Scribd Logo
Upload

Welcome to Scribd!

  • Practice Exam17

    Uploaded by

    John Smith
    8 views1 page
    This document provides three music composition questions asking to harmonize melodies in four voices using specific chords and cadences. Question 30 provides two melodies in C minor and B minor to harmonize using a Neapolitan 6th chord, applied chord, augmented-6th chord, and cadential 6 chord. Question 31 provides a figured bass to realize in four voices ending with a perfect authentic cadence and includes the soprano voice for measure 1.

    Original Description:

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    This document provides three music composition questions asking to harmonize melodies in four voices using specific chords and cadences. Question 30 provides two melodies in C minor and B minor to harmonize using a Neapolitan 6th chord, applied chord, augmented-6th chord, and cadential 6 chord. Question 31 provides a figured bass to realize in four voices ending with a perfect authentic cadence and includes the soprano voice for measure 1.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    8 views1 page

    Practice Exam17

    Uploaded by

    John Smith
    This document provides three music composition questions asking to harmonize melodies in four voices using specific chords and cadences. Question 30 provides two melodies in C minor and B minor to harmonize using a Neapolitan 6th chord, applied chord, augmented-6th chord, and cadential 6 chord. Question 31 provides a figured bass to realize in four voices ending with a perfect authentic cadence and includes the soprano voice for measure 1.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    October 12, 2021: Page 17

    Question E. Part Writing continued


    30. Harmonize the following melodies in four voices. Use chorale (SATB) or keyboard style. Use the
    chords indicated, employ good voice leading, and provide harmonic analysis (Roman numerals and
    figured bass).
    Use a Neapolitan 6th chord and an applied (secondary) chord; end with a perfect authentic cadence.

    Cm:

    Use an augmented-6th chord and a cadential w chord.

    Bm:

    31. Realize the following figured bass. Use chorale (SATB) or keyboard style. The soprano for m. 1 is
    given. Employ good voice leading, end with a perfect authentic cadence, and provide a Roman numeral
    analysis.

    ¯7 Ω7 6 6 8⸺⸺⸺7 4⸺⸺⸺≥
    6⸺⸺⸺5
    4⸺⸺⸺≥

    You might also like