LUYS MILAN EL MAESTRO vol. I COMPOSIZIONI PER SOLA VIHUELA TRASCRIZIONE IN NOTAZIONE MODERNA PER CHITARRA Dr RUGGERO CHIESA EDIZIONI SUVINI ZERBONI - MILANOFantasia T Fantasia IL Fantasia UIT Fantasia 1V Fantasia V Fantasia VI Fanvasia VET Fantasia VIE Pantasia 1X Fantasia X Fantasia XT Faniasin XIL Fantasia X01 Fantasia XIV Fantasia XV Fantasia XVI Fantasia XVI Fantasia XVI Fantasia XIX Fantasia XX Fantasia XX1 Fantasia XXIT Pavana 1 Pavana IZ Pavana IIT INDICE (Vol. 1°) Pag, " 2 “4 15 "7 18 » 2» 2 2 2% ” 30 3B % 37 38 39 Pavana IV Pavana V Pavana VI Fantasie XXIII Fantasie XXIV Fantasie XXV Fanusie XXVI Fantasia XXVIL Fantasia XXVILL Fantasia XXIX Fantasie XXX Fantasia XXXT Fantasie XXXII Fantasie XXXTIT Tentos 1 Tentos TI Teatos TI Tentos IV Fantasis XXXIV Fantasie XXXV Fantaria XXXVI Fantasia XXXVIL Fantasia XXXVI Fantasie XXXIX Fantasie XL, Pag, 41 oH > 42 » 2 » 46 » 49 » 32 ~ 4 » 3B » 62 > 66 > 0 » 2B 77 > 80 > 85 » 99 >» % » or » 100 » 103 » 107 » 109 » UBFANTASIA I Compas apresurado PP. te ong ne tau | pee delle EDIZIONT SUVINE ZERHONT SpA. Milano, Gallerie 8b Conn, 4 corgi iss Er ESiz{ON1 sovine pA. Milano et dnt dicratl« eumini dy All rights reetved. Treernaticnal copy securedCompas apresurado FANTASIA II fa, NeVerigionle "I the original text Nello stile di Milan Wulterazione éel quarto grado @ propria del movimento ascen- tad one 00 al quello dlocendeate Ein nian’ sige he fourth igre inflicting 18 proper of ascending mevemest FP andnotep the dtccntng ote [FANTASIA II Compas algo apresurado Netforiginals (© Tu the original text Pt [Z|24 e y sa ds 11d (Saez)FANTASIA IV Compas apresurado PT 7 7 Fi (anz] ?Compas batido i HeUorisivate (hn the origined teat g FANTASIA V 1 a ae SSS [Sear Gorrenione del!’Autore Correction by the composerSenza indictslone 4i tempo Withoet tengo snéreationerr (0 tes eget tot SS eat gna 3 [SeeFANTASIA VII Compas apresurade a s fg) Bevorterate Gorrentore celt’antore (©) in tho original text Correction by the composer f (ssFANTASIA VII Compas apresuradofrrr = FANTASIA IX Compas apresurado adFANTASIA X Las consonancias a espacio y los redobles apriesa oo ® eAfF FoF fu FANTASIA XI Las consonancias a espacio y les redobles apriesa I —— = ~ F FF (Saz]SoZ |FANTASIA XII Las consonaneias a espacio y los redobles apriesa — se te Oe 5 el a =r s wo, _. NeWeriginate © ty ine orietval tent———s = aaa FANTASIA XIII 4 Las consonancias a espacio y los redobles apriosa oer? Cerrerre teense = a [Smee z|FANTASIA XIV Las consonancias a espacio y los redobles aprjesa . Sd dt SS = SSS os a = - S50 E20 FANTASIA XV Las consonancias a espacio y los redobles apriesa NetPoriginalo (9) tn the eriginal teat [Nowez|= tel SS Sas]2 FANTASIA XVI La consonancias a espacio y los redobles apriesa © @ o9 8 @ T = = = ee NatVoriginale ©) I the original teat (Ewa z]23 FANTASIA XVII Las consonancias a espacio y los redobles apriesa @ Neulorigtaate Nevoriginate fa) O In the original text! Inthe original taxt24 NeWerigiaale (6) ta the original textFANTASIA XVII Las consonancias a espacio y los redubles aprivsa @, RelVorigiaale (g3Allorietnte Ey GH Morizinete Oe lin te oviginel text Un the sriginal text fj ¥eWorigivate © Inte origial teat26 = oS all al (c) Quests tipo etimutazione nov infraguente in Milan (v, Fantasie XIX 0 XX) This kind of mutation ig not rare in Milan (ses Pentestes 19 and 20) [Saez]FANTASIA XIX” (ui Autore severte che le soguenti composisioni riprendone itlore andemette rogelaro,esteado terainuts lo farteste di Cnsonaneles # Redoties, Her ihe compessr éndizates that the fellowing compositions lake their regular timing again, being the fantasies of Consonancias” ent “Redoblesexded. gy Ste lnticazione d tenpe ez] Without tempo indication28 \e 4 Netorigivaie Ravorigina (HO) In the oniginal test aa () Iu the origtaad text ig (Samz]pnd ! 3 Raogieale Ss Noovigile a © In the original test 55 9 athe original text —_s (Saez |30 FANTASIA XX ! 4. Ba 4 & ay o = f. ac 2 tt ‘Senne indioanine di tempo Weeiout tempo indication ey 4. p-(ecrestens datAatere ©) nthe original text \Correction by the commnser sawue Correzioue dl Autor® —_nelferiginle tne origina tet GEES ES Coartion Uy the rpatr () Be tnt fat (ee32 a | = 2 £ifi dons dan NeWoriainale (9 Fn the ovina text [SameFANTASIA XXT Senta incicasione di tempo Without toapo indication (eawaz]34 08+ Cae _ Eeefa) FANTASIA XXII Ni muy a espacio ni muy apriesa NatYoriginale Inthe original text 4. v5 S8 = o octsione elVAitore —__etforignale orection bythe composer (Ou the sight tet 41 35 forrerione dell’autere Correction by the composer36 Nevoreiale eae > ty the original for =37 PAVANA I Compas algo apresurado_ fay NeWeriginate (©) the eiginal text (Saz|38 PAVANA II Compas algo apresurado = 2 #€ S (Saez)PAVANA II Compas algo apresurado Netforigivale ic) Jn the original text (Eawrz|40 Tr Comelnedt’muore alot oo Se ee Oe ind (Seorz| Nelveriginale 0) Te the oigénet actPAVANA IV Compas algo apresurado ad Relorigivate Y inte criginal ext 3 PAVANA V Compas algo apresurado42 PAVANA VI Compas algo apresurado I43 FANTASIA XXII Ni muy apriesa ni muy a espacio (meaz](a) the original tect eS SHATrT © ewe xe GEE - € Exccrr4]46 FANTASIA XXIV Ni muy apriesa ii muy a espacio Netorigivale (0) tn the original text47 sarigizae 0) the orignal tne48 {g Seeritoate (In the original text # io Lie FS TS NetPoriginale (@) tn the original text (mezay FANTASIA XXV Ni muy apriesa ni muy a espacio : Q- 4 = = = gtd fT 7S = = oe = i, o_ SS NatVorieinale =f} = Corrosion dell’Autore (9) Is the origina text aA Correction by the composer IE50os yp Seloricote 5 cares pustae teaser, te aggnge sto Ta oe terto topo dei bata, Inthe reat ose Ga FPA variation by he epeer eds ony te kn th nd at of ba. Nelloriginale 4 Correrione ¢ell’autore (inte orgent text = 403 Correction fy the eomponer = (Sawsz]52 FANTASIA XXVI Ni muy apriesa ni muy a espacio addy 4 tet Cuatuioe deter ay Heixiinte = il SE eas Wy the sonposer do) Reale eee EA) ty ie ne eign = = Gervcton bythe om33 (az84 FANTASIA XXVII Compas a espacio ® Correzione dei’autore Na Correction by the composer (0) In [Saar z]5556 (=az]37 tude td $= 3—— = —— os > Saez]58 FANTASIA XXVIII Compas a espacio = est a dp (Em59 Ja Woira kit, Gees (Inte Srigiat text60 2 Nelloriginale MetVarlgtuate poe LL nea ae 9 In thecriginet text OF = Tn the origi (RezNetlorigoate © tne eriginl test Ss 3FANTASIA XXIX eg Ni i i spaci Negercenimy ser) ST fa Reoiginate (9 Tn the original text= 2g ver —64 jg, NeWoriginale (9. tn tho orivinad toxt [Swiss Z|6566 FANTASIA XXX Algo apriesasatel atone Rien txt SEP 1 iad ee68 ns ign | 1 Ta the original text Tr [wz]co FANTASIA XXxXI Compas batide Sas ZPS ronnie gets I the origina! text QEi fn) NeWerletnale 2. NeWeriginata te the origtnat text = (fa te originat text Ste72 am add tid | =o Oo FT = = _ = 44 had bd73 FANTASIA XXXII Compas algo apresurado ExInEEa74 - oo “PT FT rep jyRevorigimse = (y Storie ten Conesione delAstere (9 tn the original toxt 4 =] ba thn ovigtuet text Correction by the composer ~ ] E76 i Jide Nell originate7 FANTASIA XXXII Compas a espacio Neloriginate (In the origizat text Sd ORs SASS78 ‘Wedlorigivale _. (0 Toth ovginel ext S=5 (sez &1980 TENTOS I Las consonaneias a espacio y Los redobles apriesa o = 2s SSS reifutgiaie © Inthe original text81NatPerisinale eine ovigtned text (Saaze485 TENTOS II Las consonancias a espacio y los redobles apriesa Neterisrinale (9) fn the origanat text868788 Netforiginale 6,3 © Inthe eriginal toot (Eaeez1 F cea89 TENTOS Il Las consonancias a espacio y los redobles apriesa90 s_ = [SoZ]92 die te yd bd ad 4 74 [Sear93 TENTOS IV Las consonancias a espacio y los redobles apriesa94 = = = SS Mactenerdo il Dof xe deriverehbe un tipico esenpio di seala mageiore mepeiieen it evden antes! ilsten © eeomlogtcas (0) watPeriginato errr asotig BACH OIA GosaiL a Gp eal damn la dongs man in evudent stléstic aad chronedegicnl anihitests. () Neworigicaie mence i Selb. Ir the eriginal text the G i missing. Eso5 Os ae GEE oy ee a9%FANTASIA XXXIV 2 Compas algo apresurado 22244 5 42 2 Je SS 4 a es los @—_* Ad wos prima osservariore verebbe spontanco eociegsere uel Soeubute no macs impscbuble che si ruth leno a quegl effets strumeatalt ai eat ogri tanto si oompiase Tautore [I'escoutere ricer he it Do depp desis | teva sea quarta voréa w roto) ‘a |e the firs look it monte be spontancnas to correct os follons: but it not nlibely the ut concerns one of these insirumentat \affete the composer tx pleased with (the performer wast renen- Ber that theCwis on the fourth open string). NeWoriginate O tne Gorvertone dell’autore the original text (oy Bet orevate Correstion by the conpocer Ts the original teat @ (sos98 = a (i) un stocsa osservazions ai (2) Tae same as (a) Ecrrs9100 FANTASIA XXXV Compas apresurado ood TTT —) dod TT ® ® Naess Bal (Eee101(Saeez}103 FANTASIA XXXVI Ni muy apriesa ni muy a espacio (nj Boia AJ, 6) tn ctease osservatione ai (a) tts Pantaoia LETV In the original text = The same as (s) in the Fantasy XXXIV. EXOLEYA104Wewigiate of © treet ese & [Saaz]108 (azto? FANTASIA XXXVII Ni muy apriesa ni amy espacio £4. = a z SSS Fas =a ee * — fy Raoriivale Sa Seseine dante 4 Nellis dig In the orient text eo Certo by he cmpser 9) Intent oat GES S502108 fg Nefoviciae (a Marea =, Oe aot ES oP tnt = az@) FANTASIA XXXVII Compas algo apresurado Neeriginate | Neloriginate = Ia the original text © Sn the eviginal font 109noF PT r Fe aegis ea Oat et :na 0 Tenenan (Saez |n3 FANTASIA XXXIX Algun tanto apriesa [Eiweez]4 vt = ai (Saezne (0) WetVoriginate to dus battate toro invertite: Inthe origtact text the tao bars are trasspased ‘setForiginale © tthe original text =] coccezione senvantore Correction by tho compocerW7 FANTASIA XL Algun tanto apriesa sb | S I~ (a Nelforiginale NeWorigioate Tn the original fost © In the eriginal text [Emme](o, Beorieiuale In the original textne ree ee O Tete origin - =| ty Inthe evigial to nite origina exe SE t) In the ertginal text ‘aie120 Nellorizinate (G Sn tee oreginal toot Saaz