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eo ri <5 ESPANA Auswahl der besten spanischen Gitarremusik Gitarre solo “3 taper-nestnoven. Adagio de 16'""| WS ogovim, Bach, secina(t. so | #4 WAprega, Gasthoren, Cae de Sonata Patsticn 120 Ents wisn sole) 140 ta Sonata op, 27 Ne. 8 2. a6 = Ging “ae"hane dei ‘Sin, = Beethoven, Minuto |S 180] 47 — a Faery de ope Nea : Segovia Facade, Air de te pata op 2. 196 — Mozart, Marca tur. « Seite X 90] 4s — "Targa de ie’ So0ats, op. 7 2 186 Maddelinta, Ls (ar Compo} = Haydn, Senseo 240] 50 Minweieo tbe 97 Matalane, Et Gasrotn, Balle TMeddeieronn, Romasss tin | 51 —— Fragmento dels 7a Sinicala 160 iia Grannies "ied she Werte Nes) 1.20| 52 —— Scbera de fa Sonata, op. 2 1o,— Goalies 40'— La Parrees, Base daacaco SEES Gtieceton te sevtanse — Eimubert, # poguedon Valea 10 | 83 — Adogia dea Sonate. op. 18 = Schuman, Contin atiwentes 120 | 26 — Chopin, Marorka Ne- 22 Maye Sen Mayo» om 180 Maka, op. 38.NE A ‘ter Boas 6 baget ope 48 40 Noctamo, op. 9 Nee HG — g eangoe —"etoao (Teste eapagnal) = + Bo ‘Beaadlse We 6,79 20 40 Mam Bach. Givotd = Morcens de Concert op. 8%" < 4.80) $0 —— Paaadio Ne. 18 1313 Medians, Al Die de Te Vestana, = Si petites Pisces pus | | 2m] XB4 — Baendel, Chace ‘Yul Secenats (er Fetes) Sora, ous stagosess allies SS nceto ns. 2 ie.mondalschn, Venotin Gondola [172 —Matzgudias con vacaciones | | 290/186 — Haydn Andaate . ‘Song, Biccarola venesisnn.op. [113 — Marcka finebre SL ao) rer = Fargo Mat Fouiler vars (ge Taeeegay» 1.20] 20: oa (are Taregn) eo} e0u ayes Oven Mayo (ae Sepvis) 1.80 Nosterge, ope 28 Nev (ortea| f= Preto (ant Tartegs) re Rome ope St (at, Tateya) 1.60 Prelude We 8 9 B25 —— Us Looe: faatonta orginal! 1 00 Bed — La. Porniense, Polka borirka 1.50, Preludio Ne 12 285 — Peacamento Eeprsivo, « - Prafogia Meas. | Ve B20 — Recuerdos de Palma copicho 1.80 Recuerdos dé la alsamibea | a7 — @ vale de soon Rontta= pot, Mavetarmazorks 190 199 Vio, Pies (2680) fa aa.Ne 8 (arr Fectes) Paquito. vale 1 Lao| too ST semen ia = Remap, Lid ote Weir. 8 = Peteners 80 | 130 — Heasett, Ciaie Eitadlo (Sa5- (or Faria) Recuerd, ‘marae 130 pings Aron 80 4s Remama sin patabiak “Wea ~ Ronda acctura (nay) © 2.80 | 140 feesone, “Romsbed ‘aa (err, Tact) = Sevitones to)“ ~ Sits Vercin, Condeiea 245 — Romanan sia palara (are. Se — Stgulatag wishes = 30 led ote Werte op 18 Br. 6) 1.69 i gla) Lied ote Wore Net) = Sela y Panaseroe 390) 124 — "Romance sin Balebtay (Lies 2 — Flomanaa so patsbeas iLiee [8% — Tango, tamencs, £0 ‘hae Woste Ned) cs ss = 180 che Waete, op. X8 Ne 6) (ae ‘Trrega, Avsita, Massces | | 060147 — Atorart, Mlouetes iso ‘sress) SiNbereatCapeicho 3.60 145 — S"anueto de guaivor& cords Leo 1913 Mogae, Marek tues ‘(er ogee} 1 | 185 — Capriehodeaboleslebee, crests) 2 | tor —> Schubert, Adieu 80 347 Misaetts (re Tareas) 160] 365 — Danes Mora Go| Ens SO Neneet dela Fests, op 78 80 Hi Minuetto ae store contes [387 — Danse, Odes site| 16a — Sehumenn, Au soir op 12s en (aes Tate 1.0] 18) — Endesno y Creme, 2” Peiudioa 160/151 — — mereeuse Lie. i st = Hisoette de lo Shoah iv Gee "1139 — Estas a forma de Minactes 2.20/83 — — Peale vars | Lite Tortes) = Entusio «» te sees. 260| 180 => <= Fuga = PolahCropiacalo Wal tstlins .”. ¢]855 — itadio robe uod Fuga de Buch 2— | 206 o- ~ Prensa. Wagner. Dors mom enfant, Bet! |255.—- Hatudio sobre Frapmeatss de [68 — Romimed, op. 51 « cose = Seoemaae Sac | to — Selot Neots 25 Resalen, Soe, (st, vos “Gran Joes de Concerts’ 1! 1 dio 275 aroha, Sonating = 1s Sohuber, Adlon (ae Teerend. © — Geae aly ee Se ‘Lao "be Wash east, Foniesiadace Arcs) 120 1 Mahe "ae ig Petal 78 | ak Chita, a (ore Tasrept) = 2.90).188 = Ea macipoe, wrt: 11 = Momento ‘muses (bangaresey "| teu — Nataguet, fan : aoe — J peaeton Vales (ae Segots) £0] 184 — Marat [iio — EY suede sn {ot Schuman, Av wit op i837, [197 — Minette tegen eet) 2 |19 — 1" Pobee Valbsesa, Patina 22 — Fantasie Beant, os mae aad — Aidan Bate) Botechast “tor. [189 — Pretogion Ne te (aot gp. Esbeth ne Les gt] ano — Prelogios Nr 40 eer — Fanta Oeeln)tatiason ch 10g — Reroeue (2%, Teregs) |S rgo]z01 — Prelude We-6 isso ms mayer (Bese). 1.50 i 264 2 Canon siestee r,Segovis) 130) 202 — Preto Net {#29 < dntrocasisn'y antares v2 SESE fe" Fagg (ih = ES. Ran 160 130 Wap, Dosmonecieot are Pujol) 100 Sticke: agate, ets Ener “ata — suefo Tremoly Bawa | | E— Secon (ot acts [Bit = Sampo tm 2 Gitarren : ti — 2 Stbsne lstemmariis St |e Bt tea, ‘Tango a cadera | LaD| a Fen, Romansa.s = 180 ‘oianeaolsietsen, Rote |e = Wun S21 Ma "afar ie fcher tasdmana tus estes) 8-8 Treated 3 19 dors encorazaene, verdp 08 480 12) Segoviny inssonpts Bitote de conducts) 0” a4o| its —"binntananese cp ao yrercet £00 ina SF Rea LZ] 5 — Alncar Bue tetas’ © 22[t05 — Lerdeun ame open 3 y-S ean j i = Tonagie I] af = Sach ueathsonstavioloacs) 20 [261 — Le premier Pas op 095 07 7 000 Bagh arsbobde“(u Sinats okie PS /abe Sictenir ae Re, oppo" "Eo win at) a0) = = Sonate 1 fao[ 00 Ward Rigseta Fanta, = Fortsetzung siche Rickseite Alléinvertretung {ur Deutachiand, Deutsch-Cesterreich, Techechosiowakel, Schwelz: Schlesinger'sohe Buch- und Musikhandiung (Rob. Lienau) Berlin - Lichterfelde ceo Carl Haslinger qdm. Tobias, Wien | 2 Deutsche Ausgabe ones oe Vals intimo fiir Gitarre allein Emilio Pujol Gutrwekt mit Genehmigung des Oviginaiverleges: Biblioteca Fortea, Madrid (Béitorial Mision Bepatola, Madrid) §.10456 Creptsculo fiir Gitarre allein Emilio Pujol Andante 4 ques eee Meta =

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