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  • Trabajo Grupal

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    Bryan Beltran
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    This document contains sheet music for the song "Los Reyes Magos" arranged for soprano, alto, tenor and bass voices. The sheet music displays the melody and harmony across four parts over the course of 30 measures. It indicates the time signature is 72 and includes chord symbols above the staff to indicate the harmonic progression throughout the piece.

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    This document contains sheet music for the song "Los Reyes Magos" arranged for soprano, alto, tenor and bass voices. The sheet music displays the melody and harmony across four parts over the course of 30 measures. It indicates the time signature is 72 and includes chord symbols above the staff to indicate the harmonic progression throughout the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    3 views2 pages

    Trabajo Grupal

    Uploaded by

    Bryan Beltran
    This document contains sheet music for the song "Los Reyes Magos" arranged for soprano, alto, tenor and bass voices. The sheet music displays the melody and harmony across four parts over the course of 30 measures. It indicates the time signature is 72 and includes chord symbols above the staff to indicate the harmonic progression throughout the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Los Reyes Magos

    Armonia
    Compositor / arreglista

     = 72
    Soprano                            


    Alto          

    Tenor
               

          
    Bajo
        
    v I I V7 V

    6         
    S.               

      
    A.         

               
    T.

           
     
    B.
      
    I IV V I I I

    12             
    S.         
     
          
    A.     
               
    T.

              
    B.

    IV V7 V I V IV V I
    18    
      
    2

    S.                 

    A.          
      
    T.
          

             
    B.

    24   

    S.                          
     

              
    A.

            
    T.   

       
    B.
            
    V7 I I I IV V7

    30                
    S.     

    A.        

          
    T. 

           
    B.

    I I64 IV V I

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