo AF speed (=283) zz Rating (=340)
zz Movie recording size (=249) zz Movie playback (=301)
zz Movie cropping (=256) zz Editing a movie’s first and last
zz HDR movie (=247) scenes (=304)
zz Time-lapse movie (=262) zz Frame Grab (4K) (=306)
zz Video snapshot (=274) zz Slide show (=343)
zz Sound recording (=257) zz Viewing images on a television
zz Microphone (=258) (=308)
zz Wind filter (=257) zz Erasing (=314)
zz Attenuator (=258)
zz Auto slow shutter (=288)
zz Av 1/8-stop increments (=289)
zz HDMI output (=290)
zz Remote control shooting (=285)
23
Index to Features
Software
zz Downloading and Installing
(=554)
zz Software Instruction Manuals
(=555)
24
Safety Instructions
Be sure to read these instructions in order to operate the product safely.
Follow these instructions to prevent injury or harm to the operator of the
product or others.
25
Safety Instructions
26
Safety Instructions
27
Handling Precautions
Camera Care
zz This camera is a precision instrument. Do not drop it or subject it to
physical shock.
zz The camera is not waterproof and cannot be used underwater.
zz To maximize the camera’s dust- and drip- resistance, keep the terminal
cover, battery compartment cover, card slot cover, and all other covers
firmly closed.
zz This camera is designed to be dust- and drip- resistant, in order to help
prevent sand, dust, dirt, or water that falls on it unexpectedly from getting
inside, but it is impossible to prevent dirt, dust, water, or salt from getting
inside at all. As far as possible, do not allow dirt, dust, water, or salt to get
on the camera.
zz If water gets on the camera, wipe it off with a dry and clean cloth. If dirt,
dust, or salt gets on the camera, wipe it off with a clean, well-wrung wet
cloth.
zz Using the camera in a location with large amounts of dirt or dust may
cause a malfunction.
zz Cleaning the camera after use is recommended. Allowing dirt, dust, water,
or salt to remain on the camera may cause a malfunction.
zz If you accidentally drop the camera into water or are concerned that
moisture (water), dirt, dust, or salt may have gotten inside it, promptly
consult the nearest Canon Service Center.
zz Never leave the camera near anything having a strong magnetic field
such as a magnet or electric motor. Also, avoid using or leaving the
camera near anything emitting strong radio waves, such as a large
antenna. Strong magnetic fields can cause camera malfunction or destroy
image data.
zz Do not leave the camera in excessive heat, such as in a car in direct
sunlight. High temperatures can cause the camera to malfunction.
zz The camera contains precision electronic circuitry. Never attempt to
disassemble the camera yourself.
28
Handling Precautions
zz Do not block shutter curtain operation with your finger or other objects.
Doing so may cause a malfunction.
zz Use only a commercially available blower to blow away dust when it
adheres to the lens, viewfinder, etc. Do not use cleaners that contain
organic solvents to clean the camera body or lens. For stubborn dirt, take
the camera to the nearest Canon Service Center.
zz Do not touch the camera’s electrical contacts with your fingers. This is
to prevent the contacts from corroding. Corroded contacts can cause
camera malfunction.
zz If the camera is suddenly brought in from the cold into a warm room,
condensation may form on the camera and internal parts. To prevent
condensation, first put the camera in a sealed plastic bag and let it adjust
to the warmer temperature before taking it out of the bag.
zz If condensation forms on the camera, to avoid damage, do not use the
camera or remove the lens, card, or battery.
Turn the camera off and wait until the moisture has fully evaporated
before resuming use.
Even after the camera is completely dry, if it is still internally cold, do not
remove the lens, card, or battery until the camera has adjusted to the
ambient temperature.
zz If the camera will not be used for an extended period, remove the battery
and store the camera in a cool, dry, well-ventilated location. Even while
the camera is in storage, press the shutter button a few times once in a
while to check that the camera is still working.
zz Avoid storing the camera where there are chemicals that result in rust
and corrosion such as in a chemical lab.
zz If the camera has not been used for an extended period, test all its
functions before using it. If you have not used the camera for some time
or if there is an important shoot such as a foreign trip coming up, have
the camera checked by your nearest Canon Service Center or check the
camera yourself and make sure it is working properly.
zz The camera may become hot after repeated continuous shooting or still
photo/movie shooting over an extended period. This is not a malfunction.
zz If there is a bright light source inside or outside the image area, ghosting
may occur.
29
Handling Precautions
30
Part Names
(1) (10)
(11)
(12)
(2) (13)
(3)
(4)
(14)
(5)
(15)
(6)
(16)
(7)
(17)
(18)
(8) (19)
(9)
31
Part Names
(1) (5)
(2)
(6)
(3)
(7)
(8)
(4)
(9)
(14) (10)
(15) (11)
(16)
(17)
(12)
(18)
(13)
32
Part Names
(7)
(8)
(9)
(10)
(11)
(1)
(2)
(12)
(3) (13)
(4) (14)
(5) (15)
(6) (16)
33
Part Names
Mode Dial
The Mode dial includes Basic Zone modes, Creative Zone modes, and
movie recording mode.
(1)
34
Part Names
(2)
(3)
(4)
35
Part Names
36
Part Names
(2)
(3) (5)
37
Part Names
38
Preparation and Basic
Operations
This chapter describes preparatory steps before you start shooting
and the basic camera operations.
39
Charging the Battery
1Detach the protective cover
provided with the battery.
40
Charging the Battery
oo After disconnecting the charger’s power plug, do not touch the prongs for
approx. 5 sec.
oo The provided charger cannot charge any battery other than Battery Pack LP-
E17.
41
Inserting/Removing the Battery and Card
Insert a fully charged Battery Pack LP-E17 into the camera. The camera
can use SD, SDHC, or SDXC memory cards (sold separately). UHS-II/
UHS-I SDHC and SDXC cards are also supported. The captured images
are recorded onto the card.
oo Make sure the card’s write-protect switch (1) is set upward to enable
writing and erasing.
Insertion
42
Inserting/Removing the Battery and Card
oo You cannot use batteries other than the Battery Pack LP-E17.
oo After opening the card slot/battery compartment cover, be careful not to swing
it back any further. Otherwise, the hinge may break.
Removal
43
Inserting/Removing the Battery and Card
oo When the access lamp is lit or blinking, it indicates that images are
being written to, read from, or erased from the card, or data is being
transferred. Do not open the card slot/battery cover compartment. Also,
never do any of the following while the access lamp is lit or blinking.
Otherwise, it can damage the image data, card, or camera.
• Removing the card.
• Removing the battery.
• Shaking or striking the camera.
• Unplugging and connecting a power cord (when household power outlet
accessories (sold separately) are used).
oo If the card already contains recorded images, the image number may not start
from 0001 (=363).
oo If a card-related error message is displayed on the screen, remove and
reinsert the card. If the error persists, use a different card.
If you can transfer images on the card to a computer, transfer all the images
and then format the card with the camera (=367). The card may then return
to normal.
oo Do not touch the card’s contacts with your fingers or metal objects. Do not
expose the contacts to dust or water. If smudges adhere to the contacts,
contact failure may result.
oo Multimedia cards (MMC) cannot be used. (Card error will be displayed.)
oo Use of UHS-II microSDHC/SDXC cards with a microSD to SD adapter is not
recommended. When using UHS-II cards, use SDHC/SDXC cards.
44
Using the Screen
You can change the direction and angle of the screen.
180°
2Rotate the screen.
zz When the screen is swung out, you can
90° rotate it up, down, or over 180° to face
the subject.
zz The indicated angle is only approximate.
175°
oo Be careful not to forcefully rotate the screen, putting much power on the
rotating axis (hinge).
oo When a cable is connected to a camera terminal, the rotation angle range of
the flipped-out screen will be limited.
oo When not using the camera, close the screen facing inward. You can protect
the screen.
oo A mirror image (right/left reversed) of subjects is displayed when the screen
faces subjects in front of the camera.
45
Turning on the Power
zz <1>
The camera turns on.
zz <2>
The camera is turned off and does not
function. Set the power switch to this
position when not using the camera.
oo If you set the power switch to <2> while an image is being recorded to
the card, [Saving...] will be displayed and the power will turn off after the
recording finishes.
46
Turning on the Power
47
Attaching and Detaching a Lens
Attaching a Lens
48
Attaching and Detaching a Lens
oo Do not look at the sun directly through any lens. Doing so may cause loss of
vision.
oo When attaching or detaching a lens, set the camera’s power switch to <2>.
oo If the front part (focusing ring) of the lens rotates during autofocusing, do not
touch the rotating part.
oo For instructions on how to use the lens, refer to the Lens Instruction Manual
(=4).
49
Attaching and Detaching EF/EF-S Lenses
All EF and EF-S lenses can be used by attaching the optional Mount
Adapter EF-EOS R. The camera cannot be used with EF-M lenses.
Attaching a Lens
(1) (2)
2Attach the lens to the adapter.
zz Align the red or white mount index on
the lens with the corresponding mount
index on the adapter and turn the lens
as shown by the arrow until it clicks into
place.
50
Attaching and Detaching EF/EF-S Lenses
51
Using the Viewfinder
Look through the viewfinder to activate it. You can also restrict display to
either the screen or viewfinder (=394).
52
Basic Operations
Holding the Camera
zzViewing the Screen as You Shoot
As you shoot, you can tilt the screen to adjust it. For details, see =45.
53
Basic Operations
Shutter Button
The shutter button has two steps. You can press the shutter button halfway.
Then you can further press the shutter button completely.
Pressing Halfway
This activates autofocusing and the
automatic exposure system that sets the
shutter speed and aperture.
The exposure setting (shutter speed and
aperture) is displayed on the screen or in
the viewfinder for approx. 8 sec. or as set
for the metering timer.*
* By default, the metering timer is set to 8 sec.
Pressing Completely
This action shoots.
oo If you press the shutter button completely without pressing it halfway first, or if
you press the shutter button halfway and then press it completely immediately,
the camera will take a moment before it takes the picture.
oo Even during menu display or image playback, you can go back to shooting-
ready state by pressing the shutter button halfway.
54
Basic Operations
55
Basic Operations
oo Step (1) can be performed even when controls are locked with the Multi-
function lock (=58).
56
Basic Operations
oo Step (1) can be performed even when controls are locked with the Multi-
function lock (=58).
57
Basic Operations
58
Basic Operations
INFO Button
Each press of the <B> button changes
the information shown.
The following sample screens are for still
photos.
59
Menu Operations and Settings
(1)
(2)
(3)
(6) (7)
(4) (5)
* In Basic Zone modes, some tabs and menu items do not appear.
60
Menu Operations and Settings
(1)
(2)
(3) (9)
2Select a tab.
zz Press the <B> button to switch
between main tabs.
zz Turn the <6> dial to select a
secondary tab.
61
Menu Operations and Settings
3Select an item.
zz Turn the <5> dial to select an item,
then press <0>.
4Select an option.
zz Turn the <5> dial to select an option.
zz The current setting is indicated in blue.
5Set an option.
zz Press <0> to set it.
oo The description of menu functions hereafter assumes that you have pressed
the <M> button to display the menu screen.
oo You can also tap on the menu screen or press the <V> cross keys to operate
the menu.
oo To cancel the operation, press the <M> button.
62
Menu Operations and Settings
oo You may not be able to see the overriding function for certain dimmed menu
items.
oo With [5: Clear all camera settings], you can reset the menu functions to the
default settings (=410).
63
Touch-Screen Operation
You can operate the camera by tapping or dragging on the screen (touch-
screen panel) with your finger.
Tap
Sample screen (Quick Control)
zz Use your finger to tap on (touch briefly
and then remove your finger from) the
screen.
zz For example, when you tap on [Q],
the Quick Control screen appears. By
tapping on [2], you can return to the
preceding screen.
Drag
Sample screen (Menu screen)
zz Slide your finger while touching the
screen.
oo If [5: Beep] is set to [Touch ], the beep will not sound for touch operations
(=380).
oo Touch control responsiveness can be adjusted (=379).
64
Quick Control
You can directly select and set the settings displayed on the screen. This is
called Quick Control (except in <A> mode).
3Select an option.
zz Turn the <6> or <5> dial, or press
the <Y> <Z> keys to change the
setting. There are also functions that are
set by pressing a button following these
operations.
zz Press <0> to finalize the setting and
return to the previous screen.
oo You can also tap on the screen for Quick Control settings (=64).
65
66
Basic Shooting
This chapter describes how to use the Basic Zone modes on the
Mode dial for best results.
With Basic Zone modes, all you do is point and shoot, and the
camera sets everything automatically.
67
Fully Automatic Shooting (Scene Intelligent
Auto)
<A> is a fully automatic mode. The camera analyzes the scene
and sets the optimum settings automatically. It can also adjust focus
automatically on either the still or moving subject by detecting the motion of
the subject (=71).
2Press <0>.
zz Read the message and select [OK].
68
Fully Automatic Shooting (Scene Intelligent Auto)
oo Subject movement (whether subjects are still or moving) may not be detected
correctly for some subject or shooting conditions.
oo If you normally prefer to shoot with One-Shot AF, set [z: A Auto servo] to
[Disable].
oo AF operation (One-Shot AF or Servo AF) is set automatically when you press
the shutter button halfway. Note that AF operation cannot be switched during
shooting.
oo The <A> mode makes the colors look more impressive in nature, outdoor,
and sunset scenes. If you do not obtain the desired color tones, change the
mode to a Creative Zone mode (=35) and select a Picture Style other than
<D>, then shoot again (=148).
69
Fully Automatic Shooting (Scene Intelligent Auto)
FAQ
zzFocusing is not possible (indicated by an orange AF point).
Aim the AF point over an area with good contrast, then press the shutter
button halfway (=54). If you are too close to the subject, move away
and shoot again.
zzMultiple AF points are displayed simultaneously.
If multiple AF points are displayed simultaneously, all of these positions
are in focus. As long as one AF point is displayed on the subject, you can
take the picture.
zzPressing the shutter button halfway does not focus the
subject.
If the focus mode switch on the lens is set to <MF> (manual focus), set it
to <AF> (autofocus).
zzThe shutter speed display is blinking.
Since it is too dark, taking the picture may result in a blurred subject due
to camera shake. Using a tripod or a Canon EL/EX series Speedlite (sold
separately, =220) is recommended.
zzWhen the external flash was used, the bottom part of the
picture came out unnaturally dark.
If a hood is attached to the lens, it may obstruct the flash light. If the
subject is close, detach the hood before taking the picture with flash.
70
Full Auto Techniques (Scene Intelligent
Auto)
Recomposing the Shot
Depending on the scene, positioning the subject toward the left or right
to include a balanced background will result in a picture with better
perspective.
Pressing the shutter button halfway to focus on a still subject will lock the
focus on that subject. Recompose the shot while keeping the shutter button
pressed halfway, and then press the shutter button completely to take the
picture. This is called “focus lock”.
After you press the shutter button halfway and a blue AF point appears, the
camera detects subject movement and focuses using Servo AF. Keep the
subject on the screen as you hold down the shutter button halfway, and at
the decisive moment, press the shutter button completely.
If you prefer to shoot with One-Shot AF, set [z: A Auto servo] to
[Disable].
71
Full Auto Techniques (Scene Intelligent Auto)
Scene Icons
The camera detects the scene type and
sets everything automatically to suit the
scene. The detected scene type is indicated
on the upper left of the screen. For icon
details, see =595.
72
Full Auto Techniques (Scene Intelligent Auto)
2Select an effect.
zz Use the <Y> <Z> keys to select an
effect, then press <0>.
73
Full Auto Techniques (Scene Intelligent Auto)
zz[ ] Brightness
Adjust image brightness.
zz[ ] Contrast
Adjust contrast.
zz[ ] Saturation
Adjust the vividness of colors.
zz[ ] Color tone 1
Adjust amber/blue color tone.
zz[ ] Color tone 2
Adjust green/magenta color tone.
zz[ ] Monochrome
Set the toning effect for monochrome shooting. Set to [Off] to shoot in
color. [Saturation], [Color tone 1], and [Color tone 2] are not available
with options other than [Off].
74
Special Scene Mode
The camera will automatically choose the appropriate settings when you
select a shooting mode for your subject or scene.
* <8> stands for Special Scene.
oo Cautions on each shooting mode are listed together (=90). Read the
cautions before shooting.
oo The Quick Control screen appears after step 2 when [5: Mode guide] is set
to [Disable]. Press the <Y> <Z> keys to select the shooting mode.
75
Special Scene Mode
oo You can also set the shooting mode from [z: Shooting mode] after setting
the Mode dial to <8>.
76
Shooting Portraits
The <2> (Portrait) mode blurs the background to make the human subject
stand out. It also makes skin tones and hair look softer.
Shooting Tips
zzSelect the location where the distance between the subject
and the background is the farthest.
The further the distance between the subject and background, the more
blurred the background will look. The subject will also stand out better
against an uncluttered dark background.
zzUse a telephoto lens.
If you have a zoom lens, use the telephoto end to fill the frame with the
subject from the waist up.
zzFocus on the face.
As you focus, make sure the AF point on the face is lit in green before
you shoot. When shooting close-ups of the face, you can set [z: Eye
Detection AF] to [Enable] to shoot with the subject’s eyes in focus.
77
Shooting Group Photos
Use the <q> (Group Photo) mode to shoot group photos. You can take a
picture in which both the people in the front and people in the back are all in
focus.
Shooting Tips
zzUse a wide-angle lens.
When using a zoom lens, use the wide-angle end to make it easy to get
all the people in the group in focus at once, from the front row to the back.
Also, if you place a little distance between the camera and the subjects (so
that the subjects’ entire bodies are in the shot), the focus range increases
in depth.
zzTake multiple shots of the group.
It is recommended to shoot multiple photos in case some people close
their eyes.
oo When shooting indoors or in low-light, hold the camera steady or use a tripod
to prevent camera shake.
78
Shooting Landscapes
Use the <3> (Landscape) mode for expansive scenery or to have
everything in focus from near to far. For vivid blues and greens, and very
sharp and crisp images.
Shooting Tips
zzWith a zoom lens, use the wide-angle end.
When using a zoom lens, set the lens to the wide-angle end to make the
objects near and far in focus. It also adds breadth to landscapes.
zzShooting night scenes.
Shooting with <3> while handholding the camera may cause camera
shake. Using a tripod is recommended.
79
Shooting Moving Subjects
Use the <5> (Sports) mode to shoot a moving subject, such as a running
person or a moving vehicle.
(1)
Shooting Tips
zzUse a telephoto lens.
Use of a telephoto lens is recommended to enable shooting from a
distance.
zzTrack the subject with the Area AF frame.
By default, [z: AF method] is set to [u+Tracking]. An Area AF frame (1)
appears when you press the shutter button halfway. Once the subject is
in focus, the AF point turns blue.
zzShoot continuously.
The default setting is [o] (High-speed continuous shooting). At the
decisive moment, press the shutter button completely to take the shot. To
track the subject and capture changes as it moves, keep holding down
the shutter button to shoot continuously.
80
Photographing Children
To photograph the children running around, use <C> (Kids). Skin tones will
look healthy.
(1)
Shooting Tips
zzTrack the subject with the Area AF frame.
By default, [z: AF method] is set to [u+Tracking]. An Area AF frame (1)
appears when you press the shutter button halfway. Once the subject is
in focus, the AF point turns blue.
zzShoot continuously.
The default setting is [o] (High-speed continuous shooting). At the
decisive moment, press the shutter button completely to take the shot.
To track the subject and capture changes in facial expression and
movement, keep holding down the shutter button to shoot continuously.
81
Panning
If you want to take a picture with the feel of speed and a blurred motion
effect on the subject’s background, use <r> (Panning). If you use a
lens supporting the <r> mode, subject blur is detected, corrected, and
reduced.
Shooting Tips
zzTurn the camera to follow the moving subject.
When shooting, turn the camera smoothly as you track the moving
subject. Aim the AF point over the part of the moving subject where you
want to focus, then press the shutter button halfway and keep holding
it down as you turn the camera to match the subject’s speed and
movement. Press the shutter button completely while moving the camera
to take the picture. Keep tracking the subject with the camera.
82
Panning
oo For details on lenses compatible with <r> mode, visit the Canon website.
oo With lenses that support <r> mode, the camera automatically corrects
subject blur and (based on the [Effect] setting) adjusts shutter speed,
regardless of the lens IS setting.
oo The AF method can only be set to [1-point AF] or [Zone AF]. By default, it is
set to [Zone AF], with the zone in the center of the screen selected.
oo To prevent camera shake, it is recommended that you hold the camera with
both hands, tighten your arms close to your body, and track the subject’s
movement smoothly to take pictures.
oo This effect is most effective with trains, cars, etc. that move at a constant
speed in one direction.
oo Taking test shots or checking the image by playing it back immediately after
shooting is recommended.
oo By default, <i> (Low-speed continuous shooting) is set. At the decisive
moment, press the shutter button completely to take the picture. You can track
moving subjects by panning the camera as you keep holding down the shutter
button to shoot continuously.
83
Shooting Close-ups
When you want to shoot flowers or small things up close, use the <4>
(Close-up) mode. To make small things appear much larger, use a macro
lens (sold separately).
Shooting Tips
zzUse a simple background.
A simple background makes small objects such as flowers stand out
better.
zzMove in as close as possible to the subject.
Check the lens for its minimum focusing distance. The lens minimum
focusing distance is measured from the <V> (focal plane) mark on the
top of the camera to the subject. Focusing is not possible if you are too
close.
zzWith a zoom lens, use the telephoto end.
If you have a zoom lens, using the telephoto end will make the subject
look larger.
84
Shooting Food
When you want to take pictures of food, use <P> (Food). The photo will
look bright and appetizing. Also, depending on the light source, the reddish
tinge will be suppressed in the pictures taken under tungsten lights, etc.
Shooting Tips
zzChange the color tone.
You can change [Color tone]. To increase the food’s reddish tinge, set it
toward [Warm]. Set it toward [Cool] if it looks too red.
85
Shooting Night Portraits (With a Tripod)
When you want to photograph people at night and obtain a natural-looking
night scene in the background, use the <6> (Night Portrait) mode. Note
that an external Speedlite is required for shooting. Using a tripod is
recommended.
Shooting Tips
zzUse a wide-angle lens and a tripod.
When using a zoom lens, use the wide-angle end to obtain a wide night
view. Also, since camera shake is prone to occur with handheld shooting,
use a tripod.
zzCheck the image brightness.
Note that it is recommended to play back the captured image on location
to check the image brightness. If the subject looks dark, move nearer and
shoot again.
zzAlso shoot in other shooting modes.
Since camera shake is prone to occur with night shots, shooting also with
<A> and <F> is recommended.
oo If you use the self-timer together with an external Speedlite, the self-timer
lamp will light up briefly after the picture is taken.
86
Shooting Night Scenes (Handheld)
Using a tripod when shooting a night scene gives the best results. However,
the <F> (Handheld Night Scene) mode enables you to shoot night scenes
even while handholding the camera. In this shooting mode, four shots are
taken consecutively for each picture, and the resulting one image with
reduced camera shake is recorded.
Shooting Tips
zzHold the camera firmly.
During shooting, hold the camera firmly and steadily. In this mode, four
shots are aligned and merged into a single image. However, if there is
significant misalignment in any of the four shots due to camera shake,
they may not align properly in the final image.
zzFor portraits, use an external Speedlite.
If you are to include people in the picture, use an external Speedlite.
To take a nice portrait, the first shot will use flash. Tell the subject not to
move until all four consecutive shots are taken.
87
Shooting Backlit Scenes
When shooting a scene having both the bright and dark areas, use the
<G> (HDR Backlight Control) mode. When you take one picture in this
mode, three consecutive shots are taken at different exposures. This results
in one image, with a wide tonal range, that has minimized the clipped
shadows caused by backlighting.
* HDR stands for High Dynamic Range.
Shooting Tips
zzHold the camera firmly.
During shooting, hold the camera firmly and steadily. In this mode, three
shots are aligned and merged into a single image. However, if there is
significant misalignment in any of the three shots due to camera shake,
they may not align properly in the final image.
88
Shooting Quiet Scenes
Where silence is needed, you can shoot without beeps such as shutter
release sounds.
Shooting Tips
zzTake some test shots.
It is recommended to take a few test shots in advance, because under
some shooting conditions, lens aperture adjustment may be audible.
89
Cautions for the <SCN> Modes
q: Group Photo
oo The angle of view changes slightly, due to distortion correction.
oo Depending on the shooting conditions, focus may not be attained for everyone
from the front to the back of the image.
5: Sports
oo Under low light where camera shake tends to occur, the shutter speed value in
the lower left will blink. Hold the camera steady and shoot.
oo Using an external Speedlite will decrease the continuous shooting speed.
C: Kids
oo Using an external Speedlite will decrease the continuous shooting speed.
r: Panning
oo The shutter speed will become slower. Therefore, this mode is not suitable for
any shooting except for panning.
oo By default, <i> is set. Note that <o> cannot be selected.
oo External Speedlites cannot be used. (It will not fire.)
oo Although lens IS is applied to images captured with lenses supporting <r>
mode, the effect is not shown on the screen as you shoot. (IS and subject blur
correction are activated when you shoot, regardless of the lens IS setting.)
oo If the lens does not support the <r> mode, subject blur will not be corrected.
However, the automatic shutter speed adjustment alone will take effect
according to the setting of [Effect].
oo When shooting under bright light such as a sunny summer day or when
shooting a slow subject, the set degree of panning effect may not be obtained.
90
Cautions for the <SCN> Modes
r: Panning (continued)
oo With a lens supporting the <r> mode, subject blur may not be corrected
properly when shooting the following subjects or under the following shooting
conditions.
• Subjects with very low contrast.
• Subjects in low light.
• Strongly backlit or reflective subjects.
• Subjects with repetitive patterns.
• Subjects with less patterns or monotonous patterns.
• Subjects with reflections (images reflected in glass, etc.).
• Subjects smaller than the Zone AF frame.
• When there are multiple subjects moving within the Zone AF frame.
• Subjects moving in irregular directions or at irregular speeds.
• Subjects whose movements are partly irregular. (For example, the vertical
movement of a runner.)
• Subjects whose speed changes dramatically. (For example, right after the
start of movement or while turning along a curve.)
• When you move the camera too fast or too slow.
• When the camera’s movement does not match the subject’s movement.
P: Food
oo The warm color cast of subjects may fade.
oo When multiple light sources are included in the scene, the warm color cast of
the picture may not be reduced.
oo If you use an external Speedlite, [Color tone] will be set to Standard.
oo If there are people in the picture, the skin tone may not be reproduced
properly.
91
Cautions for the <SCN> Modes
6: Night Portrait
oo Tell subjects to remain still for a moment after the flash fires.
oo Focusing may be difficult when subject faces look dark. In this case, set the
lens’s focus mode switch to <MF> and focus manually.
oo Autofocusing at night or in dark scenes may be difficult when points of light lie
within the AF point. In this case, set the lens’s focus mode switch to <MF> and
focus manually.
oo Shots will look slightly different from the image as displayed on the screen.
F: Handheld Night Scene
oo Compared to other shooting modes, the image area will be smaller.
oo RAW image quality cannot be set.
oo Autofocusing at night or in dark scenes may be difficult when points of light lie
within the AF point. In this case, set the lens’s focus mode switch to <MF> and
focus manually (=48, =51).
oo Shots will look slightly different from the image as displayed on the screen.
oo If you use an external Speedlite and the subject is close, overexposure may
result.
oo If you use an external Speedlite for a night scene with limited lighting, the
shots may not align correctly. This may result in a blurry picture.
oo If you use an external Speedlite with a human subject close to the background
that is also illuminated by the flash, the shots may not align correctly. This may
result in a blurry picture. Unnatural shadows and unsuitable colors may also
appear.
oo Flash coverage angle with an external Speedlite:
• When using a Speedlite with automatic flash coverage setting, the zoom
position will be fixed to the wide (wide-angle) end regardless of the lens’s
zoom position.
• When using a Speedlite requiring manual flash coverage setting, set the
flash head to the normal position.
92
Cautions for the <SCN> Modes
93
94
Creative Zone
Creative Zone modes give you the freedom
to shoot in a variety of ways by setting your
preferred shutter speed, aperture value,
exposure, and more.
95
Program AE
The camera automatically sets the shutter speed and aperture to suit the
subject’s brightness. This is called Program AE.
* <d> stands for Program.
* AE stands for Auto Exposure.
96
Program AE
97
Shutter-Priority AE
In this mode, you set the shutter speed and the camera automatically sets
the aperture to obtain the standard exposure matching the brightness of the
subject. This is called shutter-priority AE. A faster shutter speed can freeze
the action of a moving subject. A slower shutter speed can create a blurred
effect, giving the impression of motion.
* <s> stands for Time value.
98
Shutter-Priority AE
99
Aperture-Priority AE
In this mode, you set the desired aperture and the camera sets the shutter
speed automatically to obtain the standard exposure matching the subject
brightness. This is called aperture-priority AE. A higher f/number (smaller
aperture hole) will make more of the foreground and background fall within
acceptable focus. On the other hand, a lower f/number (larger aperture
hole) will make less of the foreground and background fall within acceptable
focus.
* <f> stands for Aperture value (aperture opening).
100
Aperture-Priority AE
Depth-of-Field PreviewM
Press the button you have assigned to depth-of-field preview (using [8C.
Fn III-5: Customize buttons], (=537)) to stop down the lens to the
current aperture setting and check the area in focus (depth of field).
oo The larger the aperture value, the wider the area in focus, from the foreground
to the background.
oo Exposure is locked (AE lock) as you hold down the button assigned to depth-
of-field preview.
101
Manual Exposure
In this mode, you set both the shutter speed and aperture as desired.
To determine the exposure, refer to the exposure level indicator or use
a commercially available exposure meter. This method is called manual
exposure.
* <a> stands for Manual.
102
Manual Exposure
oo If ISO Auto is set, the ISO speed setting will change to obtain the standard
exposure with the set shutter speed and aperture. Therefore, you may
not obtain the desired exposure effect. In this case, set the exposure
compensation.
oo With the camera set to the <a> mode + ISO Auto + <q> (Evaluative
metering) and [8C.Fn I-7: AE lock meter. mode after focus] set to the
default setting (=529), holding down the shutter button halfway will lock the
ISO speed after focus is achieved with One-Shot AF.
oo When ISO Auto is set, you can press the <A> button to lock the ISO speed.
oo To compare the current exposure to the exposure when you pressed the
<A> button initially with a manually set ISO speed, press the <A> button,
recompose the shot, and check the exposure level indicator.
oo With ISO Auto set and [8C.Fn I-1: Exposure level increments] set to [1/2-
stop], any 1/2-stop exposure compensation will be implemented with the ISO
speed (1/3 stop) and shutter speed. However, the shutter speed displayed will
not change.
103
Flexible-Priority AE
In this mode, you can set shutter speed, aperture, and ISO speed manually
or automatically and combine these settings with your choice of exposure
compensation. Shooting in <t> mode, with control over each of these
parameters, is equivalent to shooting in <d>, <s>, <f>, or <a>
mode.
* <t> stands for Flexible value.
104
Flexible-Priority AE
oo Blinking values indicate that the values set will cause underexposure or
overexposure. Adjust the exposure until the value stops blinking.
oo Slow-sync shooting is not used under low light when you have set up <t>
mode to resemble <f> or <d> mode, even when [Slow synchro] in [z:
External Speedlite control] is set to [1/180-30sec. auto].
oo Values for shutter speed, aperture, and ISO speed that are set to [AUTO] are
underlined.
oo You can set shutter speed, aperture, and ISO speed to [AUTO] and exposure
compensation to [±0] in steps 2 or 3 by pressing the <X> or <Y> key.
105
Long (Bulb) Exposures
In this mode, the shutter stays open as long as you hold down the shutter
button completely, and closes when you let go of the shutter button. This
photographic technique is called “bulb exposure”. Use bulb exposures for
night scenes, fireworks, the heavens, and other subjects requiring long
exposures.
oo Do not point the camera toward an intense light source, such as the sun or an
intense artificial light source. Doing so may damage the image sensor or the
camera’s internal components.
oo Long bulb exposures produce more noise in the image than usual.
oo If ISO Auto is set, ISO 400 will be set (=582).
oo When shooting bulb exposures with the self-timer instead of the bulb timer,
keep pressing the shutter button completely (for the self-timer time and bulb
exposure time).
106
Long (Bulb) Exposures
oo With [z Long exp. noise reduction], you can reduce the noise generated
during long exposures (=159).
oo For bulb exposures, using a tripod and bulb timer is recommended.
oo You can also shoot bulb exposures by using Remote Switch RS-60E3 (sold
separately, =219).
oo You can also use Wireless Remote Control BR-E1 (sold separately) for bulb
exposures. When you press the remote control’s transmit button, the bulb
exposure will start immediately or 2 sec. later. Press the button again to stop
the bulb exposure.
Bulb TimerM
You can preset the bulb exposure’s exposure time. The bulb timer eliminates
the need to keep holding down the shutter button during the bulb exposure.
This reduces camera shake.
The bulb timer can be set only in the <F> (bulb exposure). It cannot be set
(or will not function) in any other mode.
2Select [Enable].
zz Select [Enable], then press the <B>
button.
107
Long (Bulb) Exposures
4Select [OK].
oo While the bulb timer is operating, if you press the shutter button completely
and let go of it, the bulb exposure will stop.
oo If you keep pressing the shutter button completely after the exposure starts,
the bulb exposure will continue even after the set exposure time elapses. (The
bulb exposure will not stop automatically when the set exposure time elapses.)
oo Changing shooting modes cancels the bulb timer and restores the setting to
[Disable].
108
Shooting
This chapter describes shooting and introduces menu settings on
the shooting ([z]) tab.
109
Shooting Still Photos
zz A M icon to the right of a page title indicates that the function is available
only in Creative Zone <t>, <d>, <s>, <f>, <a>, or <F> mode.
110
Tab Menus: Still Photo Shooting
zzShooting 1
=116
=119
=122
=182
zzShooting 2
=123
=222
zzShooting 3
=129
=131
=286
=136
=137
=138
=139
111
Tab Menus: Still Photo Shooting
zzShooting 4
=140
=143
=145
=147
=148, 152, 155
zzShooting 5
=159
=157
=161
=163
=165
=171
=202
zzShooting 6
=176
=106
=179
=181
112
Tab Menus: Still Photo Shooting
zzShooting 7
=185
=188
=198
=199
=183
zzShooting 8
=200
=201
=216
zzShooting 9
=249
=257
=260
=280
=288
oo When RF lenses without a focus mode switch are used, [Focus mode] is
displayed.
113
Tab Menus: Still Photo Shooting
=76
=116
=122
=182
zzShooting 2
=73
=163
=176
zzShooting 3
=188
=198
=199
=183
114
Tab Menus: Still Photo Shooting
zzShooting 4
=201
=71
=216
zzShooting 5
=249
=257
=260
=280
115
Setting Image Quality
You can select the pixel count and the image quality. JPEG image quality
options include 73, 83, 74, 84, 7a, 8a, and b. RAW image
quality options include 1 and F.
oo If [–] is set for both the RAW image and JPEG image, 73 will be set.
oo If you select both RAW and JPEG, each time you shoot, the image will be
recorded simultaneously to the card in both RAW and JPEG at the image-
recording qualities that were set. The two images will be recorded with the
same file numbers (file extension: .JPG for JPEG and .CR3 for RAW).
oo b is in 7 (Fine) quality.
oo Meaning of image quality icons: 1 RAW, F Compact RAW, JPEG,
7 Fine, 8 Normal, 3 Large, 4 Medium, 6 Small.
116
Setting Image Quality
RAW Images
A RAW image is raw data output by the image sensor converted to digital
data. It is recorded to the card as is, and you can select the quality as
follows: 1 or F. F produces RAW images with smaller file sizes
than 1.
RAW images can be processed using [3: RAW image processing]
(=325) and saved as JPEG images. (Just as for 1, all JPEG size
options are available for F.) As the RAW image itself does not change,
you can process the RAW image to create any number of JPEG images
with various processing conditions.
You can use Digital Photo Professional (EOS software) to process RAW
images. You can make various adjustments to images depending upon how
they will be used and can generate JPEG or other types of images reflecting
the effects of those adjustments.
117
Setting Image Quality
oo If the maximum burst is displayed as “99”, it indicates that you can shoot 99
or more shots continuously. The value starts decreasing once it reaches 98
or less. [BUSY] display indicates that internal memory is full and shooting
will stop temporarily. If you stop continuous shooting, the maximum burst will
increase. After all the captured images are written to the card, you can resume
continuous shooting and shoot up to the maximum burst listed in the table on
=583.
118
Setting Cropping/Aspect Ratio N
Normally with RF or EF lenses, images are captured at the sensor size
of approx. 36.0×24.0 mm in full-frame shooting, but in cropped shooting,
you can isolate and magnify the center of the image approx. 1.6x (APS-C
size) as if using a telephoto lens, or you can set an aspect ratio to suit your
shooting application before shooting.
For EF-S lenses, a 3:2 aspect ratio in the center is captured, magnified
approx. 1.6x (APS-C size).
1Select
ratio].
[z: zCropping/aspect
2Select an item.
zz Select [Full-frame], [1.6x (crop)], [1:1
(aspect ratio)], [4:3 (aspect ratio)], or
[16:9 (aspect ratio)].
zz With EF-S lenses, [1.6x (crop)] is set
automatically, and no other option is
available.
oo 74/84/7a/8a image quality options are not available when [1.6x (crop)]
is set, or with EF-S lenses.
oo Cropped shooting with the image quality set to 74/84/7a/8a produces
73/83/b/b images, respectively.
oo Shooting with an EF-S lens when [1:1 (aspect ratio)], [4:3 (aspect ratio)],
or [16:9 (aspect ratio)] is set automatically clears the setting and shoots with
[1.6x (crop)] at a 3:2 aspect ratio.
119
Setting Cropping/Aspect Ratio
Setting examples
Y set
3Take the picture.
zz When [1.6x (crop)] is set or an EF-S
lens is used, an image magnified
approx. 1.6x is displayed.
zz When [1:1 (aspect ratio)], [4:3 (aspect
ratio)], or [16:9 (aspect ratio)] is set,
the image within the black masked is
captured.
W set
120
Setting Cropping/Aspect Ratio
oo Areas outside the cropped area are not recorded in RAW shooting when
[1.6x (crop)] is set, or with EF-S lenses.
oo The [z: zCropping/aspect ratio] setting is not used as the basis for auto
flash zoom (auto flash coverage adjustment) by an external Speedlite.
oo For details on pixel counts when cropping or an aspect ratio is set, see
=584.
oo Nearly 100% field of view coverage is maintained vertically and horizontally
when cropping or an aspect ratio is set.
oo Aspect ratio information is added to RAW images when an aspect ratio is set,
which are captured at full size. When the RAW images are played back, the
image area used for shooting is indicated by lines. Note that only the shooting
image area is shown in slideshows (=343).
121
Setting the Image Review Time
You can set how long the image is displayed on the screen immediately
after shooting. To keep the captured image displayed, set [Hold]. To not
have the captured image displayed, set [Off].
122
Correction of Lens Aberrations due to N
Optical Characteristics
Vignetting, image distortion, and other issues may be caused by lens optical
characteristics. The camera can compensate for these phenomena by using
[Lens aberration correction].
2Select an item.
3Select [Enable].
zz Confirm that the name of the attached
lens and (except for diffraction
correction) [Correction data available]
are displayed.
zz If [Correction data not available]
or [ ] is displayed, see “Digital Lens
Optimizer” (=125).
123
Correction of Lens Aberrations due to Optical Characteristics
oo The correction amount applied will be lower than the maximum correction
amount that applied with Digital Photo Professional (EOS software).
oo Peripheral illumination is corrected automatically in Basic Zone modes when
correction data is registered on the camera.
Distortion Correction
Distortion (image warping) can be corrected.
oo To correct distortion, the camera captures a narrower image area than the
area seen when shooting, which crops the image a little and slightly lowers the
apparent resolution.
oo Setting distortion correction may change the angle of view slightly.
oo The amount of image cropped may vary between still photos and movies.
oo When you magnify images, distortion correction is not applied to the images
displayed.
oo Images with distortion correction applied will not have the Dust Delete Data
(=161) appended.
124
Correction of Lens Aberrations due to Optical Characteristics
125
Correction of Lens Aberrations due to Optical Characteristics
Diffraction Correction
Diffraction (loss of sharpness caused by the aperture) can be corrected.
oo With “Diffraction correction”, degraded resolution due to the low-pass filter, etc.
is corrected in addition to diffraction. Therefore, correction is effective even at
an aperture close to the open aperture.
oo [Diffraction correction] is not displayed when [Digital Lens Optimizer] is
enabled.
126
Correction of Lens Aberrations due to Optical Characteristics
127
Setting the Desired Exposure N
Compensation
Exposure compensation can brighten (increased exposure) or darken
(decreased exposure) the standard exposure set by the camera.
Exposure compensation can be set in the <t>, <d>, <s>, <f>, and
<a> shooting modes. You can set exposure compensation up to ±3 stops
in 1/3-stop increments.
For details on exposure compensation when <a> mode and ISO Auto are
both set, see =103, and see =104 for <t> mode.
oo If [z: Auto Lighting Optimizer] (=136) is set to any setting other than
[Disable], the image may still look bright even if a decreased exposure
compensation for a darker image is set.
oo The exposure compensation amount will remain in effect even after you set
the power switch to <2>.
128
Auto Exposure Bracketing (AEB) N
By changing the shutter speed, aperture, or ISO speed automatically, you
can bracket the exposure up to ±3 stops in 1/3-stop increments for three
consecutive shots. This is called AEB.
* AEB stands for Auto Exposure Bracketing.
Standard exposure
3Take the picture.
zz Three bracketed shots will be taken
according to the drive mode set in
Decreased exposure this sequence: Standard exposure,
decreased exposure, and increased
exposure.
zz AEB will not be automatically canceled.
Increased exposure
To cancel AEB, follow step 2 to turn off
the AEB range display.
129
Auto Exposure Bracketing (AEB)
oo If [z: Auto Lighting Optimizer] (=136) is set to any setting other than
[Disable], the effect of AEB may be reduced.
oo <A> blinks in the lower left of the screen during AEB shooting.
oo If the drive mode is set to <u>, press the shutter button three times for each
shot. When <o> or <i> is set and you hold down the shutter button
completely, the three bracketed shots will be taken consecutively and the
camera will automatically stop shooting. When <m> or <l> is set, the
three bracketed shots will be taken consecutively after a 10-sec. or 2-sec.
delay. When set to <q>, three times the specified number of shots are taken
in continuous shooting.
oo You can set AEB in combination with exposure compensation.
oo AEB cannot be used with flash, Multi Shot Noise Reduction, focusing
bracketing, or in HDR mode.
oo AEB will be canceled automatically if you do any of the following: Setting the
power switch to <2> or when the flash is fully charged.
130
Setting the ISO Speed for Still Photos N
Set the ISO speed (image sensor’s sensitivity to light) to suit the ambient
light level. In Basic Zone modes, ISO speed is set automatically.
Regarding the ISO speed during movie recording, see =588.
oo To expand the available ISO speed range from L (equivalent to ISO 50) to
H1 (equivalent to ISO 51200) or H2 (equivalent to ISO 102400), adjust [ISO
speed range] under [z: zISO speed settings] (=133).
131
Setting the ISO Speed for Still Photos
132
Setting the ISO Speed for Still Photos
5Select [OK].
133
Setting the ISO Speed for Still Photos
4Select [OK].
oo The [Minimum] and [Maximum] settings will also function as the minimum
and maximum speeds for ISO speed safety shift (=529).
134
Setting the ISO Speed for Still Photos
Automatically set
2Set the desired minimum shutter
speed.
zz If you select [Auto], turn the <6> dial
to set a slower or faster speed, then
press <0>.
oo If a correct exposure cannot be obtained with the maximum ISO speed limit
set with [Auto range], a shutter speed slower than the [Min. shutter spd.] will
be set to obtain the standard exposure.
oo This function will not be applied to flash photography and movie recording.
135
Auto Correction of Brightness and N
Contrast
Brightness and contrast can be corrected automatically if shots look dark or
contrast is too low or high. This function is called Auto Lighting Optimizer.
In Basic Zone modes, [Standard] is set automatically.
oo Noise may increase and clarity may change, under some shooting conditions.
oo If the effect of Auto Lighting Optimizer is too strong and results are not at your
preferred brightness, set to [Low] or [Disable].
oo If a setting other than [Disable] is set and you use exposure compensation
or flash exposure compensation to darken the exposure, the image may still
come out bright. If you want a darker exposure, set this function to [Disable].
oo Maximum burst is lower with [High]. Image recording to the card also takes
longer.
oo In step 2, if you press the <B> button and remove the checkmark [X] for
[Disabled in M or B modes] setting, the [z: Auto Lighting Optimizer] can
also be set even in <a> and <F> modes.
136
Highlight Tone Priority N
You can reduce overexposed, clipped highlights.
2Set an option.
zz [Enable]: Improves gradation in
highlights. The dynamic range is
expanded from the standard 18% gray
to bright highlights. The gradation
between the grays and highlights
becomes smoother.
zz [Enhanced]: Reduces overexposed
highlights even more than [Enable],
under some shooting conditions.
137
Setting the Metering Timer N
You can set how long the metering timer runs (which determines the
duration of exposure display/AE lock) after it is triggered by an action such
as pressing the shutter button halfway.
138
Exposure Simulation N
Exposure simulation simulates and displays how the brightness (exposure)
of the actual image will look.
139
Setting the White Balance N
White balance (WB) is for making the white areas look white. Normally, the
Auto [Q] (Ambience priority) or [Qw] (White priority) setting will obtain
the correct white balance. If natural-looking colors cannot be obtained with
Auto, you can select the white balance to match the light source or set it
manually by shooting a white object.
In Basic Zone modes, [Q] (Ambience priority) is set automatically. (In <P>
mode, [Qw] (White priority) is set.)
140
Setting the White Balance
(Approx.)
Display Mode Color Temperature (K: Kelvin)
Q Auto (Ambience priority, =142)
3000–7000
Qw Auto (White priority, =142)
W Daylight 5200
E Shade 7000
R Cloudy, twilight, sunset 6000
Y Tungsten light 3200
U White fluorescent light 4000
D Flash Automatically set*
O Custom (=143) 2000–10000
P Color temperature (=144) 2500–10000
* Applicable with Speedlites having a color temperature transmission function.
Otherwise, it will be fixed to approx. 6000K.
White Balance
To the human eye, a white object looks white regardless of the type of
lighting. With a digital camera, the white for color correction basis is decided
depending on the color temperature of the illumination, and then the color
is adjusted with software to make the white areas look white. With this
function, you can take the pictures with natural color tones.
141
Setting the White Balance
2Select [Q].
zz With [Q] selected, press the <B>
button.
3Select an item.
142
Setting the White Balance
143
Setting the White Balance
oo If the exposure obtained in step 1 differs greatly from the standard exposure, a
correct white balance may not be obtained.
oo The following images cannot be selected: Images captured with the Picture
Style set to [Monochrome], multiple-exposure images, cropped images, and
images shot with another camera.
oo Instead of shooting a white object, you can also shoot a gray chart or standard
18% gray reflector (commercially available).
oo When setting the color temperature for an artificial light source, set the white
balance correction (magenta or green bias) as necessary.
oo If you set [P] to the reading taken with a commercially available color
temperature meter, take test shots and adjust the setting to compensate
for the difference between the color temperature meter’s reading and the
camera’s color temperature reading.
144
White Balance Correction N
You can correct the white balance that is set. This adjustment will have the
same effect as using a commercially available color temperature conversion
filter or color compensating filter. Each color can be corrected to one of nine
levels.
145
White Balance Correction
oo During white balance bracketing, the maximum burst for continuous shooting
will be lower.
oo Since three images are recorded for one shot, it takes longer to record the
image to the card.
146
Setting the Color Space N
The range of reproducible colors is called “color space”. With this camera,
you can set the color space for captured images to sRGB or Adobe RGB.
For normal shooting, sRGB is recommended.
Adobe RGB
This color space is mainly used for commercial printing and other industrial
uses. Recommended when using equipment such as Adobe RGB-
compatible monitors or DCF 2.0 (Exif 2.21 or later) compatible printers.
oo If the still photo is shot in the Adobe RGB color space, the first character in the
file name will be an underscore “_”.
oo The ICC profile is not appended. For the descriptions about the ICC profile,
refer to the Digital Photo Professional Instruction Manual (EOS software).
oo In Basic Zone modes, [sRGB] is set automatically.
147
Selecting a Picture Style N
Just by selecting a preset Picture Style, you can obtain image characteristics
effectively matching your photographic expression or the subject.
In Basic Zone modes, [D] (Auto) is set automatically.
148
Selecting a Picture Style
oo If the desired color tone is not obtained with [Auto], use another Picture Style.
zz[P] Standard
The image looks vivid, sharp, and crisp. This is a general-purpose Picture
Style suitable for most scenes.
zz[Q] Portrait
For nice skin tones. The image looks softer. Suited for close-up portraits.
By changing the [Color tone] (=153), you can adjust the skin tone.
zz[R] Landscape
For vivid blues and greens, and very sharp and crisp images. Effective for
impressive landscapes.
zz[u] Fine Detail
Suited for detailed outline and fine texture description of the subject. The
colors will be slightly vivid.
zz[S] Neutral
Suited for processing the image with a computer. For natural colors and
subdued images with modest brightness and color saturation.
149
Selecting a Picture Style
zz[U] Faithful
Suited for processing the image with a computer. The color of a subject
that is captured in sunlight at a color temperature of 5200K will be
adjusted to match the subject’s colorimetrical color. For subdued images
with modest brightness and color saturation.
zz[V] Monochrome
Creates black-and-white images.
oo Color images cannot be recovered from JPEG images shot with the
[Monochrome] Picture Style.
150
Selecting a Picture Style
Symbols
The Picture Style selection screen has icons for [Strength], [Fineness], or
[Threshold] for [Sharpness] as well as [Contrast] and other settings. The
numbers indicate the values for these settings specified for the respective
Picture Style.
Symbols
Sharpness
A Strength
g
B Fineness
C Threshold
h Contrast
i Saturation
j Color tone
k Filter effect (Monochrome)
l Toning effect (Monochrome)
oo During movie recording, an asterisk “*” will be displayed for both [Fineness]
and [Threshold] for [Sharpness]. [Fineness] and [Threshold] will not be
applied to movies.
151
Customizing a Picture Style N
You can customize the Picture Styles. You can adjust Picture Style
settings such as [Contrast] or [Sharpness] ([Strength], [Fineness], and
[Threshold]). To customize [Monochrome], see =154.
3Select an item.
zz See the next page for details on the
settings and effects.
152
Customizing a Picture Style
Sharpness
A Strength 0: Weak outline emphasis 7: Strong outline emphasis
g 1
B Fineness* 1: Fine 5: Grainy
2
C Threshold* 1: Low 5: High
h Contrast -4: Low contrast +4: High contrast
i Saturation -4: Low saturation +4: High saturation
j Color tone -4: Reddish skin tone +4: Yellowish skin tone
*1: Indicates the fineness of the outlines to be emphasized. The smaller the number,
the finer the outlines that can be emphasized.
*2: Sets how much the outline is emphasized based on the difference in contrast
between the subject and the surrounding area. The smaller the number, the more
the outline will be emphasized when the contrast difference is low. However, noise
tends to be more noticeable when the number is smaller.
153
Customizing a Picture Style
oo Increasing the [Contrast] will make the filter effect more pronounced.
154
Registering a Picture Style N
You can select a base Picture Style such as [Portrait] or [Landscape],
adjust it as desired, and register it under [User Def. 1], [User Def. 2], or
[User Def. 3]. Useful when creating several Picture Styles with different
settings.
Picture Styles that you have registered on the camera using EOS Utility (EOS
software) can also be modified here.
3Press <0>.
zz With [Picture Style] selected, press
<0>.
155
Registering a Picture Style
5Select an item.
oo If a Picture Style is already registered under [User Def. *], changing the base
Picture Style will clear the parameter settings of the previously registered User
Defined Picture Style.
oo If you perform [5: Clear all camera settings] (=410), all the [User Def. *]
settings will revert to their defaults.
oo To shoot with a registered Picture Style, select the registered [User Def. *],
then shoot.
oo Regarding the procedure to register a Picture Style file to the camera, refer to
the EOS Utility Instruction Manual.
156
Setting Noise Reduction N
High ISO Speed Noise Reduction
This function reduces the noise generated in the image. This function is
especially effective when shooting at high ISO speeds. When shooting at
low ISO speeds, the noise in the darker parts of the image (shadow areas)
can further be reduced.
157
Setting Noise Reduction
158
Setting Noise Reduction
zz[AUTO] Automatic
For exposures of 1 sec. or longer, noise reduction is performed
automatically if noise typical of long exposures is detected. This [Auto]
setting is effective enough in most cases.
zz[ON] Enable
Noise reduction is performed for all exposures of 1 sec. or longer. The
[Enable] setting may reduce noise that cannot be detected with the [Auto]
setting.
159
Setting Noise Reduction
oo With [Auto] or [Enable] set, the noise reduction process after the picture is
taken may take the same amount of time as that for the exposure.
oo Images may look grainier with the [Enable] setting than with the [Disable] or
[Auto] setting.
oo [BUSY] is displayed as noise is reduced, and the shooting screen is not
displayed until processing is finished, when you can shoot again.
160
Appending Dust Delete Data N
Dust Delete Data used to erase dust spots can be appended to images in
case sensor cleaning leaves dust on the sensor. The Dust Delete Data is
used by Digital Photo Professional (EOS software) to erase the dust spots
automatically.
Preparation
zz Use an RF or EF lens.
zz Prepare a solid white object such as a sheet of paper.
zz Set the lens focal length to 50 mm or longer.
zz Set the lens’s focus mode switch to <MF> and set the focus to infinity (∞).
If the lens has no distance scale, rotate the camera to face toward you
and turn the focusing ring clockwise all the way.
2Select [OK].
gg After the automatic self-cleaning of
the sensor is performed, a message
will appear. Although there will be a
mechanical sound of the shutter during
the cleaning, no picture is taken.
161
Appending Dust Delete Data
oo Dust Delete Data is not obtained when EF-S lenses are used, or when [z:
zCropping/aspect ratio] is set to [1.6x (crop)].
oo If the object has any pattern or design, it may be recognized as dust data and
affect the accuracy of the dust deletion with the Digital Photo Professional (EOS
software).
162
Shooting with the Touch Shutter
Just by tapping on the screen, you can focus and take the picture
automatically.
163
Shooting with the Touch Shutter
oo Even if you set the drive mode to <o> or <i>, the camera will still shoot
in the single shooting mode.
oo Even if [AF operation] is set to [Servo AF], tapping on the screen will focus
on the image with [One-Shot AF].
oo Tapping on the screen in magnified view will not focus or take the picture.
oo If you shoot by tapping on the screen with [z: Image review] set to [Hold],
you can press the shutter button halfway to take the next shot.
oo To shoot with bulb exposure, tap on the screen twice. The first tap on
the screen will start the bulb exposure. Tapping it again will stop the bulb
exposure. Be careful not to shake the camera when tapping on the screen.
164
Multiple Exposures N
As you shoot multiple exposures (2–9), you can see how the images will be
merged into a single image.
zzAdditive
The exposure of each single image captured is added cumulatively.
Based on the [No. of exposures], set a negative exposure
compensation. Follow the basic guide below to set the exposure
compensation amount.
Exposure Compensation Setting Guide by Number of Exposures
Two exposures: -1 stop, three exposures: -1.5 stop, four exposures: -2
stops
zzAverage
Based on the [No. of exposures], negative exposure compensation is
set automatically as you shoot multiple exposures. If you shoot multiple
exposures of the same scene, the exposure of the subject’s background
will be automatically controlled to obtain the standard exposure.
165
Multiple Exposures
oo The shooting information for the last shot will be recorded and appended to
the multiple-exposure image.
166
Multiple Exposures
oo The image quality, ISO speed, Picture Style, high ISO speed noise reduction,
color space, etc. set for the first single exposure will also be set for the
subsequent exposures.
oo If [z: Picture Style] is set to [Auto], [Standard] will be applied for shooting.
oo With multiple exposures, the more exposures there are, the more noticeable
the noise, irregular colors, and banding will be.
oo If [Additive] is set, the image processing after taking the multiple exposures
will take time. (The access lamp will light up longer.)
oo In step 7, the brightness and noise of the multiple-exposure image displayed
during shooting will be different from those of the final multiple-exposure
image recorded.
oo Multiple-exposure shooting is canceled if you set the power switch to <2>
or switch batteries or cards.
oo Multiple-exposure shooting ends if you switch to a Basic Zone mode or to
<w/x/y>.
167
Multiple Exposures
1Select
expo.].
[Select image for multi.
168
Multiple Exposures
oo The ISO speed, Picture Style, high ISO speed noise reduction, color space,
etc. set for the first image will also be applied for the subsequent images.
oo If Picture Style is [Auto] for the image selected as the first image, [Standard]
will be applied for shooting.
oo You cannot select an image taken with another camera.
oo Images captured using lenses incompatible with multiple-exposure shooting
cannot be selected (as the first single exposure).
oo [Select image for multi. expo.] is not available unless a lens is attached.
Operation Description
2 Return to previous The screen before you pressed the <L> button will
screen reappear.
Deletes the last image you shot (shoot another image). The
q Undo last image
number of remaining exposures will increase by 1.
Saves shots up to that point as a multiple-exposure image
W Save and exit
and exits multiple-exposure shooting.
The multiple-exposure shooting will end without saving the
r Exit without saving
image.
169
Multiple Exposures
FAQ
zzAre there any restrictions on the image quality?
All single exposures and the multiple-exposure image are captured at
your specified image quality.
zzCan I merge images recorded on the card?
With [Select image for multi. expo.], you can select the first single
exposure from the images recorded on the card (=168). Note that you
cannot merge multiple images already recorded on the card.
zzWill auto power off take effect during multiple-exposure
shooting?
As long as [Auto power off] under [5: Power saving] is not set to
[Disable], the camera automatically turns off after approx. 30 min., which
ends multiple-exposure shooting and cancels multiple-exposure settings.
170
HDR (High Dynamic Range) Shooting N
You can shoot still photos with clipped highlights and shadows reduced for a
high dynamic range of tones even in high-contrast scenes. HDR shooting is
effective for landscape and still-life shots.
With HDR shooting, three images of different exposures (standard
exposure, underexposure, and overexposure) are captured
consecutively for each shot and then merged together automatically.
The HDR image is recorded as a JPEG image.
* HDR stands for High Dynamic Range.
3Set [Effect].
171
HDR (High Dynamic Range) Shooting
Effects
zz[P] Natural
For images preserving a wide tonal range where the highlight and
shadow details would otherwise be lost. Clipped highlights and shadows
will be reduced.
zz[A] Art standard
While the clipped highlights and shadows will be reduced more than with
[Natural], the contrast will be lower, and the gradation flatter to have the
picture look like a painting. The subject outlines will have bright (or dark)
edges.
zz[B] Art vivid
The colors are more saturated than with [Art standard], and the low
contrast and flat gradation create a graphic art effect.
zz[C] Art bold
The colors are the most saturated, making the subject pop out, and the
picture looks like an oil painting.
zz[D] Art embossed
The color saturation, brightness, contrast and gradation are decreased to
make the picture look flat. The picture looks faded and old. The subject
outlines will have bright (or dark) edges.
Art standard Art vivid Art bold Art embossed
Saturation Standard High Higher Low
Outline
Standard Weak Strong Stronger
emphasis
Brightness Standard Standard Standard Dark
Tone Flat Flat Flat Flatter
oo Each effect will be applied based on the characteristics of the Picture Style
currently set (=148).
172
HDR (High Dynamic Range) Shooting
173
HDR (High Dynamic Range) Shooting
oo RAW HDR images are captured in JPEG 73 image quality. RAW+JPEG HDR
images are captured in the specified JPEG image quality.
oo HDR shooting is not possible with expanded ISO speeds (L, H1, H2). HDR
shooting is possible within ISO 100–40000 (varies depending on the settings
of [Minimum] and [Maximum] for [ISO speed range]).
oo The flash will not fire during HDR shooting.
oo AEB is not available.
oo If you shoot a moving subject, the moving subject may leave afterimages.
oo In HDR shooting, three images are captured with different shutter speeds set
automatically. For this reason, even in <t>, <s>, and <a> modes, the
shutter speed will change, relative to your specified speed.
oo To prevent camera shake, a high ISO speed may be set.
174
HDR (High Dynamic Range) Shooting
oo When shooting HDR images with [Auto Image Align] set to [Enable], AF
point display information (=352) and Dust Delete Data (=161) will not be
appended to the image.
oo If you perform handheld HDR shooting with [Auto Image Align] set to
[Enable], image periphery will be slightly trimmed and resolution will be slightly
lowered. Also, if the images cannot be aligned properly due to camera shake,
etc., auto image alignment may not take effect. Note that when shooting with
excessively bright (or dark) exposure settings, auto image alignment may not
work properly.
oo If you perform handheld HDR shooting with [Auto Image Align] set to
[Disable], the three images may not be properly aligned and the HDR effect
may be reduced. Using a tripod is recommended.
oo Auto image alignment may not function properly with repetitive patterns (lattice,
stripes, etc.) or flat, single-tone images.
oo The color gradation of the sky or white walls may not be reproduced correctly.
Irregular colors, irregular exposure or noise may appear.
oo HDR shooting under fluorescent or LED lighting may result in unnatural color
reproduction of the illuminated areas.
oo With HDR shooting, the images will be merged, then saved to the card,
so it may take some time. [BUSY] appears on the screen as images are
processed, and shooting is not possible until processing is finished.
175
Interval Timer Shooting
With the interval timer, you can set the shooting interval and number of
shots, so that the camera takes individual shots repeatedly according to
your interval until your specified number of shots are taken.
2Select [Enable].
zz Select [Enable], then press the <B>
button.
zzInterval
Can be set in a range of [00:00:01]–[99:59:59].
zzNumber of shots
Can be set in a range of [01]–[99]. To keep the interval timer on
indefinitely until you stop it, set [00].
176
Interval Timer Shooting
(1) (2)
4Select [OK].
gg The interval timer settings will be
displayed on the menu screen.
(1) Interval
(2) Number of shots
177
Interval Timer Shooting
oo Do not point the camera toward an intense light source, such as the sun or an
intense artificial light source. Doing so may damage the image sensor or the
camera’s internal components.
oo Setting the lens focus mode switch to <AF> prevents the camera from
shooting unless subjects are in focus. Setting it to <MF> and focusing
manually before shooting is recommended.
oo When shooting over an extended period, consider using an optional household
power outlet accessory.
oo Shooting long exposures or using shutter speeds longer than the shooting
interval will prevent shooting at the specified interval. For this reason, fewer
shots than specified will be taken. Using shutter speeds nearly the same as
the shooting interval may also reduce the number of shots.
oo If the time it takes to record to the card exceeds the shooting interval due to
the shooting functions set or card performance, some of the shots may not be
taken with the set intervals.
oo When using flash with interval timer shooting, set an interval longer than the
flash charge time. Intervals that are too short may prevent the flash from firing.
oo Intervals that are too short may prevent shooting or autofocusing.
oo Interval timer shooting will be canceled and reset to [Disable] if you set the
power switch to <2>, set the shooting mode to <w/x/y>, or use EOS
Utility (EOS software).
oo During interval timer shooting, you cannot use remote control shooting
(=217) or remote-release shooting with a Speedlite.
178
Reducing Flicker N
If you shoot an image with a fast shutter speed under a light source such
as fluorescent light, the blinking of the light source causes flicker and the
image may be vertically unevenly exposed. If continuous shooting is used
under these conditions, uneven exposures or colors across the images may
result. Anti-flicker shooting enables you to take pictures when exposure and
colors are less affected by flickering.
2Select [Enable].
oo With [Enable] set, the shutter-release time lag is longer when you shoot under
a flickering light source. Also, the continuous shooting speed may become
slower, and the shooting interval may become irregular.
oo Flicker at a frequency other than 100 Hz or 120 Hz cannot be detected.
Also, if the flickering frequency of the light source changes during continuous
shooting, effects of the flicker cannot be reduced.
179
Reducing Flicker
oo In the <t>, <d>, or <f> mode, if the shutter speed changes during
continuous shooting or if you shoot multiple shots of the same scene at
different shutter speeds, the color tone may become inconsistent. To avoid
inconsistent color tones, use <t>, <d>, or <f> mode at a fixed shutter
speed.
oo Color tone of captured images may vary between [Enable] and [Disable].
oo Shutter speed, aperture, and ISO speed may change when you start shooting
(even with AE lock).
oo If the subject is against a dark background or if there is a bright light in the
image, flicker may not be properly detected.
oo Flicker reduction may not be possible under special lighting.
oo Depending on the light source, flicker may not be detected properly.
oo Depending on the light sources or shooting conditions, the expected result
may not be obtained even if you use this function.
180
Selecting the Display Speed for High- N
Speed Continuous Shooting
High-speed display that switches between your shot and the live image
is available when shooting with an RF lens, with [z: AF operation]
set to [Servo AF], and with the drive mode set to <o> [High speed
continuous]. Display is more responsive, making it easier to follow fast-
moving subjects.
1display].
Select [z: High speed
2Select an item.
zz Select [Enable] for display that switches
between each shot and the live image.
oo Images may waver or flicker during high-speed display. This occurs more often
at high shutter speeds. However, this does not affect shooting results.
oo High-speed display is not performed under the following conditions. It may
also stop as you are shooting.
• Shutter speed slower than 1/30 sec., aperture larger than f/11, conditions
that make autofocusing difficult, and flash photography, and ISO expansion
181
Card Reminder
You can set the camera not to shoot unless there is a card in the camera.
The default setting is [Enable].
1Select
card].
[z: Release shutter without
2Select [Disable].
182
Setting Touch & Drag AF
You can move the AF point or Zone AF frame by touching or dragging on
the screen as you look through the viewfinder.
Positioning Method
You can set how positions are specified by touching or dragging.
zz[Absolute]
The AF point moves to the touched or dragged position on the screen.
zz[Relative]
The AF point moves in the direction you drag, by an amount
corresponding to the amount you drag, no matter where you touch the
screen.
183
Setting Touch & Drag AF
oo Touching the screen when [u+Tracking] is set displays a round orange frame
< >. After you lift your finger at the position to move the AF point to, < > is
displayed and that subject is tracked. To cancel subject selection, press the
<L> button.
184
Selecting the AF Operation N
You can select the AF operation characteristics to suit the shooting
conditions or subject.
2Select an item.
oo If focus cannot be achieved, the AF point will turn orange. If this occurs, the
picture cannot be taken even if the shutter button is pressed completely.
Recompose the shot and try to focus again. Or, see “Shooting Conditions that
Make Focusing Difficult” (=197).
185
Selecting the AF Operation
oo If [5: Beep] is set to [Disable], the beeper will not sound when focus is
achieved.
oo Depending on the lens used, the distance to the subject and the subject’s
speed, the camera may not be able to achieve correct focus.
oo Zooming during continuous shooting may throw off the focus. Zoom first, then
recompose and shoot.
oo With Servo AF, the beeper will not sound even when focus is achieved.
oo In <A> mode, by default, the camera automatically switches to Servo AF in
response to subject movement. If you normally prefer to shoot with One-Shot
AF, set [z: A Auto servo] to [Disable].
186
Selecting the AF Operation
AF-Assist Beam
The AF-assist beam may fire repeatedly when you press the shutter button
halfway under low light or in similar conditions, to make autofocusing easier.
oo The AF-assist beam does not fire when [z: AF operation] is set to [Servo
AF].
oo The AF-assist beam does not fire when Touch AF is used (when [z: Touch
Shutter] is set to [Disable]).
oo When you are using an external flash unit, either the camera or the flash unit
fires an AF-assist beam as needed. However, only the camera’s AF-assist
beam fires when you are using a Speedlite 90EX, Macro Ring Lite, or Macro
Twin Lite.
oo A small series of flashes is fired even if you set the external flash’s AF-assist
beam emission method in the Personal Functions to infrared AF-assist beam
firing. To disable AF-assist beam firing, set [z: AF-assist beam firing] to
[Disable] (=201).
oo Focus range with the AF-assist beam is generally no more than 3.5 m/11.5 ft.
187
Selecting the AF Method
You can select the AF method to suit the shooting conditions or subject. The
camera attempts to focus on faces of any people in an AF point or Zone AF
frame. In <A> mode, [u+Tracking] is set automatically.
For instructions on selecting an AF method, see =190.
AF Method
: Face+Tracking
The camera detects and focuses on
people's faces. <p> (an AF point) appears
over any face detected, which is then
tracked.
If no face is detected, the entire AF area is used for auto selection AF.
With Servo AF, you can set the initial position for Servo AF (=192). As
long as the Area AF frame can track the subject during shooting, focusing
will continue.
: Spot AF
The camera focuses in a narrower area
than 1-point AF.
: 1-point AF
The camera focuses using a single AF
point <S>.
188
Selecting the AF Method
: Zone AF
Uses auto selection AF in Zone AF frames
to cover a larger area than AF point
expansion, which makes focusing easier
than with AF point expansion.
Prioritizes focusing on the nearest subject. Faces of any people in the Zone
AF frame are also given priority in focusing.
AF points in focus are displayed with <S>.
189
Selecting the AF Method
2Select an item.
oo In <A> mode, [u+Tracking] is set automatically.
oo In <r> mode, only [1-point AF] or [Zone AF] can be set.
oo Only [u+Tracking] and [1-point AF] are available when 4K movie recording
is set.
oo To set the AF method, you can also access the AF method screen by pressing
the <S> button and then the <B> button.
oo The descriptions on =191–=194 assume that [z: AF operation] is set
to [One-Shot AF] (=186). With [Servo AF] (=186) set, the AF point will
turn blue when focus is achieved.
oo Regarding the Touch Shutter (AF and shutter release by touch operation), see
=163.
190
Selecting the AF Method
zzu(face)+Tracking: c
The camera detects and focuses on human faces. If a face moves, the
AF point <p> also moves to track the face.
191
Selecting the AF Method
oo If the subject’s face is significantly out of focus, face detection will not be
possible. Adjust the focus manually (=214) so that the face can be detected,
then perform AF.
oo An object other than a human face may be detected as a face.
oo Face detection will not work if the face is very small or large in the picture, too
bright or too dark, or partially hidden.
oo AF cannot detect subjects or people’s faces at the edges of the screen.
Recompose the shot to center the subject or bring the subject closer to the
center.
oo The <p> may cover only a part of the face, not the whole face.
oo The size of the AF point changes depending on the subject.
(1)
(2)
3. Press the <S> button, then turn the <6> or <5> dial to move the
AF point to the position to focus on. You can also move the AF point by
touching the screen or pressing the <V> cross keys. Pressing the <L>
button will return the AF point to the screen center.
4. Press <0> to set the current position as the starting position for Servo
AF.
192
Selecting the AF Method
193
Selecting the AF Method
oo With [8C.Fn II-6: Orientation linked AF point], you can set separate AF
points for vertical and horizontal shooting (=534).
194
Selecting the AF Method
Magnified View
You can check the focus by magnifying display by approx. 5× or 10×.
Magnified view is not possible with [u+Tracking].
zz Magnification is centered on the AF point for [Spot AF], [1-point AF],
[Expand AF area (Z)], and [Expand AF area: Around] and is centered
on the Zone AF frame for [Zone AF].
zz Autofocusing is performed with magnified display if you press the shutter
button halfway when set to [1-point AF], and [Spot AF]. When set to
other AF methods, autofocusing is performed after restoring normal
display.
zz With Servo AF, if you press the shutter button halfway in the magnified
view, the camera will return to the normal view for focusing.
oo If focusing is difficult in the magnified view, return to the normal view and
perform AF.
oo If you perform AF in the normal view and then use the magnified view,
accurate focus may not be achieved.
oo AF speed differs between normal view and magnified view.
oo Continuous AF and Movie Servo AF are not available when display is
magnified.
oo With the magnified view, achieving focus becomes more difficult due to
camera shake. Using a tripod is recommended.
195
Selecting the AF Method
Notes for AF
AF Operation
zz Even when focus is achieved, pressing the shutter button halfway will
focus again.
zz Image brightness may change during autofocusing.
zz Depending on the subject and shooting conditions, it may take longer to
focus, or the continuous shooting speed may decrease.
zz If the light source changes as you shoot, the screen may flicker, and
focusing may be difficult. In this case, restart the camera and resume
shooting with AF under the light source you will use.
196
Selecting the AF Method
AF Range
The available autofocus range varies depending on the lens and aspect
ratio used and whether you are recording 4K movies or using features such
as Movie cropping or Movie digital IS.
197
Focusing on People’s Eyes
With the AF method set to [u+Tracking], you can shoot with the subject’s
eyes in focus.
2Select [Enable].
198
Setting Continuous AF
This function keeps subjects generally in focus. The camera is ready to
focus immediately when you press the shutter button halfway.
2Select [Enable].
oo Enabling this function reduces the number of shots available, because the
lens is driven continuously and battery power is consumed.
199
Setting Lens Electronic MF N
For RF, EF, or EF-S lenses equipped with electronic manual focusing, you
can specify how manual focus adjustment is used with One-Shot AF.
2Select an item.
oo For details on your lens’s manual focus specifications, refer to the lens
instruction manual.
200
Setting AF-Assist Beam Firing
You can specify how the AF-assist beam is used on the camera or a
Speedlite.
2Select an item.
zz[ON] Enable
Enables firing of the AF-assist beam, when needed.
zz[OFF] Disable
Disables firing of the AF-assist beam. Set if you prefer not to fire AF-
assist beams from the camera and external flash units.
zz[LED] LED AF assist beam onlyM
An LED AF-assist beam is fired by LED-equipped external flash units.
If your external flash unit is not LED-equipped, the camera’s AF-assist
beam is fired instead.
201
Focus Bracketing N
Focus bracketing* enables continuous shooting with the focal distance
changed automatically after a single shot. From these images, you can
create a single image in focus over a wide area by using an application
that supports depth compositing, such as Digital Photo Professional (EOS
software).
* “Bkt.” stands for bracketing.
202
Focus Bracketing
203
Focus Bracketing
204
Focus Bracketing
205
Selecting the Drive Mode
Single and continuous drive modes are provided. You can select the drive
mode suiting the scene or subject.
206
Selecting the Drive Mode
207
Selecting the Drive Mode
208
Using the Self-Timer
Use the self-timer when you want to be in the picture such as a
commemorative photograph.
209
Using the Self-Timer
oo With <q>, the shooting interval may become longer under some shooting
conditions, depending on image quality, use of external flash, and other
factors.
oo <l> enables you to shoot without touching the camera mounted on a tripod.
This prevents camera shake if you shoot still-life or long exposures.
oo After taking self-timer shots, playing back the image (=296) to check focus
and exposure is recommended.
oo When using the self-timer to shoot yourself, use focus lock (=71) on an
object at the same distance as where you will stand.
oo To cancel the self-timer after it starts, either tap the screen or press <0>.
oo Auto power off time may be extended when the camera is set for remote
shooting.
210
Selecting the Metering Mode N
You can select one of four methods to measure the subject brightness. In
Basic Zone modes, evaluative metering is set automatically.
211
Selecting the Metering Mode
212
Locking the Exposure for Shooting (AE N
Lock)
You can lock the exposure when you want to set the focus and exposure
separately or when you are to take multiple shots at the same exposure
setting. Press the <A> button to lock the exposure, then recompose and
take the picture. This is called AE lock. It is effective for shooting backlit
subjects, etc.
AE Lock Effects
213
Focusing Manually
If focusing is not possible with autofocus, you can magnify the image and
focus manually.
214
Focusing Manually
4Focus manually.
zz While looking at the magnified image,
turn the lens focusing ring to focus.
zz After focusing, press the <B> button
or <0> to return to the normal view.
215
Focusing Manually
2Select [Peaking].
zz Select [On].
216
Remote Control Shooting
Wireless Remote Control BR-E1 (sold separately) compatible with
Bluetooth® low energy technology enables remote control shooting.
Pairing
To use BR-E1, you must first pair (connect and register) the camera
and remote control. For pairing instructions, see =399.
Do the following after the devices are paired.
217
Remote Control Shooting
oo You cannot use infrared remote control units such as Remote Controller RC-6.
oo If focusing is not possible with AF, focus manually before shooting (=214).
oo Auto power off time may be extended when the camera is set for remote
shooting.
oo The remote control can also be used for movie recording (=285).
218
Using a Remote Switch
You can shoot by connecting Remote
Switch RS-60E3 (sold separately).
For operating instructions, refer to the
remote switch instruction manual.
219
Flash Photography
EL/EX Series Speedlites for EOS Cameras
Using an EL/EX series Speedlite (sold separately) makes flash photography
easy.
For operation procedures, refer to the EL/EX series Speedlite’s
Instruction Manual. This camera is a Type-A camera that can use all the
features of EL/EX series Speedlites.
To set the flash functions and flash Custom Functions on the camera’s
menu screen, see =222.
zzFlash exposure compensation
You can adjust flash output (flash exposure compensation). With an
image displayed on the screen, press the <B> button, turn the <5>
dial to select the flash exposure compensation item, then turn the <6>
dial to set the flash exposure compensation. You can set flash exposure
compensation up to ±3 stops in 1/3-stop increments.
zzFE lock
This enables you to attain an appropriate flash exposure for a specific
part of the subject. Aim the viewfinder center over the subject, press the
camera’s <A> button, then compose the shot and take the picture.
oo Even if you set negative flash exposure compensation (to keep images
darker), bright images may still be captured unless [z: Auto Lighting
Optimizer] (=136) is set to [Disable].
oo You can adjust the flash exposure compensation with Quick Control (=65)
or with [Flash function settings] under [z: External Speedlite control]
(=225).
oo The camera can turn on certain Speedlites automatically when the camera
is turned on. For details, refer to the instruction manual of Speedlites that
support this feature.
220
Flash Photography
oo If the camera is used with a flash unit or flash accessory dedicated to another
camera brand, the camera not only may not operate properly, but malfunction
may result.
oo Do not attach a high-voltage flash unit to the camera’s hot shoe. It may not be
fired.
221
Setting the Flash Function N
With an EL/EX series Speedlite having compatible flash function settings,
you can use the camera’s menu screen to set the Speedlite’s functions and
Custom Functions. Attach the Speedlite to the camera and turn on the
Speedlite before setting the flash functions.
For details on the Speedlite’s functions, refer to the Speedlite’s Instruction
Manual.
2Select an item.
222
Setting the Flash Function
Flash Firing
To enable flash photography, set to
[Enable]. To disable flash firing or enable
only the AF-assist beam, set to [Disable].
Otherwise, when a Speedlite that supports auto flash firing is attached, the
automatic firing is performed according to the shooting conditions.
For detailed shooting instructions, refer to the instruction manual of
Speedlites supporting auto flash firing.
223
Setting the Flash Function
Slow Synchro
You can set the flash-sync speed for flash
photography in <f> aperture-priority AE
mode or <d> Program AE mode.
224
Setting the Flash Function
Safety FE
To avoid overexposure from the flash
firing during the day or at close range, the
camera can automatically lower the ISO
speed and shoot with standard subject
exposure when set to ISO Auto.
Sample display
(2)
(1) (3)
(4) (6)
(5)
oo Functions are limited when using EX series Speedlites that are not compatible
with flash function settings.
225
Setting the Flash Function
zzFlash mode
You can select the flash mode to suit your desired flash photography.
[E-TTL II flash metering] is the standard
mode of EL/EX series Speedlites for
automatic flash photography.
[Manual flash] is for setting the Speedlite’s
[Flash output level] yourself.
oo With [CSP], ISO speed is automatically set to [Auto]. [Safety FE] is also set
to [Enable] automatically. After canceling [CSP], check the ISO speed and
[Safety FE] setting.
226
Setting the Flash Function
227
Setting the Flash Function
zzShutter synchronization
Normally, set this to [First-curtain
synchronization] so that the flash fires
immediately after the exposure starts.
228
Setting the Flash Function
oo If flash exposure compensation is set with the Speedlite, you cannot set the
flash exposure compensation with the camera. If it is set with both the camera
and Speedlite, the Speedlite’s setting overrides the camera’s.
229
Setting the Flash Function
oo With an EL/EX series Speedlite, the Speedlite will always fire at full output if
the [Flash metering mode] Custom Function is set to [TTL] (autoflash).
oo The Speedlite’s Personal Function (P.Fn) cannot be set or canceled on the
camera’s [z: External Speedlite control] screen. Set it directly on the
Speedlite.
230
General Notes on Still Photo Shooting
Information Display
For details on the icons displayed for still photo shooting, see =591.
231
General Notes on Still Photo Shooting
oo Do not point the camera toward an intense light source, such as the sun or an
intense artificial light source. Doing so may damage the image sensor or the
camera’s internal components.
oo Defocused image areas may be incomplete when shooting near maximum
aperture at high shutter speeds. If you dislike the appearance of defocused
image areas, shooting as follows may give better results.
• Lower the shutter speed.
• Increase the aperture value.
Image Quality
oo When you shoot at high ISO speeds, noise (such as dots of light and banding)
may become noticeable.
oo Shooting in high temperatures may cause noise and irregular colors in the
image.
oo Frequent shooting over an extended period may cause the camera’s internal
temperature to rise and affect image quality. When you are not shooting,
always turn off the camera.
oo If you shoot a long exposure while the camera’s internal temperature is high,
image quality may decline. Stop shooting and wait a few minutes before
shooting again.
White <s> and Red <E> Internal Temperature Warning Icons
oo If the camera’s internal temperature rises from extended shooting or use in hot
environments, a white <s> or red <E> icon will appear.
oo The white <s> icon indicates that the image quality of still photos will decline.
Stop shooting for a while and allow the camera to cool down.
oo The red <E> icon indicates that shooting will soon end automatically.
Shooting will not be possible again until the camera cools down internally, so
stop shooting temporarily or turn off the camera and let it cool down a while.
oo Shooting in hot environments over extended periods will cause the white <s>
or red <E> icon to appear sooner. When you are not shooting, always turn off
the camera.
oo If the camera’s internal temperature is high, the quality of images shot with
a high ISO speed or long exposure may decline even before the white <s>
icon is displayed.
Shooting Results
oo If you take the picture in magnified view, the exposure may not come out as
desired. Return to the normal view before taking the picture.
oo Even if you take the picture in magnified view, the image will be captured with
the image area of the normal view.
232
General Notes on Still Photo Shooting
233
General Notes on Still Photo Shooting
oo The image’s field of view coverage is approx. 100% (with image quality set to
JPEG 73).
oo If the camera is idle over an extended period, the screen will turn off
automatically after the time set in [Display off] or [Viewfinder off] under [5:
Power saving]. The camera then turns off automatically after the time set in
[Auto power off] (=372).
oo With the HDMI Cable HTC-100 (sold separately), you can display the image
on a television (=308). Note that no sound will be output.
234
Recording Movies
For movie recording, set the Mode dial to <k>.
zz A M icon to the right of a page title indicates that the function is available
only for manual exposure recording (=241).
oo You can record movies by pressing the movie shooting button during still
photo shooting.
oo You can also specify movie recording mode from [z: Shooting mode] after
setting the Mode dial to <k>.
235
Tab Menus: Movie Recording
zzShooting 1
=239
=249
=256
=257
=260
zzShooting 2
=285
=262
=285
=274
zzShooting 3
=128
=286
=136
=287
=288
=138
=289
236
Tab Menus: Movie Recording
zzShooting 4
=142
=143
=145
=148
=157
=290
zzShooting 5
=188
=280
=198
=183
zzShooting 6
=200
=282
=283
=216
oo When RF lenses without a focus mode switch are used, [Focus mode] is
displayed.
237
Tab Menus: Movie Recording
=239
=257
zzShooting 2
=285
=274
zzShooting 3
=188
=280
=198
=183
238
Recording Movies
k Autoexposure Recording
Autoexposure control will take effect to suit the scene’s current brightness.
3Select [k].
zz Use the <W> <X> keys to select [k
(Movie auto exposure)], then press
<0>.
zz Selection is also possible by turning the
<6> or <5> dial.
239
Recording Movies
(2)
oo The Quick Control screen appears after step 2 when [5: Mode guide] is set
to [Disable]. Use the <Y> <Z> keys to select [k].
oo You can lock the exposure (AE lock) by pressing the <A> button. After
applying AE lock during movie recording, you can cancel it by pressing the
<S> button. (AE lock setting is retained until you press the <S> button.)
oo Exposure compensation can be set in a range of up to ±3 stops.
oo ISO speed, shutter speed, and aperture are not recorded in movie Exif
information.
oo The camera is compatible with Speedlite functionality to activate the LED light
automatically under low light when recording movies with auto exposure. For
details, refer to the Instruction Manual of the Speedlite equipped with an LED
light.
240
Recording Movies
3Select [M].
zz Use the <W> <X> keys to select [M
(Movie manual exposure)], then press
<0>.
zz Selection is also possible by turning the
<6> or <5> dial.
241
Recording Movies
(2)
oo The Quick Control screen appears after step 2 when [5: Mode guide] is set
to [Disable]. Use the <Y> <Z> keys to select [M].
242
Recording Movies
243
Recording Movies
244
Recording Movies
245
Recording Movies
246
Recording HDR Movies
You can record high dynamic range movies that retain detail in highlights of
high-contrast scenes.
3Select [u].
zz Use the <W> <X> keys to select [u
(HDR Movie)], then press <0>.
zz Selection is also possible by turning the
<6> or <5> dial.
247
Recording HDR Movies
248
Setting the Movie Recording Size
Under the [z: Movie rec. size] tab, set the image size, frame rate, and
compression method. The movie will be recorded as an MP4 file.
The frame rate displayed on the [Movie rec. size] screen switches
automatically depending on the [5: Video system] setting (=378).
oo The card’s writing and reading speeds required for recording movies
(card performance requirements) vary depending on the movie recording
size. Before recording movies, see =585 to check the performance
requirements of the card.
Image Size
zz[H] 3840×2160
The movie is recorded in 4K quality. The aspect ratio is 16:9.
Not available unless the Mode dial is set to <k>.
zz[L] 1920×1080
The movie will be recorded in Full High-Definition (Full HD) quality. The
aspect ratio is 16:9.
zz[w] 1280×720
The movie is recorded in High-Definition (HD) quality. The aspect ratio is
16:9.
249
Setting the Movie Recording Size
oo If you change the [5: Video system] setting, also set [z: Movie rec. size]
again.
oo Normal playback of 4K and L8/7 movies may not be possible on
other devices, because playback is processing-intensive.
oo Clarity and noise vary slightly depending on movie recording size, cropped
shooting settings, and the lens used.
4K Movie Recording
zz Recording 4K movies requires a high-performance card. For details, see
“Cards that Can Record Movies” on =585.
zz Recording 4K movies greatly increases the processing load, which may
cause the camera’s internal temperature to increase faster or become
higher than for regular movies. If a red E icon appears during movie
recording, the card may be hot, so stop recording the movie and let
the camera cool down before removing the card. (Do not remove the
card immediately.)
zz From a 4K movie, you can select any frame to save as an approx.
8.3-megapixel (3840×2160) JPEG still image to the card (=306).
250
Setting the Movie Recording Size
Movie-Recording Coverage
Image sensor coverage for movies varies depending on movie recording
size, cropped shooting settings, and the lens used.
With EF-S lenses, movies are cropped around the center of the image.
zzRF or EF lenses: With [z: Movie cropping] set to [Disable]
oo Full HD movies cannot be recorded with EF-S lenses, or with [z: Movie
cropping] set to [Enable].
oo Recording with Movie digital IS (=260) further crops the image around the
center of the screen.
251
Setting the Movie Recording Size
252
Setting the Movie Recording Size
ooTo obtain better performance with the card, formatting the card with the
camera before recording movies is recommended (=367).
oo To check the card’s writing/reading speed, refer to the card manufacturer’s
website, etc.
253
Setting the Movie Recording Size
254
Setting the Movie Recording Size
255
Movie Cropping
With RF or EF lenses, movies can be cropped around the center of the
image, as if using a telephoto lens.
Recording movies with EF-S lenses has the same effect as this movie
cropping feature.
oo The shooting area available with movie cropping is the same as when
recording movies with EF-S lenses.
oo 4K movies are always recorded with the center of the recording screen
cropped, and enabling [z: Movie cropping] does not change the recording
angle of view.
oo For details on the shooting area, see =251.
256
Setting the Sound Recording
You can record movies while recording
sound with the built-in stereo microphone
or an external stereo microphone. You can
also freely adjust the sound-recording level.
Use [z: Sound recording] to set sound
recording functions.
Wind Filter
Set to [Auto] to reduce wind noise automatically when there is wind
outdoors. Only activated when the camera’s built-in microphone is used.
When the wind filter function takes effect, part of the low bass sounds will
also be reduced.
257
Setting the Sound Recording
Attenuator
Automatically suppresses sound distortion caused by loud noises. Even if
[Sound rec.] is set to [Auto] or [Manual] for recording, sound distortion
may still result if there is a very loud sound. In this case, setting it to [Enable]
is recommended.
zzUsing a microphone
Normally, the camera’s built-in microphone records in stereo.
If an external microphone equipped with a miniature stereo plug (3.5 mm
diameter) is connected to the camera’s external microphone IN terminal,
the external microphone will be given the priority. Using the Directional
Stereo Microphone DM-E1 (sold separately) is recommended.
zzUsing headphones
By connecting commercially available headphones with a 3.5 mm mini
plug to the headphone terminal, you can listen to the sound as movies
are recorded. To adjust headphone volume, press the <Q> button, select
[n], then turn the <6> dial for adjustment.
You can also use headphones during movie playback.
258
Setting the Sound Recording
oo In [u] mode, the settings available for [Sound recording] are [On] or [Off].
Set to [On] for automatic adjustment of the recording level.
oo Audio is also output when the camera is connected to televisions via HDMI,
except when [Sound rec.] is set to [Disable].
oo The sound volume balance between L (left) and R (right) cannot be adjusted.
oo Sound is recorded at a 48 kHz/16-bit sampling rate.
259
Movie Digital IS
In-camera image stabilization electronically corrects camera shake during
movie recording. This function is called “Movie digital IS”. With Movie
digital IS, images can be stabilized even when using a lens without Image
Stabilizer. When using a lens with built-in optical Image Stabilizer, set the
lens’s Image Stabilizer switch to <1>.
2Select an item.
zzDisable (v)
Image stabilization with Movie digital IS is disabled.
zzEnable (w)
Camera shake will be corrected. The image will be slightly magnified.
zzEnhanced (x) (Not displayed for still photos shooting)
Compared to when [Enable] is set, stronger camera shake can be
corrected. The image will be more magnified.
260
Movie Digital IS
Combination IS
Even more effective correction is possible by recording movies with Movie
digital IS and a Combination IS-compatible lens, which will combine optical
and digital image stabilization by the lens and camera.
oo Movie digital IS will not function when the lens’s optical Image Stabilizer switch
is set to <2>.
oo Although movies can also be recorded with Movie digital IS when using EF-S
lenses or movie cropping, the shooting area is further reduced.
oo With a lens whose focal length is longer than 800 mm, Movie digital IS will not
function.
oo Stabilization by Movie digital IS may be less effective at some movie recording
sizes.
oo The wider the angle of view (wide angle), the more effective the image
stabilization will be. The narrower the angle of view (telephoto), the less
effective the image stabilization will be.
oo When using a tripod, setting Movie digital IS to [Disable] is recommended.
oo Depending on the subject and shooting conditions, the subject may blur
noticeably (the subject momentarily looks out of focus) due to the effects of
the Movie digital IS.
oo When using a TS-E lens, fish-eye lens, or non-Canon lens, setting Movie
digital IS to [Disable] is recommended.
oo Since Movie digital IS magnifies the image, the image looks more grainy.
Noise, dots of light, etc. may also become noticeable.
oo Certain lenses do not support Movie digital IS. For details, refer to the Canon
website.
oo For details on lenses compatible with Combination IS, visit the Canon website.
oo “+” is added to the Movie digital IS icon (=260) when a lens compatible with
Combination IS is used.
261
Recording Time-lapse Movies
Still photos shot at a set interval can be stitched together automatically to
create a 4K or Full HD time-lapse movie. A time-lapse movie shows how
a subject changes in a much shorter period of time than the actual time
it took. It is effective for a fixed-point observation of changing scenery,
growing plants, celestial motion, etc.
Time-lapse movies will be recorded in MP4 format at the following
quality: H6W (NTSC)/H5W (PAL) for 4K shooting, and L
6 W (NTSC)/L 5 W (PAL) for Full HD shooting.
Note that the frame rate will be switched automatically according to the [5:
Video system] setting (=378).
3Select [Time-lapse].
4Select a scene.
zz Select a scene to suit the shooting
situation.
zz For greater freedom when setting the
shooting interval and number of shots
manually, select [Custom].
262
Recording Time-lapse Movies
oo With [Scene**], available intervals and numbers of shots are restricted, to suit
the type of scene.
oo For cards that can record time-lapse movies (card performance requirements),
see =585.
oo If the number of shots is set to 3600, the time-lapse movie will be approx.
2 min. in NTSC and approx. 2 min. 24 sec. in PAL.
263
Recording Time-lapse Movies
7Select
size.
the desired movie recording
zzH (3840×2160)
The movie is recorded in 4K quality. The aspect ratio is 16:9. The frame
rate is 29.97 fps (6) for NTSC and 25.00 fps (5) for PAL, and
movies are recorded in MP4 (C) format with ALL-I (W) compression.
zzL (1920×1080)
The movie will be recorded in Full High-Definition (Full HD) quality. The
aspect ratio is 16:9. The frame rate is 29.97 fps (6) for NTSC and
25.00 fps (5) for PAL, and movies are recorded in MP4 (C) format
with ALL-I (W) compression.
264
Recording Time-lapse Movies
zzDisable
Even during time-lapse movie recording, the image will be displayed. (The
screen turns off only at the time of shooting.) Note that the screen will
turn off when approx. 30 min. elapse after the shooting started.
zzEnable
Note that the screen will turn off when approx. 10 sec. elapse after the
shooting started.
oo During time-lapse movie recording, you can press the <B> button to turn
on/off the screen.
265
Recording Time-lapse Movies
(1) (2)
266
Recording Time-lapse Movies
267
Recording Time-lapse Movies
268
Recording Time-lapse Movies
oo If the card does not have enough free space to record the set number of shots,
[Playback time] will be displayed in red. Although the camera can continue
shooting, the shooting will stop when the card becomes full.
oo If the movie file size exceeds 4 GB with the [No. of shots] settings and the
card is not formatted in exFAT (=368), [Play back time] will be displayed
in red. If you keep shooting in this condition and the movie file size reaches
4 GB, the time-lapse movie recording will stop.
269
Recording Time-lapse Movies
oo Do not point the camera toward an intense light source, such as the sun or an
intense artificial light source. Doing so may damage the image sensor or the
camera’s internal components.
oo Time-lapse movies cannot be recorded when the camera is connected to a
computer with the interface cable, or when an HDMI cable is connected.
oo Movie Servo AF will not function.
oo If the shutter speed is 1/30 sec. or slower, the exposure of the movie may not
be displayed properly (may differ from that of the resulting movie).
oo Do not zoom the lens during time-lapse movie recording. Zooming the lens
may cause the image to be out of focus, the exposure to change, or the lens
aberration correction not to function properly.
oo When recording a time-lapse movie under a flickering light, noticeable image
flickering, horizontal stripes (noise), or irregular exposures may be recorded.
oo Images that are displayed while time-lapse movies are being recorded
may look different from the resulting movie. (For example, there may be
inconsistent brightness from flickering light sources, or noise from a high ISO
speed.)
oo When recording a time-lapse movie under low light, the image displayed
during shooting may look different from what is actually recorded in the movie.
In such cases, the <g> icon will blink.
oo If you move the camera from left to right (panning) or shoot a moving subject
during time-lapse movie recording, the image may look extremely distorted.
oo During time-lapse movie recording, auto power off will not take effect. Also,
you cannot adjust the shooting function and menu function settings, play back
images, etc.
oo Sound is not recorded for time-lapse movies.
oo With time-lapse movie recording, you can press the shutter button completely
to start or stop the movie recording regardless of the [5: Shutter btn
function for movies] setting.
oo With [Interval] set to less than 3 sec. and [Auto exposure] set to [Each
frame], if the brightness differs greatly from the preceding shot, the camera
may not shoot at the set interval.
270
Recording Time-lapse Movies
oo If the shutter speed exceeds the shooting interval (such as for long
exposures), or if a slow shutter speed is set automatically, the camera may
not be able to shoot at the set interval. Shooting may also be prevented by
shooting intervals nearly the same as the shutter speed.
oo If the next scheduled shot is not possible, it will be skipped. This may shorten
the recording time of the created time-lapse movie.
oo If the time it takes to record to the card exceeds the shooting interval due to
the shooting functions set or card performance, some of the shots may not be
taken with the set intervals.
oo Even if [Screen auto off] is set to [Disable], the screen will turn off during the
exposure. Also note that images may not be displayed if the interval between
shots is too brief.
oo The captured images are not recorded as still photos. Even if you cancel the
time-lapse movie recording after only one shot is taken, it will be recorded as
a movie file.
oo If you connect the camera to a computer with the interface cable and use EOS
Utility (EOS software), set [z: Time-lapse movie] to [Disable]. If an option
other than [Disable] is selected, the camera cannot communicate with the
computer.
oo During time-lapse movie recording, the lens’s Image Stabilizer will not operate.
oo Time-lapse movie recording ends if the power switch is set to <2>, for
example, and the setting is changed to [Disable].
oo Even if a flash is used, it will not fire.
oo The following operations cancel standby for time-lapse movie recording and
switch the setting to [Disable].
• Selecting either [Clean nowf] under [5: Sensor cleaning] or selecting
[5: Clear all camera settings].
• Turning the Mode dial.
271
Recording Time-lapse Movies
oo If you start time-lapse movie recording while the white <s> temperature
warning (=291) is displayed, the image quality of the time-lapse movie may
decline. It is recommended that you start time-lapse movie recording after the
white <s> disappears (camera’s internal temperature decreases).
oo With [Auto exposure] set to [Each frame], ISO speed, shutter speed, and
aperture may not be recorded in the time-lapse movie Exif information in some
modes.
272
Recording Time-lapse Movies
oo You can use Wireless Remote Control BR-E1 (sold separately) to start and
stop the time-lapse movie recording.
With Wireless Remote Control BR-E1
• First pair the Wireless Remote Control BR-E1 with the camera (=399).
• Set [z: Remote control] to [Enable].
• Take test shots, then when the camera is ready to shoot (as in step 15 on
=268), set the BR-E1’s release mode/movie shooting switch to <o>
(immediate release) or <2> (release after 2-sec. delay).
• If the remote control’s switch has been set to <k>, the time-lapse movie
recording cannot start.
<o> Immediate
Camera status/remote <k> Movie
release
control setting recording
<2> 2-sec. delay
Test-shooting screen Test-shooting To shooting-ready
To test-shooting
Shooting-ready Starts shooting
screen
During time-lapse movie
Ends recording Ends recording
recording
273
Recording Video Snapshots
Record a series of short video snapshots, each a few seconds long, and
the camera will combine them to create a video snapshot album that shows
these highlights of your trip or event.
Video snapshots are available when the movie recording size is set to
L6X (NTSC) or L5X (PAL).
Video snapshot albums can also be played back with background music
(=336).
3Select [Enable].
274
Recording Video Snapshots
(1)
275
Recording Video Snapshots
276
Recording Video Snapshots
oo If you prefer to record the next video snapshot immediately, set [Show
confirm msg] under [z: Video snapshot] to [Disable]. This setting enables
you to record the next video snapshot immediately, without a confirmation
message.
277
Recording Video Snapshots
278
Recording Video Snapshots
279
Setting Movie Servo AF
With this function enabled, the camera focuses on the subject continuously
during movie recording.
2Select [Enable].
280
Setting Movie Servo AF
281
Setting Movie Servo AF
1Select
sens.].
[z: Movie Servo AF track
Responsive: +1/+2/+3
This makes the camera more responsive when tracking a subject that
covers the AF point. The closer the setting is to the plus (+) symbol,
the more responsive the camera is. It is effective when you want
to keep tracking a moving subject as its distance from the camera
changes or to rapidly focus on another subject.
oo Available when [z: Movie Servo AF] is set to [Enable] and [z: AF
method] is set to [1-point AF].
oo Operation when [z: AF method] is set to an option other than [1-point AF]
is equivalent to a setting of [0].
282
Setting Movie Servo AF
zz When active:
You can set [Always on] to have the AF
speed take effect at all times for movie
recording (before and during movie
recording) or set [During shooting]
to have the AF speed take effect only
during movie recording.
zz AF speed:
You can adjust the AF speed (focus
transition speed) from the standard
speed (0) to slow (one of seven levels)
or fast (one of two levels) to obtain the
desired effect for the movie creation.
283
Setting Movie Servo AF
oo With certain lenses, even if you adjust the AF speed, the speed may not
change.
oo Has no effect (setting is disabled) when 4K movie recording is set.
oo Available when [z: Movie Servo AF] is set to [Enable] and [z: AF
method] is set to [1-point AF].
oo Operation when [z: AF method] is set to an option other than [1-point AF]
is equivalent to setting [AF speed] to [Standard (0)].
oo An asterisk to the right of [z: Movie Servo AF speed] indicates that the
default setting has been modified.
284
Other Menu Functions
[z2]
zzLens aberration correction
Peripheral illumination, distortion, and chromatic aberration can be
corrected as you record movies. For details on lens aberration correction,
see =123.
zzRemote control shooting
When [Enable] is set, you can start or stop movie recording using
Wireless Remote Control BR-E1 (sold separately). First, pair the BR-E1
with the camera (=399).
With Wireless Remote Control BR-E1
Set the release mode/movie shooting switch to the <k> position, then
press the release button.
For details on Time-lapse movie recording, see =273.
285
Other Menu Functions
[z3]
zzk ISO speed settings
ISO speedM
In [M] mode, you can set the ISO speed manually. You can also
select ISO Auto.
ISO speed range
When recording Full HD/HD movies or Full HD time-lapse movies,
you can set the manual ISO speed setting range (minimum and
maximum).
Range for H
When recording 4K or 4K time-lapse movies, you can set the manual
ISO speed setting range (minimum and maximum).
Max for Auto
You can set the maximum limit for ISO Auto in Full HD/HD movie
recording in [k] mode or in [M] mode with ISO Auto.
HMax for Auto
You can set the maximum limit for ISO Auto in 4K movie recording in
[k] mode or in [M] mode with ISO Auto.
aMax for Auto
You can set the maximum limit for ISO Auto in 4K time-lapse/Full HD
time-lapse movie recording in [k] mode or in [M] mode with ISO
Auto.
oo Expanded ISO speeds (indicated by [H]) are ISO 32000/40000 for Full HD/HD
movies and ISO 16000/20000/25600/32000/40000 for 4K movies.
286
Other Menu Functions
oo [Enhanced] is not available (not displayed) when recording movies with [z:
Highlight tone priority] set.
287
Other Menu Functions
Disable
Enables you to record movies with smoother, more natural movement,
less affected by subject shake than when set to [Enable]. Note that
under low light, movies may be darker than when set to [Enable].
Enable
Enables you to shoot brighter movies, less affected by image noise,
than when set to [Disable] by automatically reducing the shutter
speed to 1/30 sec. (NTSC) or 1/25 sec. (PAL) under low light.
288
Other Menu Functions
oo [kAv 1/8-stop incr.] is not available (not displayed) when EF or EF-S lenses
are used.
oo When set to [Enable], setting options in [8C.Fn I-1: Exposure level
increments] are disabled and have no effect.
289
Other Menu Functions
[z4]
zzHDMI info disp
You can configure information display for
image output via an HDMI cable.
zzWith info
The image, shooting information, AF points, and other information is
shown on the other device via HDMI. Note that the camera screen goes
off.
Recorded movies are saved to the card.
zzClean / H output
HDMI output consists solely of 4K movies. Shooting information and AF
points are also displayed on the camera, but no image is recorded to the
card. Note that Wi-Fi communication is not available.
zzClean / L output
HDMI output consists solely of Full HD movies. Shooting information and
AF points are also displayed on the camera, but no image is recorded to
the card. Note that Wi-Fi communication is not available.
290
General Movie Recording Cautions
Red <E> Internal Temperature Warning Icon
oo If the camera’s internal temperature increases due to prolonged movie
recording or under a high ambient temperature, a red <E> icon will appear.
oo The red <E> icon indicates that movie recording will soon be terminated
automatically. If this happens, you will not be able to shoot again until the
camera’s internal temperature decreases. Turn off the power and let the
camera rest for a while.
oo Recording a movie at a high temperature for a prolonged period will cause the
red <E> icon to appear earlier. When you are not shooting, always turn off
the camera.
Recording and Image Quality
oo If the attached lens has an Image Stabilizer and you set the Image Stabilizer
(IS) switch to <1>, the Image Stabilizer will operate at all times even if
you do not press the shutter button halfway. The Image Stabilizer consumes
battery power and may shorten the total movie recording time depending on
the shooting conditions. When the Image Stabilizer is not necessary, such as
when using a tripod, it is recommended that you set the IS switch to <2>.
oo If the brightness changes as you record a movie with auto exposure, the
movie may appear to stop momentarily. In this case, record movies with
manual exposure.
oo If there is a very bright light source in the image, the bright area may appear
black on the screen. Movies are recorded almost exactly as they appear on
the screen.
oo Image noise or irregular colors may occur when shooting at high ISO speeds,
high temperatures, low shutter speeds, or under low light. Movies are recorded
almost exactly as they appear on the screen, except in time-lapse movie
recording.
oo If you play back a movie with other devices, image or sound quality may
decline or playback may not be possible (even if the devices support MP4
format).
291
General Movie Recording Cautions
Audio Restrictions
oo Note that the following restrictions apply when [Movie rec. size] is set to
L6V (NTSC) or L5V (PAL), when [8C.Fn III-9: Audio
compression] is set to [Enable], and for HDR movies.
• Sound will not be recorded for approx. the last two frames.
• When you play back movies on Windows, movie images and sound may
become slightly out of synchronization.
292
Playback
This chapter covers topics related to playback—playing back
captured still photos and movies—and introduces menu settings
on the Playback ([x]) tab.
293
Tab Menus: Playback
zzPlayback 1
=310
=313
=314
=318
=322
zzPlayback 2
=325
=331
=333
=334
zzPlayback 3
=337
=339
=340
=343
=345
=347
oo [3: RAW image processing] and [3: Quick Control RAW processing]
are not displayed in Basic Zone modes.
294
Tab Menus: Playback
zzPlayback 4
=349
=351
=352
=353
=354
=355
295
Image Playback
Single-Image Display
2Select an image.
zz To play back newer images, press the
<Z> button, and to play back older
images, press the <Y> button.
zz Each time you press the <B> button,
the display will change.
296
Image Playback
297
Image Playback
Touch Playback
The camera features a touch-screen panel that you can touch to control
playback. Supported touch operations are like those used with smartphones
and similar devices. First, press the <x> button to prepare for touch
playback.
Image browsing
Magnified view
298
Magnifying Images
You can magnify your captured images.
(1)
299
Index Display (Multiple-Image Display)
Search for images quickly with the index display showing 4, 9, 36, or 100
images on one screen.
B B B B
3Select an image.
zz Press the <V> cross keys to move the
orange frame and select the image.
zz Press <0> in the index display to
display the selected image in the single-
image display.
300
Playing Back Movies
1Play back the image.
zz Press the <x> button.
2Select a movie.
zz Use the <Y> <Z> keys to select the
movie to play back.
zz In the single-image display, the
<s1> icon displayed on the upper
left indicates a movie.
zz In the index display, perforations at
the left edge of a thumbnail indicate a
movie. As movies cannot be played
back from the index display, press
<0> to switch to the single-image
display.
3In<0>.
the single-image display, press
4Press
movie.
<0> to play back the
(1) Speaker
(1)
301
Playing Back Movies
302
Playing Back Movies
oo Adjust the volume using television controls when the camera is connected to a
television for movie playback (=308). (Volume cannot be adjusted with the
<W> <X> keys.)
oo Movie playback may stop if the card’s read speed is too slow or movie files
have corrupted frames.
303
Editing a Movie’s First and Last Scenes
You can edit out the first and last scenes of a movie in approx. 1-sec.
increments.
304
Editing a Movie’s First and Last Scenes
305
Grabbing a Frame from 4K Movies or 4K
Time-Lapse Movies
From 4K movies or 4K time-lapse movies, you can select individual frames
to save as approx. 8.3-megapixel (3840×2160) JPEG still images. This
function is called “Frame Grab (4K frame capture)”.
2Select a 4K movie.
zz Use the <Y> <Z> keys to select a 4K
movie or 4K time-lapse movie.
zz On the shooting information screen
(=599), 4K movies and 4K time-lapse
movies are indicated by an [H] icon.
zz In index display, press <0> to switch
to single-image display.
3In<0>.
the single-image display, press
6Select [I].
zz Use the <Y> <Z> keys to select [I].
306
Grabbing a Frame from 4K Movies or 4K Time-Lapse Movies
307
Playback on a TV
By connecting the camera to a television with an HDMI cable, you can play
back the captured still photos and movies on the television. Using the HDMI
Cable HTC-100 (sold separately) is recommended.
If the image does not appear on the TV screen, check if the [5: Video
system] is correctly set to [For NTSC] or [For PAL] (depending on the
video system of your television).
1Connect
camera.
the HDMI cable to the
4Set
<1>.
the camera’s power switch to
308
Playback on a TV
oo Adjust movie sound volume with the television. The sound volume cannot be
adjusted with the camera.
oo Before connecting or disconnecting the cable between the camera and
television, turn off the camera and television.
oo Depending on the television, part of the image displayed may be cut off.
oo Do not connect any other device’s output to the camera’s <D>
terminal. Doing so may cause a malfunction.
oo Certain televisions may not display the images due to incompatibility.
oo It may take some time before images are displayed. To avoid delay, set [5:
HDMI resolution] to [1080p] (=386).
oo Touch-screen operations are not supported while the camera is connected to
a television.
309
Protecting Images
You can protect important images from being accidentally erased.
3Select an image.
zz Use the <Y> <Z> keys to select the
image to protect.
(1)
4Protect the image.
zz Press <0> to protect the selected
image. The <K> icon (1) will appear at
the top of the screen.
zz To cancel the image protection, press
<0> again. The <K> icon will
disappear.
zz To protect another image, repeat steps 3
and 4.
310
Protecting Images
311
Protecting Images
oo If you format the card (=367), the protected images will also be erased.
312
Rotating Images
You can use this feature to rotate the displayed image to the desired
orientation.
2Select an image.
zz Use the <Y> <Z> keys to select the
image to rotate.
oo If you set [5: Auto rotate] to [OnzD] (=366) before taking vertical
shots, you need not rotate the image with this function.
oo If the rotated image is not displayed in the rotated orientation during image
playback, set [5: Auto rotate] to [OnzD].
313
Erasing Images
You can either select and erase unnecessary images one by one or erase
them in one batch. Protected images (=310) will not be erased.
RAW+JPEG images
zz Select an item.
314
Erasing Images
3Select an image.
zz Use the <Y> <Z> keys to select the
image to erase, then press <0>.
zz To select another image to be erased,
repeat step 3.
315
Erasing Images
316
Erasing Images
If the search conditions are set with [3: Set image search conditions]
(=345), the display will change to [All found images].
If you select [All found images], all the
images filtered by the search conditions will
be erased.
oo To erase all the images including protected images, format the card (=367).
317
Digital Print Order Format (DPOF)
DPOF (Digital Print Order Format) enables you to print images recorded on
the card according to your printing instructions such as the image selection,
quantity to print, etc. You can print multiple images in one batch or create a
print order for a photofinisher.
You can set the print settings such as print type, date imprinting, file number
imprinting, etc. The print settings will be applied to all the images specified
for printing. (They cannot be set individually for each image.)
318
Digital Print Order Format (DPOF)
oo If you print an image with a large image size using the [Index] or [Both]
setting (=318), the index print may not be printed with certain printers. In
this case, resize the image (=339), then print the index print.
oo Even if [Date] and [File No.] are set to [On], the date or file number may not
be imprinted, depending on the print type setting and printer.
oo With [Index] prints, the [Date] and [File No.] cannot both be set to [On] at the
same time.
oo When printing with DPOF, use the card for which print order specifications are
set. You cannot print in the specified print order if you extract just the images
from the card for printing.
oo Certain DPOF-compliant printers and photofinishers may not be able to print
the images as you specified. Refer to the printer’s instruction manual before
printing, or check with your photofinisher about compatibility when ordering
prints.
oo Do not use this camera to configure print settings for images with DPOF
settings set up on another camera. All the print orders may be overwritten
inadvertently. Also, the print order may not be possible, depending on the
image type.
319
Digital Print Order Format (DPOF)
zz Standard / Both
Press <0> to print a copy of the
(1) (2) displayed image. By pressing the <W>
<X> keys, you can set the number of
copies to be printed up to 99.
(1) Quantity
(2) Total images selected
zz Index
Press <0> to add a checkmark to the
(3) (4) box [X]. The image will be included in
the index print.
(3) Checkmark
(4) Index icon
320
Digital Print Order Format (DPOF)
If the search conditions are set with [3: Set image search conditions]
(=345) and you select [Multiple], the display will change to [Mark all
found images] and [Clear all found images].
All Found Images
If you select [Mark all found images], one copy of all the images
filtered by the search conditions will be specified for printing.
If you select [Clear all found images], all the print order of the filtered
images will be cleared.
oo RAW images or movies cannot be specified for printing. Note that RAW
images or movies will not be specified for printing even if you specify all
images with [Multiple].
oo When using a PictBridge-compatible printer, do not specify more than 400
images for one print order. If you specify more than this, the images may not
all be printed.
321
Specifying Images for a Photobook
You can specify up to 998 images to be printed in a photobook. When
you use EOS Utility (EOS software) to import images to a computer, the
specified images for a photobook will be copied to a dedicated folder. This
function is useful for ordering photobooks online.
322
Specifying Images for a Photobook
1Select [Multiple].
zz Under [3: Photobook Set-up], select
[Multiple].
323
Specifying Images for a Photobook
oo RAW images or movies cannot be specified for the photobook. Note that RAW
images or movies will not be specified for the photobook even if you specify all
images with [Multiple].
oo Do not use this camera to configure photobook settings for images with
photobook settings set up on another camera. All the photobook settings may
be overwritten inadvertently.
324
Processing RAW Images with the Camera N
You can process 1 or F images with the camera to create JPEG
images. RAW images are not affected, so different conditions can be
applied to create JPEGs.
You can also use Digital Photo Professional (EOS software) to process
RAW images.
Select images
zz Use the <Y> <Z> keys to select
images to process, then press <0>.
zz Press the <M> button.
Select range
zz Select the first image (start point).
zz Next, select the last image (end point).
zz Press the <M> button.
325
Processing RAW Images with the Camera
Comparison Screen
zz You can switch between the [After
change] and [Shot settings] screens
by pressing the <B> button and
turning the <5> dial.
zz Items in orange on the [After change]
screen have been modified since the
time of capture.
zz Press the <M> button.
326
Processing RAW Images with the Camera
Magnified View
You can magnify images displayed for [Customize RAW processing] by
pressing the <u> button. Magnification varies depending on the [Image
quality] setting. Using <V> cross keys, you can scroll the magnified image
vertically and horizontally.
To cancel the magnified view, press the <u> button again.
327
Processing RAW Images with the Camera
328
Processing RAW Images with the Camera
329
Processing RAW Images with the Camera
oo Processing RAW images in the camera will not produce exactly the same
results as processing RAW images with Digital Photo Professional (EOS
software).
oo If you perform [Brightness adjustment], noise, banding, etc. may be
intensified with the effects of adjustment.
oo When [Digital Lens Optimizer] is set, noise may be intensified together with
the effects of correction. Image edges may also be emphasized. Adjust Picture
Style sharpness or set [Digital Lens Optimizer] to [Disable], as needed.
oo The effect of the lens aberration correction varies depending on the lens used
and shooting conditions. Also, the effect may be difficult to discern depending
on the lens used, shooting conditions, etc.
330
Applying Your Favorite Effects (Creative
Assist)
You can process RAW images by applying your preferred effects and saving
as JPEGs.
2Select an image.
zz Use the <Y> <Z> keys to select
images to process, then press <0>.
331
Applying Your Favorite Effects (Creative Assist)
332
Selecting the Type of RAW Image
Processing
You can select the type of RAW image processing performed from the Quick
Control screen.
2Select an item.
zz Creative Assist
RAW processing that applies your
preferred effect (=331).
zz RAW image processing
RAW processing according to conditions
you specify (=325).
333
Editing Video Snapshot Albums
You can rearrange, delete, or play back the video snapshots in an album.
3Select [OK].
334
Editing Video Snapshot Albums
Option Description
Use the <Y> <Z> keys to select a video snapshot to move,
T Rearrange video
then press <0>. Use the <Y> <Z> keys to move it, then
snapshots
press <0>.
Use the <Y> <Z> keys to select a video snapshot to delete,
L Remove video
then press <0>. Selected video snapshots are labeled [L].
snapshot
To clear the selection and remove [L], press <0> again.
7 Play video Use the <Y> <Z> keys to select a video snapshot to play, then
snapshot press <0>. Use the <W> <X> keys to adjust the volume.
5Finish editing.
zz Press the <M> button when you are
finished editing.
zz Select [W] (Finish editing).
335
Editing Video Snapshot Albums
3Listen to a sample.
zz To listen to a sample, press the <B>
button.
zz Use the <W> <X> keys to adjust the
volume. Press the <B> again to stop
playback.
zz To delete the music, use the <W> <X>
keys to select it, then press the <L>
button.
oo For instructions on copying background music to cards, refer to the EOS Utility
Instruction Manual.
336
Cropping JPEG Images
You can crop a captured JPEG image and save it as another image.
Cropping an image is possible only with JPEG images. Images shot in
RAW cannot be cropped.
2Select an image.
zz Use the <Y> <Z> keys to select the
image to crop.
337
Cropping JPEG Images
oo The position and size of the cropping frame may change depending on the
angle set for tilt correction.
oo Once a cropped image is saved, it cannot be cropped again or resized.
oo AF point display information (=352) and Dust Delete Data (=161) will not
be appended to the cropped images.
338
Resizing JPEG Images
You can resize a JPEG image to make the pixel count lower and save it as
a new image. Resizing an image is possible only with JPEG 3, 4, and a
images. JPEG b and RAW images cannot be resized.
2Select an image.
zz Use the <Y> <Z> keys to select the
image to resize.
(1)
339
Setting Ratings
You can rate images on a scale of 1–5 (l/m/n/o/p). This function is
called rating.
340
Setting Ratings
341
Setting Ratings
If the search conditions are set with [3: Set image search conditions]
(=345), the display will change to [All found images].
If you select [All found images], all the
images filtered by the search conditions will
be rated as specified.
oo Values next to ratings are displayed as [###] if more than 1,000 images have
that rating.
oo With [3: Set image search conditions] and [3: Image jump w/6], you
can display only the images given a specific rating.
342
Slide Show (Auto Playback)
You can play back the images on the card as an automatic slide show.
1Specify
back.
the images to be played
343
Slide Show (Auto Playback)
oo To pause the slide show, press <0>. During pause, [G] will be displayed on
the upper left of the image. Press <0> again to resume the slide show.
oo During the automatic playback of still photos, you can press the <B>
button to switch the display format (=296).
oo Volume during movie playback can be adjusted by pressing the <W> <X>
keys.
oo During auto playback or pause, you can press the <Y> <Z> keys to view
another image.
oo During auto playback, auto power off will not take effect.
oo The display time may differ depending on the image.
344
Filtering Images for Playback
You can filter image display according to your search conditions. After
setting the image search conditions, you can play back and display only the
found images.
You can also protect, rate, erase, play a slide show, and apply other
operations to filtered images.
Item Description
9Rating Displays images with the selected (rating) condition.
dDate Displays images taken on the selected shooting date.
nFolder Displays images in the selected folder.
JProtect Displays images with the selected (protect) condition.
fType of file Displays images in the selected file type.
345
Filtering Images for Playback
oo If no images match the search conditions, [OK] is not available on the screen
in step 2.
oo Search conditions may be cleared if you perform power, card, or image editing
operations.
oo Auto power off time may be extended while the [3: Set image search
conditions] screen is displayed.
346
Jump Display (Jumping Through Images)
In the single-image display, you can turn the <6> dial to jump through the
images forward or backward according to the jump method set.
oo With [Jump images by the specified number], you can turn the <6> dial
to select the number of images to jump by.
oo When you select [Display by image rating], turn the <6> dial to specify the
rating (=340). If you browse images with 9 selected, all the rated images
will be displayed.
347
Jump Display (Jumping Through Images)
3Browse by jumping.
zz Press the <x> button.
zz In the single-image display, turn the
<6> dial.
gg You can browse by the set method.
348
Customizing Playback Information Display
You can specify screens and accompanying information displayed during
image playback.
Histogram
The brightness histogram shows the
exposure level distribution and overall
brightness. The RGB histogram is for
checking the color saturation and gradation.
You can switch the histogram displayed by
pressing the <B> button when <z>
is displayed in the lower left of the [x:
Playback information display] screen.
349
Customizing Playback Information Display
zz[Brightness] display
This histogram is a graph showing the distribution Sample Histograms
of the image’s brightness level. The horizontal
axis indicates the brightness level (darker on the
left and brighter on the right) while the vertical
axis indicates how many pixels exist for each
brightness level. The more pixels there are Dark image
toward the left, the darker the image. The more
pixels there are toward the right, the brighter the
image. If there are too many pixels on the left, the
shadow detail will be lost. If there are too many
pixels on the right, the highlight detail will be lost. Normal brightness
The gradation in-between will be reproduced. By
checking the image and its brightness histogram,
you can see the exposure level inclination and
the overall gradation.
Bright image
zz[RGB] display
This histogram is a graph showing the distribution of each primary
color’s brightness level in the image (RGB or red, green, and blue). The
horizontal axis indicates the color’s brightness level (darker on the left
and brighter on the right), while the vertical axis indicates how many
pixels exist for each color brightness level. The more pixels there are
toward the left, the darker and less prominent the color. The more pixels
there are toward the right, the brighter and denser the color. If there
are too many pixels on the left, the respective color information will be
lacking. If there are too many pixels on the right, the color will be too
saturated with no gradation. By checking the image’s RGB histogram,
you can see the color’s saturation and gradation condition, as well as
white balance inclination.
350
Displaying the Highlight Alert
You can specify blinking display of overexposed highlights on the playback
screen. To obtain more detailed gradation in the blinking areas where
you want the gradation to be faithfully reproduced, set the exposure
compensation to a negative amount and shoot again for a better result.
2Select [Enable].
351
Displaying AF Points
You can display the AF points that were used to focus, which will be outlined
in red on the playback screen. If automatic AF point selection is set, multiple
AF points may be displayed.
2Select [Enable].
352
Displaying a Grid
You can display a grid over still photos shown in single-image display on
the playback screen. This function is convenient for checking the image’s
vertical or horizontal tilt as well as composition.
2Select an item.
353
Specifying Initial Image Display When
Playback Begins
You can specify which image is displayed first when you start image
playback.
2Select an item.
zz [Enable]: Playback resumes from the
last image displayed (except when you
have just finished shooting).
zz [Disable]: Playback resumes from your
most recent shot whenever the camera
is restarted.
354
Setting the Initial Magnification Ratio and
Position
You can set the initial magnification ratio and position for the magnified view.
2Select an item.
oo The magnified view may extend from the center of images even if [Actual size
(from selected pt)] is set.
355
356
Set-up
This chapter describes menu settings on the set-up ([5]) tab.
357
Tab Menus: Set-up
zzSet-up 1
=361
=363
=366
=367
=369
=370
zzSet-up 2
=371
=372
=373
=374
=377
zzSet-up 3
=378
=379
=380
=381
=382
=386
=387
358
Tab Menus: Set-up
zzSet-up 4
=388
=393
=393
=394
=395
=397
zzSet-up 5
=398
=402
zzSet-up 6
=407
=408
=410
=411
=413
=413
=413
359
Tab Menus: Set-up
=388
=393
=394
=395
=397
zzSet-up 6
=407
=410
=411
=413
=413
=407
=413
360
Creating and Selecting a Folder
You can freely create and select the folder where the captured images are
to be saved.
Creating a Folder
3Select [OK].
361
Creating and Selecting a Folder
Selecting a Folder
(1) (2) zz Select a folder on the folder selection
screen.
zz Captured images are stored in your
selected folder.
Folders
oo A folder can contain up to 9999 images (file number 0001–9999). When a
folder becomes full, a new folder with the folder number increased by one
is created automatically. Also, if manual reset (=365) is executed, a new
folder will be created automatically. Folders numbered from 100 to 999 can be
created.
Creating Folders with a Computer
oo With the card open on the screen, create a new folder named “DCIM”. Open
the DCIM folder and create as many folders as necessary to save and
organize your images. The folder name must follow the format “100ABC_D”.
The first three digits are always the folder number from 100 to 999. The last
five characters can be any combination of upper- and lower-case letters from
A to Z, numerals, and the underscore “_”. The space cannot be used. Also
note that two folder names cannot share the same three-digit folder number (for
example, “100ABC_D” and “100W_XYZ”) even if the remaining five characters
in each name are different.
362
File Numbering Methods
The captured images saved in a folder are
assigned a file number from 0001 to 9999. (Example) IMG_0001.JPG
You can change how the image files are
numbered. File number
oo If the file number in folder 999 reaches 9999, shooting will not be possible
even if the card still has storage capacity. The screen will display a message
telling you to replace the card. Replace it with a new card.
363
File Numbering Methods
Continuous
When you wish to continue the file numbering sequence even after the
card is replaced or a new folder is created.
Even after you replace the card or create a new folder, the file numbering
continues in sequence up to 9999. This is useful when you want to save
images numbered anywhere between 0001 to 9999 on multiple cards or in
multiple folders into one folder on a computer.
If the replacement card or existing folder already contains images recorded
previously, the file numbering of the new images may continue from the file
numbering of the existing images on the card or in the folder. If you want
to use continuous file numbering, it is recommended that you use a newly-
formatted card each time.
File numbering after replacing the card File numbering after creating a folder
Card 1 Card 2 Card 1
100 101
(1)
364
File Numbering Methods
Auto Reset
When you wish to restart the file numbering from 0001 each time the
card is replaced or a new folder is created.
When you replace the card or create a folder, the file numbering restarts
from 0001 for the new images saved. This is useful if you want to organize
images by cards or folders.
If the replacement card or existing folder already contains images recorded
previously, the file numbering of the new images may continue from the file
numbering of the existing images on the card or in the folder. If you want
to save images with the file numbering starting from 0001, use a newly
formatted card each time.
File numbering after replacing the card File numbering after creating a folder
Card 1 Card 2 Card 1
100 101
(1)
Manual Reset
When you wish to reset the file numbering to 0001 or to start from file
number 0001 in a new folder.
When you reset the file numbering manually, a new folder is created
automatically and the file numbering of images saved to that folder starts
from 0001.
This is useful, for example, if you want to use different folders for the images
taken yesterday and the ones taken today.
365
Setting the Auto Rotation of Vertical Images
You can change the auto rotation setting that
straightens images shot in vertical orientation when
they are displayed.
2Select an item.
zzOnzD
Automatically rotates images for display on both the camera and
computers.
zzOnD
Automatically rotates images only for display on computers.
zzOff
oo Images captured with auto rotation set to [Off] will not rotate during playback
even if you later set auto rotation to [On].
366
Formatting Memory Cards
If the card is new or was previously formatted (initialized) by another camera
or computer, format the card with this camera.
oo When the card is formatted, all images and data on the card will be
erased. Even protected images will be erased, so make sure there is
nothing you need to keep. If necessary, transfer the images and data to a
computer, etc. before formatting the card.
oo The card capacity displayed on the card format screen may be smaller than
the capacity indicated on the card.
oo This device incorporates exFAT technology licensed from Microsoft.
367
Formatting Memory Cards
oo It may not be possible to use SDXC cards formatted with this camera in other
cameras. Also note that exFAT-formatted cards may not be recognized by
some computer operating systems or card readers.
oo Formatting or erasing data on a card does not completely erase the data. Be
aware of this when selling or discarding the card. When disposing of cards,
take steps to protect personal information if necessary, as by physically
destroying cards.
368
Displaying the Shooting Mode Guide
A brief description of the shooting mode can be displayed when you switch
shooting modes.
2Select [Enable].
369
Displaying the Feature Guide
A brief description of functions and items can be displayed when you use
Quick Control setting.
2Select [Enable].
370
Setting Eco Mode
Enables you to conserve battery power in shooting mode. When the camera
is not in use, the screen darkens to reduce battery consumption.
2Select [On].
zz The screen darkens when the camera
is not used for approx. two seconds.
Approx. ten seconds after darkening, the
screen turns off.
zz To activate the screen and prepare for
shooting when the screen is off, press
the shutter button halfway.
371
Setting Power-Saving Features
You can adjust the timing of when the screen, camera, and viewfinder turn
off automatically (Display off, Auto power off, and Viewfinder off).
2Select an item.
zz Even when [Auto power off] is set to
[Disable], the screen will turn off after
the time set in [Display off].
oo [Display off] and [Auto power off] settings do not apply when Eco mode is
set to [On].
372
Adjusting the Screen Brightness
Screen and viewfinder brightness can be adjusted separately.
373
Setting the Date, Time, and Time Zone
When you turn on the power for the first time or if the date/time/zone have
been reset, follow the steps below to set the time zone first.
By setting the time zone first, you can simply adjust this setting as needed
in the future and the date/time will be updated to match it.
Since the captured images will be appended with the shooting date
and time information, be sure to set your date/time.
zz Press <0>.
374
Setting the Date, Time, and Time Zone
375
Setting the Date, Time, and Time Zone
oo The date, time, and time zone settings may be reset when the camera is
stored without the battery, when its battery becomes exhausted, or when
it is exposed to below freezing temperatures for a prolonged period. If this
happens, set them once again.
oo After changing [Zone/Time difference], check that the correct date/time are
set.
oo Auto power off time may be extended while the [5: Date/Time/Zone] screen
is displayed.
376
Setting the Interface Language
1Select [5: LanguageK].
377
Setting the Video System
Set the video system of any television used for display. This setting
determines the frame rates available when you record movies.
2Select
zz NTSC
an item.
378
Setting the Touch Control Response
1Select [5: Touch control].
2Select an item.
zz [Standard] is the normal setting.
zz [Sensitive] provides a more reactive
touch-screen panel response than
[Standard].
zz To disable touch operations, select
[Disable].
379
Disabling Beeps for Camera Operations
You can disable beeping when subjects are in focus or for other operations.
2Select an item.
zz Touch
The beeper will be silent only for touch
operations.
zz Disable
Disables beeping when subjects are
in focus, when you shoot with the
self-timer, and when you use touch
operations.
380
Checking the Battery Information
You can check the conditions of the battery you are using.
381
Sensor Cleaning
The camera’s sensor cleaning feature cleans the front of the image sensor.
382
Sensor Cleaning
2Select an item.
zz Use the <Y> <Z> keys to select an
item, then press <0>.
oo For best results, clean with the camera in a stable position on a desk or other
flat surface.
oo Even if you repeat the sensor cleaning, the result will not improve much. Note
that [Clean nowf] may not be available immediately after cleaning.
oo Dots of light may appear in captured images or on the shooting screen if
the sensor is affected by cosmic rays or similar factors. By selecting [Clean
nowf], their appearance may be suppressed (=382).
383
Sensor Cleaning
2Remove
sensor.
the lens and clean the
384
Sensor Cleaning
oo During sensor cleaning, never set the power switch to <1>. This will
cause the shutter to move, which may damage the image sensor or
shutter curtains.
oo The surface of the image sensor is extremely delicate. Clean the sensor with
care.
oo Use a plain blower without any brush attached. A brush can scratch the
sensor.
oo Do not insert the blower tip inside the camera beyond the lens mount. This
may damage the shutter curtains.
oo Never use pressurized air or gas to clean the sensor. Pressurized air may
damage the sensor, and sprayed gas may freeze on the sensor and scratch it.
oo If a smudge that cannot be removed with a blower remains, having the sensor
cleaned by a Canon Service Center is recommended.
385
Setting the HDMI Output Resolution
Set the image output resolution used when the camera is connected to a
television or external recording device with an HDMI cable.
2Select
zz Auto
an item.
386
RAW Playback on an HDR TV
You can view RAW images in HDR by connecting the camera to an HDR
TV.
2Select [On].
oo Image operations such as RAW processing are not available during HDR
display.
oo JPEG images are used for HDR display in the case of L (ISO 50-equivalent)
images or multiple-exposure RAW images.
oo Make sure the HDR TV is set up for HDR input. For details on how to switch
inputs on the TV, refer to the TV manual.
oo Depending on the TV used, images may not look as expected.
oo Some image effects and information may not be displayed on an HDR TV.
387
Customizing Information Displayed When
Shooting
You can customize the details and screens of information shown on the
camera or in the viewfinder when you shoot.
2Select screens.
zz Use the <W> <X> keys to select
screens of information to show on the
camera.
zz For information you prefer not to display,
press <0> to clear the checkmark
[X].
zz To edit the screen, press the <B>
button.
388
Customizing Information Displayed When Shooting
2Select screens.
zz Use the <W> <X> keys to select
screens of information to show in the
viewfinder.
zz For information you prefer not to display,
press <0> to clear the checkmark
[X].
zz To edit the screen, press the <B>
button.
389
Customizing Information Displayed When Shooting
2Select
zz On
an item.
Grid Display
A grid can be displayed on the screen and viewfinder.
2Select an item.
390
Customizing Information Displayed When Shooting
2Select an item.
zz Select the content ([Brightness] or
[RGB]) and display size ([Large] or
[Small]).
zz Press <M> button to confirm the
setting.
391
Customizing Information Displayed When Shooting
Clearing Settings
You can restore [Shooting info. disp.] to the default settings.
1Select [Reset].
2Select [OK].
392
Setting a Priority for Shooting Display
Performance
You can select the performance option to prioritize in viewfinder display for
still photos.
2Select an item.
2Select an item.
zz Use the <W> <X> keys to select an
item.
zz Press <0> to set it.
393
Setting the Display Mode
You can select the display mode for shooting screens.
2Select
zz Auto
an item.
394
Customizing Shutter Button Functionality
for Movie Recording
You can set the functions performed by pressing the shutter button halfway
or completely during movie recording.
2Select an item.
zz Half-press
Specify the function performed by
pressing the shutter button halfway.
zz Fully-press (shown in <k> mode)
Specify the function performed by
pressing the shutter button completely.
With [Fully-press] set to [Start/stop mov rec], you can start/stop movie
recording not only by pressing the movie shooting button but also by
pressing the shutter button completely or by using Remote Switch RS-60E3
(sold separately, =219).
395
Help
When [zHelp] is displayed below a menu, you can display a description
about the feature by pressing the <B> button. Press it again to exit Help
display. To scroll the screen when a scrollbar (1) appears on the right, press
the <W> <X> keys or turn the <5> dial.
<B>
B
(1)
<B>
B
396
Help
2Select an item.
397
Setting Wireless Features
You can connect the camera to a smartphone or computer wirelessly and
send your shots or control the camera remotely.
398
Setting Wireless Features
Pairing
To use BR-E1, you must first pair (connect and register) the camera and
remote control.
399
Setting Wireless Features
5Select [Pairing].
zz Select [Pairing].
zz Press and hold the <W> button and <T>
button on the BR-E1 simultaneously for
3 sec. or more.
gg Pairing now begins. When pairing is
complete, BR-E1 is registered on the
camera.
oo Bluetooth connections consume battery power even after the camera’s auto
power off is activated.
oo When you do not use the Bluetooth function, setting it to [Disable] in step 4 is
recommended. To use the remote control again, select [Remote] again.
oo Auto power off time may be extended when the camera is set for remote
shooting.
400
Setting Wireless Features
3Select
info].
[Check/clear connection
401
Geotagging Images
You can geotag images with GPS Receiver GP-E2 (sold separately) or a
Bluetooth enabled smartphone.
Using GP-E2
402
Geotagging Images
Using a Smartphone
The dedicated app Camera Connect (free of charge) must be installed on
the smartphone. For details on installing Camera Connect, see =420.
403
Geotagging Images
4Select [Smartphone].
zz Select [Smartphone] in [Select GPS
device].
gg Location information can now be
acquired from the smartphone.
zz To check acquired geotag information
(latitude, longitude, elevation, and
Coordinated Universal Time (UTC)),
select [GPS information display] on
the [GPS device settings] screen.
404
Geotagging Images
405
Geotagging Images
oo The smartphone can acquire location information only while it is paired with
the camera via Bluetooth.
oo Direction information is not acquired.
oo Acquired location information may not be accurate, depending on traveling
conditions or smartphone status.
oo It may take some time to acquire location information from the smartphone
after you turn the camera on.
oo Location information is no longer acquired after any of the following
operations.
• Setting [Bluetooth function] to an option other than [Smartphone]
• Turning the camera off
• Quitting Camera Connect
• Deactivating location services on the smartphone
oo Location information is no longer acquired in any of the following situations.
• The camera power turns off
• The Bluetooth connection is ended
• The smartphone’s remaining battery level is low
406
Setting the Multi-Function Lock
Specify camera controls to lock when the Multi-function lock is enabled. This
can help prevent accidentally changing settings.
407
Registering Custom Shooting Modes N
You can register current camera settings, such as shooting, menu, and
Custom Function settings, as Custom shooting modes assigned to <w> to
<y> modes.
408
Registering Custom Shooting Modes
oo You can also change shooting and menu settings in Custom shooting modes.
409
Reverting the Camera to the Default N
Settings
The camera’s settings for shooting functions and menu functions can be
reverted to their defaults.
2Select [OK].
oo For details on clearing all Custom Function and customized control settings,
see =546.
410
Setting Copyright Information N
When you set the copyright information, it will be recorded to the image as
Exif information.
2Select an item.
3Enter text.
zz Use the <V> cross keys or <5> dial
to select a character, then press <0>
to enter it.
zz By selecting [ ], you can change the
input mode.
zz To delete single characters, select [ ]
or press the <L> button.
411
Setting Copyright Information
oo If the entry for “Author” or “Copyright” is long, it may not be displayed entirely
when you select [Display copyright info.].
oo You can also set or check the copyright information with EOS Utility (EOS
software).
412
Checking Other Information
413
414
Wi-Fi (Wireless
Communication) Functions
This chapter describes how to send images via Wi-Fi® from the
camera to a variety of compatible devices, and how to use Web
services.
415
What You Can Do via Wi-Fi (Wireless
Communication) Functions
Important
Note that Canon cannot be held liable for any loss or damage from
erroneous wireless communication settings when using the camera. In
addition, Canon cannot be held liable for any other loss or damage caused
by use of the camera.
416
What You Can Do via Wi-Fi (Wireless Communication) Functions
417
What You Can Do via Wi-Fi (Wireless Communication) Functions
Bluetooth® Features
By pairing the camera with a smartphone compatible with Bluetooth low
energy technology (hereafter, “Bluetooth”), you can:
zz Control the camera remotely from a smartphone (=437)
zz Establish a Wi-Fi connection from either the smartphone or the camera,
by itself (=428, =441)
zz Establish a Wi-Fi connection with the camera even when it is off (=430)
zz Geotag images with GPS information acquired by the smartphone
(=403)
This camera can also be connected to Wireless Remote Control BR-E1 (sold
separately) via Bluetooth for remote control shooting (=399).
418
Connecting to a Smartphone via Wi-Fi
This section describes how to directly connect the camera to a smartphone
via Wi-Fi.
Connecting to a smartphone via Wi-Fi enables you to perform the following:
zz View images stored in the camera on a smartphone or save viewed
images to a smartphone.
zz Operate the camera to take a picture or change camera settings using a
smartphone.
zz Send images to a smartphone from the camera.
To establish a Wi-Fi connection via an access point, see “Wi-Fi Connection
via Access Points” (=488).
419
Connecting to a Smartphone via Wi-Fi
oo For the operating system versions supported by Camera Connect, refer to the
download site of Camera Connect.
oo Interface or functions of the camera and Camera Connect are subject to
change for firmware update of the camera or application update of Camera
Connect, Android, iOS, etc. In this case, features of the camera or Camera
Connect may differ from sample screens or operation instructions in this
manual.
oo An application is required to read the QR codes.
420
Connecting to a Smartphone via Wi-Fi
4Select [Smartphone].
421
Connecting to a Smartphone via Wi-Fi
5Register [Nickname].
6Select [OK].
7Select [Pairing].
422
Connecting to a Smartphone via Wi-Fi
8Select an item.
zz If Camera Connect is already installed,
select [Do not display].
zz If Camera Connect is not installed,
select [Android] or [iOS], scan the
displayed QR code with the smartphone
to access Google Play or App Store and
install Camera Connect.
gg Pairing now begins.
423
Connecting to a Smartphone via Wi-Fi
424
Connecting to a Smartphone via Wi-Fi
12 Select [OK].
13 Press <0>.
zz Pairing is now complete, and the camera
is connected to the smartphone via
Bluetooth.
gg A Bluetooth icon appears on the main
Camera Connect screen.
oo With a Bluetooth connection established, you can operate the camera to send
images to the smartphone. For details, see =441.
425
Connecting to a Smartphone via Wi-Fi
426
Connecting to a Smartphone via Wi-Fi
zz For how to terminate the Wi-Fi connection, see “Terminating the Wi-Fi
Connection” (=449).
zz Terminating the Wi-Fi connection will switch the camera to the Bluetooth
connection.
[qWi-Fi on] Screen
Disconnect,exit
zz Terminates the Wi-Fi connection.
Confirm set.
zz You can check the settings.
Error details
zz When a Wi-Fi connection error occurs, you can check the details of the
error.
427
Connecting to a Smartphone via Wi-Fi
428
Connecting to a Smartphone via Wi-Fi
Bluetooth function
zz Select the device to pair with the
camera.
zz If you will not use the Bluetooth function,
select [Disable].
Pairing
zz Pair the camera with the device selected
in [Bluetooth function].
Bluetooth address
zz You can check the camera’s Bluetooth
address.
429
Connecting to a Smartphone via Wi-Fi
430
Connecting to a Smartphone via Wi-Fi
oo This feature is not available unless the camera and smartphone are
paired via Bluetooth.
oo This function can no longer be used if the wireless settings are reset or the
smartphone connection information is erased.
431
Connecting to a Smartphone via Wi-Fi
1Select
info].
[Check/clear connection
432
Connecting to a Smartphone via Wi-Fi
433
Connecting to a Smartphone via Wi-Fi
5Select an item.
zz If Camera Connect is already installed,
select [Do not display].
zz If Camera Connect is not installed,
select [Android] or [iOS] on the screen
on the left, scan the displayed QR
code with the smartphone, then access
Google Play or App Store and install
Camera Connect.
(1)
6Check the SSID (network name)
and password.
zz Check the SSID (1) and password (2)
displayed on the camera screen.
zz In [Wi-Fi settings], if you set
[Password] to [None], the password
will not be displayed or required. For
details, see =516.
(2)
434
Connecting to a Smartphone via Wi-Fi
9Select
Wi-Fi.
the camera to connect to via
435
Connecting to a Smartphone via Wi-Fi
zz For how to terminate the Wi-Fi connection, see “Terminating the Wi-Fi
Connection” (=449).
zz To reconnect via Wi-Fi, see “Reconnecting via Wi-Fi” (=493).
[qWi-Fi on] Screen
Disconnect,exit
zz Terminates the Wi-Fi connection.
Confirm set.
zz You can check the settings.
Error details
zz When a Wi-Fi connection error occurs, you can check the details of the
error.
oo When connected via Wi-Fi, you can send images to a smartphone from the
Quick Control screen during playback. For details, see =441.
436
Connecting to a Smartphone via Wi-Fi
Images on camera
zz Images stored in the camera can be
viewed.
zz Images stored in the camera can be
saved on a smartphone.
zz Operations such as deletion can be
performed on images stored in the
camera.
437
Connecting to a Smartphone via Wi-Fi
438
Connecting to a Smartphone via Wi-Fi
3Select
shot].
[Send to smartphone after
439
Connecting to a Smartphone via Wi-Fi
440
Connecting to a Smartphone via Wi-Fi
3Select [q].
gg If you perform this step while connected
via Bluetooth, a message is displayed,
and the connection switches to a Wi-Fi
connection.
441
Connecting to a Smartphone via Wi-Fi
442
Connecting to a Smartphone via Wi-Fi
1Press <0>.
443
Connecting to a Smartphone via Wi-Fi
6Select [Send].
1Press <0>.
444
Connecting to a Smartphone via Wi-Fi
6Select [Send].
445
Connecting to a Smartphone via Wi-Fi
1Press <0>.
4Select [Send].
446
Connecting to a Smartphone via Wi-Fi
1Press <0>.
447
Connecting to a Smartphone via Wi-Fi
4Select [Send].
448
Connecting to a Smartphone via Wi-Fi
oo During the image transfer operation, a picture cannot be taken even if the
camera’s shutter button is pressed.
oo The camera cannot be connected to multiple smartphones via Wi-Fi when it is
connected to another device via Wi-Fi.
oo You can cancel the image transfer by selecting [Cancel] during the transfer.
oo You can select up to 999 files at a time.
oo With a Wi-Fi connection established, disabling the smartphone’s power saving
function is recommended.
oo Selecting the reduced size for still photos applies to all still photos sent at that
time. Note that b size still photos are not reduced.
oo Selecting compression for movies applies to all movies sent at that time.
oo When you use a battery to power the camera, make sure it is fully charged.
oo With a Wi-Fi connection established, the camera’s auto power off does not
function.
449
Connecting to a Smartphone via Wi-Fi
2Select [q].
zz If the history (=493) is displayed,
switch the screen with the <Y> <Z>
keys.
4Select a smartphone.
zz Select the name of the smartphone on
which you want to make the images
viewable.
450
Connecting to a Smartphone via Wi-Fi
6Select an item.
zz Select [OK] to access the setting
screen.
[All images]
All images stored on the card become viewable.
[Images from past days]
Specify viewable images on the shooting-
date basis. Images shot up to nine days
ago can be specified.
zz When [Images shot in past days] is
selected, images shot up to the specified
number of days before the current date
become viewable. Use the <W> <X>
keys to specify the number of days, then
press <0> to confirm the selection.
zz Once you select [OK], the viewable
images are set.
oo If [Viewable imgs] is set to any setting other than [All images], remote
shooting is not possible.
451
Connecting to a Smartphone via Wi-Fi
[Select by rating]
Specify viewable images depending on
whether a rating is appended (or not
appended) or by the type of rating.
zz Once you select the type of rating, the
viewable images are set.
452
Connecting to a Computer via Wi-Fi
This section describes how to connect the camera to a computer via Wi-
Fi and perform camera operations using EOS software or other dedicated
software. Install the latest version of software on the computer before
setting up a Wi-Fi connection.
For computer operating instructions, refer to the computer user manual.
453
Connecting to a Computer via Wi-Fi
(1)
5Check the SSID (network name)
and password.
zz Check the SSID (1) and password (2)
displayed on the camera screen.
zz In [Wi-Fi settings], if you set
[Password] to [None], the password
will not be displayed or required. For
details, see =516.
(2)
454
Connecting to a Computer via Wi-Fi
7Select [OK].
gg The following message is displayed.
“******” represents the last six digits of
the MAC address of the camera to be
connected.
zz If a firewall-related message is
displayed, select [Yes].
10 Click [Connect].
zz Select the camera to connect to, then
click [Connect].
455
Connecting to a Computer via Wi-Fi
456
Connecting to a Computer via Wi-Fi
457
Connecting to a Computer via Wi-Fi
458
Connecting to a Computer via Wi-Fi
4Select [OK].
5Connect
Wi-Fi.
to an access point via
459
Connecting to a Computer via Wi-Fi
oo Any images captured during automatic transfer are also sent automatically.
460
Connecting to a Printer via Wi-Fi
This section describes how to print images by directly connecting the
camera to a printer via Wi-Fi. For printer operating instructions, refer to the
printer user manual.
461
Connecting to a Printer via Wi-Fi
(1)
5Check the SSID (network name)
and password.
zz Check the SSID (1) and password (2)
displayed on the camera screen.
zz In [Wi-Fi settings], if you set
[Password] to [None], the password
will not be displayed or required. For
details, see =516.
(2)
462
Connecting to a Printer via Wi-Fi
oo To establish a Wi-Fi connection via an access point, see “Wi-Fi Connection via
Access Points” (=488).
463
Connecting to a Printer via Wi-Fi
Printing Images
Printing Images Individually
464
Connecting to a Printer via Wi-Fi
1Press <0>.
4Select [Print].
zz [Print] can be selected only when an
image is selected and the printer is
ready to print.
465
Connecting to a Printer via Wi-Fi
oo When you use a battery to power the camera, make sure it is fully charged.
oo Depending on the image’s file size and image quality, it may take some time to
start printing after you select [Print].
oo To stop printing, press <0> while [Stop] is displayed, then select [OK].
oo When printing with [Print order], if you stopped printing and want to resume
printing of the remaining images, select [Resume]. Note that printing will not
resume if any of the following occurs.
• You change the print order or delete any of the print ordered images before
resuming printing.
• When index is set, you change the paper setting before resuming printing.
• The card’s remaining capacity is low when you pause printing.
oo If a problem occurs during printing, see =472.
466
Connecting to a Printer via Wi-Fi
Print Settings
The screen display and setting options vary depending on the printer.
Also, certain settings may not be available. For details, refer to the printer’s
instruction manual.
Print setting screen
(1)
(2)
(3)
(4)
(5)
(6)
(8) (7)
467
Connecting to a Printer via Wi-Fi
468
Connecting to a Printer via Wi-Fi
469
Connecting to a Printer via Wi-Fi
oo The [Default] setting for printing effects and other options are the printer’s
own default settings as set by the printer’s manufacturer. Refer to the printer’s
instruction manual to find out what the [Default] settings are.
470
Connecting to a Printer via Wi-Fi
471
Connecting to a Printer via Wi-Fi
oo Depending on the printer, the cropped image area may not be printed as you
specified.
oo The smaller the cropping frame, the lower the resolution at which images are
printed.
472
Sending Images to a Web Service
This section describes how to use Web services to send images.
473
Sending Images to a Web Service
3Select [R].
4Select [I Agree].
474
Sending Images to a Web Service
8Select [OK].
gg The [R] icon changes to [ ].
475
Sending Images to a Web Service
476
Sending Images to a Web Service
477
Sending Images to a Web Service
478
Sending Images to a Web Service
479
Sending Images to a Web Service
1Press <0>.
480
Sending Images to a Web Service
5Select [Send].
zz On the screen after images are sent,
select [OK] to end the Wi-Fi connection.
481
Sending Images to a Web Service
1Press <0>.
482
Sending Images to a Web Service
6Select [Send].
zz On the screen after images are sent,
select [OK] to end the Wi-Fi connection.
1Press <0>.
483
Sending Images to a Web Service
4Select [Send].
zz On the screen after images are sent,
select [OK] to end the Wi-Fi connection.
484
Sending Images to a Web Service
1Press <0>.
485
Sending Images to a Web Service
4Select [Send].
zz On the screen after images are sent,
select [OK] to end the Wi-Fi connection.
486
Sending Images to a Web Service
oo Depending on the Web service, the type or number of images that can be sent
and the length of movies will be limited.
oo Certain images may not be able to be sent with [Send range], [Send all
card], or [Send all found].
oo When you reduce the image size, all images to be sent at the same time are
resized. Note that movies or b size still photos are not reduced.
oo [Reduced] is enabled only for still photos shot with cameras of the same
model as this camera. Still photos shot with other models are sent without
resizing.
oo When accessing CANON iMAGE GATEWAY from a computer or other device,
you can check the send history for the Web services that the images were
sent to.
oo To terminate the Wi-Fi connection without sending an image, press the
<M> button on the screen for step 1.
oo When you use a battery to power the camera, make sure it is fully charged.
487
Wi-Fi Connection via Access Points
This section describes how to join a Wi-Fi network via an access point
compatible with WPS (PCB mode).
First, check the position of the WPS button and how long to press it.
It may take approx. one minute to establish a Wi-Fi connection.
3Select an item.
zz If the history (=493) is displayed,
switch the screen with the <Y> <Z>
keys.
zz Press the <W> <X> or <Y> <Z> keys
to select an item.
488
Wi-Fi Connection via Access Points
489
Wi-Fi Connection via Access Points
8Connect
Wi-Fi.
to the access point via
490
Wi-Fi Connection via Access Points
[qConnect to smartphone]
Go to step 7 on =435.
491
Wi-Fi Connection via Access Points
Send To Screen
A screen to select a destination may be displayed depending on the Web
service.
To register destinations or to specify the settings, you must use a computer.
For more information, refer to the EOS Utility Instruction Manual.
zz The [Send to] screen may be displayed.
zz Select the destination from the list of
registered destinations.
zz The procedures for setting up a
connection and sending images are the
same as those for other Web services.
492
Reconnecting via Wi-Fi
Follow these steps to reconnect to devices or Web services with registered
connection settings.
2Select an item.
zz Select the item to connect to via Wi-Fi
from the displayed history. If the item is
not displayed, use the <Y> <Z> keys
to switch screens.
zz If [Connection history] is set to
[Hide], the history will not be displayed
(=516).
493
Reconnecting via Wi-Fi
[D] Computer
zz On the computer, start the EOS software.
zz If the computer’s connection destination has been changed, restore
the setting to connect via Wi-Fi to the camera or the same access
point as the camera.
When directly connecting the camera to a computer via Wi-Fi,
“_ Canon0A” is displayed at the end of the SSID.
[l] Printer
zz If the printer’s connection destination has been changed, restore the
setting to connect via Wi-Fi to the camera or the same access point
as the camera.
When directly connecting the camera to a printer via Wi-Fi,
“_ Canon0A” is displayed at the end of the SSID.
494
Reconnecting via Wi-Fi
2Select an item.
zz When the screen on the left appears,
use the <Y> <Z> keys to switch
screens.
495
Changing or Deleting Connection Settings
Change or delete connection settings saved on the camera. To change or
delete the connection settings, terminate the Wi-Fi connection first.
2Select an item.
zz When the screen on the left appears,
use the <Y> <Z> keys to switch
screens.
4Select a device.
zz Select the device for which to change or
delete the connection settings.
496
Changing or Deleting Connection Settings
497
Clearing Wireless Communication Settings
to Default
All wireless communication settings can be deleted. By deleting the wireless
communication settings, you can prevent their information from being
exposed when you lend or give your camera to other people.
2Select [OK].
gg Wireless communication settings are
cleared to default, and the [Wireless
communication settings] screen will
reappear.
oo Performing [5: Clear all camera settings] does not delete the wireless
communication setting information.
498
View Info Screen
On the [View info] screen, you can check error details and the camera’s
MAC address.
zz When an error has occurred, press <0> to display the error content.
499
Responding to Error Messages
When an error occurs, display the details of the error by following one of the
procedures below. Then, eliminate the cause of the error by referring to the
examples shown in this chapter.
zz On the [View info] screen, press <0> (=499).
zz Select [Error details] on the [Wi-Fi on] screen.
Click the error code number’s page in the following chart to jump to the
corresponding page.
11 (=501) 12 (=501) 21 (=502) 22 (=503)
23 (=504) 61 (=505) 63 (=506) 64 (=506)
65 (=507) 66 (=507) 67 (=507) 68 (=508)
69 (=508) 91 (=508) 121 (=508) 125 (=509)
126 (=509) 127 (=509) 141 (=509) 142 (=509)
151 (=510) 152 (=510)
oo When an error occurs, [Err**] is displayed on the upper right of the [Wi-Fi
function] screen. It disappears when the camera’s power is set to <2>.
500
Responding to Error Messages
501
Responding to Error Messages
502
Responding to Error Messages
503
Responding to Error Messages
504
Responding to Error Messages
505
Responding to Error Messages
506
Responding to Error Messages
507
Responding to Error Messages
508
Responding to Error Messages
509
Responding to Error Messages
510
Wireless Communication Function Notes
If the transmission rate drops, the connection is lost, or other problems
occur when using the wireless communication functions, try the following
corrective actions.
511
Wireless Communication Function Notes
512
Security
If security settings have not been properly set, the following problems may
occur.
zzTransmission monitoring
Third parties with malicious intent may monitor the Wi-Fi transmissions
and attempt to acquire the data you are sending.
zzUnauthorized network access
Third parties with malicious intent may gain unauthorized access to
the network you are using to steal, modify, or destroy information.
Additionally, you could fall victim to other types of unauthorized access
such as impersonation (where someone assumes an identity to gain
access to unauthorized information) or springboard attacks (where
someone gains unauthorized access to your network as a springboard to
cover their tracks when infiltrating other systems).
513
Checking Network Settings
zzWindows
Open the Windows [Command Prompt], then type ipconfig/all and press
the <Enter> key.
In addition to the IP address assigned to the computer, the subnet mask,
gateway, and DNS server information are also displayed.
zzMac OS
In Mac OS X, open the [Terminal] application, enter ifconfig -a, and press
the <Return> key. The IP address assigned to the computer is indicated
in the [en0] item next to [inet], in the format “***.***.***.***”.
* For information about the [Terminal] application, refer to the Mac OS X help.
To avoid using the same IP address for the computer and other devices on
the network, change the rightmost number when setting up the IP address
assigned to the camera in the processes described on =518.
Example: 192.168.1.10
514
[Wireless communication settings] Screen
On the [Wireless communication settings] screen, you can change the
wireless communication function settings.
Select [5: Wireless communication settings].
Wi-Fi settings
zz See the next page.
Wi-Fi function
The following Wi-Fi functions are available:
zz Communicate with smartphone
zz Remote control (EOS Utility)
zz Print from Wi-Fi printer
zz Send images to Web service
Nickname
You can change the nickname using the
virtual keyboard (=517).
515
[Wi-Fi settings] Screen
Wi-Fi
When the use of electronic devices and
wireless devices is prohibited, such as on
board airplanes or in hospitals, set it to
[Disable].
Password
Set to [None] to allow a Wi-Fi connection to
be established without a password (except
when connecting to an access point via Wi-
Fi).
Connection history
You can set whether to [Show] or [Hide]
the history of the Wi-Fi connected devices.
MAC address
You can check the MAC address of the
camera.
516
Virtual Keyboard Operation
(1) (2)
(3)
(4)
zz Use the <W> <X> <Y> <Z> keys to move within 2 and 4–8.
zz Press <0> to confirm input or when switching input modes.
517
Setting the IP Address Manually
Set up the IP address settings manually. The items displayed vary
depending on the Wi-Fi function.
2Select an item.
zz Select an item to access the screen for
numerical input.
zz To use a gateway, select [Enable], then
select [Address].
518
Setting the IP Address Manually
4Select [OK].
zz When you have completed setting the
necessary items, select [OK].
zz If you are not sure what to enter, see
“Checking Network Settings” (=514),
or ask the network administrator or
another person knowledgeable about
the network.
519
Wi-Fi/Bluetooth Status Display
Wireless communication status can be checked on the camera screen.
(1) (2)
(3)
(3) (2)
Wireless signal
Communication status Wi-Fi function
strength
Wi-Fi: Disable
Not
connected Off
Wi-Fi: Enable
Connecting (Blinking)
Connected
520
Wi-Fi/Bluetooth Status Display
521
522
Custom Functions / My Menu
You can fine-tune camera functions and change the functionality of
buttons and dials to suit your shooting preferences. You can also
add menu items and Custom Functions that you adjust frequently
to My Menu tabs.
523
Tab Menus: Customization
=526
=530
=536
=546
=546
524
Setting Custom Functions N
1 Select [C.Fn I: Exposure], [C.Fn II:
Autofocus], or [C.Fn III: Operation/
Others].
(1)
2Select a Custom Function number.
zz Use the <Y> <Z> keys to select the
Custom Function number (1) to set up.
525
Custom Function Settings N
You can customize camera features on the [8] tab to suit your shooting
preferences.
C.Fn I: Exposure
526
Custom Function Settings
527
Custom Function Settings
oo If [2 shots] is set, you can select the + or – side when setting the AEB range.
With WB bracketing, the 2nd shot will be adjusted toward either the B/A or M/
G direction.
528
Custom Function Settings
oo Under [z: zISO speed settings], even if [ISO speed range] or [Min.
shutter spd.] is changed from the default setting, safety shift will override it if
the standard exposure cannot be obtained.
oo The minimum and maximum limits for the safety shift with the ISO speed are
determined by [Auto range] (=134). However, if the manually set ISO
speed exceeds the [Auto range], the safety shift will take effect up or down to
the manually set ISO speed.
oo Safety shift will take effect as necessary even when flash is used.
529
Custom Function Settings
530
Custom Function Settings
531
Custom Function Settings
532
Custom Function Settings
oo [1: Stop focus search] is recommended for super telephoto lenses or other
lens that cover a large area, to avoid significant delay from focus search drive
if the lens becomes greatly out of focus.
533
Custom Function Settings
534
Custom Function Settings
535
Custom Function Settings
536
Custom Function Settings
537
Custom Function Settings
AE Lock/FE Lock*1 k k
Exposure compensation (hold button, turn )
Set ISO speed (hold button, turn )
Flash function settings*1 k k
FE lock*1 k k
k Movies k k
Movie
538
Custom Function Settings
k k k
k k k
k k k k k k k k k
k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k
k k k
k k k
k k k k
k k k k
k k k k k k k k k
k k k
k k k
k k k k k k k k k
539
Custom Function Settings
Function L
Dial function settings k k
Press buttons directly
Depth-of-field preview*1 k k
Reset selected item in Fv mode*1 k k
Reset Tv/Av/ /ISO in Fv mode*1 k k
Quick Control screen k k
Magnify/Reduce k k
Menu display k k
Image quality*1 k k
Picture Style k k
Select folder k k
Create folder k k
Menu
540
Custom Function Settings
k k k k k k k k k
k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
k k k k k k k k k
oo < > stands for “AF stop button” provided on super telephoto lenses
equipped with Image Stabilizer.
541
Custom Function Settings
542
Custom Function Settings
543
Custom Function Settings
oo With auto power off, the lens will not retract regardless of the setting.
oo Before detaching the lens, make sure that it is retracted.
oo When [0: Enable] is set, this function takes effect regardless of the lens’s
focus mode switch setting (AF or MF).
544
Custom Function Settings
oo Editing movie files recorded with [1: Disable] and then saving them with
compression will also compress the audio.
oo Audio is compressed even if [1: Disable] is selected when [Movie rec. size]
is set to L6V (NTSC) or L5V (PAL).
oo Audio for video snapshots is compressed even when [1: Disable] is selected.
545
Clearing Custom Function Settings
546
Tab Menus: My Menu
=548
=551
=551
=552
547
Registering My Menu N
Under My Menu tab, you can register menu items and Custom Functions
whose settings you change frequently.
2Select [OK].
zz You can create up to five My Menu tabs
by repeating steps 1 and 2.
548
Registering My Menu
549
Registering My Menu
zzDelete tab
You can delete the current My Menu tab. Select [Delete tab] to delete the
[MY MENU*] tab.
zzRename tab
You can rename the My Menu tab from [MY MENU*].
3Confirm input.
zz Press the <M> button, then press
[OK].
550
Registering My Menu
oo If you perform [Delete tab] or [Delete all My Menu tabs], tab names renamed
with [Rename tab] will also be deleted.
551
Registering My Menu
zzNormal display
Displays the last displayed menu screen.
zzDisplay from My Menu tab
Displays with the [9] tab selected.
zzDisplay only My Menu tab
Only the [9] tab is displayed. (The [z], [3], [5], and [8] tabs will
not be displayed.)
552
Reference
This chapter provides reference information on camera features.
553
Software Overview
Downloading and Installing the Software
When using EOS software or other dedicated software, use the latest
version available. To download it, you will need to enter the serial number
on the bottom of the camera.
oo Do not connect the camera to a computer before you install the software. The
software will not be installed correctly.
oo You cannot install the EOS software to a computer without an Internet
connection.
oo Previous versions cannot display images from this camera correctly. Also,
processing RAW images from this camera is not possible.
oo Always update any previous version of the software that is installed (by
overwriting it with the latest version).
554
Software Overview
555
Importing Images to a Computer
You can use EOS software to import images from the camera to a computer.
There are two ways to do this.
oo With Wi-Fi connection established, the camera cannot communicate with the
computer even if they are connected with an interface cable.
556
Importing Images to a Computer
oo When importing images from the camera to a computer with a card reader
without using EOS software, copy the DCIM folder on the card to the
computer.
557
Charging a Battery in the Camera
Using USB Power Adapter PD-E1 (sold separately), you can charge Battery
Pack LP-E17 without removing it from the camera. Charging stops if you
operate the camera.
(1)
558
Charging a Battery in the Camera
oo If the access lamp does not light up, try unplugging the USB power adapter
and plugging it in again.
oo The charging time required and the amount charged vary depending on
ambient temperature and remaining capacity.
oo For safety reasons, recharging in low temperatures (5–10°C / 41–50°F) will
take longer.
oo Batteries are not charged when the camera is connected via Wi-Fi or when the
card slot/battery compartment cover is open.
559
Using an Extension Grip
Extension Grip EG-E1 (sold separately) is a dedicated accessory that
makes EOS RP cameras even easier to hold. The battery and card can be
inserted or removed while the extension grip is attached to the camera.
560
Using an Extension Grip
561
Troubleshooting
If a problem occurs with the camera, first refer to this Troubleshooting
Guide. If this Troubleshooting Guide does not resolve the problem, contact
your dealer or nearest Canon Service Center.
Power-Related Problems
562
Troubleshooting
The access lamp blinks during charging with the USB power
adapter.
zz In case of charging problems, the access lamp blinks in green and a
protective circuit stops charging. In this case, unplug the power cord,
reattach the battery, and wait a few minutes before plugging it in again.
If the problem persists, contact your dealer or nearest Canon Service
Center.
The access lamp is not lit during charging with the USB power
adapter.
zz Try unplugging the USB power adapter and plugging it in again.
The camera is not activated even when the power switch is set
to <1>.
zz Make sure the card slot/battery compartment cover is closed (=42).
zz Make sure the battery is installed properly in the camera (=42).
zz Charge the battery (=40).
The access lamp still lights or blinks even when the power
switch is set to <2>.
zz If the power is turned off while an image is being recorded to the card, the
access lamp will remain on or continue to blink for a few seconds. When
the image recording is complete, the power will turn off automatically.
563
Troubleshooting
564
Troubleshooting
Shooting-Related Problems
565
Troubleshooting
566
Troubleshooting
Even after I change the card, the maximum burst displayed for
continuous shooting does not change.
zz The maximum burst displayed does not change when you switch cards,
even if you switch to a high-speed card. The maximum burst shown in
the table on =583 is based on Canon’s testing card. (The faster the
card’s writing speed, the higher the actual maximum burst will be.) For
this reason, the maximum burst displayed may differ from the actual
maximum burst.
567
Troubleshooting
568
Troubleshooting
569
Troubleshooting
570
Troubleshooting
571
Troubleshooting
572
Troubleshooting
573
Troubleshooting
Operation Problems
574
Troubleshooting
Display Problems
The display starts with [9] My Menu, or the [9] tab alone is
displayed.
zz [Menu display] on the [9] tab is set to [Display from My Menu tab] or
[Display only My Menu tab]. Set [Normal display] (=552).
575
Troubleshooting
[###] is displayed.
zz If the number of images recorded on the card exceeds the number the
camera can display, [###] will be displayed.
576
Troubleshooting
Playback Problems
577
Troubleshooting
578
Troubleshooting
579
Troubleshooting
580
Error Codes
(1) If there is a problem with the camera, an
error message will appear. Follow the on-
screen instructions. If the problem persists,
write down the error code (Errxx) and
contact a Customer Support Help Desk.
(2)
581
Performance Data
Still Photo Shooting
zzNumber of Possible Shots
Room Temperature Low Temperature
Temperature
(23°C / 73°F) (0°C / 32°F)
Possible shots Approx. 250 shots Approx. 240 shots
• Based on using the screen and a fully charged Battery Pack LP-E17, and following
CIPA (Camera & Imaging Products Association) testing standards.
zzISO Auto Range
ISO Speed
Shooting Mode
No Flash With Flash
t/d/s/f/a ISO 100–40000* ISO 100–1600*
F ISO 400* ISO 400*
* The actual ISO speed range depends on the [Minimum] and [Maximum] set with
[Auto range].
• In Basic Zone modes, ISO speed is set automatically.
582
Performance Data
JPEG
73 9.1 3320 Full Full
26M
83 4.9 6060 Full Full
74 5.1 5820 Full Full
12M
84 2.9 10280 Full Full
7a 3.4 8750 Full Full
6.5M
8a 2.0 14620 Full Full
b 3.8M 1.9 15760 Full Full
RAW
1 26M 29.1 1040 50 Full
F 26M 17.1 1780 130 Full
RAW+JPEG
1 26M
29.1+9.1 790 42 98
73 26M
F 26M
17.1+9.1 1160 66 170
73 26M
• The number of possible shots is based on Canon’s testing standards and an 32 GB
card.
• Maximum burst measured under conditions and with an SD card conforming to Canon
testing standards (32 GB standard/UHS-II card, <o> High-speed continuous
shooting, Full-frame still photo cropping/aspect ratio, ISO 100, Standard Picture
Style).
• The file size, number of possible shots, and maximum burst will vary depending
on the subject, card brand, still photo cropping/aspect ratio, ISO speed, Picture
Style, Custom Functions, and other settings.
• “Full” indicates that shooting is possible until the card becomes full with the listed
conditions.
oo Even if you use a high-speed SD card, maximum burst indicator will not
change. The maximum burst in the table will apply instead.
583
Performance Data
Image Quality 1:1 (aspect ratio) 4:3 (aspect ratio) 16:9 (aspect ratio)
4160×4160 5536×4160* 6240×3504*
3/1/F
(Approx. 17.3 megapixels) (Approx. 23.0 megapixels) (Approx. 21.9 megapixels)
2768×2768 3680×2768* 4160×2336*
a
(Approx. 7.7 megapixels) (Approx. 10.2 megapixels) (Approx. 9.7 megapixels)
2080×2080 2768×2080* 3120×1752*
a
(Approx. 4.3 megapixels) (Approx. 5.8 megapixels) (Approx. 5.5 megapixels)
1600×1600 2112×1600* 2400×1344*
b
(Approx. 2.6 megapixels) (Approx. 3.4 megapixels) (Approx. 3.2 megapixels)
oo The actual aspect ratio of images in the sizes marked with an asterisk “*” will
differ from the aspect ratio indicated.
oo For details on JPEG file sizes, see the values for full-frame recording on
=583. Under equivalent shooting conditions, file sizes will be smaller than
when [z: zCropping/aspect ratio] is set to [Full-frame].
584
Performance Data
Movie Recording
zzCards that Can Record Movies
Movie Recording Size SD Card
H 45 X UHS-I, UHS Speed Class 3 or higher
87 X SD Speed Class 10 or higher
654 X
L
HDR movie
65 V SD Speed Class 4 or higher
87
w X
65
• When movie cropping and Movie digital IS are disabled.
• This table indicates the card’s writing and reading speeds required for recording
movies (card performance requirements). However, card performance requirements
for 4K/Full HD time-lapse movies apply to reading speed.
585
Performance Data
586
Performance Data
587
Performance Data
588
Performance Data
In [M] Mode
zz For Full HD/HD movies with ISO speed set to [AUTO], ISO speed is
automatically set in a range of ISO 100–25600.
zz For 4K movies with ISO speed set to [AUTO], ISO speed is automatically
set in a range of ISO 100–12800.
zz When setting ISO Auto, setting [Max for Auto] or [H Max for Auto]
under [z: kISO speed settings] to [H2(102400)] (=286) expands
the maximum limit of the automatic ISO speed setting range to H2
(equivalent to ISO 102400). You can lower the maximum value to narrow
the automatic ISO speed setting range.
zz You can set the ISO speed manually in a range of ISO 100–25600 for
Full HD/HD movies and ISO 100–12800 for 4K movies. Note that under
[z: kISO speed settings], setting [ISO speed range] or [Range for
H] to [H2(102400)] (=286) expands the maximum limit of the manual
ISO speed setting range to H2 (equivalent to ISO 102400). Note that you
can also set the [Maximum] and [Minimum] to a range narrower than
the default range.
zz If [z: Highlight tone priority] is set to [Enable] (=137), the
automatic and manual ISO speed setting range’s minimum limit will be
ISO 200. Even when ISO speed expansion is set, the maximum limit will
not be expanded.
589
Performance Data
Image Playback
zzResize Options by Original Image Quality
Original Image Available Resize Settings
Quality 4 a b
3* k k k
4 k k
a k
* Only b is available for images shot with [z: zCropping/aspect ratio] set to [1.6x
(crop)].
zzSize for Resized Images
(Approx. pixels)
Image
Full-frame (3:2) 1.6x (crop)
Quality
4160×2768*
4 –
(Approx. 11.5 megapixels)
3120×2080
a –
(Approx. 6.5 megapixels)
2400×1600 2400×1600
b
(Approx. 3.8 megapixels) (Approx. 3.8 megapixels)
Image
1:1 (aspect ratio) 4:3 (aspect ratio) 16:9 (aspect ratio)
Quality
2768×2768 3680×2768* 4160×2336*
4
(Approx. 7.7 megapixels) (Approx. 10.2 megapixels) (Approx. 9.7 megapixels)
2080×2080 2768×2080* 3120×1752*
a
(Approx. 4.3 megapixels) (Approx. 5.8 megapixels) (Approx. 5.5 megapixels)
1600×1600 2112×1600* 2400×1344*
b
(Approx. 2.6 megapixels) (Approx. 3.4 megapixels) (Approx. 3.2 megapixels)
oo The actual aspect ratio of images in the sizes marked with an asterisk “*” will
differ from the aspect ratio indicated.
oo The image may be cropped slightly depending on the resizing conditions.
590
Information Display
Still Photo Shooting Screen
Each time you press the <B> button, the information display will change.
zz Viewfinder display positions vary for some items.
zz The display will show only the settings currently applied.
(1) (13)
(2) (14)
(3) (15)
(4) (16)
(5) (17)
(18)
(6) (19)
(7) (20)
(8) (21)
(9) (22)
(10) (23)
(11) (24)
(12)
591
Information Display
(25)
(26) (35)
(27)
(28) (36)
(29) (37)
(30) (38)
(31) (39)
(32) (40)
(33) (41)
(34) (42)
oo You can set what is displayed for when you press the <B> button (=388).
oo The electronic level is not displayed when the AF method is set to
[u+Tracking] or the camera is connected via HDMI to a television.
oo Other icons may be displayed temporarily after setting adjustments.
592
Information Display
593
Information Display
(21) (28)
(22)
(29)
(23) (30)
(24) (31)
(25)
(32)
(26)
(27) (33)
oo You can set what is displayed for when you press the <B> button (=388).
oo The electronic level is not displayed when the AF method is set to
[u+Tracking] or the camera is connected via HDMI to a television.
oo The electronic level, grid lines, or histogram cannot be displayed during movie
recording. (The display will disappear when you start recording a movie.)
oo When movie recording starts, the movie recording remaining time will change
to the elapsed time.
594
Information Display
Scene Icons
In the <A> shooting mode, the camera detects the scene type and sets
everything automatically to suit the scene. The detected scene type is
indicated on the upper left of the screen.
Subject Portrait Non-Portrait
Nature and Background
In
In Motion*1 Outdoor Close*2 Color
Motion*1
Background Scene
Bright
Gray
Backlit
Blue Sky
Included
Light blue
Backlit
Sunset *3 *3 Orange
Spotlight
oo For certain scenes or shooting conditions, the icon displayed may not match
the actual scene.
595
Information Display
596
Information Display
Playback Screen
zzBasic information display for still photos
(1) (8)
(2) (9)
(3) (10)
(4) (11)
(12)
(5) (13)
(6) (14)
(7) (15)
oo If the image was taken by another camera, certain shooting information may
not be displayed.
oo It may not be possible to play back images taken with this camera on other
cameras.
597
Information Display
(9)
(2) (10)
(11)
(12)
(3) (13)
(14)
(4) (15)
(5) (16)
(6)
(7) (17)
598
Information Display
(1)
(2)
(6)
(3)
(4) (7)
(5) (8)
oo During movie playback, “*, *” will be displayed for [Fineness] and [Threshold]
of [Picture Style]’s [Sharpness].
599
Trademarks
oo Adobe is a trademark of Adobe Systems Incorporated.
oo Microsoft and Windows are trademarks or registered trademarks of Microsoft
Corporation in the United States and/or other countries.
oo Macintosh and Mac OS are trademarks of Apple Inc., registered in the U.S. and
other countries.
oo SDXC logo is a trademark of SD-3C, LLC.
oo HDMI, HDMI logo, and High-Definition Multimedia Interface are trademarks or
registered trademarks of HDMI Licensing LLC.
oo The Wi-Fi CERTIFIED logo and the Wi-Fi Protected Setup mark are trademarks
of the Wi-Fi Alliance.
oo WPS used on camera settings screens and in this manual stands for Wi-Fi
Protected Setup.
oo The Bluetooth® word mark and logos are registered trademarks owned by
Bluetooth SIG, Inc. and any use of such marks by Canon Inc. is under license.
Other trademarks and trade names are those of their respective owners.
oo All other trademarks are the property of their respective owners.
600
THIS PRODUCT IS LICENSED UNDER THE AVC PATENT PORTFOLIO
LICENSE FOR THE PERSONAL USE OF A CONSUMER OR OTHER USES
IN WHICH IT DOES NOT RECEIVE REMUNERATION TO (i) ENCODE
VIDEO IN COMPLIANCE WITH THE AVC STANDARD (''AVC VIDEO'') AND/
OR (ii) DECODE AVC VIDEO THAT WAS ENCODED BY A CONSUMER
ENGAGED IN A PERSONAL ACTIVITY AND/OR WAS OBTAINED FROM A
VIDEO PROVIDER LICENSED TO PROVIDE AVC VIDEO. NO LICENSE IS
GRANTED OR SHALL BE IMPLIED FOR ANY OTHER USE.
ADDITIONAL INFORMATION MAY BE OBTAINED FROM MPEG LA, L.L.C.
SEE HTTP://WWW.MPEGLA.COM
* Notice displayed in English as required.
● AES-128 Library
Copyright (c) 1998-2008, Brian Gladman, Worcester, UK. All rights
reserved.
LICENSE TERMS
The redistribution and use of this software (with or without changes) is allowed
without the payment of fees or royalties provided that:
1. source code distributions include the above copyright notice, this list of conditions
and the following disclaimer;
2. binary distributions include the above copyright notice, this list of conditions and
the following disclaimer in their documentation;
3. the name of the copyright holder is not used to endorse products built using this
software without specific written permission.
DISCLAIMER
This software is provided 'as is' with no explicit or implied warranties in respect of its
properties, including, but not limited to, correctness and/or fitness for purpose.
601
Use of Genuine Canon Accessories Is Recommended
This product is designed to achieve optimum performance when used with
genuine Canon accessories. Therefore, using this product with genuine
accessories is highly recommended.
Canon shall not be liable for any damage to this product and/or accidents
such as malfunction, fire, etc. caused by the failure of non-genuine Canon
accessories (e.g., a leakage and/or explosion of a battery). Please note that
repairs arising out of the malfunction of non-genuine accessories will not be
covered by the warranty for repairs, although you may request such repairs
on a chargeable basis.
602
Only for European Union and EEA (Norway, Iceland and
Liechtenstein)
These symbols indicate that this product is not to be
disposed of with your household waste, according to
the WEEE Directive (2012/19/EU), the Battery Directive
(2006/66/EC) and/or national legislation implementing
those Directives.
If a chemical symbol is printed beneath the symbol
shown above, in accordance with the Battery Directive, this indicates that
a heavy metal (Hg = Mercury, Cd = Cadmium, Pb = Lead) is present in this
battery or accumulator at a concentration above an applicable threshold
specified in the Battery Directive.
This product should be handed over to a designated collection point, e.g.,
on an authorized one-for-one basis when you buy a new similar product or
to an authorized collection site for recycling waste electrical and electronic
equipment (EEE) and batteries and accumulators. Improper handling of this
type of waste could have a possible impact on the environment and human
health due to potentially hazardous substances that are generally associated
with EEE. Your cooperation in the correct disposal of this product will
contribute to the effective usage of natural resources.
For more information about the recycling of this product, please contact
your local city office, waste authority, approved scheme or your household
waste disposal service or visit www.canon-europe.com/weee,
or www.canon-europe.com/battery.
603
CAUTION
RISK OF EXPLOSION IF BATTERY IS REPLACED BY AN INCORRECT TYPE.
DISPOSE OF USED BATTERIES ACCORDING TO LOCAL REGULATION.
604
Index
Numbers ALL-I : 265
605
Index
606
Index
607
Index
608
Index
Editing : 304 N
Editing out first and last scenes : 304 Night Portrait : 86
External microphone : 258 Noise reduction
File size : 254, 586 High ISO speed : 157
Frame Grab : 306 Long exposures : 159
Frame rate : 252 Non-Canon flash units : 221
HDMI output : 290, 386 Normal (Image quality) : 116
HDR movie recording : 247 NTSC : 252, 378
Headphones : 258
Information display : 593 O
Manual exposure shooting : 241 One-Shot AF : 186
Microphone : 258 Orientation linked AF point : 534
Movie digital IS : 260
P
Movie recording size : 249
PAL : 252, 378
Movie Servo AF : 280, 282, 283
Panning : 82
Movie Servo AF tracking sensitivity :
Partial metering : 211
282
Part names : 31
Movie shooting button : 31
Peripheral illumination correction : 124,
Playback : 301
329
Recording time : 255, 586
Photobook set-up : 322
Shooting area : 251
Picture Style : 148, 152, 155
Sound recording/Sound-recording
Pixel count : 116, 583
level : 257
Playback : 293
Time-lapse movie : 262
Portrait : 77
Video snapshots : 274
Positioning hole : 33
Wind filter : 257
Possible recording time (movie) : 586
MP4 : 252
Possible shots : 582
Multi function : 55
Power : 46
Multi-function lock : 58, 407
Auto power off : 372
Multiple exposure : 165
Battery information : 381
Multi Shot Noise Reduction : 157
Battery level : 47
My Menu : 548
Charging : 40, 558
Possible shots : 582
610
Index
611
Index
612
Index
613
CANON INC.
30-2 Shimomaruko 3-chome, Ohta-ku, Tokyo 146-8501, Japan
For your local Canon office, please refer to your warranty card or to www.canon-europe.com/Support
The product and associated warranty are provided in European countries by Canon Europa N.V.