City Museums Urban Landscapes Urban Comm

Information
General
Final programme
www.milano2016.icom.museum
CONTENT
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Content
welcome / bienvenue / bienvenida / benvenuto

Invitation to ICOM Milano 2016 6
Invitation à ICOM Milano 2016 8
Invitación a ICOM Milano 2016 10
Invito a ICOM Milano 2016 12
Conference Venue 14
Floor Plan 16
General Information / English

Organisation 22
ICOM Italy 23
ICOM 24
Conference Theme 25
Keynote Speakers 26
Where ICOM from 28
Social Programme 30
General Information A-Z 34
Opening times 40
INFORMATION GÉNÉRALE / franÇais

Organisation 44
ICOM Italie 45
ICOM 46
Thème de la conférence 47
Conférenciers 48
Where ICOM from 50
Réceptions et activités 52
Information générale A-Z 56
Horaires d’ouverture 62
INFORMACIÓN GENERAL / Español

Organizadores 66
ICOM Italia 67
ICOM 68
Tema de la conferencia 69
Ponentes 70
Where ICOM from 72
Programa social 74
Información general A-Z 78
horarios de apertura 84
3
Content
INFORMAZIONI GENERALI / ITALIANO

Organizzatori 88
ICOM Italia 89
ICOM 90
Tema della conferenza 91
Relatori principali 92
Where ICOM from 94
Programma sociale 96
Informazioni generali A-Z 100
Orari di apertura 106
Detailed programme SUNDAY 3 JULY

Programme Overview
SUNDAY 3 JULY 110
Detailed Programme 112
Detailed programme MONDAY 4 JULY

Programme Overview 120
Detailed programme TUESDAY 5 JULY

Detailed programme WEDNESDAY 6 JULY

Detailed programme SaturDAY 9 JULY

OFF-SITE MEETINGS
Off-Site Meetings 3, 5, 6 & 7 July 236
Partners, Sponsors & Exhibitors

Partners 242
Sponsors 243
Exhibitors 244
Exhibition Floor Plan 245
Institutional Partners Profiles 246
Company Profiles 248
4
Content to ICOM Milano 2016
Invitation
Welcome Message from the ICOM President

Hans-Martin Hinz
Dear colleagues of the international museum community, In the year of ICOM’s 70th anniversary, I count on your
presence during this key moment for ICOM in Milan,
The forthcoming 24th ICOM General Conference will be held to celebrate our seven decades of commitment to the
from 3 to 9 July, 2016 in Milan, Italy. We will be delighted protection, preservation and promotion of museums and
to welcome you for what is sure to be an exciting week of cultural heritage.
discussions and events in a country that is world-renowned
for its incredibly rich and diverse cultural heritage. It will be my honour to welcome you, together with our
Italian hosts, to this momentous event. I am confident that
The international museum community will gather together with the help of your contributions and participation, it will
in Milan around the theme of Museums and cultural be an unforgettable experience.
landscapes, which raises a number of issues dear to all of
us, as museums around the world strive to redefine their We look forward to gathering together in Milan in 2016!
roles and positions in relation to their communities and
with respect to the cultural heritage that lies beyond their
walls.
Packed with stimulating sessions, networking

opportunities and committee meetings, the week-long
ICOM General Conference is key in allowing ICOM’s 35,000
members from some 140 countries, alongside other Prof. Dr Hans-Martin Hinz
museum professionals from an array of cultural and ICOM President
linguistic horizons, to maintain and expand their expertise
and leadership on cultural heritage issues.
6
Invitation to ICOM Milano
Content
2016
Welcome Message from the President of the Italian Organising

Committee of ICOM Milano 2016, Alberto Garlandini
Dear friends and colleagues, Special free visits to the Leonardo’s Last Supper are
offered to ICOM Milano 2016 participants from 3 to 9 July
Welcome to Milan and thank you very much for being here. in special day and evening slots to be booked on the ICOM
Everything is ready for the 24th General Conference. Milano 2016 website.
ICOM Milano 2016 offers not only world-renowned keynote Milan is a cosmopolitan and creative city – a city of culture,
speakers, professional meetings, scientific discussions design and fashion. From May to October 2015, Milan hosted
and a museum fair, but also a wide array of social events, the successful World Exposition Milano 2015, and ICOM
visits and excursions to Italian museums and monuments. Milano 2016 has greatly benefited from the work undertaken
for this event: new museums, new subway lines, new
Milan’s Castello Sforzesco will host the Opening Party of infrastructure, new cultural and touristic attractions. With its
the Conference. The castle houses seven museums and on four subway lines, Milan has a highly efficient transportation
Monday, 4 July, 2016 it will be open exclusively to ICOM network. Participants will receive a free transport pass, and
Milano 2016 participants: you will have the chance to visit access to a free bike share service allowing them to move
the new Museum of Michelangelo’s Pietà Rondanini and quickly and easily from the conference venue to the city’s
Leonardo’s recently restored frescos in the Sala delle Asse. main museums and monuments. Milan is a gateway to Italy
The Palazzo dell’Arte of La Triennale di Milano will host the and offers you a unique opportunity to visit some of Italy’s
Closing Party on Saturday, 9 July, 2016. Participants will be most beautiful cities and landscapes. On Friday, 8 July
free to visit its park, the new Design Museum and the 2016 we are offering participants a great number of surprising
International Triennial Exhibitions for design, architecture, excursions in Milan, in Lombardy and in other regions in
visual and decorative arts and audio/video production. North and Central Italy.
Special openings and events at Milan’s museums have The ICOM Milano 2016 website gives you detailed
been organised every evening. On Tuesday, 5 July the information about the Conference programme, the events
National Museum of Science and Technology opens its and the excursions we have organised for you.
doors for an evening for ICOM Milano 2016 participants
and Milan residents. On Wednesday, 6 July participants Italian museum professionals and museums await you!
will be offered a free concert at the Duomo, Milan’s Gothic
cathedral, with free guided visits to the new Museo del I hope you will enjoy your week in Milan and I’m looking
Duomo and access to the roofs of the cathedral, providing forward to everybody’s contributions to this great ICOM
astounding views over thousands of marble statues and event.
the cityscape. On Thursday evening, 7 July the 16th century
Brera Palace of Art and Science, the National Brera
Gallery, the Academy of Fine Arts, the Braidense National
Library, the Istituto Lombardo - Academy of Science and
Letters, the Botanic Garden and the Astronomical Museum
and Observatory will open with special events, exhibitions, Dr Alberto Garlandini
installations and guided tours, and a light dinner will be President of the Italian Organising Committee
offered to ICOM Milano 2016 participants. of ICOM Milano 2016
7
Content À ICOM MILANO 2016
INVITATION
Message de bienvenue du Président de l’ICOM

Hans-Martin Hinz
Chers collègues de la communauté internationale des En cette année où nous célébrons les 70 ans de l’ICOM, je
musées, compte sur votre présence à Milan, à ce moment clé pour
l’ICOM, pour y célébrer nos sept décennies d’engagement
La 24e Conférence générale de l’ICOM aura lieu du 3 au pour la protection, la préservation et la promotion des
Schnittmarke
9 Juillet 2016 à Milan (Italie). Nous serons enchantés musées et du patrimoine culturel.
de vous y accueillir durant une semaine de débats et
d’événements, qui promettent d’être passionnants, dans Ce sera un grand honneur pour moi de vous accueillir à
un pays dont la richesse et la diversité du patrimoine Milan, avec nos hôtes italiens, pour cet événement majeur.
culturel sont célèbres dans le monde entier. Je suis sûr que, grâce à vos contributions et à votre
participation, ce sera un moment inoubliable.
La communauté internationale des musées se réunira à
Milan autour du thème « Musées et paysages culturels », Nous vous attendons et nous réjouissons de pouvoir tous
qui soulève une série de questions sur un sujet qui nous nous réunir à Milan en 2016 !
est cher, les musées du monde entier s’efforçant sans
cesse de redéfinir leur rôle et leur position par rapport à
leurs communautés et au patrimoine culturel qui se trouve
au-delà de leurs murs.
Grâce aux réunions des comités, associées à des sessions

enrichissantes et des occasions d’élargir ses relations Prof. Dr Hans-Martin Hinz
et son réseau, la Conférence générale de l’ICOM est un Président de l’ICOM
événement essentiel pour permettre aux 35 000 membres
originaires de plus de 140 pays, ainsi qu’à d’autres
professionnels des musées issus d’horizons culturels
et linguistiques variés, de préserver et améliorer leurs
compétences professionnelles et leur expertise sur les
questions relatives au patrimoine culturel.
8
INVITATION À ICOM MILANO
Content
2016
Message de bienvenue du Président du Comité d’organisation italien

dÍCOM Milano 2016, Alberto Garlandini
Chers amis et collègues, dÍCOM Milano 2016. Du 3 au 9 juillet, des visites gratuites
de La Cène seront proposées aux participants, sur plusieurs
Bienvenue à Milan et un grand merci pour votre présence. créneaux horaires à réserver sur le site Internet d’ICOM
Tout est prêt pour la 24e Conférence générale. Milano 2016.
Schnittmarke
ICOM Milano 2016 offre non seulement des conférenciers Milan est une ville créative et cosmopolite – une ville de
reconnus, des rencontres professionnelles, des discussions culture, de design et de mode. De mai à octobre 2015, Milan
scientifiques et un salon professionnel des musées, mais a accueilli l’Exposition Universelle 2015, et ICOM Milano
aussi un large éventail d’activités, de visites et d’excursions 2016 a grandement bénéficié de tout le travail réalisé à cette
dans les musées et monuments italiens. Le Castello occasion : nouveaux musées, lignes de métro, infrastructures
Sforzesco accueillera la soirée d’ouverture. Le château et offres touristiques et culturelles. Avec ses quatre lignes
héberge sept musées qui seront ouverts le lundi 4 juillet de métro, Milan jouit d’un excellent réseau de transports
exclusivement pour les participants d’ICOM Milano 2016. publics. Les participants recevront une carte de transport
Ainsi vous aurez la chance de visiter le nouveau Musée de la gratuite, ainsi qu’un service gratuit d’utilisation de vélos qui
Pietà Rondanini de Michel-Ange et les fresques récemment leur permettra de se déplacer rapidement et facilement du
restaurées de Leonardo dans la Sala delle Asse. Le Palazzo centre des congrès aux différents musées et monuments de
dell’Arte de la Triennale de Milan accueillera la soirée de la ville. Milan est une porte ouverte sur l’Italie, offrant une
clôture le samedi 9 juillet 2016. Les participants auront opportunité unique de visiter les plus belles villes et paysages
l’occasion de visiter gratuitement son parc, le nouveau d’Italie. Le vendredi 8 juillet, un grand nombre d’excursions
Musée du Design et l’Exposition Internationale Triennale à Milan, en Lombardie et dans les régions du Nord et du
2016 de design, d’architecture, des arts visuels et décoratifs, centre de l’Italie, seront proposées aux participants.
et de la production audiovisuelle.
Les informations détaillées sur le programme de la Confér-
Des ouvertures spéciales et des événements seront ence, les événements et les excursions organisés pour
organisés chaque soir dans les musées de Milan. Le mardi 5 vous sont disponibles sur le site Internet ICOM Milano 2016.
juillet, le Musée National de la Science et Technologie ouvre
ses portes pour une soirée spéciale dédiée aux participants Les professionnels des musées italiens et les musées
d’ICOM Milano 2016 et aux habitants de Milan. Le mercredi attendent votre arrivée !
6 juillet, un concert gratuit exceptionnel sera donné au
Duomo, la cathédrale gothique de Milan, ainsi que des visites J’espère que vous profiterez de votre semaine à Milan et
guidées gratuites du nouveau Musée du Duomo et l’accès je me réjouis par avance de la contribution de chacun à ce
au toit de la cathédrale qui offre une vue à couper le souffle grand événement de l’ICOM.
sur des milliers de statues de marbres et sur le paysage
urbain. Le jeudi 7 juillet au soir, le Palais Brera des Sciences
et des Arts du XVIIe siècle, la Pinacothèque, lÁcadémie des
beaux-arts, la Bibliothèque Nationale de Brera, l’Institut
Lombard des Sciences et des Lettres, le Jardin Botanique,
le Musée et l’Observatoire Astronomique proposeront des Dr Alberto Garlandini
événements, des expositions, des installations, des visites Président du Comité d‘organisation
guidées et une collation sera offerte aux participants italien dÍCOM Milano 2016
9
Content A ICOM MILANO 2016
INVITACIÓN
Mensaje de bienvenida del presidente del ICOM

Hans-Martin Hinz
Estimados colegas de la comunidad museística inter- En este año en que se celebra el septuagésimo aniversario
nacional: del ICOM, cuento con su presencia en este momento tan
especial para el ICOM en Milán, para celebrar nuestras siete
La próxima 24ª Conferencia general del ICOM se celebrará décadas de compromiso con la protección, preservación y
Schnittmarke
del 3 al 9 de julio de 2016 en Milán (Italia). Nos complace promoción de los museos y el patrimonio cultural.
darles la bienvenida a la que será sin duda una apasionante
semana de debates y eventos en un país que goza de Será un honor para mí darles la bienvenida, junto a nuestros
fama mundial por la increíble riqueza y diversidad de su anfitriones italianos, a este evento de gran importancia.
patrimonio cultural.
Estoy seguro de que, gracias a sus aportaciones y a su
La comunidad museística internacional se reunirá en participación, será una experiencia inolvidable.
Milán en torno al tema Museos y paisajes culturales, el
cual plantea una serie de cuestiones apreciadas por todos Esperamos con gran entusiasmo reunirnos juntos en
nosotros, puesto que los museos de todo el mundo luchan Milán en 2016.
por redefinir sus papeles y posiciones en relación con sus
comunidades y con respecto al patrimonio cultural que se
encuentra más allá de sus muros.
Repleta de sesiones estimulantes, oportunidades

para establecer redes de contactos y reuniones de
las comisiones, la Conferencia General de ICOM es el Prof. Dr Hans-Martin Hinz
instrumento que permite a los 35.000 miembros de ICOM Presidente del ICOM
procedentes de casi 140 países, en compañía de otros
profesionales de museos procedentes de diferentes
horizontes lingüísticos y culturales, mantener y ampliar
sus conocimientos y su liderazgo en materia de patrimonio
cultural.
10
INVITACIÓN A ICOM MILANO
Content
2016
Mensaje de bienvenida del Presidente del Comité Organizador italiano

de ICOM Milano 2016, Alberto Garlandini
Estimados colegas y amigos: guiadas. Además, se servirá un cóctel para los participantes
Quisiera darles la bienvenida a Milán y aprovechar para darles de ICOM Milano 2016. Se ofrecerán vistas gratuitas
las gracias. Todo está listo para la XXIV Conferencia General. especiales a los participantes de ICOM Milano 2016 para ver
la Última Cena de Leonardo en franjas horarias especiales
ICOM Milano 2016 no sólo ofrecerá discursos de ponentes que reservar en la página web de ICOM Milano 2016.
Schnittmarke
de fama mundial, reuniones profesionales, debates
científicos y una feria museal, sino también una gran Milán es una ciudad cosmopolita y creativa; una ciudad de
variedad de eventos sociales, visitas y excursiones a museos cultura, diseño y moda. De mayo a octubre de 2015, Milán
y monumentos italianos. acogió la exitosa Exposición Universal de Milán 2015, e ICOM
Milano 2016 se ha beneficiado en gran medida de las obras
El castillo Sforzesco de Milán acogerá la Fiesta de Apertura llevadas a cabo para este evento: nuevos museos, nuevas
de la Conferencia. El castillo alberga siete museos y, el líneas de metro, nuevas infraestructuras y nuevas ofertas
lunes 4 de julio de 2016, estará abierto exclusivamente culturales y turísticas. Con sus cuatro líneas de metro, Milán
para los participantes de ICOM Milano 2016: tendrán la cuenta con una red de transporte público muy eficiente.
posibilidad de visitar el nuevo Museo de la Piedad Rondanini Los participantes disfrutarán de un abono gratuito para el
de Miguel Ángel y los frescos de Leonardo, recientemente transporte público, así como también de acceso a un servicio
restaurados, en la Sallad elle Asse. El Palazzo dell’Arte de gratuito de alquiler de bicicletas que les permitirá moverse
La Triennale de Milán albergará la Fiesta de Clausura el con rapidez y facilidad entre la sede de la conferencia y los
sábado 9 de julio de 2016. Los participantes de ICOM Milano principales monumentos y museos de la ciudad. Milán supone
2016 podrán visitar libremente su parque, el nuevo Museo una puerta de entrada a Italia y les brinda una oportunidad
del Diseño, y la Exposición Internacional de la Triennale única para visitar algunos de los paisajes o ciudades más
de 2016 sobre arquitectura, artes visuales y decorativas, hermosos. El viernes 8 de julio ofreceremos a los participantes
diseño, moda y producciones audiovisuales. un gran número de excursiones sorprendentes en Milán,
Lombardía y otras regiones del norte y centro de Italia.
Se han organizado aperturas especiales y eventos en los
museos de Milán para cada noche. El martes 5 de julio, el La página web de ICOM Milano 2016 les ofrece información
Museo Nacional de Ciencia y Tecnología abrirá sus puertas detallada sobre el programa de la Conferencia, los eventos y
durante la noche para los participantes de ICOM Milano 2016 las excursiones que hemos preparado para usted.
y los residentes en Milán. El miércoles 6 de julio, se ofrecerá Los profesionales de los museos y los museos italianos les
a los participantes de ICOM Milano 2016 un concierto gratuito esperan.
especial en el Duomo, la catedral gótica de Milán, con visitas
guiadas al nuevo Museo del Duomo y acceso a los tejados Espero que disfruten de su semana en Milán y tengo muchas
de la catedral, los cuales ofrecen unas vistas maravillosas ganas de conocer sus aportaciones a este gran evento.
de miles de estatuas de mármol y de la ciudad. La noche
del jueves 7 de julio abrirán sus puertas el Palacio de Brera
de Arte y Ciencia del siglo xvi, la Galería Nacional Brera, la
Academia de Bellas Artes, la Biblioteca Nacional Braidense,
el Istituto Lombardo – Academia de Ciencias y Letras, el Dr Alberto Garlandini
Jardín Botánico y el Museo Astronómico y Observatorio con Presidente del Comité Organizador
eventos especiales, exposiciones, instalaciones y visitas italiano de ICOM Milano 2016
11
INVITO A ICOM MILANO 2016
Messaggio di benvenuto del Presidente di ICOM

Hans-Martin Hinz
Cari colleghi della comunità museale internazionale, Nellánno del 70° anniversario ICOM, conto sulla vostra
presenza durante i momenti più significativi di ICOM a
La ventiquattresima Conferenza Generale di ICOM si terrà Milano, per celebrare 70 anni di impegno nella protezione,
dal 3 al 9 luglio 2016 a Milano. Saremo lieti di accogliervi preservazione e promozione dei musei e del patrimonio
Schnittmarke
per quella che sarà sicuramente una settimana ricca di culturale.

discussioni, dibattiti e eventi nel paese famoso in tutto il
mondo per il suo patrimonio culturale incredibilmente Sarà mio onore darvi il benvenuto insieme ai nostri ospiti
ricco e diverso. italiani a questo evento di grande importanza.
La comunità museale internazionale si riunirà a Milano Sono sicuro che, grazie ai vostri contributi e alla vostra
trattando l’argomento “Musei e paesaggi culturali” che partecipazione, rimarrà un momento indimenticabile.
solleva una serie di temi cari a tutti noi. In effetti, i musei di
tutto il mondo si sforzano di ridefinire il proprio ruolo e la Aspettiamo con grande entusiasmo questo incontro che ci
propria posizione riguardo alla loro comunità, rispettando riunirà a Milano nel 2016!
il patrimonio culturale che si trova al di fuori delle loro
mura.
La conferenza di una settimana offrirà una piattaforma

per la condivisione e il dialogo su progetti che coprono
numerosi campi d’interesse grazie alla presenza di parte-
cipanti provenienti da diversi orizzonti culturali e linguistici, Prof. Dr Hans-Martin Hinz
e offrirà un’occasione per sviluppare quadri concettuali Presidente di ICOM
inclusivi, interdisciplinari e innovativi in un ambientemu-
seale dinamico in continua evoluzione.
La Conferenza Generale di ICOM è la chiave per permettere

ai 35.000 membri ICOM provenienti da quasi 140 paesi
di mantenere e far crescere la loro competenza e la loro
leadership inmateria di patrimonio culturale grazie a
sessioni stimolanti, nuove reti di contatti e riunioni delle
commissioni.
12
INVITO A ICOM MILANO 2016
Messaggio di benvenuto del Presidente del Comitato Organizzatore

Italiano di ICOM Milano 2016, Alberto Garlandini
Cari amici e colleghi, inoltre la possibilità di visitare a titolo gratuito lÚltima

Cena di Leonardo in alcuni selezionati orari di visita a loro
Benvenuti a Milano e grazie per essere qui. Tutto è ormai riservati e prenotabili sul sito della Conferenza.
pronto per la 24a Conferenza Generale ICOM.
Milano è una città cosmopolita e creativa, una città di cultura,
Schnittmarke
ICOM Milano 2016 non solo offre keynote speaker di rilievo design e moda. Da maggio ad ottobre 2015 Milano ha ospitato
internazionale, incontri professionali, dibatti scientifici e una con successo EXPO 2015 e ICOM Milano 2016 ha ampiamente
fiera museale, ma anche unámpia proposta di eventi sociali, beneficiato dello sviluppo che la città ha avuto per questo
visite ed escursioni presso a musei e a monumenti italiani. evento: nuovi musei, nuove linee della metropolitana, nuove
infrastrutture, nuove offerte culturali e turistiche. Con le sue
Il Castello Sforzesco di Milano ospiterà la Festa di Apertura 4 linee della metropolitana, Milano ha una rete di trasporti
della Conferenza. Allínterno del Castello sono presenti altamente efficiente. I partecipanti riceveranno un pass
7 musei. Lunedí 4 luglio sarà aperto esclusivamente gratuito per il trasporto pubblico, così come la possibilità di
per i partecipanti di ICOM Milano 2016, che avranno utilizzare gratuitamente il servizio di bike sharing, e potranno
lópportunità di visitare il nuovo museo della Pietà muoversi velocemente ed agevolmente tra la sede della
Rondanini di Michelangelo e la Sala delle Asse di Leonardo, Conferenza ed i luoghi e musei di Milano. Milano è una porta
recentemente restaurata. La Triennale di Milano, Palazzo di accesso allÍtalia ed offre lópportunità unica di visitare
dellÁrte, ospiterà sabato 9 luglio la Cerimonia e la alcune delle più belle città dÍtalia e dei più bei panorami.
Festa di chiusura. I partecipanti potranno visitare il suo Nella giornata di venerdí 8 luglio offriremo ai partecipanti un
parco, il nuovo Museo del Design e la XXI Esposizione gran numero di escursioni a Milano, in Lombardia e nel resto
Internazionale Triennale per il design, lárchitettura, le del nord e centro Italia.
arti visive e decorative e le produzioni audio-visive.
Sul sito della Conferenza trovate maggiori informazioni sul
Aperture straordinarie ed eventi sono stati organizzati Programma della Conferenza, gli eventi e le escursioni che
ogni sera nei musei di Milano. Martedì 5 luglio il Museo abbiamo organizzato per voi.
Nazionale della Scienza e della Tecnologia sarà aperto
per una serata speciale dedicata ai partecipanti di ICOM I professionisti museali e i musei italiani Vi aspettano!
Milano 2016 ed alla cittadinanza di Milano. Mercoledí 6
luglio sarà offerto ai partecipanti uno speciale concerto Spero che possiate godere al meglio di questa settimana
gratuito in Duomo, la cattedrale gotica di Milano, con milanese e non vedo lóra di accogliere il vostro contributo a
visite guidate gratuite al Museo del Duomo ed accesso questo grande evento.
alle terrazze da dove si gode una vista mozzafiato sulle Ciao e arrivederci a Milano.
statue di marmo e sul panorama della città. Giovedì 7
luglio Brera invita i partecipanti della Conferenza a visitare
i molti spazi e le tante mostre del seicentesco Palazzo
delle Scienze e delle Arti: la Pinacoteca, l’Accademia di
Belle Arti, la Biblioteca Nazionale Braidense, l’Istituto
Lombardo di Scienze e Lettere, l’Orto Botanico ed il Dr Alberto Garlandini
Museo e l’Osservatorio Astronomico, con visite guidate ed Presidente del Comitato Organizzatore
un rinfresco. I partecipanti di ICOM Milano 2016 avranno Italiano di ICOM Milano 2016
13
Conference Venue
MiCo - Milano Congressi is conveniently situated in

the centre of Milan, 4 km from the Duomo and just 5
minutes from Leonardo’s Last Supper. Four stops of the
metro (Portello, Amendola, Lotto, and Domodossola)
are located in proximity of the convention centre.
Malpensa and Linate airports are respectively 30

minutes and 25 minutes away from MiCo. Designed in
2002 and doubled in size in 2005, the current extension
will place MiCo - Milano Congressi among the largest
conference facilities in Europe and worldwide.
MiCo
Via Gattamelata 5, Gate 14
20149 Milano, Italy
www.micomilano.it
Schnittmarke
14
CC Milano Congressi
Conference
Content
Venue
Politecnico M3
University
NIGUARDA
Lancetti M5 M1
MALPENSA
AIRPORT Palazzo
Lombardia
Bosco
Verticale
Monte
Stella Mac Mahon
Park Sondrio
Monumentale Isola district

Cemetery
Portello Pirelli
Cenisio Skyscraper
San Giuseppe M2 Loreto
SANT’AMBROGIO della Pace Santa Maria Porta
di Lourdes Monumentale
M1 Garibaldi Centrale FS
SPAZIO Unicredit Tower
Sempione EDIT
Portello
Milano Congressi Gerusalemme
Tre Chinatown Lima
Torri Repubblica
Domodossola Arco della Pace
Branca Tower Moscova

FATEBENEFRATELLI
Arena San Marco Planetarium
Lido di Milano
Lotto PAC
Turati
Santa Francesca
Sempione Brera Art Gallery Porta Venezia
Giuseppe Meazza Stadium City Life Romana
Amendola Park Montanelli
R2 Park Via Castel
San Siro Segesta OLD Lanza Morrone
Ippodromo FASHION
SAN CARLO MILANO Scala Theatre Montenapoleone
Triennale
Buonarroti
Corso Vercelli Palestro
Palazzo Reale
Baggio Vergani
Park Park
Sforza Castle Santa Maria
Pagano Conciliazione Cadorna della Passione
San Fedele
San Protaso PALAZZO Duomo San Babila

Santa Maria DELLE STELLINE Museo del Novecento
delle Grazie Dome San Babila
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Gallery of Modern Art
San Bernardino
R1 Wagner alle ossa
M1 Bande Nere Gambara
Cenacolo Vittorio Emanuele Gallery
De Angeli The Last Supper Missori
Primaticcio Cattolica University Corso XXII Marzo
Museum of Science
San Benedetto and Technology S. Ambrogio
Palazzina
Velasca Sinagoga
San Sepolcro POLICLINICO Liberty AIRPORT
Tower
Guastalla Park
San Matteo Porta Romana OFFICINE
Don Sant ’Ambrogio Statale University
DEL VOLO
Giussani
Park
Rotonda
della Besana
S. Agostino Colonne San Lorenzo
Zona Tortona Candia

Santa Maria Park
del Rosario Basiliche Park
Porta Romana
N
P.ta Genova Bocconi University Milan Thermal Baths
Navigli Basilica Sant’Eustorgio
underground Darsena
M1 metro line red 1

M2 NAVIGLIO PAVESE Sant’Andrea M3
H M2 metro line green 2
Ravizza Park
M3 metro line yellow

NAVIGLIO GRANDE 3 Romolo
Baravalle Park
Lodi
hotel M5 metro line lilla 5
shopping bike railway university

sharing station
R
ICOM Milano 2016
romantic cocktail restaurant dinner
Entrance
15
Content
Floor plan
Overview
South Wing - Level +2 Mezzanine South North

Suites 5 to 9 Wing Wing
9
8
7
6
5
North Wing - Level +2

Silver Plenary
White Halls 1 and 2
4
3
3
2 2
1 1
8
4 7
3 6
2 5
1
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South Wing - Level +2 North Wing - Level +1

Amber Halls 1 to 8 Yellow Halls 1 to 3
1
2
Brown Halls 1 to 3 1 3 Blue Halls 1 and 2
1 2
Suites 1 to 4 Red Halls 1 and 2
2
Museum Fair and Expo Forum
Main
7
Entrance
8
9
North Wing - Level 0

Meeting Rooms 7 to 9
First Aid Room
North Wing - Level -1
6
5 Green Halls 1 to 3
7
8
1 Orange Halls 1 to 3
2
1 3
1 2 Turquoise Halls 1 and 2
3
2
6
5 Meeting Rooms 3 to 6
43
Offices 5 to 8
16
Floor
Content
plan
South Wing - Level +2 Mezzanine
Suites 5 to 9
Suite Suite Suite Suite Suite

5 6 7 8 9
South Wing - Level +2
Schnittmarke
Amber Halls 1 to 8
Brown Halls 1 to 3
Suites 1 to 4
Amber Amber Amber Amber

1 2 3 4
Brown Brown Brown

Amber Amber Amber Amber 1 2 3
5 6 7 8
Speakers Suite Suite Suite

Lounge 2 3 4
Connection passage to
17
Content
Floor plan

Silver Plenary Connection passage to
Silver Plenary Connection passage to
White Halls 1 and 2 South Wing - Level +2
White Halls 1 and 2 South Wing - Level +2
Member-
Member-
Voting ship
Voting ship
Room Office
Room Office
Silver
Silver
Plenary
Plenary
Schnittmarke

Yellow Halls 1 to 3
Yellow Halls 1 to 3
Blue Halls 1 and 2
Blue Halls 1 and 2
Red Halls 1 and 2
Red Halls 1 and 2
Red Red
Red Red
Expo 2 1
Expo 2 1
Forum
Forum
„Where ICOM
Networking „Where ICOM Blue
Networking from“ Blue
Lounge from“ 1
Lounge Exhibition 1
Exhibition
Museum Fair
Museum Fair
and Expo Forum
and Expo Forum
Yellow Yellow Yellow

Yellow Yellow Yellow
3 2 1
3 2 1
ICOM
Registration ICOM
Registration Secretariat
Secretariat
18
First Aid Room
Floor
Content
plan
9
Meeting Rooms 8
Main
North Wing - Level 0 Entrance
First Aid Room

9
Meeting Rooms 8
Main
Entrance
North Wing - Level -1
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Green Halls 1 to 3
Orange Halls 1 to 3
Turquoise Halls 1 and 2
Turquoise
Meeting Rooms 3 to 6 2
Offices 5 to 8
3 4 5 6
Meeting Rooms
Turquoise
1
Green Halls 1 to 3
Orange Halls 1 to 3
Turquoise Halls 1 and 2 Orange Orange Orange
Turquoise
3 2 1
Meeting Rooms 3 to 6 2
Offices 5 to 8
3 4 5Green6 Green Green 8

3
Meeting Rooms 2 1 Offices
7
Turquoise
1 6 Press Office
Business
5
Centre
Orange Orange Orange

3 2 1
Green Green Green 8

3 2 1 Offices
7
6 Press Office
Business
5
Centre
19
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Information
General
General Information
English
ORGANISation
Conference Organiser
ICOM ICOM Italy
Maison de l’UNESCO via Fabio Filzi, 22
1 rue Miollis 20124 Milano
75732 Paris Cedex 15 Italy
France Tel/Fax: +39 (0) 2 4695693
Tel: +33 (0) 1 47 34 05 00 Email: segreteria@icom-italia.org
Fax: +33 (0) 1 43 06 78 62
Email: secretariat@icom.museum
Organising Committee
12 Universités de Lombardie
Organising Secretariat For any specific questions on

ICOM MILANO 2016 Registration and Excursions:
Via K.I.T. Group GmbH Email: icom2016-registration@kit-group.org
Association and Conference
Management Accommodation:
Kurfürstendamm 71 Email: icom2016-hotel@kit-group.org
10709 Berlin
Germany Exhibition/Sponsoring:
Tel: +49 (0) 30 24 603 520 Email: icom2016-sponsorship@kit-group.org
Fax: +49 (0) 30 24 603 200
Email: icom2016@kit-group.org
22
Information
General
Icom Italy
The Italian National Committee of ICOM is the leading
professional association of the museum sector in
Italy. It takes care of all the problems closely related
to the development and the defense of the profession.
ICOM Italy promotes and also coordinates the
activities of the Permanent Conference for the Italian
Museum Associations. ICOM Italy is present on the
national territory thanks to the efforts of the Regional
Committees, the continuous research of Thematic
Committees studying and regulating the organisation
of some of the most important events in the industry,
such as the National Conference of Museums of Italy,
the ICOM Italy Award for the Museum of the year,
the National Assembly of ICOM and the International
Museum Day.
During the past 3 years, ICOM Italy organised

many side events, stimulated the debates and
selected interesting Italian best practices about the
Conference Theme. The results of this meticulous
and in-depth job will be presented during ICOM
Milano 2016. Check the online programme and the
App for all the information.
23
CC BY-SA 2.0 David Davies
Content
icom
ICOM AND ICOM GENERAL CONFERENCES Discover and rediscover what Milan and Italy
The International Council of Museums (ICOM), created have to offer:
in 1946, is a worldwide organisation of museums and Milan is a gateway to Italy. Milan is cosmopolitan and
museum professionals. ICOM is committed to promoting creative: the city of culture, design and fashion, lying in
and protecting natural and cultural heritage, present and the centre of an area with the highest density of museums
future, tangible and intangible. With 35,000 members in in the world. Coming to Milan will offer the chance to visit
almost 140 countries, the ICOM network is made up of some of the loveliest art cities in the world (Turin, Verona,
museum professionals from a wide range of museum- Padua, Venice, Genova, Bologna, Florence, Rome and
and heritage-related disciplines. more). They are all well connected to Milan by high-speed
train in one to three hours. Coming to Milan will offer
ICOM promotes standards of excellence in the museum participants a taste of the celebrated Italian hospitality,
field, in particular through its ICOM Code of Ethics for Italian food and the uniquely Italian way of life.
Museums, a standard-setting tool for museums, which
includes basic principles for museum governance, the How to make the most of your ICOM General
acquisition and disposal of collections, and rules for Conference experience?
professional conduct. ICOM’s other activities include Explore what Milan and Italy have to offer:
fighting illicit traffic in cultural goods and promoting Choose an itinerary for Excursion Day: museums and
risk management and emergency preparedness to other cultural sites, walking tours around the city, etc.
protect world cultural heritage in the event of natural or Check the many social events that are planned in Milan
man-made disasters. on the evenings of 5 and 6 July.
Extend your stay in Italy by choosing among the pre-
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Every three years, ICOM’s General Conference gathers the and post-conference tours.
international museum community around a theme chosen
by museum professionals. Examine the conference programme to spot sessions and
events of greatest interest to you:
Why attend the 24th ICOM General Conference? Choose among the meetings and activities of ICOM’s 30
Thanks to a rich conference programme stretching International Committees.
over a week, including keynote speeches, International Be inspired by the daily keynote speeches to embrace
Committees’ sessions, visits and off-site meetings in visionary and provocative insights and begin another
local museums, and a museum fair, you will have the day of conference full of ideas.
opportunity to: “Jump” from one session to another to be sure of
Meet over 3,000 participants from various cultural attending the ones that interest you most.
backgrounds. Discover the sponsored sessions and presentations in
Learn from the experience and knowledge of museum the Expo Forum, the Conference’s little agora inside the
professionals from around the world. museum fair area, and don´t miss the Panel Discussion
Stay up-to-date with global issues and the latest trends session and the Memorial Lecture on 5 July.
in your field.
Discover and share success stories, innovative Meet as many people as possible outside the meeting rooms:
practices and challenges. Seize the social opportunities by attending lunches,
Make new contacts and catch up with old friends. receptions by National Committees, etc.
Listen to and brainstorm with the experts. Make new contacts everywhere: during coffee breaks,
Inspire each other and benefit from a rich environment lunch breaks…
of mutual learning. Don’t visit the city alone, explore with fellow
participants.
24
Information
General
CONFERENCE
Content
THEME
MUSEUMS AND CULTURAL LANDSCAPES Italy’s cultural landscapes have been changing.
The landscapes of Italy are world famous. It has been Although endangered by urban and industrial
much described and visited throughout the centuries. development, many of her celebrated landscapes have
been preserved: they may have changed but they have not
Who does not know the extraordinary range of been deprived of their ancient charm. New landscapes
landscapes that make up the Italian peninsula, extending have also emerged, and their expressions of modernity
from the Alps to the centre of the Mediterranean, with have already become a part of contemporary history,
its hinterlands and its rivieras? Who cannot conjure up while the very interpretation of landscape has changed
one of the countless monuments encountered while and been extended to encompass intellectual as well as
traveling through Italy, a country unique in the wealth visual connotations.
of testimonies, it has accumulated over the ages, like so
many layers on a painting, from Antiquity to the Middle Inviting colleagues from all over the world to the 24th
Ages, from the Renaissance to the Baroque, from the General Conference of ICOM, which will be held in Milan
Neoclassical age to the present day? from 3 to 9 July, 2016, the Italian National Committee
offers a theme dear to Italian museology: the relationship
Equally famous are Italy’s major museums, from between museums and cultural landscapes.
the Uffizi Gallery in Florence to the Brera Gallery in
Milan; from the Gallerie dell’Accademia in Venice, the This is a central issue for Italy, but also a strategic
Capodimonte in Naples and the Savoia Gallery in Turin perspective for museums around the world as we enter
to the Vatican Museums in Rome. Their masterpieces are the third millennium.
an essential part of the Imaginary Museum described by
André Malraux, along with many other works of art which
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are preserved in churches, in palaces and in the towns This theme presents both an opportunity and a
and villages of the Bel Paese. Most works are displayed challenge for museums to revive their mission and
in art and archaeology museums, but also in sites and strengthen their cultural and social role.
historic buildings that make Italy a great museo diffuso:
an extended museum, an open air museum.
The Italian museum scenario is even richer than its

well established image. First of all, there are the great
museums born of the dynastic collections of pre-unification
States (before 1861, Italy was politically divided to several
independent states). Then there is the network of civic
museums of large and medium-sized towns, and finally,
© Civico Museo Archeologico | Comune di Milano
hundreds of small local museums, mostly established in

the past few decades. In 2011, Italy had 4,588 museums
and similar institutions, breaking down as follows: 3,847
museums, 240 archaeological parks and areas, and 501
monuments and historic buildings. Nearly one out in
three municipalities houses at least one museum. Italy is
a country where, as André Chastel wrote, “the collection,
the building that hosts it and the town around the building
are deeply intertwined: these three forms of museums are Civico Museo Archeologico
reflected in each other.” 1
1
A. Chastel, Italia museo dei musei, in I musei, TCI, Milano 1980, p. 14
25
Content Speakers
Keynote
ICOM Milano 2016 will feature five world-renowned keynote speakers, with different backgrounds
and approaches. A Nobel Prize-winning Turkish writer, an American artist, an Italian architect and
designer, an African political and cultural leader, and an Australian economist will present their
enriching, insightful views on culture, art, museums and cultural landscapes. Come to Milan and
get a unique chance to listen to and learn from the enlightening experiences of some of the greatest
intellectuals of the contemporary world!
4 July
Christo, USA Orhan Pamuk, Turkey
Christo was born in Gabrovo, Turkish novelist Orhan Pamuk
Bulgaria, on 13 June 1935 became the first Nobel laureate
and spent his youth under in literature ever to emerge from
Communist rule. He studied Arts his country. Known for his epic,
in Sofia and Vienna. Jeanne- multifaceted stories in which
Claude (Jeanne-Claude Marie the protagonist is often caught
de Guillebon 1935-2009), also born 13 June 1935, was between two worlds, Pamuk interweaves elements
born of French parents in Casablanca, Morocco, and from the West‘s pantheon of postmodern prose into his
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grew up in Paris, Bern, Switzerland, and Gabès, Tunisia, fiction while also blurring the line between realism and
before finally settling with her family in Paris. In 1957, fantasy that is a hallmark of the greatest works of Arabic
Christo escaped from Eastern Europe to the West. He was literature. Orhan Pamuk‘s books have been translated
wrapping objects in various materials at that time, though into 63 languages, including Georgian, Malayan, Czech,
it was through portraiture that he primarily supported Danish, Japanese, Catalan, as well as English, German
himself. The couple met in Paris in 1958 when he was and French. Once a year, Pamuk gives lectures at Columbia
making portraits of Jeanne-Claude‘s mother. University. He created the Museum of Innocence in
Istanbul at the same time he wrote his novel, as a perfect
In 1961, the artists began collaborating on monumental symbiosis between museology, literature and cultural
projects--endeavors in which the medium has largely landscapes. In 2014, Museum of Innocence received the
been fabric, chosen for its fluid and ephemeral qualities. European Museum of the Year Award (EMYA) given by the
Christo and Jeanne-Claude share joint authorship of the European Museum Forum.
large-scale projects; however, Christo makes the wrapped
objects, packages, scale models, and drawings. The Pamuk was awarded The Peace Prize, considered the
projects are solely funded by the sale of these works, as most prestigious award in Germany in the field of culture,
the artists do not accept sponsorship. The Christos‘ early in 2005. In the same year, Snow received the Prix Médicis
projects, mainly involving extant architecture, managed étranger, the award for the best foreign novel in France.
to both conceal and underscore the essential character In 2006, TIME magazine chose him as one of the 100
and meaning of a site. Over time, their use of fabric most influential persons in the world. The same year,
has become freer and more open. The realized projects he received the Nobel Prize for Literature, becoming the
remain installed for a finite time, yet their impermanence second-youngest person to receive the award in its history.
heightens their aesthetic appeal. Their works include
the wrapping of the Reichstag in Berlin and the Pont-
Neuf bridge in Paris, the 24-mile (39 km)-long artwork
called Running Fence in Sonoma and Marin counties in
California, and The Gates in New York City‘s Central Park.
26
Information
General
Keynote Speakers
Content
5 July
Michele De Lucchi, Italy Nkandu Luo, Zambia
Michele De Lucchi is an Italian Nkandu Luo is the current
architect, a prominent figure in Minister of Gender and Child
movements like Cavart, Alchimia Development. She has also
and Memphis. He has designed served as Minister of Health,
lamps and furniture for renowed Minister of Transport and
Italian and European companies, Communications, Minister of
such as Artemide, Olivetti, Alias, Unifor, Hermès and Alessi. Local Government and Housing, Minister of Chiefs and
He has designed working environments and corporate Traditional Affairs. The Honorable Professor Nkandu
identity for Deutsche Bank, Poste Italiane, Ferrovie dello Luo is Professor of microbiology and immunology and
Stato, Enel, Piaggio, Olivetti, Telecom Italia, Novartis, Intesa has served as Head of Pathology and Microbiology at
Sanpaolo and Unicredit. He has realized architectural the University Teaching Hospital, Lusaka, Zambia. Apart
projects in Italy and worldwide, including residential, from her training in Microbiology and Immunology,
industrial, corporate and cultural buildings, as well as she pursued studies in Immunopathology of infectious
curating exhibitions for the Triennale di Milano, Palazzo Diseases and Epidemiology and Medical Statistics. Prof
delle Esposizioni di Roma, the Neues Museum Berlin, the Luo has carried out a lot of research on HIV/AIDS, TB.
Galleria d’Italia in Piazza Scala and Museo Pietà Rondanini Malaria and other infectious diseases. She has been
in Milan. He has recently realized a number of projects for active in teaching of both undergraduate, postgraduate,
the city of Milan: the pavilions for Expo 2015 (Padiglione Biomedical and nursing students.
Zero, Expo Center, Intesa Sanpaolo) and UniCredit Pavilion
in piazza Gae Aulenti.
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6 July
David Throsby, Australia
David Throsby is internationally
acclaimed as one of the
inventors of cultural economics.
A Distinguished Professor in
the Economics Department of
Macquarie University in Sydney,
he is internationally recognized
for his research and publications on the economics of
art and culture. His current fields of research include
the economic situation of creative artists, the creative
industries, the economics of cultural heritage, culture
and sustainable development, and the links between
economic and cultural policy. He is the author of numerous
publications including The Economics of the Performing
Arts, with Glen Withers (1979), ‘The Production and
Consumption of the Arts: A View of Cultural Economics’
in the Journal of Economic Literature (1994), Economics
and Culture (2001), and The Economics of Cultural Policy
(2010). Together with Victor Ginsburgh he has co-edited
two volumes of the Handbook of the Economics of Art and
Culture (2006 and 2014)
27
Content
Where ICOM From
An exhibition to celebrate 70 years This exhibition in itself allows for a possible itinerary
of ICOM! evoking, if not all aspects (an impossible mission), some
By François Mairesse of the dimensions of ICOM, blending places, important
events, keynote figures, etc. It is an incomplete tale that
What is an anniversary for? Is it to recall past times? Is it is not an “official” version of the adventure of ICOM, but
it to celebrate the experiences gleaned over the course instead, a selection of stories from its archives that seek
of time? Or is it to gather those dear to us for a pleasant to display some of the dimensions of this organisation.
event? It is always interesting to take advantage of the
here and now to take a look back, and at 70, the age
of becoming (at least) a grandparent, the time is ripe to
recall the memories that have influenced our history, An interactive tour
and share them with our grandchildren through family The exhibition Where ICOM from retraces, in almost
albums. Creating an exhibition about ICOM could seem 235m2, the evolution of ICOM over its 70 years of
like a narcissistic exercise in patting ourselves on the existence, and raises questions about its future
back, like a 3D selfie where we all try to fit in. In fact, it directions. An immersive scenography links archive
is a more ambitious project. The history of ICOM has not documents – including pictures, posters and videos
always been a long quiet river. – to illustrate the rich history of ICOM. A huge
timeline and a selection of important dates show the
More than 40 years ago, after a sweeping contestation growth of the ICOM network and the achievements
movement in the museum field, noticeable during the of the organisation over time. The main activities of
General Conference in Paris and Grenoble (1971), the the organisation and the upcoming challenges are
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New Museology movement developed, as a response addressed in stories and personal points of view
to the museum crisis that highlighted the conventional from ICOM members. Interactive devices will enable
ways of a western, bourgeois institution. Forty years visitors to take part in the debate and share their
later, the museum crisis seems long past, and there thoughts.
are more museums than ever before. Alongside the
numerous smaller organisations, at times extremely
dynamic, but also extremely fragile, huge economic
machines have developed around globalised tourism.
Museums, vilified in the past due to their old-fashioned
approach, nowadays play an important role in global
geopolitical issues.
The role of ICOM has also evolved. Established by a

small group of professionals in 1946, the organisation
now counts some 36,000 members from a wide array
of backgrounds, but united by a common question. The
exhibit “Where ICOM from” recalls some of the elements
that shape the nature of ICOM and museums, and ask
us about the future of this institution. In 1946, the world
was recovering from a global conflict followed by a long
cold war. Seventy years later, while the world has not
experienced another global war, it has never seemed so
close to widespread conflict. What role can museums
and ICOM play in this context?
Judging by the number of its employees, ICOM is a

small-scale organisation. Nevertheless, the number
and diversity of its committees, all of them managed
voluntarily, represent a vast and complex network that
© ICOM
represents the diversity of the world. Who can actually

claim to be familiar with its full scope? Georges Henri Rivière playing the shamisen, 1960, Tokyo, Japan
28
Information
General
Where ICOM
Content
From
It is curious that ICOM, which identifies itself as the museum Exhibition Where ICOM from, 70 years of the
forum par excellence, had never tried to communicate International Council of Museums, from 4 to
and contribute to debates more frequently, through the 6 July 2016
feature that sets it apart – exhibitions. Nevertheless, it Blue Hall 2, North Wing, level +1 (close to central
has done so through publications, talks, and now, its escalators). Opening expected on 4 July at 12:30 in the
website and social networks. If there is a defining feature exhibition site.
of museums, it is that they represent a unique, collective
way of thinking, which aims to spread knowledge in spatial Event organised by the ICOM Endowment Fund,
fashion, through objects, images and sounds. This is no jointly with student from University Paris 1 Pantheon-
easy task: to develop an exhibition, space, time and means Sorbonne, and with the generous support of Panasonic,
are required. The one being presented in Milan does not main sponsor of the exhibition.
intend to respond to all of the questions asked here, but to
make each visitor wonder, at least for a few minutes, about
the facets of the organisation that brings us together, as
well as about this highly specific space that museums
represent.
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© guerillagraphik
29
Content
Social Programme
OPENING PARTY – 4 July CLOSING CEREMONY AND PARTY – 9 July
Castello Sforzesco La Triennale di Milano

Monday, 4 July, 2016 Saturday, 9 July, 2016
19:30 – 23:30 19:30 – 00:00
Piazza Castello Viale Emilio Alemagna, 6
Closest Metro Stations: Cairoli, M1, Red Line Closest Metro Station: Cadorna, M1, Red Line
The Opening Party will be held on Monday 4 July at The Closing Ceremony and Party will be held on Saturday
Castello Sforzesco, the famous 15th century castle in 9 July at Triennale’s Palazzo dell’Arte. Starting from 19:30,
Milan’s centre. On that occasion, participants will have participants will be allowed to visit the Triennale’s Museum
the opportunity to visit all the museums in the Castle and of Design, its park and the 21st International Triennial
especially the new display of Michelangelo’s Pietà Ronda- Exhibitions for architecture, visual and decorative arts,
nini and Leonardo’s newly restored frescos in the “Sala design, fashion and audio/video production.
delle Asse”. The Closing Ceremony will take place at 20:00. During the
A welcome cocktail will be offered, as well as musical ceremony, the ICOM flag will officially pass from ICOM
entertainment. The party will start at 19:30 and end at Milano 2016 to ICOM Kyoto 2019 and the 25th ICOM General
23:30. Entrance will be guaranteed only upon showing Conference will be presented. After the Ceremony the
your ICOM Milano 2016 name badge. Closing Party will start!
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© EcilaAlice
© fedewild
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Information
General
Social Programme
Content
SOCIAL EVENTS – GREAT CONCERT IN DUOMO –

5 and 6 July evening (and more!) The Veneranda Fabbrica del Duomo
Milan Cathedral
More than 40 museums in Milan will open exceptionally- Wednesday, 6 July, 2016
during the evening and organise special events for ICOM 20:00 – 21:00
Milano 2016! Piazza del Duomo
The complete list of the social events, with the map and
all the details about opening times and other useful The Duomo will host a special dedicated concert for ICOM
information are available on the conference website Milano 2016 participants.
(http://network.icom.museum/icom-milan-2016/social-
events/social-events/) and are constantly updated. Some
events are open to a limited number of participants: no
reservation is needed and the participants will granted
access upon availability.
Some very special events are planned!
OPEN NIGHT | Special ICOM Milano 2016

National Museum of Science and Technology
Leonardo da Vinci, Milan
© Pedro
Tuesday, 5 July, 2016
18:30 – 23:30
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Via San Vittore 21 Concert programme
Atmospheres of a cathedral
“The great Duomo pipe organ and the majesty of the
© Museo Nazionale della Scienza e della Tecnologia Leonardo da
brass instruments”
A dialogue in music
Nikolaj Rimskij-Korsakov (1844-1908)
(pipe organ and brass instruments)
Procession of Nobles
Georg Friedrich Haendel (1685-1759)
And the Glory of the Lord (brass instruments)
Giovanni Gabrieli (1557-1612)
Vinci di Milano
Canzon Undicesimi Toni (pipe organ and brass instruments)

Edward Elgar (1857-1934)
Military March n.1 (pipe organ and brass instruments)
Gabriel Fauré (1845-1924) (brass instruments)
Special opening for the general public and ICOM Milano Pavane
2016 participants. Marcel Dupré (1886-1971)
The National Museum of Science and Technology Leonardo (pipe organ and brass instruments)
da Vinci, the largest technical and scientific museum in Poème Héröique
Italy, opens its doors to the entire city during the 24th ICOM Eugène Gigout (1844-1925)
General Conference in Milan. (pipe organ and brass instruments)
A special OPEN NIGHT to discover the Museum’s collec- Grand Choeur Dialogué
tions, experiments and interactive workshops and enjoy Alessandro La Ciacera
the evening in the 16th century monastery cloisters. Dive (second organist of the Duomo)
into the world of the Enrico Toti submarine and experience Doctor Brass Quintet
the life of sailors on-board. Discover Leonardo’s artistic Giorgio Tosatti, trumpet
techniques and venture between new diets, DNA and the Matteo Macchia, trumpet
major ingredients of our food. Relax with live classical, jazz Jaime Carrasco, trombone
and rock and roll music. The Railway Pavilion comes alive Marco Anastasio, bass tuba
with contemporary dance and live music performances. Tommaso Ruspa, horn
31
Content
Social Programme
AN EVENING IN THE BRERA PALACE THE LAST SUPPER

FOR ICOM MILANO 2016 Cenacolo Vinciano
Palazzo di Brera Several time slots during the whole week.
Thursday, 7 July, 2016 Piazza Santa Maria delle Grazie, 2
18:30 – 22:15
Via Brera 28, Milano The Last Supper is situated in Milan in the ex-refec-
tory near the Sanctuary of Santa Maria delle Grazie.
The 17th century Palace of the Sciences and the Arts opens It was painted between 1494 and 1498 by Leon-
its doors with a public event specially for ICOM Milan ardo da Vinci and it is known all over the world.
2016. After a welcome by the Brera’s Directors, its leading The Last Supper shows one of the most important scenes,
institutions – the Pinacoteca, the Academy of Fine Arts, and the richest in meaning from the Gospel according to
the Braidense National Library, the Istituto Lombardo - John.
Academy of Science and Letters, the Botanical Garden, the
© On MiBACT Licence - PoloM useale della Lombardia

INAF (Museum and Astronomical Observatory) – will stay
open exceptionally until 10:15 pm with events, exhibitions,
installations and guided tours. The Brera’s institutions will
be open to the public, and a light dinner will be offered
exclusively to ICOM 2016 guests while seats last – reserva-
tions are obligatory.
Reservation: breraforicom2016@gmail.com
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Thanks to scientists, art critics and restorers from all

over the world, the original painting, altered by extensive
retouching that did not conform to the peculiar charac-
teristics of Leonardo da Vinci’s work, was brought to light
again.
A special agreement with the Italian Ministry of Culture

© Pinacoteca di Brera
Heritage Activities and Tourism will invite ICOM Milano

2016 participants to visit the Last Supper, thanks to the
reservation of several timeslots during the entire week. All
booking details are available on the Conference website.
32
Information
General
Social Programme
Content
LOMBARDIA
Valcamonica
Varese Crespi d’Adda Iseo Lake
VENETO
Monza Bergamo
Lago di Garda Vicenza
Milan Brescia
Torino
Pavia Piacenza Mantova
Monferrato
Musei del Cibo
PIEMONTE Modena
Parma
Bologna
Genova LIGURIA EMILIA-ROMAGNA
Lunigiana
Firenze
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Certaldo /
Castelfiorentino
TOSCANA
Excursion Day
Excursion Day is an ICOM General Conference tradition:
one day off to discover the host city as well as north and
central Italy! This year, Excursion Day will take place
on Friday, 8 July. For more information, please have a
look at the Conference website (http://network.icom.
museum/icom-milan-2016/excursion-day/excursion-
day-proposals/) or visit the “Social Programme” counter
in the registration area.
PRE- AND POST-CONFERENCE TOUR TOURS FOR ACCOMPANYING PERSONS

The Organising Committee selected about 50 tours, proposed Two different tours have been organised for accompanying
and organised by experienced travel agencies and partners. persons with the special partnership of Musement. Tours
Tours are tailored-made for ICOM Milano 2016 participants. are free of charge for regularly registered accompanying
Costs and details are available on the Conference website persons. A limited number of tickets is available.
(http://network.icom.museum/icom-milan-2016/tours/ Discover more on the Conference website (http://network.
pre-and-post-conference-tours/). All the information icom.museum/icom-milan-2016/tours/accompanying-
about the organising travel agencies and partners are persons-tours/)!
available at the Tours desk located in the Museum Fair &
Expo Forum (Exhibition Area, North Wing, level +1).
33
Content Information A-Z
General
Accommodation IAMFA International Association of Museum

Should you need to book a hotel or have any questions Facility Administrators
regarding your reservation, please visit the accommodation IAMH International Association of Museums of
counter in the registration area in the North Wing on level +1. History
IATM International Association of Transport and
Communications Museums
Accompanying persons ICAM International Confederation of
Accompanying persons will have a restricted access to the Architectural Museums
conference. Entrance to the Museum Fair & Expo Forum ICMM International Congress of Maritime
and conference sessions is not included. Museums
MAC Museums Association of the Caribbean
Accompanying persons are allowed to join all the social MINOM International Movement for a New
events taking place outside the conference centre (Opening, Museology
Party, Special Open Night, Concert in Duomo, Excursions, PIMA Pacific Islands Museum Association
Closing Ceremony and Party and free tours). SADCAM Southern Africa Development Community
Association of Museums and Monuments
SIBMAS International Association of Libraries and
ICOM Affiliated Organisations Museums of the Performing Arts
The Affiliated Organisations are associations or
international bodies dedicated to museums and museum
professionals in a given region. These organisations Automated Teller Machine (ATM)
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participate in ICOM’s activities and contribute to the There is an ATM in the MiCo in the North Wing on level +1
influence of the organisation and its network while right next to the entrance of the Museum Fair & Expo Forum.
maintaining their autonomy. When coming up the escalators, it is on your right hand side.
Any international organisation made up of at least

two-thirds of museums or museum professionals can Badge Printing Terminals
become an ICOM Affiliated Organisation. The 21 Affiliated Participants have the opportunity to scan the barcode
Organisations are represented by their Presidents within on their registration confirmation at the Badge Printing
the Advisory Committee. Please find the ICOM Affiliated Terminals in order to get their name badge printed.
Organisations below:
The Badge Printing Terminals are generously sponsored
AEOM Association of European Open-Air by the company ETT s.p.a..
Museums
AFRICOM International Council of African Museums
AIMA International Association of Agricultural Business Centre
Museums The Business Centre is located in Office 5 in the North
AMOI Association of Museums of the Indian Wing on level -1. Participants have the possibility to print
Ocean material, make copies, scan or fax during the following
CAM Commonwealth Association of Museums opening hours:
CIMAM International Committee for Museums and
Collections of Modern Art Sunday, 3 July 08:00 – 19:00
EXARC International Organisation of Monday, 4 July 08:00 – 19:00
Archaeological Open Air Museums and Tuesday, 5 July 08:00 – 19:00
Experimental Archaeology Wednesday, 6 July 08:00 – 19:00
FIHRM Federation of International Human Rights Saturday, 9 July 08:00 – 18:00
Museums
HO!I Hands On! International Association of The following rates apply
Children’s Museums Copy / Printing (single face):
IACCC International Association of Corporate A4 B&W € 0.20
Collections of Contemporary Art A3 B&W € 0.30
IACM International Association of Customs/Tax A4 colour size € 0.50
Museums A3 colour size € 0.70
34
Information
General
General Information
Content
A-Z
Outgoing faxes: Basic fixed rate € 1.50 Participants can visit the Triennale’s Museum of Design,
Italy € 0.30 park and the 21st International Triennial Exhibitions for
Europe € 0.60 architecture, visual and decorative arts, design, fashion
Intercontinental € 1.00 and audio/video production.
Incoming faxes: Fixed rate € 0.20
Ream of paper: 500 sheets € 5.00
Coffee Breaks
Coffee will be served to all registered delegates in the
Catering Areas Museum Fair & Expo Forum in the North Wing on level +1
Catering areas are located in the Museum Fair & Expo from 4 to 6 July as well as on 3 and 9 July in the Silver Foyer
Forum area in the North Wing on level +1. Lunch bags and in the North Wing on level +2 during the following times:
coffee breaks will be provided to all full registered partici-
pants from 3 to 6 July and on 9 July. Sunday, 3 July: 10:30 – 11:00 and 15:00 - 15:30
(Silver Foyer)
Monday, 4 July: 15:45 – 16:15
Certificate of Attendance (Museum Fair & Expo Forum)
The official Certificate of Attendance for ICOM Milano 2016 Tuesday, 5 July: 10:30 – 11:00 and 16:30 – 17:00
will be available after the Conference. Participants will be (Museum Fair & Expo Forum)
able to download it from the Participant Platform. Wednesday, 6 July 11:00 – 11:30 and 15:45 – 16:15
(Museum Fair & Expo Forum)
Saturday, 9 July: in the morning (Silver Foyer)
Charging Stations
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There will be mobile phone charging stations located
throughout the conference venue and free of charge. Conference Bag
The conference bag will be available at the conference bag
counter in the registration area in the North Wing on level
Cloakroom, Luggage +1. Exhibitors will get one conference bag per booth which
The cloakroom is located in the registration area in the will be distributed to them during the first conference day.
North Wing on level +1. The following rate apply: € 2.50 per
coat and € 3.00 for luggage. The cloakroom will be open The ICOM Milano 2016 Conference Bag is generously
during the following times: supported by Haroutunian Foundation.
Sunday, 3 July 08:00 – 19:00

Monday, 4 July 08:00 – 19:00 Currency
Tuesday, 5 July 08:00 – 19:00 The Italian currency is the euro which comes in denomina-
Wednesday, 6 July 08:00 – 19:00 tions of 5, 10, 20, 50, 100, 200 and 500 euro notes as well as
Saturday, 9 July 08:00 – 18:00 coins of 1, 2, 5, 10, 20, 50 cents and 1 and 2 euros.
Climate Electricity
Milan has a humid subtropical climate with continental In Italy, the voltage is at 220v a/c. Plugs are 2 pins so an
influences. Milan’s climate is similar to much of northern adaptor may be necessary.
Italy’s inland plains, with hot, humid summers and cold,
foggy winters. In summer, humidity levels are high and
peak temperatures can reach temperatures above 35 °C Excursion Day
(95 °F). Excursion Day is an ICOM General Conference tradition:
one day off to discover the host city as well as north and
central Italy! This year, Excursion Day will take place on
Closing Ceremony and Party Friday, 8 July. For more information, please have a look at
The Closing Ceremony (within the limit of the number the Conference website (http://network.icom.museum/
of places available on a first-come-first-served basis) icom-milan-2016/excursion-day/excursion-day-pro-
will be held on Saturday, 9 July, at 19:30 followed by the posals/).
Closing Party at 20:00 at Triennale Palazzo dell’Arte.
35
General
Expo Forum ICOM International Committees

The Expo Forum is a separate area in the Museum Fair The International Committees bring together experts
& Expo Forum (North Wing, level +1) where exhibitors/ of museum specialties. Chairpersons represents each
sponsors can give a presentation to participants. The International Committee within ICOM’s Advisory Committee.
schedule is published in the programme part of this The 30 International Committees are global think tanks
brochure as well as on a designated sign in the Expo on museum, and heritage matters. They define museum
Forum area. professional’s standards, share scientific information,
establish partnerships with other organisations and develop
recommendations for ICOM members. Please find the
Film, Photo and Video Recording ICOM’s international committees below:
ICOM and K.I.T. Group work together to create a
comprehensive overview of the conference interactions AVICOM Audiovisual and New Technologies of
and events which may be of promotional interest to the Image and Sound
organisation. Accordingly, please be advised that you may CAMOC Collections and Activities of Museums of
be filmed or photographed at any time (in the meeting Cities
rooms, Expo Forum, during social events, etc.) and that any CECA Education and Cultural Action
presentations you deliver (keynote speech, presentation, CIDOC Documentation
etc.) may be recorded. CIMCIM Museums and Collections of Musical
Instruments
CIMUSET Museums and Collections of Science
First Aid and Technology
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All security agents of the MiCo are trained in first aid. They CIPEG Egyptology
are your first contact point. A first aid room is situated in COMCOL Collecting
the North Wing on level 0. You may also contact anyone at COSTUME Museums and Collections of Costume
the registration counter which is located in the North Wing DEMHIST Historic House Museums
on level +1. GLASS Museums and Collections of Glass
ICAMT Architecture and Museum Techniques
ICDAD Museums and Collections of
ICOM Milano 2016 Conference App Decorative Arts and Design
The ICOM Milano 2016 Conference App is designed to ICEE Exhibitions and Exchange
enhance the experience of the participants before, during ICFA Museums and Collections of Fine Arts
and after the conference, by placing the following features ICLM Literary Museums
and information at their fingertips: ICMAH Museums and Collections of
Interactive Conference Programme Archaeology and History
List of Speakers and Exhibitors ICME Museums and Collections of
Maps and Floor Plans Ethnography
Social Programme ICMEMO Memorial Museums in Remembrance
Networking of the Victims of Public Crimes
Social Media ICMS Museum Security
Conference Survey ICOFOM Museology
ICOM-CC Conservation
The ICOM Milano 2016 Conference App is generously spon- ICOMAM Museums of Arms and Military History
sored by the company Guardian Glass Europe. ICOMON Money and Banking Museums
ICR Regional Museums
ICTOP Training of Personnel
Insurance and Liability INTERCOM Museum Management
The Conference Organiser, ICOM or ICOM Italy and the MPR Marketing and Public Relations
MiCo shall not be held liable for personal injury or any NATHIST Museums and Collections of Natural
loss or damage to the belongings of conference delegates, History
either during or as a result of the conference. Delegates UMAC University Museums and Collections
should check the validity of their own insurance.
36
Information
General
General Information
Content
A-Z
ICOM LAC PHOTOGRAPHIC EXHIBITION Membership Office

Participants have the opportunity to visit a special photo The Membership Office is located in the White 1 Hall in
exhibition organised by ICOM LAC. the North Wing on level +2 and will be open during the
Place: Foyer Gold, South Wing, level +2 following times:
Title: Cultural Landscapes of Latin America and the
Caribbean Region From Sunday, 3 July to Wednesday, 6 July 08:30 – 18:00
Internet Access Museum Fair & Expo Forum

Wi-Fi will be available for all registered delegates free Conference delegates are invited to visit the Museum Fair
of charge at the MiCo. You can connect to the network & Expo Forum which will be open during the following
“ICOM_Milano_2016” with the password below and upon times:
acceptance of the general conditions.
Monday, 4 July 12:30 – 18:00
Password: icom2016 Tuesday, 5 July 09:00 – 18:00
Wednesday, 6 July 09:00 – 18:00
The ICOM Milano 2016 Wi-Fi network is generously spon-
sored by Hubei Provincial Museum.
Name Badge
A name badge is required for admittance to all official
Internet Area conference sessions and events. Each delegate is required
The internet area is located in the Museum Fair & Expo to present the badge in order to gain access to the confer-
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Forum area in the North Wing on level +1. It is free of ence. The name badge must be clearly displayed. If an
charge to all registered delegates. There is also a printer attendee loses, misplaces or forgets their name badge, a
available for printing e.g. boarding passes. handling fee of € 50.00 will be charged for a new badge and
the lost badge will be invalidated. If someone claims that
the badge is in the hotel and will be brought back the next
Language day, we take € 40.00 and hand out a receipt. If the second
The conference languages are English, French, Spanish, badge is given back the next day, the € 40.00 is refunded.
and Italian.
The name badge is generously sponsored by Haroutunian
Foundation.
Lunch
Lunch bags will be provided to all full registered
participants in the dedicated areas in the Museum Fair & National Committees
Expo Forum in the North Wing on level +1 from 4 to 6 July The National Committees are the main tools of commu-
as well as on 3 and 9 July in the Silver Foyer in the North nication between the General Secretariat and ICOM
Wing on level +2 as follows: members. The 119 National Committees ensure that the
interests of the organisation are managed in their respec-
Sunday, 3 July 12:30 – 13:30 (Silver Foyer) tive countries. The National Committees represent their
Monday, 4 July 12:30 – 14:00 members within ICOM and they contribute to the imple-
(Museum Fair & Expo Forum) mentation of the organisation’s programmes.
Tuesday, 5 July 13:00 – 14:00
(Museum Fair & Expo Forum)
Wednesday, 6 July 13:00 – 14:00 Networking Lounge
(Museum Fair & Expo Forum) The Networking Lounge is located in the Museum Fair &
Saturday, 9 July 14:00 – 15:00 (Silver Foyer) Expo Forum in the North Wing on level +1.
The Networking Lounge is generously sponsored by

Goppion S.p.A and Goppion MuseumLab, Paul Bernhard
Exhibit Design & Consulting, The Hettema Group and THK
Co., Ltd..
37
General
Opening Ceremony Press Contact:

The Opening Ceremony will take place in the Silver Plenary Ms Maria Gatón Fraile
on Monday, 4 July at 09:30 – 12:30. All registered delegates Head of Communications Department and Public Relations
are invited to attend this event. ICOM - International Council of Museums
E-mail: maria.gaton@icom.museum
Opening Party Mr Stefano De Angelis / Mr Filippo Cristini

The Opening Party will be held on Monday, 4 July from Head of Italian Press Agency (Studio De Angelis)
19:30 at the Castello Sforzesco, the famous 15th century E-mail: info@deangelispress.it, filippocristini@gmail.com
castle in Milan’s centre. On that occasion, participants
will have the opportunity to visit all the museums of the The press conference will take place on Thursday, 30 June
Castello including the new display of Michelangelo’s in the Museo Nazionale della Scienza e della Tecnologia
Pietà Rondanini and Leonardo’s newly restored frescos in Leonardo da Vinci in the Biancamano room. For more
the Sala delle Asse. information, please visit the Conference website (http://
net wor k .icom.museum / icom-mil an-2016/media /
press/).
Off-Site Meetings
On Thursday, 7 July ICOM International Committees orga-
nise their meetings outside the conference venue. Unless Programme Changes / Date of Print
specified those meetings are dedicated for the members The organisers shall not be held liable for any changes
of each specific Committee. A detailed schedule of the in the programme due to external or unforeseen circum-
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Off-Site meetings can be found in the programme part of stances. Changes notified after the print deadline (6
this brochure. June) are displayed online on the Conference website and
available through the conference application.
People with Disabilities

The MiCo is accessible to conference participants with public transportation
disabilities. The registration fee includes the public transportation
ticket of Milan. The ticket will be provided at the conference
bag desk at the MiCo (North Wing, level +1).
Pre- and Post-Conference Tours
Pre- and post- conference tours are not organised by ICOM
Milano 2016. All tours have to be booked in advance based Regional Alliances
on the deadlines indicated on the Conference website. You The Regional Alliances are forums designed to promote
can find all the information about the organising travel dialogue and the sharing of information between the
agencies at the Tours desk located in the Museum Fair & National Committees, museums and the museum profes-
Expo Forum (Exhibition Area, North Wing, level +1). sionals of a given region.
The National Committees can be members of a Regional

Press / Media Alliance established in their geographical area. The
The press office is located in the Office 6, North Wing, Presidents of the five ICOM Regional Alliances sit on
level -1 and will be open during the following times: the Advisory Committee. Please find the ICOM Regional
Alliances below:
Sunday, 3 July 10:00 – 19:00
Monday, 4 July 08:00 – 18:30 ICOM ARAB Arab Countries Alliance
Tuesday, 5 July 08:00 – 18:30 ICOM ASPAC Asia-Pacific Alliance
Wednesday, 6 July 08:00 – 18:30 ICOM EUROPE Europe Alliance
Saturday, 9 July 08:00 – 17:30 ICOM LAC Latin America & Caribbean Alliance
ICOM SEE South East Europe Alliance
38
Information
General
General Information
Content
A-Z
Registration Voting Room

The registration counter is located in the registration area The voting room is located in the White 2 Hall in the North
in the North Wing on level +1 and will be open during the Wing on level +2 and will be open during the following
following times: times:
Sunday, 3 July 08:00 – 19:00 Monday, 4 July and Tuesday, 5 July 08:00 – 19:00
Monday, 4 July 08:00 – 18:30
Tuesday, 5 July 08:00 – 18:30
Wednesday, 6 July 08:00 – 18:30 Water Dispensers
Saturday, 9 July 08:00 – 17:30 Water dispensers are located throughout the conference
venue and are free of charge.
social events (5 and 6 july)

More than 40 museums in Milan will exceptionally open
during the evening and organise special events for ICOM
Milano 2016!
The complete list of the social events, with the map and
all the details about opening times and other useful infor-
mation are available on the Conference website (http://
net wor k .icom.museum / icom-mil an-2 016/social-
events/social-events-july-5-and-6/) and are constantly
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updated. Some events are open to a limited number of
participants: no reservation is needed and the participants
will be granted access upon availability.
Some very special events are planned!
Speakers Lounge
The speakers lounge is located in Suite 1, South Wing, level
+2 and will be open during the following times:
Sunday, 3 July 08:00 – 19:00

Monday, 4 July 08:00 – 18:30
Tuesday, 5 July 08:00 – 18:30
Saturday, 9 July 08:00 – 17:30
Survey
A survey about the conference will be available through the
conference app after the conference. This survey will help
us better understand the needs and wishes of the partic-
ipants.
VOLUNTEERS
Volunteers will assist you during the whole Conference.
They are all wearing a special t-shirt in order you can
easily recognise them.
The volunteers t-shirt is generously sponsored by the

company Arteria.
39
opening times
Registration Press Office

Sunday, 3 July 08:00 – 19:00 Sunday, 3 July 10:00 – 19:00
Monday, 4 July 08:00 – 18:30 Monday, 4 July 08:00 – 18:30
Tuesday, 5 July 08:00 – 18:30 Tuesday, 5 July 08:00 – 18:30
Wednesday, 6 July 08:00 – 18:30 Wednesday, 6 July 08:00 – 18:30
Saturday, 9 July 08:00 – 17:30 Saturday, 9 July 08:00 – 17:30
Museum Fair & Expo Forum Speakers Lounge

Monday, 4 July 12:30 – 18:00 Sunday, 3 July 08:00 – 19:00
Tuesday, 5 July 09:00 – 18:00 Monday, 4 July 08:00 – 18:30
Wednesday, 6 July 09:00 – 18:00 Tuesday, 5 July 08:00 – 18:30
Cloakroom, Luggage Saturday, 9 July 08:00 – 17:30
Sunday, 3 July 08:00 – 19:00
Monday, 4 July 08:00 – 19:00 Business Centre
Tuesday, 5 July 08:00 – 19:00 Sunday, 3 July 08:00 – 19:00
Wednesday, 6 July 08:00 – 19:00 Monday, 4 July 08:00 – 19:00
Saturday, 9 July 08:00 – 18:00 Tuesday, 5 July 08:00 – 19:00
Voting Room Saturday, 9 July 08:00 – 18:00
Monday, 4 July 08:00 – 19:00
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Tuesday, 5 July 08:00 – 19:00
Membership Office
Sunday, 3 July 08:30 – 18:00
Monday, 4 July 08:30 – 18:00
Tuesday, 5 July 08:30 – 18:00
40
Information
General
Prado Museum Borromean Islands
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Van Gogh Museum
Villa Panza
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GÉNÉRALE
INFORMATION
INFORMATION GÉNÉRALE
franÇais
Content
Organisation
Organisateurs de la conférence
ICOM ICOM Italie
1 rue Miollis 20124 Milan, Italie
75732 Paris Cedex 15 Tel/Fax: +39 (0) 2 4695693
France Email: segreteria@icom-italia.org
Tel: +33 (0) 1 47 34 05 00
Fax: +33 (0) 1 43 06 78 62
Comité d’organisation
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Bureau organisateur Pour toute question concernant

ICOM MILANO 2016 Inscription et excursions :
Management Hébergement :
10709 Berlin
Allemagne Exposition / Sponsoring :
Fax: +49 (0) 30 24 603 200
44
Icom Italie
GÉNÉRALE
INFORMATION
Le Comité National de l’ICOM est la principale
association professionnelle du secteur des
musées en Italie. Il s’occupe de tous les problèmes
étroitement liés au développement et à la défense
de la profession. ICOM Italie cherche à promouvoir
et à coordonner les activités de la Conférence
Permanente pour les Associations de Musées
Italiens. ICOM Italie est représenté sur l’ensemble
du territoire grâce aux efforts des Comités
Régionaux, et à la recherche constante de Comités
Thématiques chargés de l’étude et de la régulation
de l’organisation des principaux événements de
l’industrie, tels que la Conférence nationale des
musées d’Italie, le Prix du Musée de l’Année accordé
par ICOM Italie, l’Assemblée nationale de l’ICOM et la
Journée internationale des musées.
Depuis 3 ans, ICOM Italie a organisé de nombreux

événements, a suscité des débats et a choisi les
meilleures pratiques italiennes en lien avec le thème
de la conférence. Les résultats seront présentés
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durant ICOM Milano 2016. Pour plus d’information,
consultez le programme en ligne et l’application
dédiée.
CC BY-SA 3.0 Carlo Dell’Orto

Content
ICOM
ICOM ET LES CONFÉRENCES GÉNÉRALES Découvrir et redécouvrir ce que Milan et

DE L’ICOM lÍtalie ont à offrir :
Milan est une porte ouverte sur l’Italie. Milan est une ville
Créé en 1946, le Conseil international des musées (ICOM) cosmopolite et créative, la ville de la culture, du design et
est l’organisation internationale des musées et des profes- de la mode, qui se trouve au centre de la zone géographique
sionnels des musées. L’ICOM s’engage à promouvoir et à regroupant la plus grande densité de musées au monde.
protéger le patrimoine culturel et naturel, actuel et futur, Venir à Milan vous donnera l’opportunité de visiter
tangible et intangible. Regroupant plus de 35 000 membres quelques-unes des villes d’art les plus aimées au monde
répartis dans plus de 140 pays, l’ICOM constitue un réseau (Turin, Vérone, Padoue, Venise, Gênes, Bologne, Florence,
de professionnels des musées et du patrimoine ou de Rome…). Situées pour les plus éloignées d’entre elles à
professionnels œuvrant dans des disciplines connexes. trois heures de Milan, elles sont bien desservies par des
trains à grande vitesse. Venir à Milan vous donnera un
L’ICOM promeut des normes d’excellence dans le domaine avant-goût de l’Italie, sa célèbre hospitalité, sa cuisine et
muséal, en particulier grâce à son Code de déontologie sa dolce vita unique.
pour les musées qui fixe les normes minimales des
pratiques professionnelles en matière de gouvernance, Comment profiter pleinement de la
d’acquisition et de cession des collections, ainsi que les Conférence générale de l’ICOM ?
règles de conduite professionnelle. Parmi les activités de Explorez ce que Milan et l’Italie peuvent vous offrir :
l’ICOM figurent la lutte contre le trafic illicite des biens Choisissez un parcours pour la journée d’excursions :
culturels, la gestion des risques et la préparation aux musées et sites culturels, promenade à travers la ville,
situations d’urgence pour protéger le patrimoine culturel etc.
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mondial en cas de catastrophes naturelles ou d’origine Renseignez-vous sur les événements planifiés à Milan,
humaine. les soirées des 5 et 6 juillet.
Prolongez votre séjour en Italie en choisissant l’un des
Tous les trois ans, la Conférence générale de l’ICOM réunit voyages organisés avant et après la conférence.
la communauté internationale des musées autour d’un
thème défini par les professionnels du domaine muséal. Choisissez dans le programme de la conférence ce qui
vous intéresse le plus :
Pourquoi participer à la 24e Conférence Choisissez parmi les réunions et activités des 30
générale de l’ICOM ? comités internationaux de l’ICOM.
Grâce à un programme très riche s’étalant sur Venez assister aux présentations de conférenciers
une semaine, composé de discours inauguraux, de de renom qui vous feront partager leur point de vue
sessions de comités internationaux, de visites et de visionnaire et stimulant.
rendez-vous dans les musées locaux, ainsi que d’un Passez d’une session à l’autre pour vous assurer
salon professionnel des musées, vous pourrez : d’avoir choisi le thème qui vous intéresse le plus.
Rencontrer plus de 3 000 participants issus de Découvrez les sessions sponsorisées et les
contextes culturels variés. présentations dans le Forum situé à l’intérieur du
Apprendre grâce à l’expérience des professionnels des salon professionnel des musées, et ne manquez
musées du monde entier pas les sessions de rencontre-débat et la Memorial
Rester informé sur les problématiques mondiales et les Lecture le 5 juillet.
dernières tendances dans votre domaine.
Découvrir et échanger sur les « success story », Rencontrez un maximum de personnes en dehors des
les pratiques novatrices et les défis à relever. salles de conférence :
Nouer de nouveaux contacts et retrouver d’anciennes Inscrivez-vous à des activités de réseautage: déjeuners
connaissances. thématiques, réceptions des comités nationaux, etc.
Ecouter et interagir avec des experts. Nouez de nouveaux contacts partout où vous allez: lors
Bénéficier d’un environnement d’apprentissage mutuel des pauses café, des déjeuners ou des excursions…
riche. Ne visitez pas la ville seul, joignez-vous à d’autres
participants.
46
THÈME DE LA CONFERENCE
Content
MUSÉES ET PAYSAGES CULTURELS
GÉNÉRALE
INFORMATION
Les paysages culturels italiens ont évolué.
Le paysage italien est connu dans le monde entier. Il a Menacés par le développement urbain et industriel, ces
été décrit, représenté et visité à toutes les époques. paysages célèbres ont toutefois été préservés. En dépit de
leur transformation, ils ont su conserver leur authenticité.
Qui ne connaît pas l’extraordinaire diversité des De nouveaux paysages ont aussi fait leur apparition,
paysages de la péninsule italienne, avec ses rivieras et expression d’une modernité déjà en partie historique. La
ses arrière-pays, qui s’étend des Alpes jusqu’au cœur notion même de paysage a changé et ne cesse de gagner
de la Méditerranée ? Qui n’a pas gardé à l’esprit l’un de nouveaux territoires mentaux et visuels.
des innombrables monuments que l’on peut observer
en Italie, ce pays unique, sorte de tableau aux multiples En invitant leurs collègues du monde entier à la 24e
patines, où toutes les époques ont laissé leur empreinte, Conférence Générale de l’ICOM qui se tiendra à Milan du
de l’Antiquité à nos jours, en passant par le Moyen Âge, la 3 au 9 juillet 2016, le comité national italien leur propose
Renaissance, le Baroque, le néoclassicisme ? de réfléchir à un thème cher à la muséologie italienne : le
rapport entre musées et paysages culturels.
Ses grands musées sont tout autant célèbres : les Offices
à Florence, la Pinacothèque de Brera, les Galeries de Cést non seulement une question centrale pour l’Italie,
l’Académie à Venise, le Capodimonte à Naples, la Galerie mais aussi une perspective stratégique pour les musées
Sabauda ou les musées du Vatican, tous font partie du monde entier en ce troisième millénaire.
intégrante de cet immense patrimoine. Leurs œuvres
d’art comptent pour une part essentielle dans ce Musée
imaginaire que décrivait André Malraux, tout comme Ce thème constitue à la fois une opportunité et un défi
celles que recèlent les églises, les palais seigneuriaux, pour les musées, en vue de repenser la définition de
Schnittmarke
les villes et les bourgs du Bel Paese. Ces musées d’art leur mission et renforcer leur rôle culturel et social.
et d’archéologie, mais aussi les sites et monuments
historiques font de l’Italie un vaste « musée à ciel ouvert »,
le museo diffuso.
Le panorama muséal italien est bien plus riche et

diversifié qu’il n’est représenté habituellement. Il est
d’abord constitué de grands musées issus des collections
dynastiques des États pré-unitaires (avant 1861, l’Italie
était divisée en plusieurs États indépendants), mais aussi
d’un réseau majeur de musées municipaux des principales © Civico Museo Archeologico | Comune di Milano
villes italiennes. Il vient également s’enrichir de centaines

de petits musées locaux, dont la plupart ont été créés au
cours des dernières décennies. En 2011, l’Italie recensait
4 588 musées et établissements assimilés : 3 847 musées,
240 aires et parcs archéologiques, 501 sites et monuments
historiques. Près d’une municipalité sur trois compte au
moins un musée. L’Italie est un pays où, comme l’a décrit
André Chastel, « Tout est diffèrent quand par une sorte
d‘emboîtement exemplaire la collection s‘inscrit dans Civico Museo Archeologico
l‘édifice qu‘enveloppe la cité et que se répondent ces trois
formes du musée». 1
1
A. Chastel, Italia museo dei musei, in I musei, TCI, Milano 1980, p. 14
47
CONFÉRENCIERS
ICOM Milano 2016 accueillera cinq personnalités de renom, venues d’horizons différents. Un écrivain turc
lauréat du prix Nobel, un artiste américain, un architecte et designer italien, une responsable politique
africaine, et un économiste australien présenteront leurs points de vue visionnaires et éclairants sur la
culture, l’art, les musées et les paysages culturels. Venir à Milan est une occasion unique de découvrir
et d’apprendre des expériences enrichissantes de certains des plus grands intellectuels du monde
contemporain !
4 juillet
Christo, USA Orhan Pamuk, Turquie
Christo est né le 13 juin 1935 à Romancier turc, Orhan Pamuk
Gabrovo en Bulgarie et a passé est le premier lauréat du prix
son enfance sous le régime Nobel de littérature de son
communiste. Il a étudié l’art pays. Connu pour ses épopées,
à Sofia et à Vienne. Jeanne- histoires à multiples facettes
Claude (Jeanne-Claude Marie de où le protagoniste est souvent
Guillebon 1935-2009), est née, également le 13 juin 1935, tiraillé entre deux mondes, Pamuk entrelace dans sa
de parents français, à Casablanca au Maroc et a grandi à fiction des éléments de prose occidentale post-moderne
Schnittmarke
Paris, à Bern en Suisse ainsi qu’à Gabès en Tunisie, avant en brouillant les frontières entre la réalité et l’imaginaire
que sa famille ne s’installe définitivement à Paris. En 1957, caractéristique des plus grandes œuvres de la littérature
Christo s’échappe de l’Europe de l’Est vers l’Ouest. A cette arabe. Ses livres sont traduits en 63 langues, anglais,
époque, il enveloppe des objets de différents matériaux allemand et français mais aussi en géorgien, malais,
même s’il vit principalement de l’art du portrait. Le couple tchèque, danois, japonais, catalan. Chaque année, Pamuk
se rencontre à Paris en 1958 lorsqu’il réalise le portrait de donne des cours à l’université Columbia.
la mère de Jeanne-Claude.
En accord avec son roman éponyme, il créé le Musée
En 1961, les deux artistes démarrent leur collaboration de l’Innocence à Istanbul, symbiose parfaite entre la
sur des projets monumentaux – dans lesquels le support muséologie, les paysages littéraires et culturels, Prix du
principal est le tissu, choisi pour son caractère éphémère musée européen de l’année 2014 décerné par le Forum
et sa fluidité. Si Christo et Jeanne-Claude créent ensemble européen du musée. En 2005, il reçoit le Prix de la Paix,
des projets à grande échelle, Christo réalise les objets récompense la plus prestigieuse dans le domaine de la
enveloppés, emballages, modèles réduits et dessins. Les culture en Allemagne ainsi que le Prix Médicis étranger
artistes n’acceptant pas de sponsoring, les projets sont pour son ouvrage Neige, meilleur roman étranger en
financés uniquement par la vente des œuvres. France. En 2006, le Time magazine le désigne comme
une des 100 personnalités les plus influentes au monde.
Les premiers projets de Christo, impliquant principalement La même année, il reçoit le Prix Nobel de littérature,
de l’architecture existante, dissimulent autant qu’ils ne devenant ainsi la deuxième personne la plus jeune à
soulignent le caractère essentiel et signifiant d’un site. Au recevoir cette distinction.
fil du temps, l’utilisation qu’ils font du tissu devient plus
libre et plus ouverte. Les projets réalisés sont temporaires
et leur caractère éphémère intensifie d’autant leur attrait
esthétique. Parmi leurs œuvres les plus marquantes on
peut citer l’emballage du Reichstag à Berlin et du Pont-
Neuf à Paris, l’œuvre de 39 km de long, appelée Running
Fence dans les comtés de Sonoma et de Marin en
Californie et The Gates dans Central Park à New York.
48
CONFÉRENCIERS
5 juillet
GÉNÉRALE
INFORMATION
Michele De Lucchi, Italie Nkandu Luo, Zambie
Architecte italien, Michele De Nkandu Luo est actuellement
Lucchi a joué un rôle important ministre du genre et du
dans les mouvements comme développement de l’enfance.
Cavart, Alchimia et Memphis. Elle a également été ministre de
Il a conçu des lampes et des la santé, ministre des transports
meubles pour des entreprises et communications, ministre du
italiennes et européennes les plus connues, comme gouvernement local et du logement, ainsi que ministre
Artemide, Olivetti, Alias, Unifor, Hermès et Alessi. Il a des chefferies et des affaires traditionnelles. Professeur
créé les environnements de travail et l’identité visuelle en microbiologie et en immunologie, Nkandu Luo a
de la Deutsche Bank, Poste Italiane, Ferrovie dello Stato, dirigé le service de pathologie et microbiologie du Centre
Enel, Piaggio, Olivetti, Telecom Italia, Novartis, Intesa hospitalier universitaire, Lusaka, Zambie.
Sanpaolo ainsi que d’Unicredit. Il a réalisé des projets
architecturaux, bâtiments résidentiels, industriels, En parallèle de sa formation en microbiologie et
culturels et des entreprises, en Italie et dans le monde immunologie, elle a suivi des études en immunopathologie
entier, il a également assuré le commissariat d’exposition des maladies infectieuses, en épidémiologie et en
pour la Triennale Di Milano, Palazzo delle Esposizioni di statistique médicale. Nkandu Luo a effectué de nombreuses
Roma, le Neues Museum Berlin, la Galleria d’Italia à la recherches sur le VIH/ Sida, la tuberculose, la malaria et
Piazza Scala et le Museo Pietà Rondanini à Milan. Plus dáutres maladies infectieuses. Elle a également enseigné
récemment, il a réalisé un certain nombre de projets pour à des étudiants de premier, second et troisième cycles ainsi
la ville de Milan : les pavillons pour l’Expo 2015 (Padiglione qu’à des étudiants en médecine et des étudiant infirmiers.
Schnittmarke
Zero, Expo Centre, Intesa Sanpaolo) ainsi que le pavillon
UniCredit sur la place Gae Aulenti.
6 juillet
David Throsby, Australie
David Throsby est inter-nationa-
lement connu comme étant l’un
des inventeurs de l’économie de
la culture. Professeur émérite
au département d’économie
de l’université Macquarie à
Sydney, il est reconnu dans le monde entier pour ses
travaux et ses publications sur l’économie de l’art et de la
culture. Ses domaines de recherche actuels portent sur
la situation économique des artistes créateurs, les indus-
tries culturelles, l’économie du patrimoine culturel, la
culture et le développement durable ainsi que sur les liens
entre la politique économique et culturelle. Il est l’auteur
de nombreuses publications dont The Economics of the
Performing Arts, avec Glen Withers (1979), ‘The Produc-
tion and Consumption of the Arts: A View of Cultural
Economics’ in Journal of Economic Literature (1994),
Economics and Culture (2001), et The Economics of Cultural
Policy (2010). Il a par ailleurs rédigé, en collaboration
avec Victor Ginsburger, deux volumes de l’ouvrage Hand-
book of the Economics of Art and Culture (2006 et 2014).
49
Content
Where ICOM From
Une exposition pour célébrer les la diversité du monde. Combien sont ceux qui peuvent
70 ans de l’ICOM ! se targuer d’en connaître les contours ? Cette exposition
Par François Mairesse constitue, en soi, un possible itinéraire permettant
d’évoquer, sinon tous les aspects de l’ICOM (une mission
A quoi sert un anniversaire ? A évoquer le temps qui impossible), du moins certaines de ses dimensions, en
passe ? A fêter l’expérience acquise au fil des années ? mêlant lieux, événements marquants, personnalités
A rassembler des êtres chers autour d’un événement attachantes, etc. Une histoire incomplète, qui ne constitue
heureux ? Il est toujours intéressant de profiter du pas la version « officielle » de l’aventure de l’ICOM, mais
moment présent pour faire le point et 70 ans, l’âge d’être plutôt une sélection de témoignages issus de ses archives,
(au moins) grand-père, constitue une étape qui permet cherchant à montrer quelques-unes des dimensions de
d’évoquer les souvenirs marquants de son histoire à ses cette organisation.
petits-enfants, à travers ses albums de famille… Exposer
l’ICOM pourrait certes apparaître comme un exercice
d’autocongratulation un peu narcissique, sorte de selfie
en trois dimensions, en espérant que tout le monde soit Un parcours interactif
dans le champ. Mais c’est aussi potentiellement beaucoup Sur près de 235m2, l’exposition Where ICOM from
plus que cela. retrace l’évolution de l’ICOM au cours de ses 70 années
d’existence et interroge sur ses orientations futures.
L’histoire de l’ICOM n’a pas toujours ressemblé à un long Une scénographie immersive associe des documents
fleuve tranquille. Il y a un peu plus de quarante ans, après d’archives – incluant photographies, affiches et
un mouvement de contestation généralisé du musée vidéos – pour illustrer la riche histoire de l’ICOM. Une
Schnittmarke
qui avait notamment transparu lors de sa Conférence large frise chronologique et une visualisation data
générale à Paris et Grenoble (1971), se développait de l’association montrent la croissance du réseau
la Nouvelle muséologie, réponse à la crise muséale ICOM et les réussites de l’organisation au fil des
qui pointait du doigt les manières compassées d’une années. Les principales activités de l’organisation et
institution occidentale et bourgeoise. Quarante ans plus ses défis à venir sont abordés au travers des récits
tard, la crise muséale semble loin et les musées n’ont et points de vue personnels des membres de l’ICOM.
jamais été aussi nombreux. A côté de nombre de petites Des dispositifs interactifs permettent aux visiteurs de
organisations parfois fort dynamiques mais aussi très participer à la discussion et de donner leur opinion.
fragiles, quelques grandes machines économiques se
développent autour d’un tourisme mondialisé ; le musée
naguère vilipendé pour son caractère dépassé est revenu
au centre d’enjeux géopolitiques mondiaux.
Le rôle de l’ICOM a lui aussi évolué. Formée par un petit

groupe de professionnels en 1946, l’organisation fédère
aujourd’hui près de 36 000 membres, issus de milieux
parfois très différents, mais rassemblés autour d’une
problématique commune. L’exposition Where ICOM from
vient rappeler certains des éléments qui constituent la
nature de l’ICOM et du musée, et interroger sur le futur
de cette institution. En 1946, le monde se relevait d’un
conflit mondial et allait s’engager dans une longue guerre
froide. Soixante-ans plus tard, si le monde n’a pas connu
de nouveau conflit mondial, il n’a jamais semblé aussi
proche d’affrontements généralisés. Quel peut être le rôle
du musée et de l’ICOM dans ce contexte ?
Si l’on compte le nombre de ses employés, l’ICOM est

de taille bien modeste. Le nombre et la diversité de
© ICOM
ses comités nationaux ou internationaux, tous gérés

de manière bénévole, constitue cependant un réseau
considérable et d’une complexité extraordinaire, reflétant Georges Henri Rivière jouant du shamisen, 1960, Tokyo, Japon
50
Where ICOM
Content
From
Exposition Where ICOM from, 70 ans du
GÉNÉRALE
INFORMATION
Il est curieux que l’ICOM, se présentant comme le forum
par excellence du champ muséal, n’ait pas plus souvent Conseil international des musées, du 4 au
tenté de communiquer et de donner matière à réflexion par 6 juillet 2016
le biais de ce médium qui fait sa spécificité – l’exposition Blue Hall 2, aile Nord, niveau +1 (à proximité des
– plutôt que par des livres, des revues, des colloques ou escalators centraux). Vernissage prévu le 4 juillet
maintenant un site Internet et les réseaux sociaux. S’il est 2016, à 12h30, sur le site de l’exposition.
bien une singularité du musée, c’est justement ce moyen
de réflexion particulier, collectif, visant à présenter de Un événement organisé par le Fonds de dotation
manière spatiale des connaissances, par le biais d’objets, de l’ICOM, en coopération avec les étudiants de
d’images, de son. On sait que la chose n’est pas facile : l’université Paris 1 Panthéon-Sorbonne et avec le
pour monter une exposition, il faut de l’espace, du temps généreux soutien de Panasonic, mécène principal de
et des moyens. Celle présentée à Milan n’a pas pour l’exposition.
vocation de répondre à toutes les questions posées ici,
mais d’amener chacun des visiteurs à s’interroger, au
moins quelques minutes, sur les facettes de l’organisation
qui nous réunit aussi bien que sur ce lieu tellement
spécifique que constitue le musée.
Schnittmarke
© guerillagraphik
51
RÉCEPTIONS ET ACTIVITÉS
SOIRÉE DÓUVERTURE – 4 juillet CÉRÉMONIE ET SOIRÉE DE CLÔTURE –

9 juillet
Castello Sforzesco
Lundi 4 juillet 2016 La Triennale di Milano
19:30 – 23:30 Samedi 9 juillet 2016
Piazza Castello 19:30 – minuit
La station de métro la plus proche : Cairoli, M1, ligne rouge Viale Emilio Alemagna, 6
La station de métro la plus proche: Cadorna, M1, ligne rouge
La soirée dóuverture se déroulera le lundi 4 juillet au
Castello Sforzesco, le célèbre château du XVe siècle situé La cérémonie et la soirée de clôture se dérouleront le
au centre de Milan. À cette occasion, les participants auront samedi 9 juillet à la Triennale Palazzo dellÁrte. À partir
lópportunité de visiter tous les musées du Castello, la de 19:30, les participants auront la possibilité de visiter le
nouvelle présentation de Pietà de Michelangelo ainsi que Musée du Design de la Triennale, son parc et la 21ème Expo-
les fresques nouvellement restaurées de Léonardo dans sition internationale de la Triennale sur lárchitecture, les
la “Sala Delle Asse”. Un cocktail de bienvenue sera offert, arts visuels et décoratifs, le design, la mode et la produc-
accompagné de musique. tion audiovisuelle. La cérémonie de clôture sera célébrée
à 20:00, le drapeau de l’ICOM sera officiellement remis par
La soirée débutera à 19:30 et prendra fin à 23:30, láccès ICOM Milano 2016 à ICOM Kyoto 2019 qui présentera la 25
sera seulement garanti sur présentation du badge ICOM Conférence générale de l’ICOM. La soirée de clôture débu-
Milano 2016. tera après la cérémonie.
Schnittmarke
© EcilaAlice
© fedewild
52
ÉVÉNEMENTS ET ACTIVITÉS – 5 et CONCERT AU DUOMO –
GÉNÉRALE
INFORMATION
6 juillet au soir (et plus !) La Veneranda Fabbrica del Duomo
Cathédrale de Milan
Plus de 40 musées à Milan seront exceptionnellement Mercredi 6 juillet 2016
ouverts le soir et organiseront des événements spéciale- 20:00 – 21:00
ment pour ICOM Milano 2016 ! Piazza del Duomo
La liste complète des événements, ainsi que la carte et tous
les détails concernant les horaires dóuverture et autres Le Duomo accueillera un concert spécialement dédié aux
informations utiles sont disponibles sur le site de la confé- participants dÍCOM Milano 2016.
rence (http://network.icom.museum/icom-milan-2016/
social-events/evenements-sociaux/L/2/) et sont mis à
jour régulièrement. Quelques événements sont ouverts à
un nombre limité de participants : accès dans la limite des
places disponibles et sans réservation.
D’autres événements spécifiques sont également
programmés !
OPEN NIGHT | Soirée spéciale ICOM Milano 2016

Musée National des Sciences et des Technologies
Léonard de Vinci, Milan
© Pedro
Mardi 5 juillet 2016
18:30 – 23:30
Schnittmarke
Via San Vittore 21
Programme du concert
Látmosphère dúne cathédrale
“Les grandes orgues du Duomo et la majesté des cuivres”
© Museo Nazionale della Scienza e della Tecnologia Leonardo
Un dialogue en musique
(grandes orgues et cuivres)
Procession of the Nobles
And the Glory of the Lord (cuivres)
da Vinci di Milano
Canzon Undicesimi Toni (grandes orgues et cuivres)

Marche Militaire n°1 (grandes orgues et cuivres)
Gabriel Fauré (1845-1924) (cuivres)
Ouverture spéciale pour le public et les participants dÍCOM Pavane
Milano 2016. Marcel Dupré (1886-1971)
Le Musée National des Sciences et des Technologies (grandes orgues et cuivres)
Léonard de Vinci, le plus grand musée scientifique et tech- Poème Héröique
nique en Italie, ouvre ses portes à toute la ville durant la Eugène Gigout (1844-1925)
24e Conférence générale de lÍCOM à Milan. Une OPEN (grandes orgues et cuivres)
NIGHT spéciale pour découvrir les collections du musée, les Grand Choeur Dialogué
ateliers expérimentaux et interactifs, et profiter de la soirée Alessandro La Ciacera
dans le monastère du XVIe siècle. Laissez-vous transporter (deuxième organiste du Duomo)
dans le sous-marin d’Enrico Toti et expérimentez la vie de Doctor Brass Quintet
marins à bord. Découvrez les projets et techniques artis- Giorgio Tosatti, trompette
tiques de Léonard mais aussi les nouveaux régimes alimen- Matteo Macchia, trompette
taires, lÁDN et les principaux ingrédients de la nourriture. Jaime Carrasco, trombone
Détendez-vous au son de la musique classique, jazz et rock Marco Anastasio, tuba
and roll. Le Pavillon du chemin de fer sánimera avec de la Tommaso Ruspa, cor
danse contemporaine et des performances de musique live.
53
UNE SOIRÉE AU PALAIS BRERA LA CÈNE

Palais Brera Cenacolo Vinciano
Jeudi 7 juillet 2016 Plusieurs créneaux horaires proposés durant la semaine
18:30 – 22:15 Piazza Santa Maria delle Grazie, 2
Via Brera 28, Milan
La Cène est située à Milan dans láncien réfectoire près
Le Palais des Sciences et des Arts, qui date du XVIIe siècle, du Sanctuaire de Santa Maria delle Grazie. Connue dans
ouvre ses portes pour un événement public organisé le monde entier, elle a été peinte entre 1494 et 1498 par
spécialement pour ICOM Milano 2016. Après un discours Léonard de Vinci. La Cène montre une des scènes les plus
de bienvenue du directeur de Brera, ses institutions prin- importantes et significatives de l’Évangile selon Jean.
cipales – La Pinacothèque, lÁcadémie des beaux-arts, la

Bibliothèque Nationale de Brera, l’Institut Lombard des
Sciences et des Lettres, le Jardin Botanique, l’INAF (Musée
et Observatoire Astronomique) – resteront exceptionnelle-
ment ouvertes jusqu´à 22:15 proposant des événements,
des expositions, des installations et des visites guidées.
Les institutions de Brera seront ouvertes au public et un
dîner sera offert exclusivement aux invités dÍCOM Milano
2016 – sur réservation obligatoire.
Réservation : breraforicom2016@gmail.com
Schnittmarke
Grâce aux scientifiques, aux critiques dárt et aux restau-

rateurs du monde entier, la peinture originale, modifiée
par de nombreuses retouches non conformes aux caracté-
ristiques particulières du travail de Léonard de Vinci, a été
remise en lumière.
Grâce à un accord spécial avec le ministère italien des acti-
vités culturelles et du tourisme, les participants dÍCOM
Milano 2016 pourront visiter La Cène, plusieurs créneaux
horaires ont été réservés durant la semaine entière. Tous

les détails concernant les réservations sont disponibles
sur le site de la conférence.
54
Content
GÉNÉRALE
INFORMATION
LOMBARDIA
Valcamonica
VENETO
Monza Bergamo
Milan Brescia
Torino
Monferrato
Musei del Cibo
PIEMONTE Modena
Parma
Bologna
Lunigiana
Firenze
Schnittmarke
Certaldo /
Castelfiorentino
TOSCANA
Journée d’excursion
La journée déxcursion est une tradition lors de la Confé-
rence générale de l’ICOM : un jour libre pour découvrir la
ville d’accueil ainsi que l’Italie centrale et du Nord !
Cette année, le jour d’excursion aura lieu le vendredi 8
juillet. Pour plus d’informations, consultez le site Internet
de la conférence (http://network.icom.museum/icom-
milan-2016/excursion-day/journee-dexcursion/L/2/).
Circuits pré- et post-conférence EXCURSIONS POUR LES PERSONNES

Le Comité d’organisation a choisi environ 50 excursions, ACCOMPAGNANTES
proposées et organisées par des agences de voyage Deux excursions sont proposées gratuitement pour les
expérimentées et des partenaires. Les excursions sont personnes accompagnantes inscrites à la conférence, en
sur mesure pour les participants d’ICOM MILANO 2016. partenariat avec Musement.
Les coûts et les détails sont disponibles sur le site Nombre de places limité, plus d’information sur le site Internet
Web de Conférence (http://network.icom.museum/ (ht tp: //net wor k .icom.museum / icom-mil an-2016/
icom - mil an -2 016 / voy age s /circuit s- pre - et- p os t- voyages/visites-pour-les-accompagnants/L/2/) !
conference/L/2/). Toutes les informations concernant les
agences de voyage organisatrices et les partenaires sont
disponibles sur le stand dédié situé au salon professionnel
des musées et Forum d’Expo (espace d’exposition, aile
Nord, niveau +1).
55
Information Générale A-Z
Accès Internet Programme interactif de la Conférence

Le Wi-Fi sera disponible gratuitement au MiCo pour les Conférenciers
participants inscrits. Vous devez rechercher le réseau Liste des intervenants et des exposants
“ICOM_Milano_2016”, insérer le mot de passe ci-dessous Cartes et plans d’accès
et accepter les conditions générales. Réceptions et activités
Réseautage
Mot de passe : icom2016 Réseaux sociaux
Questionnaire d’évaluation de la Conférence
Le Wi-Fi est généreusement financé par Hubei Provincial
Museum. L’application de la Conférence ICOM Milano 2016 est géné-
reusement financée par la société Guardian Glass Europe.
Accompagnants
Les personnes accompagnantes auront un accès limité à Assurance et responsabilité
la conférence. L’accès au salon professionnel des musées Lórganisateur de la conférence, l’ICOM, ICOM Italie
& Expo Forum ainsi qu’aux sessions de la conférence et le MiCo ne pourront être tenus responsables des
n’est pas inclus. Les personnes accompagnantes sont blessures personnelles, des pertes ou des dégâts aux
autorisées à participer à toutes réceptions et activités en effets personnels des participants à la conférence. Les
dehors du centre de conférence (cérémonie d’ouverture, participants doivent vérifier la validité de leur propre
nocturnes spéciales, concert au Duomo, excursions, assurance.
cérémonie et soirée de clôture, et circuits gratuits).
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Badge
Alliances régionales Un badge nominatif sera exigé pour accéder à toutes
Les Alliances régionales sont des forums ayant vocation à les sessions officielles de la conférence ainsi qu’aux
participer du dialogue et de l’échange d’informations entre événements. Chaque participant est prié de présenter son
les Comités nationaux, les musées et les professionnels badge, celui–ci doit être visible. En cas de perte, des frais
des musées d’une région donnée. de traitement de 50.00 € seront facturés pour la fabrication
d’un nouveau badge, le badge perdu ne sera plus valide. En
Les Comités nationaux peuvent être membres d’une Alli- cas d’oubli, une caution de 40.00 € sera exigée en échange
ance régionale établie dans sa zone géographique. Les dún badge temporaire, celle-ci sera remboursée le jour
Présidents des 5 Alliances régionales de l’ICOM siègent au suivant à la restitution du badge temporaire.
Comité consultatif.
Le badge est généreusement financé par Haroutunian
ICOM ARABE Alliance régionale de l’ICOM pour les pays Foundation.
arabes
ICOM ASPAC Alliance régionale de l’ICOM pour l’Asie-
Pacifique Bornes d’impression des badges
ICOM EUROPE Alliance régionale de l’ICOM pour l’Europe Les participants pourront imprimer leur badge nominatif
ICOM LAC Alliance régionale de l’ICOM pour en scannant le code barre qui figure sur leur confirmation
l’Amérique latine et les Caraïbes d‘inscription sur les bornes d’impression dédiées.
ICOM SEE Alliance régionale de l’ICOM pour
l’Europe du sud-est Les bornes d’impression des badges sont généreusement
financées par la société ETT s.p.a.
Application de la Conférence ICOM

Milano 2016 Bureau de vote
L’application de la Conférence ICOM Milano 2016 a été Le bureau de vote est situé dans la salle White 2 dans l’aile
conçue pour améliorer l’expérience des participants avant, Nord au niveau +2 et sera ouvert aux horaires suivants :
pendant et après la conférence en leur offrant les fonction-
nalités et informations suivantes : Lundi 4 juillet et mardi 5 juillet 08:00 – 19:00
56
Bureau des membres
GÉNÉRALE
INFORMATION
Les participants pourront visiter le Musée de Design de la
Le bureau des membres est situé dans la salle White 1 Triennale, son parc et la 21e Exposition internationale de la
dans l’aile Nord au niveau +2 et sera ouvert aux horaires Triennale sur lárchitecture, les arts visuels et décoratifs,
suivants : le design, la mode et la production audiovisuelle.
De dimanche 3 juillet au mercredi 6 juillet 08:30 – 18:00

Certificat de présence
Le certificat officiel de présence à ICOM Milano 2016 sera
Bornes de recharge disponible après la conférence. Les participants pourront
Des bornes de recharge pour téléphones portables, en le télécharger depuis la plate–forme des participants.
accès gratuit, sont situées dans tout le centre de confé-
rence.
Changement de programme
Les organisateurs ne pourront être tenus responsables
Centre dáffaires dáucun changement de programme survenu en raison de
Le centre dáffaires est situé dans la salle Office 5 circonstances externes ou imprévues.
dans láile Nord au niveau -1. Les participants peuvent Les changements notifiés après le délai dímpression (le 6
imprimer, faire des photocopies, scanner ou faxer. juin) seront actualisés sur le site Internet de la conférence
et disponibles sur lápplication de la conférence.
Horaires d’ouverture :
Dimanche 3 juillet 08:00 – 19:00
Lundi 4 juillet 08:00 – 19:00 Circuits pré- et post-conférence
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Mardi 5 juillet 08:00 – 19:00 Les circuits pré- et post-conférence ne sont pas
Mercredi 6 juillet 08:00 – 19:00 organisés par ICOM Milano 2016. Tous les circuits doivent
Samedi 9 juillet 08:00 – 18:00 être réservés en avance selon les délais indiqués sur le
site Internet de la Conférence. Vous pourrez retrouver
Tarifs : toutes les informations concernant les agences de
Photocopie/Impression (recto) : voyages organisatrices au niveau du stand dédié situé au
A4 noir et blanc 0.20 € salon professionnel des musées & Forum Expo (espace
A3 noir et blanc 0.30 € d’exposition, aile Nord, niveau +1).
A4 couleur 0.50 €
A3 couleur 0.70 €
Fax sortant : Tarif de base 1.50 € Climat
Italie 0.30 € Milan a un climat subtropical humide avec des influences
Europe 0.60 € continentales. Le climat de Milan est semblable aux plaines
Intercontinental 1.00 € intérieures d’une grande partie de l’Italie du Nord, avec
Fax entrant : Prix unique 0.20 € des étés chauds, étouffants et des hivers froids, brumeux.
Rame de Papier : 500 feuilles 5.00 € En été, le niveau d’humidité est haut et les températures
maximales peuvent dépasser les 35°C (95 °F).
Cérémonie dóuverture
La cérémonie dóuverture se déroulera dans la salle Silver Comités internationaux
Plenary le lundi 4 juillet de 09:30 à 12:30. Tous les parti- Les Comités internationaux rassemblent les experts
cipants inscrits sont invités à participer à cet événement. des spécialités muséales et sont représentés au sein
du Comité consultatif de l’ICOM par leurs Présidents.
Véritables centres de réflexion mondiale sur les questions
Cérémonie et soirée de clôture muséales et plus largement de patrimoine, les 30 Comités
La cérémonie de clôture (accès dans la limite des places internationaux de l’ICOM définissent les standards
disponibles et selon l’ordre d’arrivée) se déroulera le professionnels des musées, échangent des informations
samedi 9 juillet à 19:30 et sera suivie de la soirée de clôture scientifiques, développent des collaborations avec d’autres
à partir de 20:00 à la Triennale Palazzo dellÁrte. organisations et élaborent des recommandations qu’ils
transmettent aux membres de l’ICOM.
57
AVICOM Comité international pour l’audiovisuel et les Comités nationaux

nouvelles technologies de l’image et du son Les Comités nationaux constituent les principaux vecteurs
CAMOC Comité international sur les collections et de communication entre le Secrétariat général et les
activités des musées des villes membres de l’ICOM. Les 119 Comités nationaux de l’ICOM
CECA Comité international pour l’éducation et assurent la gestion des intérêts de l’ICOM dans leur pays
l’action culturelle respectifs, représentent leurs membres au sein de l’ICOM
CIDOC Comité international pour la documentation et contribuent à la réalisation des programmes de l’ICOM.
CIMCIM Comité international pour les musées et
collections d’instruments de musique
CIMUSET Comité international pour les musées et Déjeuner
collections des sciences et techniques Des boites-repas seront fournies à tous les participants
CIPEG Comité international pour l’égyptologie inscrits, dans les zones dédiées situées au salon profes-
COMCOL Comité international pour le développement sionnel des musées et Forum Expo dans láile Nord au niveau
des collections +1 du 4 au 6 juillet ainsi que le 3 et le 9 juillet dans le Silver
COSTUME Comité international pour les musées et Foyer dans láile Nord au niveau +2 aux horaires suivants :
collections du costume
DEMHIST Comité international pour les demeures Dimanche 3 juillet 12:30 – 13:30 (Silver Foyer)
historiques-musées Lundi 4 juillet 12:30 – 14:00
GLASS Comité international pour les musées et (Salon professionnel des musées et Forum Expo)
collections du verre Mardi 5 juillet 13:00 – 14:00
ICAMT Comité international pour l’architecture et les (Salon professionnel des musées et Forum Expo
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techniques muséographiques Mercredi 6 juillet 13:00 – 14:00

ICDAD Comité international pour les musées des (Salon professionnel des musées et Forum Expo)
arts décoratifs et du design Samedi 9 juillet 14:00 – 15:00 (Silver Foyer)
ICEE Comité international pour les échanges
d’expositions
ICFA Comité international pour les musées et Distributeur automatique de billets
collections des beaux–arts Un distributeur automatique de billets est situé dans le
ICLM Comité international pour les musées littéraires MiCo dans láile Nord au niveau +1, juste après léntrée
ICMAH Comité international pour les musées et du salon professionnel des musées et Forum Expo, en haut
collections d’archéologie et d’histoire des escaliers roulants, sur votre droite.
ICME Comité international pour les musées et
collections d’ethnographie
ICMEMO Comité international pour les musées à la Distributeurs déau
mémoire des victimes de crimes publics Des distributeurs déau, en accès gratuit, sont situés dans
ICMS Comité international pour la sécurité dans les tout le centre de conférence.
musées
ICOFOM Comité international pour la muséologie
ICOM-CC Comité pour la conservation Electricité
ICOMAM Comité international des musées d’armes et En Italie, la tension fonctionne à 220V AC. Les prises ont 2
d’histoire militaire broches, un adaptateur peut être nécessaire.
ICOMON Comité international pour les musées ban
caires et monétaires
ICR Comité international pour les musées régionaux Enregistrement
ICTOP Comité international pour la formation du Le comptoir dénregistrement est situé dans la zone
personnel dénregistrement dans láile Nord au niveau +1.
INTERCOM Comité international pour la gestion des musées
MPR Comité international pour le marketing et les Horaires d’ouverture :
relations publiques dans les musées Dimanche 3 juillet 08:00 – 19:00
NATHIST Comité international pour les musées et Lundi 4 juillet 08:00 – 18:30
collections des sciences naturelles Mardi 5 juillet 08:00 – 18:30
UMAC Comité international pour les musées et les Mercredi 6 juillet 08:00 – 18:30
collections universitaires Samedi 9 juillet 08:00 – 17:30
58
Espace de networking EXPOSITION DE PHOTOGRAPHIE DÌCOM LAC
GÉNÉRALE
INFORMATION
Léspace de networking est situé dans le salon professi- Les participants ont lópportunité de visiter une exposi-
onnel des musées et Forum Expo dans láile Nord au niveau +1. tion spéciale de photographie organisée par ICOM LAC.
Lieu: Foyer Gold, Aile Sud, niveau +2
Léspace de networking est généreusement financé par Titre: Les paysages culturels de lÁmérique Latine et des
Goppion S.p.A and Goppion MuseumLab, Paul Bernhard Caraïbes
Exhibit Design & Consulting, The Hettema Group et THK Co.,
Ltd..
Film, Photo et enregistrement vidéo
ICOM et K.I.T. Group travaillent ensemble afin de créer un
Espace de restauration panorama complet des échanges et des événements de la
Les zones de restauration sont situées dans le salon professi- conférence destiné à un usage promotionnel de l’organi-
onnel des musées et Forum Expo dans láile Nord au niveau sation. Vous pouvez donc être filmés ou photographiés à
+1. Les boîtes-repas et les pauses café seront proposées, tout moment (dans les salles de réunion, le Forum Expo,
du 3 au 6 juillet et le 9 juillet, à tous les participants inscrits. pendant les événements sociaux, etc.) et les interventions
que vous ferez (discours, présentations, etc.) sont suscep-
tibles d’être enregistrées.
Espace des conférenciers
L’espace des conférenciers est situé dans la Suite 1, aile
Sud, niveau +2. Forum Expo
Le Forum Expo est une zone séparée du salon professionnel
Horaires d’ouverture : des musées où les exposants auront lópportunité de faire
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Dimanche 3 juillet 08:00 – 19:00 une présentation destinée aux participants. Le programme
Lundi 4 juillet 08:00 – 18:30 est publié dans la partie « Programme » dans cette brochure
Mardi 5 juillet 08:00 – 18:30 ainsi que sur le panneau dans la zone du Forum Expo.
Mercredi 6 juillet 08:00 – 18:30
Samedi 9 juillet 08:00 – 17:30
Hôtel
Si vous devez réserver un hôtel ou si vous avez des ques-
Espace Internet tions concernant votre réservation, un point dínfor-
L’espace Internet est situé au salon professionnel des mation pour les hôtels est situé au niveau du comptoir
musées et Forum Expo dans láile Nord au niveau +1. dénregistrement dans láile Nord au niveau +1.
Láccès à Internet est gratuit pour tous les participants
inscrits. Une imprimante est également disponible pour
imprimer des documents (cartes d’embarquement…). Journée déxcursion
La journée déxcursion est une tradition lors de la Confé-
rence générale de l’ICOM : un jour libre pour découvrir la
Evènements sociaux (5 et 6 juillet) ville d’accueil ainsi que l’Italie centrale et du Nord !
Plus de 40 musées à Milan seront exceptionnellement Cette année, le jour d’excursion aura lieu le vendredi 8
ouverts le soir et organiseront des événements spéciale- juillet. Pour plus d’informations, consultez le site Internet
ment pour ICOM Milano 2016 ! La liste complète des événe- de la conférence (http://network.icom.museum/icom-
ments, ainsi que la carte et tous les détails concernant les milan-2016/excursion-day/journee-dexcursion/L/2/).
horaires dóuverture et autres informations utiles sont
disponibles sur le site de la conférence et sont mis à jour
régulièrement (http://network.icom.museum/icom- Langues
milan-2016/social-events/evenements-sociaux/L/2/). Les langues de la conférence sont lánglais, le français,
léspagnol et lítalien.
Quelques événements sont ouverts à un nombre limité de
participants : accès dans la limite des places disponibles
et sans réservation. D’autres événements spécifiques sont Monnaie
également programmés! La monnaie italienne est l’euro, qui se compose de billets
de 5, 10, 20, 50, 100, 200 et 500 euros ainsi que de pièces de
monnaie de 1, 2, 5, 10, 20, 50 centimes,1 et 2 euros.
59
Organisations Affiliées d’ICOM Pauses café

Les Organisations affiliées sont des associations ou des Le café sera servi à tous les participants inscrits dans
conseils internationaux qui se consacrent aux musées les zones dédiées au salon professionnel des musées et
et aux professionnels des musées dans une région Forum Expo situé dans láile Nord au niveau +1, du 4 au 6
donnée. Tout en gardant leur autonomie, ces organisa- juillet ainsi que les 3 et 9 juillet dans le Silver Foyer dans
tions s’associent aux activités de l’ICOM et contribuent láile Nord au niveau +2 aux horaires suivants :
au rayonnement de l’organisation et de son réseau.
Toute organisation internationale composée d’au Dimanche 3 juillet 10:30 – 11:00 et 15:00 - 15:30
moins deux tiers de musées ou de professionnels de (Silver Foyer)
musées peut devenir une Organisation affiliée de l’ICOM. Lundi 4 juillet 15:45 – 16:15
Les 20 Organisations affiliées de l’ICOM sont représentées (Salon professionnel des musées et Forum Expo)
par leur Président au sein du Comité consultatif. Mardi 5 juillet 10:30 – 11:00 et 16:30 – 17:00
(Salon professionnel des musées et Forum Expo)
AEOM Association des musées de plein air européens Mercredi 6 juillet 11:00 – 11:30 et 15:45 – 16:15
AFRICOM Conseil international des musées africains (Salon professionnel des musées et Forum Expo)
AIMA Association internationale des musées Samedi 9 juillet dans la matinée (Silver Foyer)
d’agriculture
AMOI Association des musées de l’océan Indien
CAM Association des musées du Commonwealth Personnes à mobilité réduite
CIMAM Comité international pour les musées et Le MiCo est accessible aux personnes à mobilité réduite.
collections d’art moderne
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EXARC Organisation internationale des musées

archéologiques de plein-air et d’archéologie Premiers soins
expérimentale Tous les agents de sécurité du MiCo sont formés aux
FIHRM Fédération internationale des musées des premiers secours. Ils seront votre premier contact. Une
droits de l’homme salle consacrée aux premiers secours est située dans
HO!IHands-On! International l’aile Nord au niveau 0 (niveau de l’entrée principale). Vous
L’association de musées des enfants pouvez également contacter les personnes travaillant à
IACCCA Association internationale des collections lénregistrement situé dans láile Nord au niveau +1.
d’entreprise d’art contemporain
IACM Association internationale des musées des
douanes et des taxes Presse / Médias
IAMFA Association internationale des Le bureau de presse est situé dans la salle Office 6, aile
administrateurs de bâtiments muséaux Nord au niveau -1et sera ouvert aux horaires suivants :
IAMH Association internationale des musées
d’histoire Horaires d’ouverture :
IATM Association internationale des musées de Dimanche 3 juillet 10:00 – 19:00
transports et de communication Lundi 4 juillet 08:00 – 18:30
ICAM Confédération internationale des musées Mardi 5 juillet 08:00 – 18:30
d’architecture Mercredi 6 juillet 08:00 – 18:30
ICMM Congrès international des musées maritimes Samedi 9 juillet 08:00 – 17:30
MAC Association des musées des Caraïbes
MINOM Mouvement international pour une nouvelle Contact presse :
muséologie Mme Maria Gatón Fraile
PIMA Association des musées des îles du Pacifique Responsable du service communication et relations
SADCAMM Association des musées et des monuments de la extérieures
communauté pour le développement de l’Afrique ICOM - International Council of Museums
australe Courriel : maria.gaton@icom.museum
SIBMAS Société internationale des bibliothèques et Mr Stefano De Angelis / Mr Filippo Cristini
musées des arts du spectacle Responsable de l’agence de presse italienne
(Studio De Angelis)
Courriel : info@deangelispress.it
filippocristini@gmail.com
60
Transports publics
GÉNÉRALE
INFORMATION
La conférence de presse se déroulera le jeudi 30 juin au
Musée National des Sciences et Technologies Léonard de Línscription comprend l’accès aux transports publics de
Vinci dans la salle Biancamano. Pour plus de renseigne- Milan, le ticket sera distribué au comptoir d’enregistre-
ments, consultez le site internet de la conférence (http:// ment, remise des sacs, au MiCo (aile Nord, niveau +1).
net wor k .icom.museum / icom-mil an-2016/media /
presse/L/2/).
Vestiaire et bagages
Le vestiaire est situé dans la zone d’enregistrement dans
Questionnaire l’aile Nord au niveau +1. Tarifs : 2,50 € par manteau et 3,00
Un questionnaire d’évaluation destiné à mieux comprendre € par bagage.
les besoins et les souhaits des participants sera disponible
sur lápplication à l’issue de la conférence. Horaires d’ouverture :
Lundi 4 juillet 08:00 – 19:00
Réunions hors les murs (Off-Site Mardi 5 juillet 08:00 – 19:00
Meetings) Mercredi 6 juillet 08:00 – 19:00
Le jeudi 7 juillet, les Comités internationaux de lÍCOM Samedi 9 juillet 08:00 – 18:00
organisent leurs réunions en dehors du centre de confé-
rence. Sauf indication contraire, ces réunions sont réser-
vées aux membres de chaque Comité international. Le VOLONTAIRES
programme est publié dans la partie « Programme » dans Des volontaires vous aideront pendant toute la Conférence.
cette brochure. Ils portent tous un t-shirt spécifique afin que vous puissiez
Schnittmarke
facilement les reconnaître.
Sac de la conférence Le t-shirt des volontaires est généreusement financé par

Les sacs de la conférence seront disponibles au comptoir la compagnie Arteria.
dédié situé dans la zone d’enregistrement dans l’aile Nord
au niveau +1. Les exposants recevront un sac par stand
qui leur sera distribué lors du premier jour de conférence.
Les sacs de la conférence sont généreusement financés

par Haroutunian Foundation.
Salon professionnel des musées et

Forum Expo
Les participants à la conférence sont invités à visiter le
salon professionnel des musées et Forum Expo qui sera
ouvert aux horaires suivants :

Mardi 5 juillet 09:00 – 18:00
Soirée dóuverture
La soirée dóuverture se déroulera le lundi 4 juillet dès
19:30 au Castello Sforzesco, le célèbre château du XVe
siècle situé au centre de Milan. A cette occasion, les parti-
cipants auront lópportunité de visiter tous les musées du
Castello ainsi que la nouvelle présentation de la Pietà de
Michelangelo et les fresques nouvellement restaurées de
Leonardo dans la “Sala Delle Asse”.
61
horaires d’ouverture
Enregistrement Bureau de presse

Dimanche 3 juillet 08:00 – 19:00 Dimanche 3 juillet 10:00 – 19:00
Lundi 4 juillet 08:00 – 18:30 Lundi 4 juillet 08:00 – 18:30
Mardi 5 juillet 08:00 – 18:30 Mardi 5 juillet 08:00 – 18:30
Mercredi 6 juillet 08:00 – 18:30 Mercredi 6 juillet 08:00 – 18:30
Samedi 9 juillet 08:00 – 17:30 Samedi 9 juillet 08:00 – 17:30
Salon professionnel des Musées et Forum Expo Espace des conférenciers

Lundi 4 juillet 12:30 – 18:00 Dimanche 3 juillet 08:00 – 19:00
Mardi 5 juillet 09:00 – 18:00 Lundi 4 juillet 08:00 – 18:30
Mercredi 6 juillet 09:00 – 18:00 Mardi 5 juillet 08:00 – 18:30
Vestiaire et bagages Samedi 9 juillet 08:00 – 17:30
Lundi 4 juillet 08:00 – 19:00 Centre dáffaires
Mardi 5 juillet 08:00 – 19:00 Dimanche 3 juillet 08:00 – 19:00
Mercredi 6 juillet 08:00 – 19:00 Lundi 4 juillet 08:00 – 19:00
Samedi 9 juillet 08:00 – 18:00 Mardi 5 juillet 08:00 – 19:00
Bureau de vote Samedi 9 juillet 08:00 – 18:00
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Bureau des membres

62
CELEBRATING 190 YEARS OF CRAFTSMANSHIP IN ENGINEERING DISPLAY SOLUTIONS
© Musée Rodin Paris FR

This year Meyvaert is celebrating its 190th anniversary. All the more reason to highlight two of our latest achievements.
In November 2015, the prestigious Musée Rodin reopened in Paris and our company was selected to create, deliver and
erect the display cases and museum furniture. Meyvaert’s contribution has enabled the museum to beautifully present
more than 600 works of sculpture inside the renovated 18th century Hôtel Biron.
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© Grammy Museum Mississippi
In March 2016, the Grammy Museum Mississippi was inaugurated. Meyvaert produced, transported and installed
numerous custom-made display solutions for this fascinating new museum. The high-quality freestanding cases and
wall recessed showcases are equipped with the latest security mechanisms and conservation systems, enabling the
Grammy Mississippi to offer the public an engaging and unforgettable museum visit.
VISIT US AT OUR BOOTH N°25 . WE LOOK FORWARD TO MEE TING YOU.
DOK NOORD 3 9000 GENT BELGIUM

CONTACT FRANK BOOT
T: +32 9225 5427 E: info@meyvaert.be
http://www.meyvaertmuseum.be
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INFORMACIÓN GENERAL
GENERAL
INFORMACIÓN
ESPAÑOL
ORGANIZADORES
Organizadores de la conferencia
ICOM ICOM Italia
75732 Paris Cedex 15 Italia
Francia Tel/Fax: +39 (0) 2 4695693
Fax: +33 (0) 1 43 06 78 62
Comité Organizador
Secretaría de Organización Para cualquier pregunta

ICOM MILANO 2016 relacionada con
Via K.I.T. GroupGmbH Inscripciones y excursiónes:
Association and Conference Email: icom2016-registration@kit-group.org
Management
Kurfürstendamm 71 Alojamiento:
10709 Berlín Email: icom2016-hotel@kit-group.org
Alemania
Tel: +49 (0) 30 24 603 520 Exposición/Patrocinio:
Fax: +49 (0) 30 24 603 200 Email: icom2016-sponsorship@kit-group.org
66
Icom Italia
El Comité Nacional Italiano del ICOM es la principal
asociación profesional del sector museístico en
Italia. Este Comité vela por todos los problemas
estrechamente relacionados con el desarrollo y
la defensa de la profesión. ICOM Italia promueve y
coordina las actividades de la Conferencia Permanente
GENERAL
INFORMACIÓN
para las Asociaciones de Museos Italianos. ICOM
Italia está presente en el territorio nacional
gracias a los esfuerzos de los Comités Regionales
y la investigación constante por parte de Comités
Temáticos que estudian y regulan la organización de
algunos de los más importantes acontecimientos de
la industria, tales como la Conferencia Nacional de
los Museos de Italia, el Premio al Museo del Año de
ICOM Italia, la Asamblea Nacional del ICOM y el Día
Internacional de los Museos.
Durante los 3 últimos años, ICOM Italia ha organizado

numerosos eventos, ha promovido los debates y ha
escogido las mejores prácticas más interesantes de
Italia sobre el Tema de la Conferencia. El resultado
de este trabajo se presentará durante ICOM Milano
2016. Consulte en el programa en línea y en la
aplicación toda la información.
67
CC BY 2.0 John Picken
ICOM
ICOM Y LAS CONFERENCIAS GENERALES Descubrir y Redescubrir Qué ofrecen Milán e

ICOM Italia:
El Consejo Internacional de Museos (ICOM), fundado Milán es la puerta de entrada a Italia. Milán es una ciudad
en 1946, es una organización mundial de los museos y cosmopolita y creativa. Milán es una ciudad de cultura,
los profesionales de los museos. El ICOM se dedica a la diseño y moda, y está situada en el centro del área con la
promoción y protección del patrimonio natural y cultural, mayor concentración de museos de todo el mundo. Al venir
presente y futuro, material e inmaterial. Con más de 35.000 a Milán podrá visitar algunas de las ciudades artísticas más
miembros en casi 140 países la red del ICOM está formada hermosas del mundo: Turín, Verona, Padua, Venecia, Génova,
por profesionales de los museos que abarcan un gran Bolonia, Florencia o Roma entre otras, a las que se puede
abanico de disciplinas relacionadas con la museística y el llegar desde Milán en tres horas como máximo gracias a los
patrimonio. trenes de alta velocidad. Si viene a Milán podrá disfrutar de la
famosa hospitalidad italiana, así como de la comida y el estilo
El ICOM promueve normas de excelencia en el ámbito de vida italiano.
museístico, en particular a través del Código de Deontología
del ICOM para los Museos, una herramienta que establece ¿Cómo aprovechar al máximo su experiencia
normas para los museos, que incluye los principios básicos en la Conferencia general del ICOM?
para la gerencia de museos, la adquisición y disposición Explora lo que Milán e Italia tienen para ofrecerle
de colecciones y las normas de conducta profesional. Las Seleccione un itinerario para el Día de excursión:
otras actividades del ICOM incluyen la lucha contra el tráfico museos y otros lugares culturales, recorrido a pie por la
ilícito de bienes culturales y la promoción de la prevención ciudad, etc.
y la gestión en situaciones de emergencia para proteger Descubra los muchos eventos sociales que tendrán
Schnittmarke
el patrimonio cultural mundial provocado por desastres lugar las noches de los días 5 y 6 de julio.
naturales o el ser humano. Prolongue su estancia en Italia al escoger entre los
tours anteriores o posteriores a la Conferencia
La Conferencia General de ICOM reúne cada tres años a la
comunidad museal internacional para debatir acerca de un Analice el programa de la conferencia para escoger las
tema elegido por los profesionales de los museos. sesiones y eventos que más le interesan:
Escoja entre las reuniones y actividades de los treinta
¿Por qué asistir a la 24 a conferencia general del Comités internacionales del ICOM.
ICOM? Déjese inspirar por los ponentes destacados de
Gracias al interesante programa de la Conferencia, que dura las sesiones plenarias y aceptar ideas visionarias y
toda una semana y se compone de ponentes destacados, provocadoras, para empezar otro día de la conferencia
sesiones organizadas por los Comités internacionales, lleno de ideas.
visitas y reuniones “off-site” en museos locales, así como “Salte” de una sesión a otra para asistir a aquellas que
también la gran feria museal, usted podrá: le son de interés.
Reunirse con más de 3.000 participantes de diferentes Descubra las sesiones patrocinadas y las presentaciones
ámbitos culturales. en el Expo Forum, el pequeño ágora de la Conferencia,
Aprender de la experiencia y el conocimiento de dentro del área donde se ubica la feria museal y no
profesionales de museos del mundo entero. se pierda los paneles de discusión y las “Memorial
Mantenerse al día con los problemas mundiales Lectures” previstas para el martes 5 de julio.
actuales y las últimas tendencias en su campo.
Descubrir y compartir historias de éxito, prácticas Conozca a tantos profesionales como le sea posible, fuera
innovadoras y desafíos. de las salas de reuniones
Establecer nuevos contactos y retomar amistades con Aproveche los momentos para socializar al asistir a
viejos conocidos. comidas, recepciones de los Comités nacionales, etc.
Escuchar a expertos y reflexionar con ellos. Haga nuevos contactos en cualquier lugar, pausas para
Inspirarse mutuamente y beneficiarse de un ambiente café, comidas…
de aprendizaje mutuo. No visite la ciudad solo, hágalo junto a otros
participantes.
68
TEMA DE LA CONFERENCIA
Museos y Paisajes Culturales Los paisajes culturales italianos han ido cambiando.
El paisaje italiano es famoso en el mundo entero y ha sido A pesar de la amenaza del desarrollo urbanístico e
descrito y visitado en todas las épocas. industrial, muchos de sus célebres paisajes se han
conservado y, aunque han cambiado, no han perdido su
¿Quién no conoce la extraordinaria variedad de paisajes antiguo encanto. También han surgido nuevos paisajes y
que conforman la península itálica, que se extiende su expresión de modernidad ya ha pasado a formar parte
desde los Alpes hasta el centro del Mediterráneo, con sus de la historia, al tiempo que la idea de paisaje ha cambiado
GENERAL
INFORMACIÓN
paisajes de interior y de costa? ¿Quién no tiene en mente y se ha ampliado hasta comprender nuevos territorios
al menos uno de los innumerables monumentos que se que atraen tanto a la razón como a los sentidos.
pueden encontrar al viajar por Italia, un país que ofrece
un palimpsesto estratificado único de testimonios que En su invitación a colegas de todo el mundo para la 24a
van desde la Antigüedad hasta la Edad Media, desde el Conferencia general del ICOM, que tendrá lugar en Milán
Renacimiento hasta el Barroco y desde el Neoclasicismo del 3 al 9 de julio de 2016, el Comité nacional italiano
hasta la actualidad? propone un tema apreciado por la museología italiana: la
relación entre los museos y los paisajes culturales.
De igual fama gozan los principales museos italianos,
desde la Galería Uffizi en Florencia hasta la Galería Brera en Se trata de un asunto clave en Italia, pero también de una
Milán; desde la Galería de la Academia en Venecia, el Museo perspectiva estratégica para los museos del tercer milenio
de Capodimonte en Nápoles y la Galería Saboya en Turín de todo el mundo.
hasta los Museos Vaticanos en Roma. Sus obras maestras
son una parte esencial del museo imaginario descrito por
André Malraux, junto con muchas otras obras de arte que El tema supone tanto una oportunidad como un
Schnittmarke
se conservan en iglesias, palacios y ciudades y pueblos del desafío para los museos a la hora de revivir su
Bel Paese. La mayoría de las obras se exponen en museos misión de reforzar su papel cultural y social.
de arte y arqueológicos, pero también en sitios y edificios
históricos que hacen de Italia un gran museo difuso: un
museo extenso, un museo al aire libre.
El panorama museístico italiano es incluso más rico que la

buena imagen que se tiene de él. En primer lugar, existen
excelentes museos nacidos de las colecciones de las
dinastías anteriores a la unificación de los estados (antes
de 1861, Italia se dividía políticamente en varios estados
independientes). En segundo lugar está la red de museos
© Civico Museo Archeologico | Comune di Milano
municipales de las ciudades de gran o mediano tamaño y,

por último, se encuentran los cientos de pequeños museos
locales, la mayoría de ellos creados en las últimas décadas.
En 2011 Italia tenía 4588 museos e instituciones similares:
3847 museos, 240 parques y espacios arqueológicos y 501
monumentos y edificios históricos. Aproximadamente uno
de cada tres municipios alberga por lo menos un museo.
Italia es un país en el que, tal y como André Chastel
escribió, "la colección, el edificio que la alberga y la ciudad Civico Museo Archeologico
que rodea el edificio están ligados profundamente: estas
tres formas de museos se reflejan las unas en las otras." ¹
1
A. Chastel, Italia museo dei musei, in I musei, TCI, Milano 1980, p.14.
69
PONENTES
La 24a Conferencia general del ICOM contará con la presencia de cinco ponentes destacados de
renombre mundial, con formación y enfoques diferentes. Un Premio Nobel turco de Literatura, un artista
americano, un arquitecto y diseñador italiano, una líder política y cultural africana y un economista
australiano expondrán sus reflexiones agudas y enriquecedoras sobre cultura, arte, museos y temática
cultural. ¡Venga a Milán y no pierda la oportunidad de escuchar y aprender de las enriquecedoras
experiencias de algunos de los mayores intelectuales del mundo contemporáneo!
4 de julio
Christo, EE. UU. Orhan Pamuk, Turquía
Christo nació el 13 de junio de Novelista turco, Orhan Pamuk
1935 en Gabrovo, Bulgaria, y es el primer Premio Nobel de
pasó su infancia bajo el régimen Literatura de su país. Conocido
comunista. Estudió arte en Sofía por sus epopeyas, historias
y Viena. Jeanne-Claude (1935- multifacéticas en las que el
2009) también nació el 13 de protagonista se ve atrapado en
junio de 1935, aunque lo hizo en Casablanca, Marruecos. dos mundos, Pamuk une en su ficción elementos de la
Schnittmarke
Su infancia discurrió entre París, Berna (Suiza) y Gabes prosa occidental postmoderna al difuminar los límites
(Túnez), antes de que su familia se instalara definitivamente de la realidad y el imaginario característico de las obras
en París. En 1957, Christo escapa de Europa del Este hacia más importantes de la literatura árabe. Sus obras se han
el oeste. En aquel entonces, Christo envolvía los objetos traducido en 63 idiomas, como el inglés, alemán y francés,
en diferentes materiales, aunque vivía principalmente del aunque también en georgiano, malayo, checo, danés,
arte del retrato. La pareja se encuentra en 1958 mientras japonés o catalán. Cada año, Pamuk imparte clases en la
él pinta el retrato de la madre de Jeanne-Claude. Universidad de Columbia.
En 1961, los dos artistas dan comienzo a sus colaboraciones De acuerdo con su novela epónima, funda el Museo de
en proyectos monumentales: proyectos en los que el la Inocencia en Estambul: una combinación perfecta de
material principal es el tejido por su carácter efímero y museología, paisajes literarios y culturales galardonada
su fluidez. Mientras Christo y Jeanne-Claude conciben con el premio de Museo Europeo del Año 2014 que concede
juntos proyectos a gran escala, Christo también se dedica el Foro Europeo de los Museos. En 2005 recibió el Premio
a los objetos envueltos, embalajes, modelos y dibujos. de la Paz, el distintivo más importante en el ámbito de la
Los artistas no aceptan patrocinadores, los proyectos se cultura en Alemania, así como también el Premio Médicis
financian únicamente mediante la venta de obras. extranjero por su obra Nieve, mejor novela extranjera en
Los primeros proyectos de Christo dependían Francia. En 2006, la revista Time le escoge entre las 100
principalmente de la arquitectura existente, por lo personas más influyentes del mundo. Ese mismo año,
que no destacaban la identidad y el carácter de sus Pamuk recibe el Premio Nobel de Literatura, por lo que
ubicaciones. Con el paso del tiempo, el uso que hacen de se convierte en la segunda persona más joven en recibir
los tejidos pasa a ser más libre y abierto. Los proyectos tal distinción.
en los que trabajan son temporales y su carácter efímero
intensifica a la vez su atractivo estético. Entre sus obras
más destacadas podemos nombrar los envoltorios del
Reichstag en Berlín y del Pont-Neuf en París, la obra de
39km de largo, titulada Running Fence, en los condados
californianos de Sonoma y Marin, o The Gates en Central
Park, New York.
70
PONENTES
5 de julio
Michele De Lucchi, Italia Nkandu Luo, Zambia
Michele De Lucchi es un Nkandu Luo es la actual
arquitecto italiano que destacó ministra de Género y Desarrollo.
en movimientos como Cavart, Luo también ha sido ministra de
Alchimia y Memphis. Diseñó Transporte y Comunicaciones, de
lámparas y mobiliario para las Administración Local y Vivienda
GENERAL
INFORMACIÓN
marcas italianas y europeas y ministra de Líderes y Asuntos
más conocidas, como Artemide, Olivetti, Alias, Unifor, Tradicionales. Nkandu Luo destaca en el ámbito académico
Hermès o Alessi. También concibió ambientes de trabajo por ser catedrática de microbiología e inmunología, y ha
e identidades corporativas para Deutsche Bank, Poste dirigido el Departamento de Patología y Microbiología del
Italiane, Ferrovie dello Stato, Enel, Piaggio, Olivetti, Hospital Universitario de Lusaka, Zambia.
Telecom Italia, Novartis, Intesa Sanpaolo y Unicredit.
Aparte de su formación en microbiología e inmunología,
De Lucchi ha acometido proyectos arquitectónicos en Italia también ha estudiado la inmunopatología de enfermedades
y en todo el mundo, entre los que se incluyen edificios infecciosas, y la epidemiología y estadísticas médicas. La
residenciales, industriales, corporativos y culturales, Prof.ª Luo ha llevado a cabo numerosas investigaciones
además de organizar exposiciones para la Triennale de sobre el VIH/SIDA, la tuberculosis, la malaria, y otras
Milán, el Palazzo delle Esposizioni de Roma, el Neues enfermedades infecciosas. También ha desempeñado un
Museum de Berlín, o la Gallerie d’Italia en la Piazza Scala y papel activo en la formación de estudiantes de biomedicina
el Museo Piedad Rondanini en Milán. En los últimos años, y enfermería, tanto de grado como de posgrado.
De Lucchi ha ejecutado varios proyectos para la ciudad
Schnittmarke
de Milán: pabellones para la Expo 2015 (Padiglione Zero,
Expo Center, Intesa Sanpaolo) y el pabellón Unicredit en
Piazza Gae Aulenti.
6 de julio
David Thorsby es conocido
internacionalmente como
uno de los “inventores” de la
economía cultural. Catedrático
distinguido del Departamento
de Economía de la Universidad de Macquarie en
Sídney, se le reconoce en el plano internacional por sus
investigaciones y publicaciones sobre la economía del
arte y la cultura. Sus campos de investigación actual
abarcan la situación económica de artistas creativos, las
industrias creativas, la economía del patrimonio cultural,
la cultura y el desarrollo sostenible, y los vínculos entre
políticas económicas y culturales. Thorsby es autor de
numerosas publicaciones, entre las que se incluyen. The
Economics of the Performing Arts, con Glen Withers
(1979), The Production and Consumption of the Arts: A
View of Cultural Economics’ en el Journal of Economic
Literature (1994), Economics and Culture (2001), y The
Economics of Cultural Policy (2010). Thorsby también
ha coeditado conjuntamente con Victor Ginsburgh dos
volúmenes del Handbook of the Economics of Art and
Culture (2006 y 2014).
71
Where icom from
¡Una exposición para celebrar los ¿Cuántos de estos pueden jactarse de conocer los límites?
70 años del ICOM! Esta exposición constituye, en sí misma, un itinerario
Por François Mairesse posible que permite evocar, si no todos los aspectos
(una misión imposible), algunas de las dimensiones del
¿Para qué sirve un aniversario? ¿Para rememorar otros ICOM, puesto que mezcla lugares, eventos importantes,
tiempos? ¿Para conmemorar la experiencia adquirida personalidades entrañables, etc. Una historia incompleta,
durante el transcurso de los años? ¿Para reunir a seres que no constituye una versión “oficial” de la aventura del
queridos en un evento agradable? Siempre resulta ICOM, pero sí es una selección de testimonios procedentes
interesante aprovechar el momento actual para hacer una de sus archivos que pretenden mostrar algunas de las
recapitulación y, 70 años, la edad de ser (al menos) abuelo, dimensiones de esta organización.
supone un buen momento para evocar los recuerdos que
han marcado su historia y contarlos a sus nietos, a través
de los álbumes de familia… Hacer una exposición sobre el Un recorrido interactivo
ICOM podría parecer un ejercicio de autocongratulación La exposición Where ICOM from rastrea, en casi
algo narcisista, como un “selfie” en tres dimensiones en 235m2, la evolución del ICOM durante sus 70 años
el que todos queremos aparecer. de existencia y hace preguntas sobre su futura
orientación. Una escenografía inmersiva que asocia
En realidad, se trata de un desafío mucho más ambicioso. documentos de archivo – entre los que se incluyen
La historia del ICOM no ha sido siempre la de un río largo fotografías, paneles y videos – para ilustrar la rica
y tranquilo. Hace algo más de cuarenta años, después de historia del ICOM. Un gran friso cronológico y una
un movimiento contestatario generalizado en los museos, muestra de fechas importantes que muestran el
Schnittmarke
que se pudo observar durante la Conferencia General de crecimiento de la red del ICOM y los éxitos de la
París y Grenoble (1971), se desarrolló la Nueva Museología, organización a lo largo de los años. Las actividades
como respuesta a la crisis de los museos que señalaba las principales de la organización y los desafíos por venir
formas sobrias de una institución occidental y burguesa. se tratan en relatos y puntos de vista personales de
Cuarenta años más tarde, la crisis de los museos parece los miembros del ICOM. Los dispositivos interactivos
lejana y nunca han existido tantos museos como ahora. permitirán a los visitantes participar en el debate y
Junto a las numerosas organizaciones a veces pequeñas y dar su opinión.
frágiles, aunque también fuertes y dinámicas en algunos
casos, se han desarrollado grandes máquinas económicas
en torno a un turismo mundializado. Los museos, antaño
atacados por su carácter desfasado, se encuentran hoy en
el centro de desafíos geopolíticos mundiales.
El papel del ICOM también ha evolucionado. Formada

por un pequeño grupo de profesionales en 1946, la
organización integra hoy a casi 36.000 miembros,
procedentes de ambientes en ocasiones muy diferentes,
pero unidos alrededor de una problemática común. La
exposición “Where ICOM from” nos recuerda algunos
de los elementos que conforman la naturaleza del ICOM
y de los museos, y nos pregunta sobre el futuro de esta
institución. En 1946, el mundo se recuperaba de un
conflicto mundial, al que le seguiría una larga guerra fría.
Sesenta años más tarde, a pesar de que el mundo no ha
vivido otro conflicto bélico mundial, en ningún momento
ha estado tan cerca de enfrentamientos generalizados.
¿Cuál puede ser el papel de los museos y del ICOM en este
contexto? Si nos fijamos en el número de empleados, el
ICOM es más bien una organización de tamaño modesto.
© ICOM
No obstante, el número y la diversidad de sus comités,

todos ellos gestionados de forma voluntaria, conforman
una red considerable. Georges Henri Rivière tocando el shamisen, 1960, Tokio, Japón
72
Where ICOM From
Resulta curioso que, el ICOM, que se presenta como el foro Exposición Where ICOM from, 70 años del
por excelencia de los museos, no haya intentado comunicar Consejo Internacional de Museos, del 4 al
y aportar a la reflexión, con más frecuencia, a través de 6 de julio de 2016
la particularidad que lo hace diferente – la exposición –, Blue Hall 2, Ala Norte, nivel +1 (cerca de las escaleras
mientras que si lo ha hecho, a través de libros, revistas, mecánicas centrales). Inauguración prevista el 4 de
coloquios o, en la actualidad, páginas web o redes sociales. julio de 2016 a las 12:30 en el lugar de la exposición.
Si hay una singularidad de los museos, es que constituyen
GENERAL
INFORMACIÓN
justamente un medio de reflexión particular, colectivo, que Evento organizado por el Fondo de Dotación del
pretende divulgar de forma espacial conocimientos por ICOM, en colaboración con los estudiantes de la
medio de objetos, imágenes o sonidos. Es evidente que no Universidad París 1 Panteón-Sorbona y con el apoyo
es una cuestión fácil: para montar una exposición, hacen generoso de Panasonic, patrocinador principal de la
falta espacio, tiempo y medios. Esta que se presenta en exposición.
Milán no pretende dar respuesta a todas las preguntas que
se hacen aquí, pero sí llevar a cada uno de sus visitantes
a preguntarse, por lo menos durante unos minutos, acerca
de las facetas de la organización que nos agrupa, así como
también acerca de este lugar tan específico que constituyen
los museos.
Schnittmarke
© guerillagraphik
73
PROGRAMA SOCIAL
FIESTA DE APERTURA – 4 de julio CEREMONIA DE CLAUSURA Y FIESTA –

9 de julio
Castello Sforzesco
Lunes, 4 de julio, 2016 La Triennala di Milano
19:30 – 23:30 Sábado, 9 de julio, 2016
Piazza Castello 19:30 – 24:00
Estaciones de metro: Cairoli, M1, línea roja Viale Emilio Alemagna, 6
Estación de metro: Cadorna, M1, línea roja
La Fiesta de Apertura tendrá lugar el lunes 4 de julio en
el Castillo Sforzesco, el famoso castillo del siglo xv en el La Ceremonia de Clausura y Fiesta tendrá lugar el sábado
centro de Milán. Para tal occasion, los participantes tendrán 9 de julio en el Palazzo dell’Arte de la Triennale. Los parti-
la oportunidad de visitar todos los museos del Castillo, en cipantes, a partir de las 19:30, podrán visitar el Museo del
especial la nueva exposición de la Piedad Rondanini de Diseño, el parque y las exposiciones de la xxi Exposición
Miguel Ángel y los frescos recientemente restaurados de Internacional de la Triennale sobre arquitectura, artes
Leonardo en la “Sala delle Asse”. Se ofrecerá un cóctel de visuales y decorativas, diseño, moda y producciones audio-
bienvenida, y habrá música en directo. visuales. La Ceremonia de Clausura se celebrará a las
20:00. Durante la ceremonia, la bandera del ICOM pasará
La fiesta dará comienzo a las 19:30 y concluirá a las 23:30. oficialmente de ICOM Milano 2016 a ICOM Kyoto 2019 y se
Solo se podrá acceder mostrando el distintivo con nombre presentará la xxv Conferencia General del ICOM. La Fiesta
de ICOM Milano 2016. de Clausura comenzará al término de la Ceremonia.
Schnittmarke
© EcilaAlice
© fedewild
74
programa social
EVENTOS SOCIALES – Noches del 5 y 6 GRAN CONCIERTO EN EL DUOMO –

de julio (¡y más!) La Veneranda Fabbrica del Duomo
¡Más de 40 museos en Milán abrirán de forma extraordinaria Catedral de Milán
por las noches y oganizarán eventos especiales para ICOM Miércoles, 6 de julio, 2016
Milano 2016! 20:00 – 21:00
La lista completa de eventos sociales, con mapa y todos los Piazza del Duomo
detalles sobre horarios e información están disponibles en
GENERAL
INFORMACIÓN
la página web de la conferencia (http://network.icom. El Duomo acogerá un concierto especial dedicado a los
museum/icom-milan-2016/social-events/eventos- participantes en ICOM Milano 2016.
sociales/L/1/), y se actualizan constantemente. Algunos
eventos tienen aforo reducido: no es necesario reservar y
los participantes accederán según la disponibilidad.
¡Hay previstos algunos eventos muy especiales!
OPEN NIGHT | Especial para ICOM Milano

2016
Museo Nacional de Ciencias y Tecnología
Leonardo da Vinci, Milán
Martes, 5 de julio, 2016
© Pedro
18:30 – 23:30
Via San Vittore 21
Schnittmarke
Programa del concierto
Atmósferas de una cathedral
“El gran órgano de tubo del Duomo y la majestuosidad de
los instrumentos de viento-metal”

Diálogo musical
(órgano de tubo e instrumentos de viento-metal)
Procesión de Nobles
Georg Friedrich Händel (1685-1759)
Y La Gloria de Dios (instrumentos de viento-metal)
da Vinci di Milano
Giovanni Gabrieli (1557-1612) Canzon Undicesimi Toni

(órgano de tubo e instrumentos de viento-metal)
Marcha Militar n.º 1 (órgano de tubo e instrumentos de
Una aperture especial para el público en general y los pari- viento-metal)
cipantes en ICOM Milano 2016. El Museo Nacional de Cien- Gabriel Fauré (1845-1924)
cias y Tecnología Leonardo da Vinci, el museo científico- (instrumentos de viento-metal) Pavane
técnico más grande de Italia, abre sus puertas para toda Marcel Dupré (1886-1971)
la ciudad durante la xxiv Conferencia General del ICOM en (órgano de tubo e instrumentos de viento-metal)
Milán. Una OPEN NIGHT especial para descubrir las colec- Poème Héröique
ciones del museo, los experimentos, los talleres interac- Eugène Gigout (1844-1925)
tivos y disfrutar la noche en los claustros del monasterio (órgano de tubo e instrumentos de viento-metal)
del siglo xvi. Grand Choeur Dialogué
Sumérjase en el mundo del submarino Enrico Toti y conozca Alessandro La Ciacera
la vida de sus marineros a bordo. Descubra las destrezas (segundo organista del Duomo)
artísticas de Leonardo y sorpréndase con nuevas dietas, Quinteto Doctor Brass
el AND y los ingredientes principales de nuestra comida. Giorgio Tosatti, trompeta
Relájese con música clásica, jazz y rock and roll en directo. Matteo Macchia, trompeta
El Pabellón Ferroviario cobra vida con la danza contem- Jaime Carrasco, trombón
poránea y actuaciones musicales en directo.and live music Marco Anastasio, tuba
performances. Tommaso Ruspa, trompa
75
PROGRAMA SOCIAL
NOCHE EN EL PALACIO BRERA PARA ICOM LA ÚLTIMA CENA

MILANO 2016 Cenacolo Vinciano
Palazzo di Brera Varias franjas temporales durante toda la semana.
Jueves, 7 de julio, 2016 Piazza Santa Maria delle Grazie, 2
18:30 – 22:15
Via Brera 28, Milano La Última Cena se encuentra en Milán, en el antiguo refectorio
cerca del Santuario de Santa Maria delle Grazie. Leonardo da
El Palacio de las Ciencias y de las Artes de siglo xvii abre Vinci la pinto entre 1494 y 1498 y es conocida en todo el mundo.
sus puertas con un evento especial para ICOM Milan 2016. La Última Cena refleja una de las escenas más significativas
Tras una bienvenida por los directores del Brera, sus del Evangelio de San Juan.
instituciones principales – la Pinacoteca, la Academia de
Bellas Artes, la Biblioteca Nacional Braidense, el Istituto

Lombardo – Academia de las Ciencias y las Letras, el
Jardín Botánico, el INAF (Museo y Observatorio Astronó-
mico) – permanecerán abiertos de forma excepcional hasta
las 22:15 con eventos, exposiciones, instalaciones y visitas
guiadas. Las instituciones del Brera estarán abiertas al
público y se servirá una cena ligera exclusiva para los
invitados de ICOM 2016 en función de la disponibilidad –
las reservas son obligatorias.
Schnittmarke
Reservas: breraforicom2016@gmail.com
Gracias a científicos, críticos de arte y restauradores de

todo el mundo, la pintura original, alterada por muchos
retoques que no se ajustaban a las particularidades de la
obra de Leonardo da Vinci, volvió a salir a la luz.
Un acuerdo especial con el Ministerio de Bienes y

Actividades Culturales y Turismo de Italia permitirá a los
participantes en ICOM Milano 2016 visitar la Última Cena,
gracias a la reserva de varias franjas temporales durante
toda la semana. Todos los detalles sobre las reservas se
encuentran disponibles en la página web de la conferencia.
76
programa social
LOMBARDIA
Valcamonica
VENETO
GENERAL
INFORMACIÓN
Monza Bergamo
Milan Brescia
Torino
Monferrato
Musei del Cibo
PIEMONTE Modena
Parma
Bologna
Lunigiana
Firenze
Schnittmarke
Certaldo /
Castelfiorentino
TOSCANA
Día de excursión
El Día de Excursión es una tradición de la Conferencia
General del ICOM: un día para descubrir la ciudad sede,
así como también el norte y centro de Italia. Este año,
el Día de Excursión tendrá lugar el viernes 8 de julio.
Para más información, consulte la página web de la confer-
encia (http://network.icom.museum/icom-milan-2016/
excursion-day/dia-de-excursion/L/1/) o visite el
mostrador de Programas Sociales en el área de registro.
Tour pre y post conferencia TOURS PARA ACOMPAÑANTES

El Comité Organizador ha escogido alrededor de 50 tours, En asociación especial con Musement, se han organizado
propuestos y organizados por agencias de viajes y socios dos tours diferentes para acompañantes. Los tours no
con experiencia. Los tours están diseñados a medida para tienen coste alguno para los acompañantes debidamente
los participantes de ICOM Milano 2016. Los detalles y los inscritos. La disponibilidad de plazas es limitada.
precios están disponibles en la página web de la Conferencia ¡Descubra más en la página web (http://network.icom.
(http://network.icom.museum/icom-milan-2016/tours/ museum/icom-milan-2016/tours/visitas-para-los-
tour-pre-y-post-conferencia/L/1/). Toda la información acompanantes/L/1/)!
sobre las agencias de viajes y socios organizadores estará a
su disposición en el mostrador de Tours, situado en la Feria
Museal y Foro de la Exposición (Zona de Exposición, Ala
Norte, nivel +1).
77
Información General A-z
Abono del Transporte Público Aplicación de la Conferencia ICOM

El transporte público se incluye en la tarifa de inscrip- Milano 2016
ción. El abono del transporte público se entregará en el La aplicación de la Conferencia ICOM Milano 2016 está
mostrador de bolsas de la conferencia en MiCo (Ala Norte, diseñada para mejorar la experiencia de los participantes
nivel +1). antes, durante y después de la conferencia, al presentar
las características y la información que se detalla en sus
pestañas:
Acceso a Internet Programa Interactivo de la Conferencia
Habrá wifi disponible para todos los delegados inscritos Ponentes Destacados
sin coste adicional en MiCo. Busque la red “ICOM_ Lista de Ponentes y Expositores
Milano_2016”, introduzca la contraseña que aparece a Planos y Mapas
continuación y acepte las condiciones generales. Programa Social
Redes de Trabajo
Contraseña: icom2016 Redes Sociales
Encuesta de la Conferencia
El wifi está patrocinado por Hubei Provincial Museum.
La aplicación de la Conferencia ICOM Milano 2016 está
patrocinada por la empresa Guardian Glass Europe.
Acompañantes
El acceso de los acompañantes tendrán acceso restrin-
gido a la conferencia. La entrada a Feria Museal y Foro Bolsa de la Conferencia
Schnittmarke
de la Exposición no está incluida. No obstante, los acom- La bolsa de la conferencia estará disponible en el mostrador
pañantes sí podrán asistir a los eventos sociales que se de bolsas de la conferencia de la zona de inscripción en el
celebren fuera del centro de conferencias (Ceremonia y nivel +1 del Ala Norte. Los expositores recibirán una bolsa
Fiesta de Apertura, Noche Especial de Puertas Abiertas, de conferencia por cada stand, que se les repartirá durante
Concierto del Duomo, Excursiones, Ceremonia y Fiesta de el primer día de la conferencia.
Clausura, y tours sin coste adicional).
La bolsa de la conferencia está patrocinada por Haroutunian
Foundation.
Alianzas Regionales
Las Alianzas Regionales suponen foros concebidos para
promover el diálogo y la difusión de información entre Cambios en el Programa / Fecha de
los Comités Nacionales, museos y profesionales de los Impresión
museos de una región en concreto. Los Comités Nacio- Los organizadores no se responsabilizarán de ningún
nales pueden ser miembros de una Alianza Regional de cambio en el programa por razones externas o impro-
su área geográfica. Los Presidentes de las cinco Alianzas vistas. Los cambios notificados tras la fecha de impresión
Regionales del ICOM forman parte del Comité Consultivo. (6 de junio) se mostrarán en línea en la página web de la
A continuación, encontrará una lista de las alianzas regio- conferencia y disponibles a través de la aplicación de la
nales del ICOM: conferencia.
ICOM ARAB Alianza para los Países Árabes

ICOM ASPAC Alianza para Asia-Pacífico Cajero Automático
ICOM EUROPE Alianza para Europa Hay un cajero automático en MiCo, en el nivel +1 del Ala
ICOM LAC Alianza para América Latina y el Caribe Norte, junto a la entrada de la Feria Museal y Foro de la
ICOM SEE Alianza para el Sureste de Europa Exposición. Si sube por las escaleras mecánicas, lo encon-
trará a su derecha.
Alojamiento
En caso de que necesite reservar hotel o tenga preguntas Centro de Negocios
sobre su reserve, visite el mostrador de información sobre El Centro de Negocios se ubica en la Oficina Cinco del Ala
alojamiento en la zona de inscripción del Ala Norte, en el Norte, en el nivel -1. Los participantes tienen la posibi-
nivel +1. lidad de imprimir materiales, hacer fotocopias, escanear o
enviar un fax durante el horario de apertura:
78
Domingo, 3 de julio 08:00 – 19:00 Comida

Lunes, 4 de julio 08:00 – 19:00 Las bolsas de comida se entregarán a todos los partici-
Martes, 5 de julio 08:00 – 19:00 pantes inscritos en las zonas dedicadas de la Feria Museal
Miércoles, 6 de julio 08:00 – 19:00 y Foro de la Exposición, en el nivel +1 del Ala Norte del
Sábado, 9 de julio 08:00 – 18:00 4 al 6 de julio, así como también el 3 y el 9 de julio en el
Vestíbulo Plata, en el nivel +2 del Ala Norte como se indica
Se aplicarán las siguientes tarifas: a continuación:
GENERAL
INFORMACIÓN
Copia / Impresión (una cara):
Tamaño A4 € 0.20 Domingo, 3 de julio 12:30 – 13:30 (Vestíbulo Plata)
Tamaño A3 € 0.30 Lunes, 4 de julio 12:30 – 14:00
Tamaño A4 color € 0.50 (Feria Museal y Foro de la Exposición)
Tamaño A3 color€ 0.70 Martes, 5 de julio 13:00 – 14:00
Envío de faxes: Envío básico € 1.50 (Feria Museal y Foro de la Exposición)
Italia € 0.30 Miércoles, 6 de julio 13:00 – 14:00
Europa € 0.60 (Feria Museal y Foro de la Exposición)
Intercontinental € 1.00 Sábado, 9 de julio 14:00 – 15:00 (Vestíbulo Plata)
Recepción de faxes: Precio único € 0.20
Paquete de folios: 500 folios € 5.00
Comités Internacionales de ICOM
Los Comités Internacionales reúnen a expertos de las
Ceremonia de Apertura especialidades museales. Los Presidentes representan
La Ceremonia de Apertura tendrá lugar en el Plenario a cada comité en el Comité Consultivo del ICOM. Los 30
Schnittmarke
Plata el lunes 4 de julio, de 09:30 a 12:30. Todos los dele- Comités Internacionales constituyen gabinetes estratégicos
gados inscritos están invitados a asistir a este evento. globales sobre museos, y por lo general, sobre asuntos de
patrimonio. Definen las normas de los profesionales de
los museos, comparten información científica, establecen
Ceremonia de Clausura y Fiesta asociaciones con otras organizaciones y desarrollan reco-
La Ceremonia de Clausura (sala con aforo limitado que se mendaciones para los miembros del ICOM. A continuación,
completará por orden de llegada) tendrá lugar el sábado 9 encontrará la lista de Comités Internacionales del ICOM:
de julio a las 19:30, seguida de la Fiesta de Clausura a las
20:00 en el Palazzo dell’Arte de la Triennale. Los partici- AVICOM Audiovisual y Nuevas Tecnologías de
pantes podrán visitar el Museo del Diseño de la Triennale, Imagen y Sonido
su parque y la xxi Exposición Internacional de la Triennale CAMOC Colecciones y Actividades de Museos de
sobre arquitectura, artes visuales y decorativas, diseño, Ciudades
moda y producciones audiovisuales. CECA Educación y Acción Cultural
CIDOC Documentación
CIMCIM Museos y Colecciones de Instrumentos
Certificado de Asistencia Musicales
El Certificado oficial de Asistencia a ICOM Milano 2016 CIMUSET Museos y Colecciones de Ciencia y
estará disponible tras la conferencia. Los participantes Tecnología
podrán descargarlo desde la Plataforma del Participante. CIPEG Egiptología
COMCOL Coleccionismo
COSTUME Museos y Colecciones de Vestidos
Clima DEMHIST Museos de Casas Históricas
Milán tiene un clima subtropical húmedo con influencias GLASS Museos y Colecciones de Vidrio
continentales. El clima de Milán se asemeja al del inte- ICAMT Arquitectura y Técnicas Museográficas
rior del norte de Italia, con veranos calurosos y sofocantes, ICDAD Museos y Colecciones de Artes
e inviernos fríos y nebulosos. En verano, los índices de Decorativas y Diseño
humedad son altos y las temperaturas máximas pueden ICEE Exposiciones e Intercambio
llegar a superar los 35 °C (95 °F). ICFA Museos y Colecciones de Bellas Artes
ICLM Museos Literarios
ICMAH Museos y Colecciones de Arqueología e
Historia
79
ICME Museos y Colecciones de Etnografía Electricidad

ICMEMO Museos Conmemorativos en Recuerdo de El voltaje en Italia es de 220v a/c. Los enchufes son de 2
Víctimas de Crímenes Públicos clavijas, por lo que un adaptador sería necesario.
ICMS Seguridad de los Museos
ICOFOM Museología
ICOM-CC Conservación Encuesta
ICOMAM Museos de Armas e Historia Militar Una encuesta sobre la conferencia estará disponible en
ICOMON Museos del Dinero y la Banca la aplicación de la conferencia tras la finalización de la
ICR Museos Regionales misma. Esta encuesta nos servirá para entender mejor las
ICTOP Formación del Personal necesidades y los deseos de los participantes.
INTERCOM Gestión de Museos
MPR Mercadotecnia y Relaciones Públicas
NATHIST Museos y Colecciones de Historia Natural EVENTOS SOCIALES – Noches del 5 y 6
UMAC Museos de Universidad y Colecciones de julio (¡y más!)
¡Más de 40 museos en Milán abrirán de forma extraordinaria
por las noches y oganizarán eventos especiales para ICOM
Comités Nacionales Milano 2016!
Los Comités Nacionales son las herramientas princi-
pales de comunicación entre la Secretaría General y los La lista completa de eventos sociales, con mapa y todos los
miembros del ICOM. Los 119 Comités Nacionales garan- detalles sobre horarios e información están disponibles en
tizan que los intereses de la organización se gestionan la página web de la conferencia (http://network.icom.
Schnittmarke
en dichos países. Los Comités Nacionales representan a museum/icom-milan-2016/social-events/eventos-

sus miembros en el ICOM y contribuyen a implementar los sociales/L/1/), y se actualizan constantemente. Algunos
programas de la organización. eventos tienen aforo reducido: no es necesario reservar y
los participantes accederán según la disponibilidad.
¡Hay previstos algunos eventos muy especiales!
Día de Excursión
El Día de Excursión es una tradición de la Conferencia
General del ICOM: un día para descubrir la ciudad sede, Feria Museal y Foro de la Exposición
así como también el norte y centro de Italia. Este año, el Los delegados de la conferencia podrán visitar la Feria
Día de Excursión tendrá lugar el viernes 8 de julio. Para Museal y Foro de la Exposición, que se encontrará abierto
más información, consulte la página web de la confe- en el siguiente horario:
rencia (http://network.icom.museum/icom-milan-2016/
excursion-day/dia-de-excursion/L/1/). Lunes, 4 de julio 12:30 – 18:00
Martes, 5 de julio 09:00 – 18:00
Miércoles, 6 de julio 09:00 – 18:00
Distintivo con nombre
Se requerirá un distintivo con nombre para entrar a todos
los eventos y sesiones oficiales de la conferencia. Cada Fiesta de Apertura
delegado deberá presentar su distintivo para acceder a la La Fiesta de Apertura se celebrará el lunes 4 de julio desde
conferencia. El distintivo deberá mostrarse de forma clara. las 19:30 en el Castillo Sforzesco, el famoso castillo del siglo
Si un asistente pierde u olvida su distintivo con nombre, xv en el centro de Milán. Para tal ocasión, los participantes
se le cobrará una tasa de 50.00€ para obtener un nuevo tendrán la oportunidad de visitar la nueva exposición de la
distintivo, mientras que el distintivo anterior quedará Pietà Rondandini de Miguel Ángel y los frescos reciente-
anulado. En el supuesto de que alguien afirme que su mente restaurados de Leonardo en la Sala delle Asse.
distintivo se encuentra en el hotel y lo traerá al día sigui-
ente, se le cobrarán 40.00€ y se le entregará un recibo. Si
el distintivo (el segundo) se devuelve al día siguiente, se Foro de la Exposición
reembolsarán estos 40.00€. El Foro de la Exposición es una parte separada de la zona
Feria Museal y Foro de la Exposición (Ala Norte, nivel +1),
El distintivo está patrocinado por la empresa Haroutunian en la que los expositores/patrocinadores pueden organizar
Foundation. presentaciones ante los participantes.
80
El horario se publicará en la parte de programación de Oficina de Miembros

este folleto, así como también en un cartel concreto de la La Oficina de Miembros estará ubicada en el Recibidor
zona de Foro de la Exposición. White Hall 1 del nivel +2 del Ala Norte, y estará abierta en
el siguiente horario:
Fuentes de Agua Del domingo 3 al miércoles 6 de julio 08:30 – 18:00

Habrá fuentes de agua repartidas por toda la sede de la
GENERAL
INFORMACIÓN
conferencia, sin coste adicional.
Organizaciones Afiliadas del ICOM
Las Organizaciones Afiliadas constituyen asociaciones o
Guardarropa y Equipaje consejos internacionales dedicadas a los museos, o bien
El guardarropa estará situado en la zona de inscripción, profesionales de los museos en una región concreta.
en el nivel +1 del Ala Norte. Se aplicarán las siguientes Estas organizaciones participan en las actividades del
tarifas: 2.50€ por abrigo y 3.00€ por maleta. El guardar- ICOM y contribuyen a la influencia de la organización y su
ropa estará abierto durante los siguientes horarios: red, a la vez que mantienen su autonomía.
Domingo, 3 de julio 08:00 – 19:00 Toda organización que se componga de, al menos, dos
Lunes, 4 de julio 08:00 – 19:00 tercios de museos o de profesionales de los museos
Martes, 5 de julio 08:00 – 19:00 pueden convertirse en Organización Afiliada del ICOM.
Miércoles, 6 de julio 08:00 – 19:00 Las 21 Organizaciones Afiliadas están representadas
Sábado, 9 de julio 08:00 – 18:00 por sus presidentes en el Comité Consultivo del ICOM. A
continuación, encontrará un listado con las Organizaciones
Schnittmarke
Afiliadas del ICOM:
ICOM LAC EXPOSICIÒN FOTOGRÁFICA
Los participantes tienen la oportunidad de visitar una AEOM Asociación de Museos al Aire Libre
exposición fotográfica especial organizada por ICOM LAC. Europeos
Lugar: Foyer Gold, Ala Sur, nivel +2 AFRICOM Consejo Internacional de Museos
Título: Paisajes Culturales de América Latina y del Caribe Africanos
AIMA Asociación Internacional de Museos de
Agricultura
Idioma AMOI Asociación de Museos del Océano Índico
Los idiomas oficiales de la conferencia son el inglés, el CAM Asociación de los Museos de la
francés, el español y el italiano. Mancomunidad
CIMAM Comité Internacional para Museos y
Colecciones de Arte Moderno
Inscripción EXARC Organización Internacional de Museos
El mostrador de inscripción se encuentra en la zona de de Arqueología al Aire Libre y de
inscripción del Ala Norte, en el nivel +1, y estará abierta Arqueología Experimental
durante el siguiente horario: FIHRM Federación Internacional de Museos de
Derechos Humanos
Domingo, 3 de julio 08:00 – 19:00 HO!I Hands On! Asociación Internacional sobre
Lunes, 4 de julio 08:00 – 18:30 los Niños en los Museos
Martes, 5 de julio 08:00 – 18:30 IACCC Asociación Internacional de Colecciones
Miércoles, 6 de julio 08:00 – 18:30 Corporativas de Arte Contemporáneo
Sábado, 9 de julio 08:00 – 17:30 IACM Asociación Internacional de Museos
Aduaneros
IAMFA Asociación Internacional de
Moneda Administradores de Instalaciones
La moneda italiana es el euro, que se reparte en billetes de Museales
5, 10, 20, 50, 100, 200 y 500, así como también en monedas IAMH Asociación Internacional de Museos de
de 1, 2, 5, 10, 20, 50 céntimos, y de 1 y 2 euros. Historia
81
IATM Asociación Internacional de Museos de Prensa / Medios

Transporte y Comunicaciones La oficina de prensa se encontrará en la Office 6 del Ala
ICAM Confederación Internacional de Museos Norte, nivel -1 y estará abierta en el siguiente horario:
de Arquitectura
ICMM Congreso Internacional de Museos Domingo, 3 de julio 10:00 – 19:00
Marítimos Lunes, 4 de julio 08:00 – 18:30
MAC Asociación de Museos del Caribe Martes, 5 de julio 08:00 – 18:30
MINOM Movimiento Internacional para una Nueva Miércoles, 6 de julio 08:00 – 18:30
Museología Sábado, 9 de julio 08:00 – 17:30
PIMA Asociación de Museos de las Islas del Contacto de Prensa:

Pacífico Srta. Maria Gatón Fraile
SADCAM Asociación Comunitaria para el Responsable del Departamento de Comunicación y
Desarrollo de Museos y Monumentos en Relaciones Públicas del ICOM – Consejo Internacional de
África Austral Museos
SIBMAS Asociación Internacional de Bibliotecas y Correo electrónico: maria.gaton@icom.museum
Museos para las Artes Escénicas
Mr Stefano De Angelis / Mr Filippo Cristini
Head of Italian Press Agency (Studio De Angelis)
Pausas para el Café E-mail: info@deangelispress.it, filippocristini@gmail.com
El café se servirá a todos los delegados inscritos en la
Schnittmarke
Feria Museal y Foro de la Exposición, en el nivel +1 del Ala La rueda de prensa se celebrará el jueves 30 de junio en el
Norte del 4 al 6 de julio, así como también el 3 y el 9 de Museo Nazionale della Scienza e della Tecnologia Leonardo
julio en el Vestíbulo Plata del Ala Norte, en el nivel +2 en da Vinci, en la sala Biancamano. Para más información,
los horarios siguientes: consulte la página web de la conferencia (http://network.
icom.museum/icom-milan-2016/media/prensa/L/1/).
Domingo, 3 de julio: 10:30 – 11:00 y 15:00 - 15:30
(Vestíbulo Plata)
Lunes, 4 de julio: 15:45 – 16:15 Primeros Auxilios
(Feria Museal y Foro de la Exposición) Todos los agentes de seguridad de MiCo tienen formación
Martes, 5 de julio: 10:30 – 11:00 y 16:30 – 17:00 en primeros auxilios. Ellos suponen su primer punto
(Feria Museal y Foro de la Exposición) de contacto. En el nivel 0 del Ala Norte hay una sala de
Miércoles, 6 de julio 11:00 – 11:30 y 15:45 – 16:15 primeros auxilios. También podrá contactar con cualquiera
(Feria Museal y Foro de la Exposición) del mostrador de inscripción, que estará situado en el
Sábado, 9 de julio: durante la mañana (Vestíbulo Plata) nivel +1 del Ala Norte.
Película, Fotografías y Grabación de Puntos de carga

Video Habrá puntos de carga de teléfonos móviles repartidos por
El ICOM y K.I.T. Group trabajan juntos para crear una toda la sede de la conferencia, sin coste alguno.
perspectiva general de los hechos y eventos de la confe-
rencia que puedan ser de interés promocional para la
organización. Por ello, le informamos que podrá ser Reuniones Fuera de la Sede
grabado o fotografiado en cualquier momento (en las salas El jueves 7, los Comités Internacionales del ICOM organizarán
de reunión, Foro de la Exposición, eventos sociales, etc.) sus reuniones fuera de la sede de la conferencia. Salvo que
y que toda presentación que realice (discurso destacado, se indique lo contrario, dichas reuniones estarán dedicadas
presentación, etc.) podrá ser grabado. para los miembros de cada comité específico. El horario
se publicará en la parte de programación de este folleto.
Personas con Discapacidades

El MiCo es accesible para los participantes en la confe-
rencia discapacitados.
82
Sala de Votación Tours Pre y Post conferencia

La sala de votación se encuentra en el Recibidor White Los tours pre- y postconferencia no los organiza ICOM
Hall 2 del Ala Norte, en el nivel +2, y se encontrará abierta Milano 2016. Todos los tours deben reservarse por
durante el siguiente horario: anticipado, de conformidad con los plazos estipulados
en la página web de la Conferencia. Encontrará toda
Lunes 4 y Martes 5 de julio 08:00 – 19:00 la información sobre las agencias organizadoras en
el mostrador de Tours de la Feria Museal y Foro de la
GENERAL
INFORMACIÓN
Exposición (Zona de Exposición, Ala Norte, nivel +1).
Salón de Contactos
El Salón de Contactos estará situado en la zona Feria
Museal y Foro de la Exposición, en el nivel +1 del Ala Norte. VOLUNTARIOS
Los voluntarios estarán a su disposición durante toda la
El Salón de Contactos está patrocinada por Goppion S.p.A Conferencia. Todos ellos vestirán una camiseta especial
and Goppion MuseumLab, Paul Bernhard Exhibit Design & para poderlos reconocer fácilmente.
Consulting, The Hettema Group y THK Co., Ltd..
La camiseta de los voluntarios está patrocinada por la
empresa Arteria.
Salón de Ponentes
El salón de ponentes estará ubicado en la Suite 1 del Ala
Sur, en el nivel +2, y estará abierto durante el siguiente Zona de Internet
horario: La zona de Internet estará situada en el área de Feria
Museal y Foro de la Exposición en el nivel +1 del Ala Norte.
Schnittmarke
Domingo, 3 de julio 08:00 – 19:00 No tiene coste adicional para los delegados inscritos.
Lunes, 4 de julio 08:00 – 18:30 También hay disponible una impresora para imprimir, por
Martes, 5 de julio 08:00 – 18:30 ejemplo, tarjetas de embarque.
Sábado, 9 de julio 08:00 – 17:30
Zonas de Restauración
Las Zonas de Restauración se encontrarán en la zona de
Seguro y Responsabilidad la Feria Museal y Foro de la Exposición del Ala Norte, en el
El Organizador de la Conferencia, el ICOM, ICOM Italia nivel +1. Las bolsas de almuerzo y las pausas para el café
o MiCo no se responsabilizarán de daños personales se ofrecerán a todos los participantes inscritos del 3 al 6
o cualquier pérdida o daño en las pertenencias de los y el 9 de julio.
delegados de la conferencia, ya sea durante o como
resultado de la conferencia. Los delegados deberán
comprobar la validez de su propio seguro.
Terminales de Impresión de
Distintivos
Los participantes tendrán la oportunidad de escanear
el código de barras que figura en su confirmación de
inscripción en los Terminales de Impresión de Distintivos
para imprimir sus distintivos con nombre.
Los Terminales de Impresión de Distintivos están

patrocinada por la empresa ETT s.p.a.
83
horarios de apertura
Inscripción Prensa / Medios

Domingo, 3 de julio 08:00 – 19:00 Domingo, 3 de julio 10:00 – 19:00
Lunes, 4 de julio 08:00 – 18:30 Lunes, 4 de julio 08:00 – 18:30
Martes, 5 de julio 08:00 – 18:30 Martes, 5 de julio 08:00 – 18:30
Miércoles, 6 de julio 08:00 – 18:30 Miércoles, 6 de julio 08:00 – 18:30
Sábado, 9 de julio 08:00 – 17:30 Sábado, 9 de julio 08:00 – 17:30
Feria Museal y Foro de la Exposición Salón de Ponentes

Lunes, 4 de julio 12:30 – 18:00 Domingo, 3 de julio 08:00 – 19:00
Martes, 5 de julio 09:00 – 18:00 Lunes, 4 de julio 08:00 – 18:30
Miércoles, 6 de julio 09:00 – 18:00 Martes, 5 de julio 08:00 – 18:30
Guardarropa, Equipaje Sábado, 9 de julio 08:00 – 17:30
Domingo, 3 de julio 08:00 – 19:00
Lunes, 4 de julio 08:00 – 19:00 Centro de Negocios
Martes, 5 de julio 08:00 – 19:00 Domingo, 3 de julio 08:00 – 19:00
Miércoles, 6 de julio 08:00 – 19:00 Lunes, 4 de julio 08:00 – 19:00
Sábado, 9 de julio 08:00 – 18:00 Martes, 5 de julio 08:00 – 19:00
Sala de Votación Sábado, 9 de julio 08:00 – 18:00
Lunes, 4 de julio 08:00 – 19:00
Schnittmarke
Oficina de Miembros
Domingo, 3 de julio 08:30 – 18:00
Lunes, 4 de julio 08:30 – 18:00
84
Concept: Paola Marras - Niklas Events
GENERAL
INFORMACIÓN
the Italian Leading Company in the Art Logistics
Schnittmarke
Visit our new division

Arterìa Safe_Tech at
ICOM 2016 Hall B, Box 39
Frames, display cases,

conservation technologies
and more...
Milano | Roma | Firenze | Venezia | Torino | Malpensa
www.arteriasafetech.it www.arteria.it
Schnittmarke
INFORMAZIONI GENERALI
ITALIANO
GENERALI
INFORMAZIONI
ORGANIZZATORI
Organizzatori della conferenza

ICOM ICOM Italy
75732 Paris Cedex 15 Italy
France Tel/Fax: +39 (0) 2 4695693
Fax: +33 (0) 1 43 06 78 62
Comitato Organizzatore
Segreteria Organizzativa Per qualsiasi domanda riguardo a

ICOM MILANO 2016 Iscrizioni ed escursioni:
Management Hotel:
10709 Berlin
Germany Mostra/Sponsorizzazione:
Fax: +49 (0) 30 24 603 200
88
Icom Italia
Il Comitato Nazionale Italiano ICOM è l’associazione
professionale leader in Italia nel settore dei Musei.
ICOM Italia si occupa dei problemi connessi allo
sviluppo ed alla difesa della professione museale.
ICOM Italia promuove e coordina le attività della
Conferenza Permanente delle Associazioni Museali
Italiane. ICOM Italia è presente sul territorio grazie
all’impegno dei Coordinamenti Regionali, alla
continua ricerca delle Commissioni Tematiche per
lo studio e la regolamentazione dell’organizzazione
di alcuni dei più importanti eventi del settore, come
la Conferenza Nazionale dei musei d’Italia, il Premio
ICOM Italia-Musei dell’anno, l’Assemblea Nazionale
GENERALI
INFORMAZIONI
ICOM e l’International Museum Day.
Durante gli ultimi 3 anni, ICOM Italia ha organizzato

molti eventi, ha stimolato il dibattito ed ha selezionato
interessanti best practice italiane sul Tema della
Conferenza. Il risultato di questo lavoro meticoloso
ed approfondito sarà presentato durante ICOM Milano
2016. Verificate tutte le informazioni sul programma
on-line e sulla App.
89
GFDL License Jakub Halun
icom
ICOM E LE CONFERENZE GENERALI ICOM Scoprire e riscoprire cosa Milano e l’Italia

Il Consiglio Internazionale dei Musei (ICOM), creato nel hanno da offrire:
1946, è un’organizzazione internazionale di musei e di Milano è la porta di accesso all’Italia. Milano è una citta
professionisti museali. ICOM è dedita a promuovere e cosmopolita e creativa. Milano è una città di cultura,
proteggere il patrimonio naturale e culturale, presente e design e moda e si trova al centro dell’area con maggiore
futuro, tangibile ed intangibile. Con 35.000 membri in quasi concentrazione di musei del mondo. Venendo a Milano
140 Paesi, il network ICOM è composto di professionisti avrete la possibilità di visitare alcune tra le più belle città
museali afferenti a molti ambiti disciplinari diversi, dei d’arte del mondo (Torino, Verona, Padova, Venezia, Genova,
musei e del patrimonio culturale. Bologna, Firenze, Roma.. ), tutte raggiungibili da Milano con
massimo tre ore di viaggio, grazie ai treni ad alta velocità.
ICOM promuove standard di eccellenza nel campo Venendo a Milano avrete la possibilità di sperimentare la
museale, in particolare attraverso il suo Codice etico celebre ospitalità italiana, così come il cibo e lo stile di vita
per i musei, uno strumento che fornisce un quadro di italiano.
riferimento per gli standard museali, che include linee
guida per la governance dei musei, l’acquisizione e la Come sfruttare al meglio la tua esperienza
disposizione delle collezioni e norme per la condotta alla Conferenza Generale di ICOM?
professionale. Tra le altre attività svolte da ICOM si Esplora l’Italia e la città di Milano:
annoverano la lotta al traffico illecito di beni culturali e la Scegli il programma per la giornata di escursione:
promozione della gestione del rischio e delle emergenze, visite di musei e altri siti culturali, escursioni a piedi
al fine di proteggere il patrimonio culturale mondiale in per la città, etc.
caso di disastri naturali o causati dal’uomo. Scopri i molti eventi sociali che si terranno il 5 e 6
luglio sera.
Ogni tre anni, la Conferenza Generale di ICOM riunisce la Prolunga il tuo soggiorno in Italia: scegli di fare un tour
comunità museale internazionale su un tema scelto dai prima o dopo la conferenza.
professionisti museali.
Individua e scegli gli eventi di maggiore interesse per te:
Perché partecipare alla 24a Conferenza Scegli tra le riunioni e le attività dei 30 Comitati
Generale ICOM ? internazionali di ICOM.
Grazie ad un programma della Conferenza ricco e Lasciati ispirare dai keynote speakers delle sessioni
che si estende per un’intera settimana, composto di plenarie, accogliendo la sfida di idee visionarie
relatori di alto livello, sessioni organizzate dai Comitati e provocatorie, iniziando così un altro giorno di
Internazionali, visite e meeting “off-site” in musei locali e Conferenza pieni di idee.
la grande fiera museale, sarete in grado di: “Salta” da una sessione all’altra per essere sicuro di
Incontrare oltre 3.000 partecipanti di diversa partecipare al tema che ti interessa di più.
formazione culturale. Scopri le sessioni sponsorizzate e le presentazioni
Imparare dall’esperienza e dalle conoscenze dei all’Expo Forum, la piccola agora della Conferenza,
professionisti museali di tutto il mondo. collocata nell’area che ospita la fiera museale, e non
Schnittmarke
Mantenersi aggiornati sulle questioni globali e le perdetevi le Panel Discussion e le Memorial Lecture
ultime tendenze del settore. previste per martedì 5 luglio.
Scoprire e condividere successi, pratiche innovative e
nuove sfide. Incontra quante più persone possibile, fuori dalle sale
Creare nuovi contatti e ritrovare vecchi amici. riunioni
Ascoltare e confrontarsi con gli esperti. Iscriviti alle sessioni di networking: pranzi a tema,
Ispirarsi a vicenda approfittando di un ambiente ricco ricevimenti di Comitati Nazionali, etc.
di insegnamenti reciproci. Crea nuovi contatti durante le pause caffè, pause
pranzo, anche in coda…
Visita la città in compagnia degli altri partecipanti.
90
TEMA DELLA CONFERENZA
MUSEI E PAESAGGI CULTURALI I paesaggi culturali italiani sono andati cambiando.

Il paesaggio italiano è universalmente noto. È stato Pur aggrediti dallo sviluppo urbano e industriale, molti
descritto, rappresentato, visitato in ogni tempo e in ogni degli scorci ammirati dal mondo si sono conservati,
modo. mutati ma non per questo deprivati del loro fascino
antico. E sono anche sorti nuovi paesaggi, espressione di
Chi, al mondo, non ha presente la straordinaria gamma una modernità divenuta in parte già storia, mentre l’idea
di paesaggi di questa penisola che dalle Alpi si prolunga stessa di paesaggio è cambiata e si estesa a sempre nuovi
sino al centro del Mediterraneo con il suo entroterra e territori della mente e dello sguardo.
le sue riviere? Chi non ha nella mente almeno uno degli
innumerevoli monumenti che si incontrano percorrendola, Nell’invitare i colleghi di tutto il mondo alla 24a Conferenza
nello stratificato palinsesto di testimonianze che vanno generale di ICOM che si terrà a Milano dal 3 al 9 luglio 2016,
dall’antichità al medioevo, dal rinascimento al barocco, il Comitato nazionale italiano ha proposto loro di affrontare
dall’età neoclassica fino ai giorni nostri? un tema caro alla museologia italiana: il rapporto tra
musei e paesaggi culturali.
GENERALI
INFORMAZIONI
Altrettanto celebri sono i suoi grandi musei, dagli Uffizi
a Brera, alle Gallerie dell’Accademia di Venezia, da Una questione centrale per l’italia, ma anche una
Capodimonte alla Galleria Sabauda fino ai Musei Vaticani, prospettiva strategica per i musei del Terzo Millennio in
parte integrante di tale enorme patrimonio. Le loro opere tutto il mondo.
d‘arte sono parte essenziale di quel Museo immaginario
descritto da André Malraux, insieme alle tantissime altre
custodite nelle chiese, nelle dimore signorili, nelle città Un’occasione e una sfida per il rilancio e il rinnovamento
e nei borghi del Bel paese. Musei d’arte e d’archeologia della loro missione e per il rafforzamento del loro
soprattutto, ma non solo e anche siti e complessi ruolo culturale e sociale.
monumentali che fanno dell’Italia un grande museo
diffuso, un “museo a cielo aperto”.
Il panorama museale italiano è più ricco e diversificato

della sua immagine consolidata: accanto ai grandi musei
nati dalle collezioni dinastiche degli Stati preunitari e alla
rete maggiore dei musei civici dei grandi e medi centri,
sono oggi centinaia i piccoli musei locali, nati soprattutto
negli ultimi decenni. in italia esistono – il dato si riferisce
al 2011 – 4588 musei e istituti “similari”: 3847 musei, 240 © Civico Museo Archeologico | Comune di Milano
aree e parchi archeologici, 501 monumenti e complessi

monumentali. Quasi un comune su tre ospita almeno un
museo e in alcune regioni vi è almeno un museo ogni due
comuni in un paese in cui, come ha scritto André Chastel
“grazie a una sorta d‘incastro esemplare, la collezione Schnittmarke
s‘iscrive nell‘edificio che la città riveste, e queste tre forme
di museo si rispondono mutualmente” ¹
1
A. Chastel, Italia museo dei musei, in I musei, TCI, Milano 1980, p. 14 Civico Museo Archeologico
91
Relatori Principali
La 24a Conferenza Generale ICOM ospiterà cinque relatori di fama internazionale, di differenti formazioni
e con differenti approcci. Un premio Nobel turco per la letteratura, un artista americano, un architetto
e designer italiano, una donna africana leader politica e culturale e un economista australiano
presenteranno le loro visioni acute e capaci di arricchire le nostre prospettive su cultura, arte, musei e
paesaggi culturali. Venite a Milano e non perdete l’opportunità di ascoltare ed imparare dalle illuminanti
esperinze di alcuni dei più grandi intellettuali del mondo contemporaneo!
4 luglio
Christo, Stati Uniti dÁmerica Orhan Pamuk, Turchia
Christo è nato a Gabrovo, Lo scrittore turco Orhan Pamuk
Bulgaria, il 13 giugno 1935 ed ha è stato il primo premio Nobel
passato la sua gioventù sotto le per la letteratura del suo paese.
regole comuniste. Ha studiato Noto per le sue storie epiche e
arte a Sofia e a Vienna. Anche sfaccettate, in cui il protagonista
Jeanne-Claude (Jeanne-Claude è spesso preso tra due mondi,
Marie de Guillebon 1935-2009) era nata il 13 giugno 1935, Pamuk intreccia elementi dal Pantheon occidentale della
da genitori francesi a Casablanca, Marocco. Prima di prosa postmoderna con la sua narrativa, sfocando la linea
stabilirsi definitivamente con la famiglia a Parigi, è cres- tra realismo e fantasia, che è una caratteristica delle più
ciuta a Berna in Svizzera ed a Gabès in Tunisia. Nel 1957 grandi opere della letteratura araba. I libri di Orhan Pamuk
Christo fugge dallÉuropa dellÉst verso Ovest. A quel sono stati tradotti in 63 lingue, tra cui georgiano, malese,
tempo avvolgeva già gli oggetti in vari materiali, anche se ceco, danese, giapponese, catalano, oltre che in inglese,
principalmente si manteneva facendo ritratti. La coppia si tedesco e francese.
incontrò a Parigi nel 1958, quando Christo stava facendo
ritratti della madre di Jeanne-Claude. Pamuk tiene una volta all’anno una lettura alla Columbia
University. Nel 2014, il Museo dell’Innocenza di Orhan
Nel 1961, gli artisti hanno iniziato a collaborare su progetti Pamuk ha ricevuto il Premio del museo europeo dell’anno
monumentali, imprese in cui il principale materiale (EMYA) proposta dal Forum europeo Museum di Tallinn,
utilizzato è stato il tessuto, scelto per le sue qualità fluide ed in Estonia. Nel 2005 Pamuk ha ricevuto il Peace Prize,
effimere. Christo e Jeanne-Claude condividono la paternità considerato il premio più prestigioso in Germania nel
congiunta dei progetti su larga scala; tuttavia, è Christo ad campo della cultura. Nello stesso anno, Snow riceve Le
impacchettare gli oggetti e realizzare pacchetti, modelli in Prix Médicis étranger, il premio per il miglior romanzo
scala e disegni. I progetti sono finanziati esclusivamente straniero in Francia. Nel 2006 la rivista TIME lo sceglie
Schnittmarke
dalla vendita di queste opere, dal momento che gli artisti come una delle 100 persone più influenti del mondo. Ha
non accettano sponsorizzazioni. I primi progetti di Christo, ricevuto il premio Nobel 2006 per la letteratura, diventando
che coinvolgevano principalmente l’architettura esistente, la seconda persona più giovane a ricevere il premio nella
miravano sia a nascondere che a sottolineare il carattere sua storia.
essenziale ed il significato di un sito. Nel corso del tempo
l’uso del tessuto è diventato più libero e aperto. I progetti
realizzati restano installati per un tempo finito, eppure il
loro provvisorietà accresce il loro fascino estetico. Le loro
opere includono l’avvolgimento del Reichstag a Berlino
e il Pont-Neuf a Parigi, lópera lunga 24 miglia (39 km)
chiamato Running Fence nelle contee di Sonoma e Marin
in California, e The Gates nel Central Park di New York City.
92
Relatori Principali
5 luglio
Michele De Lucchi, Italia Nkandu Luo, Zambia
Michele De Lucchi è un architetto LÓnorevole Professore Nkandu
italiano. È stato una figura Luo è láttuale Ministro per le
di spicco di movimenti come Pari Opportunità e lo Sviluppo
Cavart, Alchimia e Memphis. Ha dei Bambini. Precedentemente
disegnato lampade e arredi per ha ricoperto la carica di Ministro
le più famose aziende italiane ed della Salute, Ministro dei
europee, come Artemide, Olivetti, Alias, Unifor, Hermès Trasporti e delle Comunicazioni,
ed Alessi. Ha progettato ambienti lavorativi e definito la Ministro degli Enti Locali e degli Alloggi, il Ministro dei
corporate identity di aziende quali Deutsche Bank, Poste Capi e degli Affari Tradizionali. L’Onorevole Professore
Italiane, Ferrovie dello Stato, Enel, Piaggio, Olivetti, Nkandu Luo è professore di microbiologia e immunologia
Telecom Italia, Novartis, Intesa Sanpaolo, Unicredit. e ha servito come Direttore della facoltà di Patologia e
Microbiologia presso lo University Teaching Hospital a
GENERALI
INFORMAZIONI
Ha realizzato progetti architettonici in Italia e nel mondo: Lusaka, Zambia.
edifici residenziali, industriali, aziendali e culturali. Ha
curato lállestimento di mostre presso la Triennale di Oltre alla sua formazione in Microbiologia e Immunologia,
Milano, il Palazzo delle Esposizioni di Roma, il Neues ha proseguito gli studi in Immunopatologia delle malattie
Museum Berlin, le Gallerie d’Italia in Piazza Scala e il nuovo infettive e Epidemiologia e Statistica Medica. L’Onorevole
Museo Pietà Rondanini a Milano, oltre a realizzare diversi Professore Luo ha effettuato molta ricerca su HIV / AIDS,
importani progetti per la città di Milano: i padiglioni di Expo sulla tubercolosi, sulla malaria e su altre malattie infettive.
2015 (Padiglione Zero, Expo Center, Intesa Sanpaolo) e il E´stata attiva nell’insegnamento di studenti universitari e
palazzo UniCredit in piazza Gae Aulenti. laureati nel campo della biomedica e dellínfermieristica.
6 luglio
David Throsby è internazional-
mente riconosciuto come uno
degli inventori delléconomia
della cultura. Illustre profes-
sore presso il Dipartimento di
Economia dellÚniversità di
Macquarie a Sydney, Throsby è Schnittmarke
riconosciuto a livello globale per le sue ricerche e pubbli-
cazioni sull’economia dell’arte e della cultura. I suoi
attuali ambiti di ricerca includono la situazione economica
degli artisti creativi, le industrie creative, l’economia del
patrimonio culturale, la cultura e lo sviluppo sostenibile
ed i legami tra la politica economica e culturale. È autore
di numerose pubblicazioni tra cui The Economics of the
Performing Arts con Glen Withers (1979), The Produc-
tion and Consumption of the Arts: A View of Cultural
Economics’ nel Journal of Economic Literature (1994),
Economics and Culture (2001) e The Economics of Cultural
Policy (2010). Insieme a Victor Ginsburgh ha co-curato due
volumi del Handbook of the Economics of Art and Culture
(2006 e 2014).
93
Where ICOM From
Una mostra per celebrare i 70 anni Se dovessimo giudicarla per il numero dei suoi dipendenti,
di ICOM! ICOM dovrebbe essere considerata un’organizzazione di
di François Mairesse piccole dimensioni. Tuttavia, il numero e la diversità dei
suoi Comitati, tutti gestiti a livello volontario – rappre-
Qual è lo scopo di un anniversario? È quello di ricordare i sentano una rete vasta e complessa, corrispondente alla
tempi andati? È quello di celebrare le esperienze raccolte diversità del mondo. Chi può realmente affermare di avere
nel corso del tempo? Oppure è quello di raccogliere le familiarità con tutta la sua portata? Questa mostra vuole
persone a noi care per un evento piacevole? È sempre evocare un possibile itinerario che coinvolga, se non tutti
interessante cogliere spunto dal qui e ora per dare uno gli aspetti di ICOM (missione impossibile), almeno alcune
sguardo al passato e all’età di 70 anni – quando si è ormai delle sue dimensioni principali, eventi importanti, figure
nonni - i tempi sono maturi per richiamare i ricordi che di spicco, luoghi di condivisione, ecc. E‘ una storia incom-
hanno influenzato la nostra storia e condividerli con i pleta che non è una “versione ufficiale” dell’avventura di
nostri nipoti attraverso album di famiglia. ICOM, bensì una selezione di storie dai suoi archivi che
cercano di visualizzare alcune delle dimensioni di questa
Creare una mostra su ICOM potrebbe sembrare un eser- organizzazione.
cizio narcisistico in cui darci da soli compiaciute pacche
sulle spalle, una sorta di selfie 3D in cui tutti noi cerchiamo
di comparire. Nella realtà si tratta di un progetto molto
più ambizioso. La storia di ICOM non è sempre stata un Un tour interattivo
corso d’acqua che scorre tranquillo. Oltre 40 anni fa, La mostra Where ICOM from ripercorre - in quasi
dopo un movimento di contestazione radicale nel campo 235m2 - l’evoluzione di ICOM lungo i suoi 70 anni
museale particolarmente evidente durante la Conferenza di esistenza e solleva domande sulle sue direzioni
Generale di Parigi e Grenoble (1971), il movimento “New future. Una scenografia coinvolgente mette insieme
Museology” si sviluppa come una risposta alla crisi dei vari documenti d’archivio - comprese immagini,
musei, che evidenzia gli approcci convenzionali di un’i- locandine e video – al fine di illustrare la ricca storia
stituzione occidentale e borghese. Quaranta anni dopo la di ICOM. Attraverso una cronologia degli eventi ed
crisi dei musei sembra ampiamente superata e ci sono una selezione di date importanti viene mostrata
ora nel mondo sempre più musei. la crescita del network ICOM e le conquiste della
organizzazione nel corso del tempo. Le principali
Oltre alle numerose piccole organizzazioni - al tempo attività dell’organizzazione e le prossime sfide
estremamente dinamiche, ma anche estremamente vengono raccontate attraverso storie e punti di
fragili – si è sviluppata intorno al mondo del turismo vista personali di membri ICOM. Alcuni dispositivi
globalizzato una macchina economica enorme. I musei, interattivi permetteranno ai visitatori di prendere
in passato denigrati a causa del loro approccio ormai parte al dibattito e condividere i loro pensieri.
superato, giocano oggi un ruolo imporante nelle questioni
geopolitiche globali.
Schnittmarke
Anche il ruolo di ICOM si è evoluto. Fondata da un piccolo

gruppo di professionisti nel 1946, l’organizzazione conta
oggi circa 36.000 membri provenienti da molti ambiti
diversi, ma uniti da una domanda comune. La mostra
“Where ICOM from” richiama alcuni degli elementi che
caratterizzano la natura di ICOM e dei musei e ci pone
delle domande sul futuro di questa istituzione. Nel 1946
il mondo si stava riprendendo da un conflitto globale,
seguito da una lunga guerra fredda. Settanta anni dopo,
sebbene il mondo non abbia visto accadere un’altra
guerra mondiale, ci troviamo in una situazione di conflitto
diffuso. Quale ruolo possono i musei ed ICOM svolgere in
questo contesto?
© ICOM
Georges Henri Rivière suona lo shamisen, 1960, Tokyo, Giappone
94
Where ICOM From
È curioso come ICOM - che si identifica come il forum Mostra Where ICOM from, 70 anni di
dei musei per eccellenza - non abbia mai cercato di International Council of Museums, dal 4 al
comunicare e contribuire più frequentemente ai dibattiti 6 luglio 2016
anche attraverso uno dei suoi tratti distintivi, ovvero le In Blue Hall 2, ala Nord, livello + 1 (vicino alle scale
mostre. Tuttavia lo ha fatto attraverso pubblicazioni, mobili). Inaugurazione: 4 luglio alle ore 12:30 presso
conferenze e più recentemente attraverso il suo sito l’area espositiva.
web ed i social network. Se c’è una caratteristica che
contraddistingue i musei è che essi rappresentano in Evento organizzato da ICOM Endowment Fund, in
maniera unica un modo di pensare collettivo, che ha lo collaborazione con gli student dell’Università Parigi
scopo di diffondere la conoscenza in modo spaziale, 1 Pantheon-Sorbonne e con il generoso supporto di
attraverso oggetti, immagini e suoni. Questo non è un Panasonic, sponsor principale della mostra.
compito facile: per sviluppare una mostra sono necessari
spazio, tempo e mezzi. Quella che viene presentata
a Milano non ha la pretesa di rispondere a tutte le
GENERALI
INFORMAZIONI
domande poste qui, ma di mettere ciascun visitatore nella
condizione di interrogarsi, almeno per qualche minuto,
sugli aspetti che tengono insieme ICOM e sulla specificità
di cosa rappresentano i musei.
Schnittmarke
© guerillagraphik
95
programma sociale
FESTA DI APERTURA – 4 LUGLIO ceremonia e festa di chiusura –

9 LUGLIO
Castello Sforzesco
Lunedi 4 liglio La Triennale di Milano
19:30 – 23:30 Sabato 9 liglio
Piazza Castello 19:30 – 24:00
Metro: Cairoli, M1, Linea Rossa Viale Emilio Alemagna, 6
Metro: Cadorna, M1-M2, Linea Rossa-Linea Verde
La Festa di Apertura si terrà lunedì 4 luglio al Castello
Sforzesco, il famoso castello del 15° secolo situato nel La Ceremonia e Festa di Chiusura si terrà sabato 9 luglio
centro di Milano. In questa occasione i partecipanti presso il Palazzo dell’Arte di Milano. A partire dalle 19:30, i
avranno l’opportunità di visitare tutti i Musei del Castello e partecipanti potranno visitare il Museo del Design, il parco
specialmente il nuovo allestimento della Pietà Rondanini di e la XXI Esposizione Internazionale della Triennale per
Michelagelo e la Sala delle Asse con gli affreschi di Leonardo, l’architettura, le arti visive e decorative, il design, la moda
recentemente restaurati. Accoglieranno i partecipanti un e le produzioni audiovisive. La Cerimonia di Chiusura si
cocktail di benvenuto e un accompagnamento musicale. La terrà alle 20:00. Durante la Cerimonia la bandiera ufficiale
festa inzierà alle 19:30 e finirà alle 23:30. L’ingresso sarà di ICOM passerà da ICOM Milano 2016 a ICOM Kyoto 2019
garantito solo dietro l’esibizione del badge nominale ICOM e verrà presentata la 25° Conferenza Generale ICOM. Dopo
Milano 2016. la cerimonia avrà inzio la festa.
© EcilaAlice
© fedewild
Schnittmarke
96
programma sociale
EVENTI SOCIALI SERALI – 5-6 LUGLIO Grande Concerto in Duomo – Veneranda

(e oltre!) Fabbrica del Duomo
Duomo di Milano
Più di 40 musei a Milano saranno aperti la sera in via straordi- Mercoledì 6 Luglio 2016
naria e organizzeranno eventi speciali per ICOM Milano 2016. 20:00 21:00
La lista completa degli eventi sociali, con la mappa e i Piazza del Duomo
dettagli degli orari di apertura e altre informazioni utili
sono disponibili sul sito ufficiale della Conferenza (http:// Il Duomo ospiterà un concerto speciale e riservato per i
net wor k .icom.museum / icom-mil an-2 016/social- partecipanti alla Conferenza ICOM Milano 2016.
events/programma-sociale/L/7/) a sono costantemente
in aggiornamento. Alcuni eventi sono aperti per un numero
limitato di persone: la prenotazione, salvo pochi casi, non
è necessaria e i partecipanti saranno ammessi secondo la
disponibilità dello spazio.
GENERALI
INFORMAZIONI
In programma molti eventi speciali!
OPEN NIGHT | Speciale ICOM Milano 2016

Museo Nazionale della Scienza e della Tecnologia
Leonardo da Vinci, Milano
Martedì 5 luglio 2016
© Pedro
18:30 – 23:30
Via San Vittore 21
Programma Musicale
Atmosfere di una Cattedrale

“Il Grande Organo del Duomo e la solenne regalità degli
Ottoni”
Un dialogo in musica
(organo e ottoni)
Procession of Nobles
da Vinci di Milano
And the Glory of the Lord (ottoni)

Canzon Undicesimi Toni (organo e ottoni)
Military March n.1 (organo e ottoni)
Apertura speciale al pubblico e ai partecipanti alla Gabriel Fauré (1845-1924) Schnittmarke
Conferenza Generale. (ottoni) Pavane
Il Museo Nazionale della Scienza e della Tecnologia Marcel Dupré (1886-1971)
Leonardo da Vinci, il più grande museo tecnico scientifico (organo e ottoni)
in Italia, apre le sue porte a tutta la città in occasione Poème Héröique
della Conferenza Generale ICOM Milano 2016. Una OPEN Eugène Gigout (1844-1925)
NIGHT speciale per scoprire le collezioni, sperimentare (organo e ottoni)
nei laboratori interattivi e godersi la serata nei chiostri Grand Choeur Dialogué
del monastero del 16° secolo. Immergiti nel mondo del Alessandro La Ciacera
sottomarino Enrico Toti tra periscopio, sonar e camere e (secondo organista del Duomo di Milano)
rivivi le avventure dei marinai durante la navigazione. Scopri Doctor Brass Quintet
la tecnica dell’affresco di Leonardo o avventurati tra nuovi Giorgio Tosatti, tromba
cibi, DNA e gli ingredienti principali dei nostri alimenti. Matteo Macchia, tromba
Per rilassarsi musica dal vivo tra classica, jazz e Rock and Jaime Carrasco, trombone
Roll. Il Padiglione Ferroviario si animerà tutta la sera con Marco Anastasio, Basso Tuba
performance di danza contemporanea e live music. Tommaso Ruspa, Corno
97
programma sociale
Una serata a Palazzo di Brera per Icom 2016 Ultima Cena

Palazzo di Brera Cenacolo Vinciano
Giovedì 7 luglio 2016 Diversi turni disponibili durante tutta la settimana
18:30 – 22:15 Piazza Santa Maria delle Grazie, 2
Via Brera 28, Milano
L’Ultima Cena si trova a Milano nell’ex-refettorio nei pressi
Il seicentesco Palazzo delle Scienze e delle Arti di Brera del Santuario di Santa Maria delle Grazie. E ‘stato dipinto
apre le sue porte con un evento pubblico dedicato a ICOM tra il 1494 e il 1498 da Leonardo da Vinci ed è conosciuta
Milano 2016. Dopo il saluto istituzionale dei Direttori, in tutto il mondo.
la Pinacoteca, l’Accademia di Belle Arti, la Biblioteca
Nazionale Braidense, l’Istituto Lombardo di Scienze
e Lettere, l’Orto Botanico, il Museo e l’Osservatorio

Astronomico restano aperti eccezionalmente fino alle ore
22:15 con una serie di eventi, mostre, installazioni e visite
guidate dedicate. Nel corso della serata verrà offerto un
light dinner esclusivo riservato agli ospiti di Icom prenotati.
Gli istituti sono aperti al pubblico mentre la partecipazione

agli eventi e al buffet è strettamente riservata ai soci ICOM
Milano 2016 e esclusivamente su prenotazione, fino a
esaurimento posti.
Per prenotazioni: breraforicom2016@gmail.com
L’Ultima Cena mostra una delle scene più importanti
e più ricca di significato dal Vangelo secondo Giovanni.
Grazie a scienziati, critici d’arte e restauratori di tutto il
mondo, si è potuta riscoprire l’originalità del dipinto che
era stata manomessa dai tanti ritocchi non conformi alle
caratteristiche peculiari di Leonardo da Vinci.
Un accordo speciale con il Ministero dei Beni e delle Attività

Culturali e del Turismo consentirà ai partecipanti a ICOM
Milano 2016 di visitare il Cenacolo, grazie alla possibilità
di prenotare alcuni turni durante tutta la settimana. Tutti
i dettagli della prenotazione sono disponibili sul sito della
conferenza.
Schnittmarke
98
programma sociale
LOMBARDIA
Valcamonica
VENETO
Monza Bergamo
Milan Brescia
Torino
Monferrato
Musei del Cibo
PIEMONTE
GENERALI
INFORMAZIONI
Modena
Parma
Bologna
Lunigiana
Firenze
Certaldo /
Castelfiorentino
TOSCANA
excursion day (GIORNATA DI

ESCURSIONE)
LÉxcursion Day è una tradizione delle Conferenze
Generali ICOM: un giorno al di fuori del centro congressi
per scoprire la città ospitante, così come il nord e centro
Italia! LÉxcursion Day è venerdí 8 luglio. Per maggiori
informazioni, consultare il sito web (http://network.
icom.museum/icom-milan-2016/excursion-day/
excursion-day/L/7/) oppure rivolgersi al desk “Social Schnittmarke
Programme” situato nellárea di registrazione.
Tour pre- e post-conferenza Tour per accompagnatori

Il Comitato Organizzatore ha selezionato circa 50 tour, Grazie al supporto di Musement, sono stati organizzati due
proposti ed organizzati da tour operator e partner di tour gratuiti per gli accompagnatori. I tour sono grauiti per
esperienza. I tour sono stati pensati su misura per i gli accompagnatori regolarmente registrati. I tour sono a
partecipanti di ICOM Milano 2016. Costi e dettagli sono numero chiuso.
disponibili sul sito dell Conferenza (http://network.icom. Per saperne di più, visitare il sito (http://network.
museum/icom-milan-2016/viaggi/viaggi-pre-e-post- i c o m . m u s e u m / i c o m - m i l a n -2 0 16 / v i a g g i / v i s i t e -
conferenza/L/7/). Tutte le informazioni su tour operator e accompagnatori/L/7/)!
partner sono disponibili presso il punto informativo “Tour”,
situato nellárea della Fiera Museale e dellÉxpo Forum
(ala nord, livello +1).
99
Informazioni Generali A-Z
accessibilità Assicurazione e responsabilità

Il MiCo è accessibile ai partecipanti con disabilità. Gli organizzatori della conferenza, ICOM o ICOM Italia ed
il MiCo non possono essere considerati responsabili per
danni personali o per qualsiasi perdita o danno procurato
Accompagnatori alle proprietà dei partecipanti alla Conferenza, né durante
Gli accompagnatori avranno un accesso limitato alla confe- la conferenza né come causa di attività legate alla Confe-
renza. Língresso alla Fiera Museale e allÉxpo Forum e alle renza. I partecipanti debbono verificare la validità della
sessioni della conferenza non sono incluse. Gli accompagna- propria assicurazione.
tori possono prendere parte agli eventi sociali che avvengono
fuori del centro congressi (Festa di Apertura e di Chiusura,
Eventi Sociali, Escursioni, Tour per Accompagnatori). Attestato
Láttestato di partecipazione ufficiale di partecipazione
per ICOM Milano 2016 sarà disponibile dopo la Conferenza.
Alleanze Regionali I partecipanti avranno la possibilità di scaricarlo dalla Piat-
Le Alleanze Regionali sono dei forum che hanno lóbiettivo taforma dei Partecipanti.
di promuovere il dialogo e la condivizione delle informazioni
tra i Comitati Nazionali, i musei ed i professionisti museali
di una specifica area geografica. Badge nominativo
I Comitati Nazionali possono essere membri di una I partecipanti debbono indossare il badge nominativo per
Alleanza Regionale. I presidenti delle cinque Alleanze accedere al Centro Congressi, alle sessioni ed agli eventi
Regionali fanno parte dellÁdvisory Committee. della Conferenza. Il badge nominativo deve essere facil-
Le Alleanze Regionali sono: mente visibile. In caso di perdita o di dimenticanza del bage
nominativo, sarà possibile richiederne uno nuovo a fronte
ICOM ARAB Arab Countries Alliance del pagamento di € 50.00. Il vecchio badge sarà disatti-
ICOM ASPAC Asia-Pacific Alliance vato. Se il partecipante ha dimenticato il badge in hotel,
ICOM EUROPE Europe Alliance può chiedere di portarlo il giorno successivo: in questo
ICOM LAC Latin America & Caribbean Alliance caso sará trattenuto un deposito di € 40.00 e rilasciata una
ICOM SEE South East Europe Alliance ricevuta. Il deposito sarà restituito quando sarà mostrato il
badge nominativo precedentemente dimenticato.
App di ICOM Milano 2016 Il badge nominativo è generosamente sponsorizzata da

LÁpp di ICOM Milano 2016 è pensata per migliorare Haroutunian Foundation.
lésperienza dei partecipanti prima, durante e dopo
la Conferenza, grazie alle seguenti funzionalità ed
informazioni a portata di dito: Bancomat
Programma interattivo della Conferenza Allínterno del MiCO è disponibile un bancomat. È situato
Relatori principali (Keynote Speakers) al livello +1 dellála Nord, vicino allíngresso dellárea
Schnittmarke
Lista dei relatori e degli espositori dedicata alla Fiera Museale ed allÉxpo Forum, salendo
Mappe dalle scale mobili a destra.
Programma Sociale
Networking
Social Media Borse Congressuali
Questionario di valutazione Le borse congressuali saranno distribuite presso lómonimo
banco, situato nellárea di registrazione (ala Nord, livello +1).
LÁpp di ICOM Milano 2016 è generosamente sponsoriz- Agli espositori sarà distribuita, durante il primo giorno di
zata da azienda Guardian Glass Europe. conferenza, una borsa per ciascuno stand.
Le borse congressuali è generosamente sponsorizzata da

Aree Ristoro Haroutunian Foundation.
Le aree ristoro sono posizionate allínterno dellárea
della Fiera Museale e dellÉxpo Forum, ala Nord, livello
+1. I lunch box ed i Coffee Break saranno distribuiti dal
3 al 6 luglio ed il 9 luglio a tutti i partecipanti registrati.
100
Business CentRE Domenica 3 luglio 10:30 – 11:00 e 15:00 - 15:30

Il Business Centre si trova nellÓffice 5, ala Nord, livello -1. (Silver Foyer)
I partecipanti hanno la possibilità di stampare, fare copie, Lunedì 4 luglio 15:45 – 16:15
fare scansioni o inviare un fax durante i seguenti orari: (Fiera Museale ed Expo Forum)
Martedì 5 luglio 10:30 – 11:00 e 16:30 – 17:00
Domenica 3 luglio 08:00 – 19:00 (Fiera Museale ed Expo Forum)
Lunedì 4 luglio 08:00 – 19:00 Mercoledì 6 luglio 11:00 – 11:30 e 15:45 – 16:15
Martedì 5 luglio 08:00 – 19:00 (Fiera Museale ed Expo Forum)
Mercoledì 6 luglio 08:00 – 19:00 Sabato 9 luglio la mattina (Silver Foyer)
Sabato 9 luglio 08:00 – 18:00
Vengono applicate le seguenti tariffe: Comitati Internazionali

COPIE / STAMPE (un lato) I Comitati Internazionali riuniscono esperti di diverse
formato A4 b/n € 0.20 specialità museali. Ciascun Comitato Internazionale è
GENERALI
INFORMAZIONI
formato A3 b/n € 0.30 rappresentato allínterno dellÁdvisory Committee di
formato A4 a colori € 0.50 ICOM dal proprio Presidente. I 30 Comitati Internazionali
formato A3 a colori € 0.70 sono luoghi dove ragionare apertamente sui musei e, più in
INVIO FAX Quota fissa € 1.50 generale, sulle questioni relative al patrimonio culturale.
Italia € 0.30 Definiscono gli standard per i professionisti museali,
Europa € 0.60 condividono informazioni scientifiche, stabiliscono
Intercontinentale € 1.00 partnership con altre organizzazioni e sviluppano
RICEZIONE FAX Prezzo singolo € 0.20 raccomandazioni per i membri ICOM. Di seguito la lista dei
RISMA DI CARTA 500 sheets € 5.00 30 Comitati Internazionali:
AVICOM Audiovisual and New Technologies of

Cambio di programma / data di stampa Image and Sound
Gli organizzatori non possono essere considerati respon- CAMOC Collections and Activities of Museums of
sabili per qualsiasi cambio nel programma dovuto a circo- Cities
stanze esterne o impreviste. I cambi notificati dopo la data CECA Education and Cultural Action
di stampa (6 giugno) sono aggiornati sul sito web della CIDOC Documentation
conferenza e disponibili tramite lÁpp della conferenza. CIMCIM Museums and Collections of Musical
Instruments
CIMUSET Museums and Collections of Science
Cerimonia di Apertura and Technology
La Cerimonia di Apertura avrà luogo nella sala Silver, CIPEG Egyptology
lunedì 4 luglio dalle 09:30 alle 12:30. Tutti i partecipanti COMCOL Collecting
sono invitati a prendere parte a questo evento. COSTUME Museums and Collections of Costume
DEMHIST Historic House Museums Schnittmarke
GLASS Museums and Collections of Glass
Clima ICAMT Architecture and Museum Techniques
Milano ha un clima umido subtropicale con influenze conti- ICDAD Museums and Collections of
nentali, simile a quello delle pianure del nord Italia, con Decorative Arts and Design
estati calde e afose, e inverni freddi e nebbiosi. In estate ICEE Exhibitions and Exchange
il livello di umidità è molto alto e la temperatura può ICFA Museums and Collections of Fine Arts
raggiungere temperature sopra i 35 °C. ICLM Literary Museums
ICMAH Museums and Collections of
Archaeology and History
coffee break ICME Museums and Collections of
I Coffee Break saranno servite a tutti i partecipanti regi- Ethnography
strati nellárea della Fiera Museale e dellÉxpo Forum, ICMEMO Memorial Museums in Remembrance
situata nellála Nord, al livello +1, dal 4 al 6 luglio così of the Victims of Public Crimes
come il 3 ed il 9 luglio nel Silver Foyer nellála Nord al ICMS Museum Security
livello +2. Le Coffee Break sono previste nei seguenti orari: ICOFOM Museology
101
ICOM-CC Conservation Excursion Day (giornata di

ICOMAM Museums of Arms and Military History escursione)
ICOMON Money and Banking Museums L´ Excursion Day è una tradizione delle Conferenze Gene-
ICR Regional Museums rali ICOM: un giorno al di fuori del centro congressi per
ICTOP Training of Personnel scoprire la città ospitante, così come il nord e centro
INTERCOM Museum Management Italia! LÉxcursion Day è venerdí 8 luglio. Per maggiori
MPR Marketing and Public Relations informazioni, consultare il sito web (http://network.
NATHIST Museums and Collections of Natural icom.museum/icom-milan-2016/excursion-day/excur-
History sion-day/L/7/).
UMAC University Museums and Collections
Expo Forum
Comitati Nazionali LÉxpo Forum è unárea separata nella Fiera Museale e
I Comitati Nazionali sono il principale strumento di comu- dellÉxpo Forum (Ala Nord, livello +1) dove gli espositori/
nicazione tra il Segretariato Generale ed i membri di sponsor possono fare un presentazione ai partecipanti.
ICOM. I 119 Comitati Nazionali assicurano che gli interessi Lórario è pubblicato nella parte dedicata al programma
dellórganizzazione siano gestiti al meglio nelle respettive in questa brochure così come su un´ insegna dedicata
nazioni. I Comitati Nazionali rappresentano i loro membri nellárea del Expo Forum.
allínterno di ICOM e contribuiscono allímplementazione
del programma dellórganizzazione.
Festa di apertura
La Festa di Apetura si terrà lunedì 4 luglio dalle 19:30
Distributori di acqua al Castello Sforzesco, il famoso castello del 15° secolo,
Diversi distributori di acqua a titolo gratuito sono distribuiti situato nel centro di Milano. I partecipanti avranno lópp-
nel Centro Congressi. ortunità di visitare tutti i musei del Castello, inclusa la
nuova collocazione della Pietà Rondanini e la Sala delle
Asse di Leonardo, recentemente restaurata.
Elettricità
In Italia, il voltaggio è 220v a/c. Le prese hanno 2 buchi,
quindi può essere necessario un adattatore. Festa e cerimonia di chiusura
La cerimonia di chiusura (accesso nel limite dei posti
disponobili e secondo lórdine di arrivo) si terrà alle
Eventi sociali serali (5-6 Luglio) 19:30 sabato 9 luglio seguita dalla festa di chiusura alle
Più di 40 musei a Milano saranno aperti la sera in via straordi- 20:00 presso la Triennale Palazzo dellÁrte. I partecipanti
naria e organizzeranno eventi speciali per ICOM Milano 2016. potranno visitare il Museo del Design, il parco e le mostre
La lista completa degli eventi sociali, con la mappa ed i della XXI Triennale Esposizione Internazionale per lárc-
dettagli degli orari di apertura ed altre informazioni utili hitettura, le arti visive e decorative, il design, la moda e le
Schnittmarke
sono disponibili sul sito ufficiale della Conferenza (http:// produzioni audio-video.
net wor k .icom.museum / icom-mil an-2 016/social-
events/programma-sociale/L/7/) e sono costantemente
in aggiornamento. Alcuni eventi sono aperti per un numero Fiera Museale ed Expo Forum
limitato di persone: la prenotazione, non è necessaria ed I partecipanti sono invitati a visitare la Fiera Museale ed
i partecipanti saranno ammessi secondo la disponibilità a seguire la programmazione dellÉxpo Forum. Láera è
dello spazio. aperta ai visitatori con i seguenti orari:
Sono in programma molti eventi speciali! Lunedì 4 luglio 12:30 – 18:00

Martedì 5 luglio 09:00 – 18:00
Mercoledì 6 luglio 09:00 – 18:00
102
Fotografie e video riprese MOSTRA FOTOGRAFICA DI ICOM LAC

ICOM e K.I.T. Group lavorano insieme al fine di creare I partecipanti hanno lópportunità di visitare una speciale
una panoramica esaustiva della Conferenza e degli mostra fotografica organizzata da ICOM LAC.
eventi che potrebbero avere un interesse promozio- Luogo: Foyer Gold, Ala Sud, livello +2
nale per lórganizzazione. Pertanto La informiamo che Titolo: Paesaggi culturali dellÁmerica Latina e delle
potrebbe essere ripreso e/o fotografato in qualsiasi Regioni Caraibiche
momento (nelle sale, presso lÉxpo Forum, durante gli
eventi sociali, etc.) e che le Sue presentazioni a titolo di
relatore possono essere registrate. Networking Lounge
La Networking Lounge è situata presso lárea della Fiera
Museale e dellÉxpo Forum, ala Nord, livello+1.
Guardaroba, bagagli
Il guardaroba è situato nellárea registrazione, ala Nord, La Networking Lounge è generosamente sponsorizzata da
livello +1. Il costo per le giacche è di € 2.50 cad. ed il costo Goppion S.p.A and Goppion MuseumLab, Paul Bernhard
GENERALI
INFORMAZIONI
per i bagagli è di € 3.00 cad. Il guardaroba è aperto secondo Exhibit Design & Consulting, The Hettema Group e THK
i seguenti orari: Co., Ltd..
Domenica, 3 luglio 08:00 – 19:00

Lunedí, 4 luglio 08:00 – 19:00 OFF-SITE MEETINGS
Martedí, 5 luglio 08:00 – 19:00 Giovedì 7 luglio i Comitati Internazionali di ICOM orga-
MercoledÌ, 6 luglio 08:00 – 19:00 nizzano i loro meeting al di fuori del Centro Congressi.
Sabato, 9 luglio 08:00 – 18:00 Salvo differenti indicazioni, questi meeting sono dedicati ai
membri dei rispettivi Comitati. Lórario è pubblicato nella
parte dedicata al programma in questa brochure.
Internet Point
LÍnternet Point è situato nellárea della Fiera Museale e
dellÉxpo Forum, ala Nord, livello +1. È gratuito per tutti i Organizzazioni Affiliate
partecipanti registrati. È disponibile anche una stampante Le Organizzazioni Affiliate sono associazioni o consigli
per stampare (es. stampa della carta di imbarco). internazionali dedicati ai musei ed ai professionisti
museali di una specifica area geografica. Queste orga-
nizzazioni partecipano alle attività ICOM e contribuiscono
Iscrizioni allínfluenza dellórganizzazione e del suo network, pur
I desk di registrazione sono situati nellála Nord, livello +1 tuttavia mantenendo la loro autonomia.
e sono aperti secondo i seguenti orari: Qualsiasi organizzazione internazionale i cui membri
siano per almeno due terzi musei o professionisti museali
Domenica 3 luglio 08:00 – 19:00 può diventare una Organizzazione Affiliata. Le 21 Orga-
Lunedì 4 luglio 08:00 – 18:30 nizzazioni Affiliate sono rappresentate dai loro Presidenti
Martedì 5 luglio 08:00 – 18:30 allínterno dellÁdvisory Committee. Di seguito lélenco Schnittmarke
Mercoledì 6 luglio 08:00 – 18:30 delle Organizzazioni Affiliate:
AEOM Association of European Open-Air
Museums
Lingue AFRICOM International Council of African Museums
Le lingue ufficiali della Conferenza sono inglese, italiano, AIMA International Association of Agricultural
francese e spagnolo. Museums
AMOI Association of Museums of the Indian
Ocean
CAM Commonwealth Association of Museums
CIMAM International Committee for Museums and
Collections of Modern Art
EXARC International Organisation of
Archaeological Open Air Museums and
Experimental Archaeology
103
FIHRM Federation of International Human Rights

Museums Primo soccorso
HO!I Hands On! International Association of Tutto il personale di Sicurezza del MiCo è formato per dare
Children’s Museums assistenza di primo soccorso e sono le prime persone a cui
IACCC International Association of Corporate rivolgersi in caso di necessità. Un punto di primo soccorso
Collections of Contemporary Art è situato nellála Nord al livello 0. È possibile inoltre
IACM International Association of Customs/Tax contattare il personale ai desk di registrazione, situati
Museums nellála Nord, al livello +1.
IAMFA International Association of Museum
Facility Administrators
IAMH International Association of Museums of Questionario di valutazione
History Al termine della Conferenza sullÁpp sarà disponibile un
IATM International Association of Transport and questionario di soddisfazione sulla Conferenza stessa.
Communications Museums Il questionario aiuterà gli organizzatori a comprendere
ICAM International Confederation of meglio le necessità ed i desideri dei partecipanti.
Architectural Museums
ICMM International Congress of Maritime
Museums
MAC Museums Association of the Caribbean Sala di voto
MINOM International Movement for a New La sala di voto è situata nella sala White 2 nellála Nord al
Museology livello +2 e sarà aperta secondo i seguenti orari :
PIMA Pacific Islands Museum Association
SADCAM Southern Africa Development Community Lunedì 4 luglio e martedì 5 luglio 08:00 – 19:00
Association of Museums and Monuments
SIBMAS International Association of Libraries and
Museums of the Performing Arts Sala relatori (Speakers Lounge)
La Speaker Lounge è situata nella Suite 1, ala Sud, livello
+2 e sarà aperta secondo i seguenti orari:
Pranzi
I partecipanti regolarmente registrati riceveranno un coupon Domenica 3 luglio 08:00 – 19:00
per il ritiro di un lunch box presso le aree dedicate: dal 4 al 6 Lunedí 4 luglio 08:00 – 18:30
luglio presso la zona della Fiera Museale e dellÉxpo Forum Martedì 5 luglio 08:00 – 18:30
(ala Nord, livello +1), mentre il 3 ed il 9 luglio presso la sala Mercoledì 6 luglio 08:00 – 18:30
Silver (ala Nord, livello +2). La distribuzione dei lunch box Sabato 9 luglio 08:00 – 17:30
avverrà secondo i seguenti orari:
Domenica 3 luglio 12:30 – 13:30 vicino alla sala Silver Stampa e media
Schnittmarke
Lunedì 4 luglio 12:30 – 14:00 La sala stampa è situata nellÓffice 6, ala Nord, livello – 1
Fiera Museale e dellÉxpo Forum e seguirà i seguenti orari di apertura:
Martedí 5 luglio 13:00 – 14:00
Fiera Museale e dellÉxpo Forum Domenica 3 luglio 10:00 – 19:00
Mercoledí 6 luglio 13:00 – 14:00 Lunedí 4 luglio 08:00 – 18:30
Fiera Museale e dellÉxpo Forum Martedì 5 luglio 08:00 – 18:30
Sabato 9 luglio 14:00 – 15:00 vicino alla sala Silver Mercoledì 6 luglio 08:00 – 18:30
Prenotazioni alberghiere Contatti:

Per qualsiasi informazione relativa alle prenotazioni alber- Ms Maria Gatón Fraile
ghiere, rivolgersi al desk Accommodation situato nellárea Direttore del Dipartimento Comunicazione e Pubbliche
di registrazione a livello +1 dellála Nord. relazioni
ICOM - International Council of Museums
E-mail: maria.gaton@icom.museum
104
Stefano De Angelis / Filippo Cristini VOLONTARI

Capo Ufficio Stampa dellÁgenzia Stampa Italiaba Molti volontari assisteranno i partecipanti durante líntera
(Studio De Angelis) Conferenza. I volontari indossano una maglietta speciale
Email: info@deangelispress.it, filippocristini@gmail.com che consentirà di riconoscerli facilmente.
La Conferenza Stampa si terrà giovedì 30 giugno, presso La maglietta dei volontari è generosamente sponsorizzata
il Museo Nazionale della Scienza e della Tecnologia dallázienda Arteria.
Leonardo da Vinci, nella sala Biancamano. Per maggiori
informazioni, consultare il sito web http://network.icom.
museum/icom-milan-2016/media/giornalisti/L/7/ . WI-FI
I partecipanti regolarmente registrati possono accedere
ad Internet tramite la rete WI-FI gratuita del MiCo. Per
Stazioni di ricarica navigare, selezionare la rete “ICOM_Milano_2016”,
Ci saranno stazioni di ricarica per i telefoni cellulari loca- inserire la password indicata qui di seguito ed accettare
GENERALI
INFORMAZIONI
lizzate in tutta la sede del convegno e sono gratuite. le Condizioni Generali.
Password: icom2016
Terminali per la stampa dei badge
I partecipanti possono stampare il proprio badge autono- La rete Wi-FI è generosamente sponsorizzata da Hubei
mamente, scansionando il codice a barre contenuto nella Provincial Museum.
conferma di registrazione presso i terminali appositi.
I terminali per la stampa dei badge sono generosamente

sponsorizzati dallázienda ETT s.p.a.
Tour Pre- e Post-Conferenza

I tour pre- e post- Conferenza non sono organizzati da
ICOM Milano 2016. Tutti i tour debbono essere prenotati
anticipatamente, in base alle scadenze indicate sul sito
della Conferenza. Nellárea dedicata alla Fiera Museale
ed allÉxpo Forum (ala Nord, livello + 1) si trova un punto
informazioni sui Tour, dove sono disponibili i contatti delle
varie agenzie di viaggio.
Trasporti
Un pass settimanale per i trasporti pubblici di Milano è Schnittmarke
incluso nella quota di registrazione. Il pass sarà distribuito ai
desk di borse congressuali (ala Nord, livello +1).
Ufficio soci
Lúfficio soci è situato nella sala White 1 nellála Nord al
livello +2 e sarà aperto secondo i seguenti orari:
Da domenica 3 luglio al mercoledì 6 luglio 08:30 – 18:00
Valuta
La valuta italiana è lÉuro, che circola in banconote da 5,
10, 20, 50, 100, 200 e 500 ed in monete da 0.1, 0.2, 0.5, 10,
20, 50 centesimi e da 1 e 2 Euro.
105
orari di apertura
Iscrizioni Sala stampa

Domenica 3 luglio 08:00 – 19:00 Domenica 3 luglio 10:00 – 19:00
Lunedì 4 luglio 08:00 – 18:30 Lunedí 4 luglio 08:00 – 18:30
Martedì 5 luglio 08:00 – 18:30 Martedì 5 luglio 08:00 – 18:30
Mercoledì 6 luglio 08:00 – 18:30 Mercoledì 6 luglio 08:00 – 18:30
Sabato 9 luglio 08:00 – 17:30 Sabato 9 luglio 08:00 – 17:30
Fiera Museale ed Expo Forum Sala relatori (Speakers Lounge)

Lunedì 4 luglio 12:30 – 18:00 Domenica 3 luglio 08:00 – 19:00
Martedì 5 luglio 09:00 – 18:00 Lunedí 4 luglio 08:00 – 18:30
Mercoledì 6 luglio 09:00 – 18:00 Martedì 5 luglio 08:00 – 18:30
Guardaroba, Bagagli Sabato 9 luglio 08:00 – 17:30
Lunedí, 4 luglio 08:00 – 19:00 Business Center
Martedí, 5 luglio 08:00 – 19:00 Domenica 3 luglio 08:00 – 19:00
MercoledÌ, 6 luglio 08:00 – 19:00 Lunedì 4 luglio 08:00 – 19:00
Sabato, 9 luglio 08:00 – 18:00 Martedì 5 luglio 08:00 – 19:00
Sala di voto Sabato 9 luglio 08:00 – 18:00
Lunedì 4 luglio 08:00 – 19:00
Martedì 5 luglio 08:00 – 19:00
Ufficio soci
Lunedí, 4 luglio 08:30 – 18:00
Martedí, 5 luglio 08:30 – 18:00
MercoledÌ, 6 luglio 08:30 – 18:00
Schnittmarke
106
Schnittmarke
Legend
ICOM Presentation for Newcomers
ICs, NCs, RA, AO SPECIALIST MEETING / OFF-SITE MEETING
Internal ICOM Meeting
Internal ICs, NCs, RA Meeting

Schnittmarke
Lunch / Coffee Break
Memorial Lectures
Museum Fair & Expo Forum
Mentoring Session for Young Professionals
Official Partner Session
Panel Discussion
Plenary Session
Registration / Voting
Social Events
Sponsored Session
„Where ICOM from“ Exhibition

Detailed programme
SUNDAY 3 JULY
SUNDAY 3 JULY
Detailed programme
SUNDAY 33 JULY
JULY
North Wing
ROOM Registration Silver White Turquoise Turquoise Orange Orange Orange
Area Plenary Hall 1 Hall 1 Hall 2 Hall 1 Hall 2 Hall 3
LEVEL +1 +2 +2 -1 -1 -1 -1 -1
8:00
8:30
Registration
9:00
Membership Office
9:30
Advisory
10:00 Committee Meeting
10:30
Coffee Break
11:00 (Foyer Silver)
11:30
Advisory
12:30
13:00 Lunch
(Foyer Silver)
13:15
13:30
13:45
Advisory
14:30
15:00
15:15 Coffee Break
(Foyer Silver)
15:30
15:45
NCs Chairs
16:00 Meeting
(ICs Chairs Meeting
16:30 is held in Amber
17:00 Hall 5, South
Wing, level +2)
17:30
18:00
NATHIST CIPEG ICLM CIMUSET ICMEMO
18:30
19:00
South Wing
ROOM Suite 2 Suite 3 Suite 4 Suite 5 Suite 6 Suite 7 Suite 8
LEVEL +2 +2 +2 +2 M +2 M +2 M +2 M
9:00
9:30
CIDOC – WG Meeting CIDOC – WG Meeting CIDOC – WG Meeting
10:00 EXHIBITION DOC LIDO CRM
10:30
11:00
11:30
12:00
12:30
13:00
13:30
14:00
14:15
CIDOC – WG Meeting CIDOC – WG Meeting CIDOC – WG Meeting
14:30 RESEARCH LIDO CRM
ENVIRONMENTS
14:45
15:00
15:15
DEMHIST
15:30
15:45
CIMCIM
16:00
16:30
17:00
17:15
CIDOC
17:30
ICMS
18:00
ICMAH ICOM Europe ICAMT GLASS
18:30
110
SUNDAY 3 JULY
North Wing
Green Green Green Meeting Meeting Meeting Meeting Meeting Meeting Meeting ROOM
Hall 1 Hall 2 Hall 3 Room 3 Room 4 Room 5 Room 6 Room 7 Room 8 Room9
-1 -1 -1 -1 -1 -1 -1 0 0 0 LEVEL
8:00
8:30
9:00
9:30
10:00
10:30
11:00
11:30
12:00
12:30
13:00
13:15
13:30
13:45
14:00
14:30
15:00
15:15
SUNDAY 3 JULY
Detailed programme
15:30
15:45
16:00
16:30
ICR
17:00
17:30
18:00
AVICOM ICOMAM ICTOP ICOFOM CAMOC ICME ICEE ICOM Arab ICOM
Switzerland 18:30
19:00
South Wing
Suite 9 Amber Hall 1 Amber Hall 2 Amber Hall 5 Amber Hall 6 Amber Hall 8 ROOM
+2 M +2 +2 +2 +2 +2 LEVEL
9:00
9:30
CIDOC – WG Meeting
ARCHAEOLOGICAL 10:00
SITES
10:30
11:00
11:30
12:00
12:30
13:00
13:30
14:00
14:15
CIDOC – WG Meeting UMAC
DIGITAL 14:30
PRESERVATION
14:45
15:00
15:15
15:30
15:45
ICs Chairs Meeting
16:00
16:30
17:00
17:15
17:30
18:00
MPR ICOMON COSTUME INTERCOM
18:30
111
SUNDAY 3 JULY 2016
Notes 08:00 – 19:00 | Registration Area (North Wing - Level +1)

Registration
08:30 – 18:00 | White Hall 1 (North Wing - Level +2)

Membership Office
09:00 – 10:30 | Silver Plenary (North Wing - Level +2)

Advisory Committee Meeting
09:00 – 13:00 | Suite 6 (South Wing - Level +2 M)

CIDOC – WG Meeting EXHIBITION DOC
Exhibition and Performance documentation
Chair: Gabriel Bevilcqua

CIDOC – WG Meeting LIDO
09:00-10:00
Welcome and introduction
10:00-11:00
Implementing LIDO
Gordon McKenna
11:00-12:00
The common catalogue of data fields for prints and drawings:
A guide to high-quality LIDO data
Angela Kailus
12:00-13:00
Two case studies to the enriched, LIDO-based description of objects:
The context of the 19th-century ornamental prints and of the plaster casts
Julia Katona

CIDOC – WG Meeting CRM
Schnittmarke

CIDOC – WG Meeting ARCHAEOLOGICAL SITES
09:00-13:00
Archaeological Archive Standard
Archaeological projects generate records that help users comprehend the results.
Some projects, like excavations, are destructive processes and therefore the subsequent
archive is the only evidence remaining of the archaeology encountered. It is vital, therefore,
that the archive facilitates future research, particularly by those with no direct involvement
in the original project. The nature of archaeological archives has changed dramatically
since the early 1990s. This has resulted in changing demands on digital and physical
access, long-term preservation, standardization of documentation and interoperability
for searching across databases and digital publications. A number of excellent national
and local standards and detailed guidance on the creation, preparation and deposition of
archaeological archives have been produced by large and small organizations.
The aim of this standard is to outline the common international requirements.
112
SUNDAY 3 JULY 2016
Notes 10:30 – 11:00 | Silver Foyer (North Wing - Level +2)

Coffee Break

12:30 – 13:30 | Silver Foyer (North Wing - Level +2)

Lunch Break


CIDOC – WG Meeting EXHIBITION DOC
Chair: Gabriel Bevilcqua

CIDOC – WG Meeting LIDO
SUNDAY 3 JULY
Detailed programme
14:00-15:00
Collaborative development of LIDO terminology
Angela Kailus
Regine Stein
15:00-16:00
LIDO Terminology: Discussion and approval of first set of recommendations
16:00-17:00
AOB: Issues, ideas, questions, suggestions from participants

CIDOC – WG Meeting CRM
14:00-14:10
Introduction to the WissKI
Guenther Goertz
Siegfried Krause
Schnittmarke
CIDOC – WG Meeting DIGITAL PRESERVATION
Chair: Susanne Nickel
14:00-14:45
Chairs report
14:45-15:30
Follow up PERSIST guidelines
15:30-16:15
Communication and membership
16:15-17:00
Agenda for 2016-2019
113
SUNDAY 3 JULY
Notes 14:00 – 18:00 | Amber Hall 1 (South Wing - Level +2)

UMAC – University Museums and Collections
Board Meeting

Coffee Break

DEMHIST – Historic House Museums
Board Meeting

NCs Chairs Meeting
15:30 – 17:00 | Suite 2 (South Wing - Level +2)

CIMCIM – Museums and Collections of Musical Instruments
Board Meeting
15:30 – 17:30 | Amber Hall 5 (South Wing - Level +2)

ICs Chairs Meeting
16:00 – 18:30 | Meeting Room 9 (North Wing - Level 0)

ICR – Regional Museums
Board Meeting

CIDOC – Documentation
Board Meeting

ICMS – Museum Security
Board Meeting
17:30 – 18:30 | Turquoise Hall 1 (North Wing - Level -1)

NATHIST – Museums and Collections of Natural History
Board Meeting
Schnittmarke

CIPEG – Egyptology
Board Meeting
17:30 – 18:30 | Orange Hall 1 (North Wing - Level -1)

ICLM – Literary Museums
Board Meeting

CIMUSET – Museums and Collections of Science and Technology
Board Meeting

ICMEMO – Memorial Museums in Remembrance of the Victims of Public
Crimes
Board Meeting
114
SUNDAY 3 JULY
Notes 17:30 – 18:30 | Green Hall 1 (North Wing - Level -1)

AVICOM – Audiovisual and New Technologies of Image and Sound
Board Meeting
17:30 – 18:30 | Green Hall 2 (North Wing - Level -1)

ICOMAM – Museums of Arms and Military History
Board Meeting

ICTOP – Training of Personnel
Board Meeting
17:30 – 18:30 | Meeting Room 3 (North Wing - Level -1)

ICOFOM – Museology
Board Meeting

CAMOC – Collections and Activities of Museums of Cities
Board Meeting
SUNDAY 3 JULY
Detailed programme
ICME – Museums and Collections of Ethnography
Board Meeting

ICEE – Exhibitions and Exchange
Board Meeting

ICOM Arab
Board Meeting

ICOM Switzerland
Board Meeting

ICMAH – Museums and Collections of Archaeology and History Schnittmarke
Board Meeting

ICOM Europe
Board Meeting

ICAMT – Architecture and Museum Techniques
Board Meeting

GLASS – Museums and Collections of Glass
Board Meeting
115
SUNDAY 3 JULY
Notes 17:30 – 18:30 | Suite 9 (South Wing - Level +2 M)

MPR – Marketing and Public Relations
Board Meeting

ICOMON – Money and Banking Museums
General Assembly and Board Meeting

COSTUME – Museums and Collections of Costume
Board Meeting

INTERCOM – Museum Management
Board Meeting
Facilitating public access to the

prussian cultural heritage using
cutting edge technology
Wednesday July 6, 2016 | 11:15 - 12:00
Expo Forum area in Exhibition Area
Schnittmarke
Affiliate
Partner
Integration
Reseller
6JGYGNEQOGUQNWVKQP
Web based software

for visitor management www.gomus.de
Detailed programme Schnittmarke
SUNDAY 3 JULY
117
Notes
Legend

Schnittmarke
Memorial Lectures
Panel Discussion
Plenary Session
Social Events
Sponsored Session

Detailed programme
MONDAY 4 JULY
MONDAY 4 JULY
Detailed programme
MONDAY 4 JULY
North Wing
ROOM Registration Exhibition Silver White White Red Red Blue Blue Yellow Yellow
Area Area Plenary Hall 1 Hall 2 Hall 1 Hall 2 Hall 1 Hall 2 Hall 1 Hall 2
LEVEL +1 +1 +2 +2 +2 +1 +1 +1 +1 +1 +1
8:00
8:30
9:00
Membership
9:30 Office
10:00
Opening
10:30 Ceremony
and
11:00 Keynote
11:30 Speeches
12:00
12:15
12:30
12:45
Case Study „Where
13:00 Panasonic ICOM from“
Museum Fair Business Exhibition ICOM
13:15 and Expo Presentation
Forum* Panel Case Study for
13:30 (Lunch Break Discussion Fulldome.pro Newcomers
13:45 12:30 - 14:00)
14:00
14:15
NATHIST Joint Session Joint Session ICMS
14:30 INTERCOM ICOFOM,
Case Study and FIHRM CAMOC, and
14:45 Intesa Sanpaolo MINOM
15:00
15:15
15:30
15:45
16:00 Coffee Break
16:15
16:30
Museum Fair
17:00 and Expo
Forum*
17:15
17:30
18:00
18:30
19:00
South Wing
ROOM Suite 3 Suite 4 Suite 5 Suite 6 Suite 7 Brown Hall 1 Brown Hall 2 Brown Hall 3
LEVEL +2 +2 +2 M +2 M +2 M +2 +2 +2
13:30
14:00
ICAMT
14:30
Joint Session ICDAD ICR MPR CIDOC
15:00 ICMEMO and The
University of Exeter
15:30
16:00
16:30
CIDOC CIDOC
17:00
17:30
18:00
19:30
Opening Party (Castello Sforzesco)
23:30
*The schedule of the Expo Forum can be found in the „Detailed Programme“ part.
120
MONDAY 4 JULY
North Wing
Yellow Turquoise Turquoise Orange Orange Orange Green Green Green Meeting Meeting Meeting ROOM
Hall 3 Hall 1 Hall 2 Hall 1 Hall 2 Hall 3 Hall 1 Hall 2 Hall 3 Room 3 Room 4 Room 5
+1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 LEVEL
8:00
8:30
9:00
9:30
10:00
10:30
11:00
11:30
12:00
12:15
12:30
12:45
13:00
Open Forum
on ICOM 13:15
Resolutions
2016 13:30
13:45
14:00
14:15
ICOMON GLASS CIPEG ICLM CIMUSET Joint AVICOM ICOMAM ICOM Russia ETHCOM ICTOP
Session 14:30
COMCOL
and ICFA 14:45
15:00
15:15
15:30
15:45
16:00
16:15
MONDAY 4 JULY
Detailed programme
16:30
17:00
17:15
17:30
GLASS
18:00
18:30
19:00
South Wing
Amber Hall 1 Amber Hall 2 Amber Hall 3 Amber Hall 4 Amber Hall 5 Amber Hall 6 Amber Hall 7 Amber Hall 8 ROOM
+2 +2 +2 +2 +2 +2 +2 +2 LEVEL
13:30
14:00
14:30
DEMHIST CIMCIM CECA ICEE Joint Session ICMAH UMAC
COSTUME 15:00
and ICME
15:30
16:00
16:30
17:00
17:30
ICEE
18:00
19:30
Opening Party (Castello Sforzesco)
23:30
121
MONDAY 4 JULY

Registration

Voting

Membership Office

Opening Ceremony and Keynote Speeches
09:30 – 11:00
Welcome
Hans-Martin Hinz, President of ICOM, Germany
Alberto Garlandini, President of the Italian Organising Committee, Italy
Daniele Jalla, President of ICOM Italy, Italy
Dario Franceschini, Minister of Cultural Heritage and Activities and Tourism, Italy
Mario Giro, Deputy Minister of Foreign Affairs and International Cooperation, Italy
Francesco Bandarin, Assistant Director-General for Culture, UNESCO, Italy
Roberto Maroni, President of the Regional Government of Lombardy, Italy
Mayor of Milan, Italy
ICOM’s 70th Birthday

Presentation of “Where ICOM from” exhibition
François Mairesse, Chair of ICOFOM, Université Sorbonne Nouvelle, France
Presentation of “Museums, Ethics and Cultural Heritage” (Routledge, 2016)
Bernice Murphy, former Vice President of ICOM
11:00 – 11:20
Introduction
Galina Alekseeva, Chair of ICLM-Literary Museums, Russia
Keynote Speech (video)

Orhan Pamuk, Turkey
Turkish novelist, screenwriter, academic and recipient of the 2006 Nobel Prize
in Literature
Schnittmarke
11:20 – 12:25
Introduction
Luigi Di Corato, Director of Fondazione Brescia Musei, Italy
Keynote Speech
Christo, United States
The environment artists Christo and Jeanne-Claude (1935-2009) created
some of the most spectacular largescale artworks of the 20th century
12:25 – 12:30
Invitation to the opening of the “Where ICOM from” Exhibition & Museum Fair
and Expo Forum
122
MONDAY 4 JULY
Notes 12:30 – 14:00 | Red Hall 2 (North Wing - Level +1)

Case Study Panasonic Business
Ancient times seen through a modern lens - How to enrich the visitor
experience with todays’ technology
Chair: Hartmut Kulessa, Germany
Johan Ahrenfeldt, Denmark

Jonas Oxenbøll Petersen, Denmark
Hartmut Kulessa, Germany
12:30 – 18:00 | Exhibition Area (North Wing - Level +1)

Museum Fair & Expo Forum (Lunch Break 12:30-14:00)
12:30 – 13:15 | Expo Forum (Exhibition Area)

Expo Forum: Empreinte, Presence, Sycomore
3 leading French companies in museum communication
12:30 – 12:45
PRESENCE: Visitor’s expectations and immersive technologies
Mattias Delattre, La Madeleine, France
12:45 – 13:00
SYCOMORE: Enhancing the visitor experience
Fabrizio Di Maria, Italy
13:00 – 13:15
MONDAY 4 JULY
Detailed programme
Empreinte: Empreinte-signes des temps: Seal of quality for integrated outdoor
signage systems
Rosaria Puglisi, Italy
12:30 – 18:00 | Blue Hall 2 (North Wing - Level +1)

“Where ICOM from” Exhibition
12:30 – 13:45 | Yellow Hall 3 (North Wing - Level +1)

Resolutions Committee – Open Forum on ICOM Resolutions 2016

ICOM Presentation for Newcomers Schnittmarke
12:45 – 13:00
Introduction
Anne-Catherine Robert-Hauglustaine, General Director, ICOM
13:00 – 13:15
Presentation of ICOM and the General Conference
Maria Gaton Fraile, Head of Communications Department and Public Relations,
ICOM
13:15 – 13:30
Presentation of ICOM Milano 2016
Alberto Garlandini, President of the Italian Organising Committee, Italy
Barbara Landi, Italian Project Manager, ICOM 2016 Milano
123
MONDAY 4 JULY
Notes 13:30 – 13:45

Presentation of ICOM membership and its advantages
Matteo Tassi, Head of Membership Department, ICOM
13:00 – 14:00 | Red Hall 1 (North Wing - Level +1)

Panel Discussion
What does the new UNESCO Recommendation on the Promotion and
Protection of Museums and Collection, their diversity and role in society
mean for museums?
Francesco Bandarin, Assistant Director-General for Culture, UNESCO

Paola Marini, Director of the Gallerie dell‘Accademia in Venice, Italy
Tereza Scheiner, Prof., UNIRIO, Brazil

Case Study Fulldome.pro
Digital Art and the Art of Digital
Chair: Yana Fedorova, Thailand
13:00 – 13:15
Fulldome as a new media format, provides a multitude of possibilities for art
and creative people. No longer constrained by traditional frame or screen,
artwork can fully engage the audience, capture attention, promote better
understanding and even awaken deeper feelings.
Yana Fedorova, Thailand
13:15 – 13:22
Showcasing Samskara project
Andrew Jones, United States
13:22 – 13:29
Showcasing Black Shoals project
Lise Autogena, United Kingdom

Expo Forum: Zeutschel GmbH
Schnittmarke
Presentation of Digital Objects in 3D

Michael Luetgen, Germany

13:30 – 13:45
Opening
Jean Hilgersom
13:45-14:00
Lecture, Triennale
Giuliana Ricci
124
MONDAY 4 JULY
Notes 14:00-14:15
The architecture and the prospectives
Margherita Guccione
14:15-14:30
Architecture archives and museum project
Elena Pelosi, Italy
14:30-14:45
Architecture competitions for the Ministry of cultural and heritage in Italy
Elena Pelosi, Italy
14:45-15:00
Architecture competition for the Guggenheim in Helsinki, Finland
Antonello Alici, Italy
15:00-15:15
Presentation 1
15:15-15:30
Presentation 2
15:30-15:45
Presentation 3
15:45-16:00
MONDAY 4 JULY
Detailed programme
Presentation 4
16:00-18:00
Building museums: Lessons learned
Martha Morris

14:00 – 14:30
Welcome Speech
Schnittmarke
14:30 – 15:30
Italian Museums’ sense of nature
Michele Lanzinger, Italy
15:30 – 15:45
Beware of the stuffed animals! Exploring the role and use of taxidermy
specimens in some permanent exhibitions in natural history museums in
the Netherlands, France and UK
Anneke Groen, The Netherlands
15:45 – 16:15
Coffee Break
125
MONDAY 4 JULY
Notes Exhibition, education and outreach

16:15 – 16:30
Science as culture – Connecting traditional museums with contemporary
science
Paul Smith, United Kingdom
16:30 – 16:45
Out of the (rhetoric) box. Fine tuning the strategic planning of NHM’s cultural
actions to upgrade the institution to the multiple needs of current society
Antonia Caola, Italy
Massimo Bernardi, Italy
16:45 – 17:00
WHY and HOW museums and colleges benefit schools by sharing the
preparation of science teachers
Maritza Macdonald, United States
17:00 – 17:15
Art/Nature. A pilot project at the museum für Naturkunde Berlin
Anita Hermannstädter, Germany
17:15 – 17:30
Breaking the borders between nature and culture : Anthropocene as an
opportunity to enrich the collections and the exhibitions
Nicolas Kramar, Switzerland
17:30 – 17:45
On Expedition: An interdisciplinary project engaging museums, classrooms
and community in learning through art and nature
Roberta Altman, United States
17:45 – 18:00
Panel Discussion

Joint Session INTERCOM (Museum Management) and FIHRM
(Federation of International Human Rights Museums)
Schnittmarke
Welcome and keynote speeches
14:00 – 14:17
Welcome: Management and ethics – What and why?
Ole Winther, Denmark
14:17 – 14:34
Welcome: The ethical museum
David Fleming, Director of the Museums of Liverpool, Chair of the Human
Rights Museums Association, United Kingdom
14:34 – 14:51
The economy of culture in postindustrial times
Pier Luigi Sacco, Italy
126
MONDAY 4 JULY
Notes 14:51 – 15:08

New models of participatory management in local museums
Lourena Sancho Querol, Portugal
15:08 – 15:25
Whose Global Village? Cross-cultural perspectives on the Future of the Internet
Ramesh Srinivasan, United States
15:25 – 15:42
Questions and answers
15:42 – 16:12
Break
Ethical perspectives and museum management

Chair: Ida Brændholt Lundgaard, Denmark
16:15 – 16:35
Learning from success
Tali Gavish, Israel
16:35 – 16:55
To fund or not to fund – Some critical reflections from a governing body
Marie Skoie, Norway
16:55 – 17:15
MONDAY 4 JULY
Detailed programme
Many considerations to make – Many needs to balance
Kathrin Pabst
17:15 – 17:35
Ancient carvings, living symbols an sacred space - Returning to today’s
American Indians the sacred truths of the Jeffers Petroglyphs
Andrea Kaier
17:35 – 17:55
Panel debate
14:00 – 18:00 | Yellow Hall 1 (North Wing - Level +1) Schnittmarke

Joint Session ICOFOM (Museology), CAMOC (Collections and
Activities of Museums of Cities), and MINOM (New Museology)
Museums and urban cultural landscapes
Chairs:
Marlen Mouliou, Greece
Joana Sousa Monteiro, Portugal
François Mairesse, France
Mário Moutinho
Eric Sandweiss, United States
14:00 – 14:15
Opening speeches
127
MONDAY 4 JULY
Notes 14:15 – 14:35

Home-Town & other ambiguous constructs
Jette Sandahl, Denmark
14:35 – 14:55
Musealizing the world: Museums devouring landscapes and cultures
Bruno Brulon Soares, Brazil
14:55 – 15:15
UN 2030 Agenda – Rethinking ecomuseology and urbanism
Amareswar Galla, India
15:15 – 15:30
15:30 – 16:00
Coffee Break
16:00 – 16:15
The urban bias of the museum : Cities devouring museums and cultures
Saena Sadhighian, France
16:15 – 16:30
The creative cultural landscape
Rainey Tisdale, United States
Linda Norris, United States
16:30 – 16:45
Socio-museology approaches to engaging with contested spaces
Robert Heslip, Ireland
16:45 – 17:15
17:15 – 18:00
Final debate: “Museums and urban cultural landscapes in the contemporary
world: Conceptual issues, critical challenges”
Schnittmarke

14:00 – 14:10
Opening speech chairperson ICMS for ICMS conference
Willem Heckman, Canada
14:10 – 14:15
Break
14:15 – 14:45
Year in review
Bob Combs, United States
128
MONDAY 4 JULY
Notes 14:45 – 14:50

Break
14:50 – 15:30
Building partnerships to protect the world’s cultural heritage and landscapes
Vernon Rapley, United Kingdom
15:30 – 16:00
Coffee Break
16:00 – 16:30
Museum as active protection site: The shared responsibility in cultural
landscape
Tiziana Maffei, Italy
16:30 – 18:00
Business meeting for members of ICMS, including election of board
2016 – 2019

Developing numismatic landscapes: Exploring display, management and education
14:00 – 14:15
Introduction to ICOMON and today’s sessions
Mieka Harris
MONDAY 4 JULY
Detailed programme
Effrosyni Nomikou, United Kingdom
14:15 – 14:40
Mind, money and miniatures
Francine Farr, United States
14:40 – 15:05
Moneda e historia
Juan Christóbal Diax Negrete, Mexico
15:05 – 15:30
Establishing banking museums. Challenges and opportunities Schnittmarke
Rajib Locahn Sahoo, India
15:30 – 15:55
Developing museum bank Indonesia’s display
15:55 – 16:20
Break
16:20 – 16:45
Connecting coins and classroms
Mieka Harris
16:45 – 17:10
Coin collections of Banbhore museum: The epic story of local landscape
Zahida Quadri, Pakistan
129
MONDAY 4 JULY
Notes 17:10 – 17:35

Plenary and networking
Mieka Harris
17:35 – 18:00
Plenary and networking

Museums and cultural landscapes
14:00 – 14:15
The technology museum of Glass in La Granja and his social and cultural environment
Paloma Pastor, Spain
14:15 – 14:30
Glass production and its influence on the cultural landscape
Jože Rataj, Slovenia
14:30 – 14:45
Czech Glass and the cultural landscape
Milan Hlaveš, Czech Republic
14:45 – 15:00
From Murano to Brazil: The path of Mario Seguso
Regina Lara, Brazil
Marcello Kammer, Brazil
15:00 – 15:15
New cultural approaches to glass museums
Teresa Almeida, Portugal
15:15 – 15:30
The history of the Hermitage collection of Western European Glass
Elena Anisimova, Russia
Schnittmarke
15:30 – 15:45
Discussion
15:45 – 16:15
Break
Updates on glass museums and collections

16:15 – 16:30
Medieval glass collections from Bosnia and Herzegovina
Aleksandar Jasarevic, Bosnia and Herzegovina
16:30 – 16:45
Glass conservation, an intricate matter: Three situations, different answers
but the same thread
Silvia Ferucci, Italy
Lamberto Tronchin, Italy
130
MONDAY 4 JULY
Notes 16:45 – 17:00

Study the deterioration resulting from Burial environment on archaeological
Glass of Fayoum Egypt Excavations
Rasha Taha, Egypt
17:00 – 17:15
Discussion and conclusions

General Assembly

Egyptological landscapes
14:00 – 14:45
CIPEG Opening session
Gabriele Pieke
Daniela Picchi
14:45 – 15:45
Reports of the institutions
15:45 – 16:45
Keynote lecture
MONDAY 4 JULY
Detailed programme
Christian Greco, Italy
16:45 – 17:15
Coffee Break
17:15 – 17:30
The Egyptian collection of the Civic Archaeological Museum of Milan –
Works in progress towards a new permanent Egyptian gallery
Anna Provenzali
Sabrina Ceruti
17:30 – 18:00 Schnittmarke

Past and Future of the egyptian collection of the National Archaeological
Museum in Naples
Stefania Manieri
Rosanna Pirelli
Valeria Sampaolo

Shaping the cultural landscapes: The role of writers’ and composers’ museums
14:00 – 14:20
Introductory word & Questions and answers
Galina Alekseeva, Chair of ICLM-Literary Museums, Russia
131
MONDAY 4 JULY
Notes 14:20 – 14:40

Mapping out a literary landscape. A paradigm & Questions and answers
Maria Gregorio, Italy
14:40 – 15:00
The State A.S. Pushkin Museum in changeable city landscape
Evgeny Bogatyrev, Russia
15:00 – 15:20
The House Museum as a home of culture
Giuseppe Albano, Italy
15:20 – 15:40
The Role of Guo Moruo Memorial Museum in Shicha Lake cultural
landscapes
Wang Jing, China
Chen Yu, China
15:40 – 16:10
Coffee Break
16:10 – 16:30
Authors/Composers museums and town identities. From Wienna and Bonn to
Stockholm and Karlskoga & Questions and answers
Stefan Bohman, Sweden
16:30 – 16:50
Shaping the cultural landscapes: The role of writers’ and composers’
museums & Questions and answers
Francesca Allegri, Italy
Adriano Rigoli
16:50 – 17:10
Music as a hostage of word, or shift of musical landscape after the end of the
Soviet era & Questions and answers
Alla Bayramova, Azerbaijan
Schnittmarke
17:10 – 17:30
From museum exhibits to theater performance. Musical performance as a
means of preservation and actualization of the creative heritage of the
composer Nazib Zhiganov & Questions and answers
Alexej Egorov, Russia
17:30 – 17:50
The museum’s border expansion
Antra Medne, Latvia
Maira Valtere, Latvia

Contemporary heritage: Shaping the landscape of future memory
132
MONDAY 4 JULY
Notes 14:00 – 14:10

Welcome
Jytte Thorndahl, Denmark
14:10 – 14:30
Scene setting from the chair
Laura Ronzon, Italy
14:30 – 15:00
Keynote speech
Yves Winkin, France
15:00 – 15:30
Keynote speech
Catherine Cuenca, France
15:30 – 15:50
Foodtopia: Museum Boerhaave and The First Artificial Hamburger
Dirk van Delft, The Netherlands
15:50 – 16:10
The most beautiful road in Finland – The landscape of a modern society and
the construction of the Tarvo motorway
Linda Leskinen, Finland
16:10 – 16:30
MONDAY 4 JULY
Detailed programme
Wind turbines as part of the cultural landscape in Denmark
Jytte Thorndahl, Denmark
16:30 – 16:50
Scientific temper or scientific heritage: Some reflections on the role of history
(or lack thereof) at the National Council of Science Museums, India
Anwesha Chakraborty, India
16:50 – 17:10
Engaging with contemporary social issues – The challenges and complexity for
a national natural science museum
Wen-Ling Lin, United Kingdom Schnittmarke
17:10 – 17:30
Particular landscapes of science museums
Bernard Blache, France
17:30 – 17:50
An historic opportunity for science centers and collection based museums
Anthony Bud Rock, United States
17:50 – 18:00
133
MONDAY 4 JULY
Notes 14:00 – 18:00 | Orange Hall 3 (North Wing - Level -1)

Joint Session ICFA (Museums and Collections of Fine Arts)
and COMCOL (Collecting)
Meaning of heritage
Chair: Léontine Meijer-van Mensch
14:00 – 14:20
Introduction
14:20 – 14:40
Creating a ‘sense of place’. Art in the public space,
private collecting and the museum
Stefanie Knoll, Germany
14:40 – 15:00
Mapping and sharing collections. A COMCOL initiative in Brazil
Claudia Porto, Brazil
15:00 – 15:20
Moving beyond objects: ways to communicate a sense of place, in the
representation of cultural heritage in ethnography museums
Yee-Yin Yao, Sweden
15:20 – 15:40
The Keir Collection and convivencia: a Jewish, Muslim and Christian art
collection’s engagement with the Cultural
Texas Landscape
Virginia Curry, United States
15:40 – 16:00
Discussion
16:00 – 16:20
Coffee Break
16:20 – 16:40
Intangible Heritage 2.0. How to collect, curate and present the digital
Schnittmarke
landscape as the new public space

Matthias Henkel, Germany
16:40 – 17:00
The influence of Waqf on the development of museums in Iran
Roshanak Saadati, Iran
Hadi Zandkarimi, Iran
17:00 – 17:20
Sense of place and political transformation: a perspective from South Africa
Helene Vollgraaff, South Africa
17:20 – 17:40
(Re)shaping national memory: A study on the National Palace Museum
and its South Branch Museum, Taiwan
Pang-Yen Cheng, Taiwan
134
MONDAY 4 JULY
Notes 17:40 – 18:00

Discussion

History of multimedia in museums
Chair: Bob Haroutunian
14:00 – 14:30
Guides us in an excursus on the experiments in technology for museums
Marco Tonon, Founder of AVICOM in 1991
14:30 – 15:00
Early years of AVICOM and the importance of social media for communication
with the public as a new task of AVICOM
Michael Faber, Founder vice president of AVICOM
15:00 – 15:30
Changing the technological interpretation of cultural heritage in museums,
pilot study result of winners 2000 and
2015 F@imp festivals in Budapest
Janòs Tari, Chair of AVICOM
15:30 – 16:00
Challenging, mapping and forging the digital transformation in museums 1975-2015
Stephane Bezombes
MONDAY 4 JULY
Detailed programme
16:00 – 17:00
Discussion and conclusion

Up to date research work, new projects
14:00 – 15:45
General Assembly

Coffee Break
16:00 – 16:15
The highly fashionable ethnic uniforms of the Zouaves: An early example
of cultural exchange
Ilse Bogarts, Belgium
16:15 – 16:30
“Extremely temperamental” – Revisiting the cossack uniform from
the Powerhouse Museum.
Zoe Scott, Australia
16:30 – 16:45
Engineer Helge Palmcrantz and the Swedish Machine Gun
Andreas Ohlsson, Sweden
135
MONDAY 4 JULY
Notes 16:45 – 17:00

Questions and discussions
17:00 – 17:15
Museum collecting work and international activities
Elena Porodina, Russia
17:15 – 17:30
War comes to the museum: Collections management in the Royal Museum of
the Armed Forces and Military History (Brussels) from 1923 to the present.
Natasja Peters, Belgium
17:30 – 17:45
The “Churchill’s yacht” in Canada – How to restore, preserve and put on display
a naval witness of WW2 when nobody can tell us the complete and true story!
André Kirouac, Canada
17:45 – 18:00

ICOM Russia

ETHCOM - Ethics Committee
Annual Board Meeting
14:00 – 18:00 | Meeting Room 4 + 5 (North Wing - Level -1)


Joint Session ICMEMO (Memorial Museums in Remembrance of
the Victims of Public Crimes) and The University of Exeter
Memory of dictatorships in Latin America, Eastern Europe and Post- Soviet States
14:00 – 14:05
Opening of ICMEMO Conference/Greetings - Acknowledgements/Introductions
Schnittmarke
Karen Franklin
Ophelia Leon
14:05 – 14:30
Commemorating the victims of Stalinist repressions: Case of two memorial
sites in Minksk and Astana
Nelly Bekus, United Kingdom
14:30 – 14:55
Memory of women – Prisoners in Alzhir museum
Anar Khassenova, Kazakhstan
14:55 – 15:15
Practicing Democracy at Memorial Sites? A training experience (not only)
in Belarus
Barbara Thimm
136
MONDAY 4 JULY
Notes 15:15 – 15:30

15:30 – 15:50
Coffee Break
15:50 – 16:15
Cultural landscapes of war? Reconstruction, museification and
memorialisation in post-Yugoslav cities
Gruia Badescu, United Kingdom
16:15 – 16:40
Memory dilemmas and debates: Examples of Argentina, Chile and Peru
Ricardo Brodsky
16:40 – 17:05
Didactics of Trauma: How to represent and transmit narratives in museums
dedicated to Memory and Human Rights. The case of Villa Grimaldi in Chile.
Roberto Fuertes, Chile
17:05 – 17:55
Round table – Questions and answers

ICDAD – Museums and Collections of Decorative Arts and Design
Board Meeting
MONDAY 4 JULY
Detailed programme
Historic houses and the interpretation of the cultural, social and urban landscape
14:00 – 14:10
Institutional greetings
John Barnes
14:10 – 14:40
Introduction to the conference
Rosanna Pavoni Schnittmarke
Gianluca Kannes
Annalisa Zanni
Margherita Pellino
14:40 – 15:00
Relational landscapes and vision of the territory between objects, biographies
and expository writing
Mario Turci
15:00 – 15:20
Reversed historic house museum: Yugodom rental apartment in Belgrade
Sanja Iguman
Milos Nicic
137
MONDAY 4 JULY
Notes 15:20 – 15:40

The Casa Martelli Museum in Florence: An example of interaction with
the social landscape
Monica Bietti
15:40 – 16:00
Coffee Break
16:00 – 16:20
FAI for Casa Campatelli. From the Middle Ages to the 20th century, a paradigm
of cultural and social themes in the heart of San Gimignano
Lucia Mannini
Lucia Borromeo
16:20 – 16:40
The space of identity and the poetry of Marino Moretti
Manuela Ricci
16:40 – 17:00
The House-Museums of Italian immigrants in Brazil as a cultural landscape
nucleus
Karin Magnavita de Carvalho
17:00 – 17:20
Changing ownerships and hidden ‘others’: The development of a cultural
landscape focused on, enclosed around and surveyed by Petworth House
Janet Sinclair
17:20 – 18:00
Discussion

Musical instrument museums: Interpreting the present
14:00 – 14:30
Beyond education – Models of musical instruments and their meanings for
Schnittmarke
research and the public

Frank P. Bär, Germany
14:30 – 15:00
A museum, an experience, or both?
Darryl Martin, United Kingdom
15:00 – 15:30
100 years of symbiosis between museum research and contemporary
instrument making
Klaus Martius, Germany
15:30 – 16:00
Coffee Break
138
MONDAY 4 JULY
Notes 16:00 – 16:30

The various faces of the ‘Authentic’ in musical instrument collections:
A problem or an opportunity?
Panagiotis Poulopoulos, Germany
16:30 – 17:00
Interpreting the past through the present and stimulating the present through
the past
Sabine K. Klaus, United States
17:00 – 17:30
The use of history for vitalisation of contemporary musical life
Madeleine Modin, Sweden
17:30 – 18:00
Musical instrument museums: Interpreting the present.
Whose present – And whose past?
Marie Martens, Denmark
14:00 – 18:00 | Amber Hall 3 + 4 (South Wing - Level +2)

CECA – Education and Cultural Action
City museums/Local history
Chair: Nicole Gesché-Koning
14:00 – 14:30
CECA Opening session
MONDAY 4 JULY
Detailed programme
Emma Nardi
Silvia Mascheroni
14:30 – 15:00
About time, metamorphosis and creativity, natural dynamics and ways
of looking
Nicolas Gilsoul, France
15:00 – 15:15
A content proposal for the historic town of Rishon Lezion:
An open urban museum
Tsila Hayun, Israel Schnittmarke
15:15 – 15:30
Creating the Montreal archaeology and history complex: A museum’s
importance and responsibility in preserving and protecting a heritage district
Francine Lelièvre, Canada
15:30 – 15:45
The Museum of Republic and the Cultural Landscapes
Magaly Cabral, Brazil
15:45 – 16:15
Coffee Break
16:15 – 18:00
General Assembly
139
MONDAY 4 JULY

Communicating, connecting and innovating with style
14:00 – 14:15
Opening remarks
14:15 – 15:00
Keynote Speaker
Communicating with style

15:30 – 16:00
New styles in audience engagement/exhibition design
Hillary Spencer, United Kingdom
16:00 – 16:30
Exploring history through a life-size graphic novel: The mankind of
deadly skies – Air War, 1914-1918
Caroline Dromaguet
16:30 – 17:00
A History of the world in 100 objects: Tailoring content for audiences at
home and abroad
Amanda Mayne

Board Meeting

Joint Session COSTUME (Museums and Collections of Costume)
and ICME (Museums and Collections of Ethnography)
The future of the ethnographic museum and COSTUME collections:
Addressing colonialism and its legacies
Chairs:
Ulf Dahre
Sylvia Wackernagel
Schnittmarke
14:00 – 14:15
The Sardinian Ethnographic and Costume Museum
Paolo Piquereddu
14:15 – 14:30
Kyoto, a treasure house of traditional Japanese costume
Aki Yamakawa, Japan
14:30 – 14:45
The ethnographic holdings of the von Parish Costume Library in Munich
Esther Sophia Sünderhauf, Germany
14:45 – 14:55
140
MONDAY 4 JULY
Notes 14:55 – 15:10

Fabrication de mannequins pour porter son identité –
La collection Premiers Peuples
Caroline Bourgeois, Canada
15:10 – 15:25
Do we still need an 15 of Siberian clothing in the museum in the age of
globalization? About a loan of ethnographic objects from animal materials and
the issue of their contaminant loads
Christine Müller-Radloff, Germany
15:25 – 15:40
The Costume of queen Tamar as a symbol of Georgian political orientation
and strength
George Kalandia, Georgia
15:40 – 15:50
15:50 – 16:10
Coffee Break
16:10 – 16:15
Introduction and welcome
16:15 – 16:25
MONDAY 4 JULY
Detailed programme
Innovative curatorial practices in Indian ethnographic museums
Supreo Chanda, India
16:25 – 16:35
The blind spot: Effects of global trade, patronage and collecting history in the
Colonial period
Desiree Nanuses, Namibia
16:35 – 16:45
Reflections on museum interventions addressing the legacies of colonialism
Sylvia Wackernagel
Schnittmarke
16:45 – 16:55
Repatriation, geography and mediation
Brittany Lauren Wheeler, United States
16:55 – 17:05
17:05 – 17:15
Africa accessioned
Jeremy Silvester, Namibia
141
MONDAY 4 JULY
Notes 17:15 – 17:25

The museum is (not) just a building III: In whose name (do) we speak?
Identifying an absent “African” and present “Museum” community at the
Museum of African Art in Belgrade
Emilia Epštajn, Serbia
Zdravko Pečar, Serbia
17:25 – 17:35
How can we protest our misrepresentation in museums of foreign countries?
Takibata Mariko, Japan
17:35 – 17:45
Making a difference by intermediating differences: The ethnographic
collections of Ghent University
Pauline van der Zee, Belgium
17:45 – 17:55
17:55 – 18:00
Closing speech
Jean Druesedow
Viv Golding

ICMAH – Museums and Collections of Archaeology and History
Site museums, territory, city: Definitions and contents
14:00 – 14:40
The museum of Bibracte
Vincent Guichard, France
14:40 – 15:20
Grasse perfume museum and its territory
Marie Grasse, France
15:20 – 16:00
Schnittmarke
The History Museum of Marseille in 1983, a political project

Myriame Morel-Deledalle, France
16:00 – 16:40
Identify, recognize, and conservation of territory: The example of Carthage
Archaeological Park
Leïla Sebai, Tunisia
16:40 – 17:20
The National Archaeology Museum of Spain, past between national identity
and social diversity
Gonzalo Ruiz Zapatero, Spain
17:20 – 18:00
Landscapes for the future?
Daniele Jalla, Italy
142
MONDAY 4 JULY

Connected landscapes
14:00 – 14:20
University museums. Visibility and social impact.
L. F. Rico Mansard
14:20 – 14:40
University collections as an important part of the German cultural landscape.
C. Weber
M. Stricker
14:40 – 15:00
Bring to life the sleeping academic heritage in universities and high school
institutes.
I. M. García
L. Mayo
M.J. Gómez
15:00 – 15:20
Reconfiguring the landscape as a tool for understanding and interpreting
the territory starting from the collections of the Italian university museums
network.
E. Corradini
E. Endrighi
MONDAY 4 JULY
Detailed programme
15:20 – 15:40
Building the history of the Rios region from its museums: Associative work
experience driven by the university
museums.
K. Weil
M. Godoy
15:40 – 16:10
Coffee Break

Sorting and preservation of faunal remains from the archaeological contexts
to identify economy of Neolithic people in north east China. Case studies:
Shangjifangyingzi and Wangbabozi.
Suratissa Dissanayake
Tang Zhuo-Wei
Zhu Hong
16:17 – 16:24
Preserving the intangible past for future generations.
J. McKenzie-Clark
S. McKenzie-Clark
143
MONDAY 4 JULY
Notes 16:24 – 16:31

Overcoming the collections – A new perspective for museums of agricultural
history in Italy
L. Mariani
G. Forni
O. Failla
Gianpiero Fumi
T. Maggiore
Eduardo Rovida, Italy
16:31 – 16:38
How to reconstruct and analyse landscapes through an university research
centre and archive of contemporary communication.
F. Zanella
16:38 – 16:45
Universidad Tecnológica de El Salvador: A development of a new cultural
landscape of San Salvador historical center.
M. R. Campos Solórzano
16:45 – 16:52
Kemeiede in the pursuit of the research and the protection of cultural
landscapes of school past.
S. Trouli
A. Hourdakis
16:52 – 16:59
Reconstruct cultural landscape and local identity? Case study of the museum
of Kaohsiung Medical University historical archives and southern Taiwan
medical
history in Taiwan.
Yi-Jen Chen
16:59 – 17:06
A Toulouse university project to reconstruct its past scientific landscape.
N. Séjalon-Delmas
A. C. Jolivet
Schnittmarke
17:06 – 17:13
Cultural landscape and the vision of the international Christian university
as the “university for tomorrow”.
A. Fukuno
M. Gushima
17:13 – 17:20
Above and below: A case study on the Protection of Puerto Galera’s cultural
landscape.
E. C. Bunquin
17:20 – 17:27
The University of Eastern Philippines Centre for Samar Studies (Uep Css):
Preserving and promoting the Samareño cultural landscape.
L. M. E. de la Rosa
144
MONDAY 4 JULY
Notes 17:27 – 17:34

Asutosh Museum of Indian art and the cultural landscape.
Indrani Bhattacharya
17:34 – 17:41
One museum – Two landscapes: Medical and historical.
M. Grassmann
17:41 – 17:48
The cultural heritage of marine life: The case of the museum “G. Olivi” in Chioggia.
M. González Moreno
17:48 – 17:55
The cultural heritage and its role in Cuban universities. The CUJAE.
A. E. Portero Ricol
M. Cristóbal Fariñas
R. Machado Jardo
M. González Moreno
14:00 – 18:00 | Brown Hall 1 (South Wing - Level +2)

Museums, landscapes and horizons – Understand what you have, know where
you are, see where you´re going
Chair: Yiannis Markakis
MONDAY 4 JULY
Detailed programme
14:00 – 14:15
Welcome
Rune Holbek
14:15 – 14:30
ICR´s newest publications
Jean Aase
Sue Hanna
Metka Fjus
Irena Žmuc
14:30-14:50 Schnittmarke
The historic Ox road
Tuulia Tuomi, Finland
14:50-15:10
The Olympics for peace and tolerance at Gan-Hashlosha museum of archaeology
Dror Segal, Israel
15:10-15:30
The Pumapungo museum and Ancestral park and their relation with Cuenca
and surrounding height structures
Jonathan Koupermann, Ecuador
15:30-15:50
Seeds of future
Mazhar Naveed, Pakistan
145
MONDAY 4 JULY
Notes 15:50-16:10
The museum and “The Others” – 2016-2018
Christina Miedico, Italy
16:10-16:40
Coffee Break
16:40-17:00
A Milan museum accessible for all
Claudia Carraro, Italy
Anna Pericoli, Italy
Isabella Tiziana Steffan, Italy
17:00-17:20
A wire fence dividing the cultural landscape of Tyrol
Sylvia Mader, Austria
17:20-17:40
Inclusion – New challenges for museums
Dagmar Bittricher, Austria
17:40-18:00
The Haciendas Route: A historical landscape in Yucatán
Blanca González, Mexico

Telling stories that connect
14:00 – 14:30
Welcome to MPR programme
Marjo-Riitta Saloniemi
14:30 – 15:30
Telling stories that connect
Clare Hughes
Schnittmarke
15:30 – 16:00
Coffee Break
16:00 – 16:15
Linking the past and the present to create a heritage narrative and attract
new audiences
Nina Zdravič Polič
16:15 – 16:30
Two major masterpieces
Elles Kamphuis
16:30 – 16:45
Birthplace of the Soviet Union? The new story for the Lenin Museum
Minna Karhunsaari
146
MONDAY 4 JULY
Notes 16:45 – 17:00

Dark tourism in Sarajevo and the role of the historical museum of Bosnia and
Herzegovina
Marija Kamber
Theofanis Karafotias
Theodora Tsitoura
17:00 – 17:15
Tell a good story of Beijing – Promoting Beijing culture in museum
Bai Jie
17:15 – 17:30
Good stories are the glue between museums and audience – To use good stories
to connect with audiences
Yan Hongbin
17:30 – 17:45
One website for everyone?
Simona , Ph.D. Juračková,
17:45 – 18:00

Welcome to work with CIDOC
MONDAY 4 JULY
Detailed programme
Chair: Monika Hagedorn-Saupe
14:00 – 15:30
An overview of CIDOC’s ten active working groups and their current projects
Monika Hagedorn-Saupe
15:30 – 15:40
Archaeology Working Group
Stephen Stead
15:40 – 15:50
Research environments and CRM SIG presentation for newcomers : Schnittmarke
Presenting applications and demo, discussing collaborations
Martin Doerr
15:50 – 16:14
Co-reference working group
Mika Nyman
16:14-16:38
Digital preservation
Susanne Nickel
16:38-17:02
Exhibition documentation
Gabriel Bevilacqua
147
MONDAY 4 JULY
Notes 17:02-17:26
Intangible cultural heritage WG
Manvi Seth
17:26-17:50
Information centers WG
Monika Hagedorn-Saupe

Case Study Intesa Sanpaolo

Expo Forum: Semantika
Mastering Web & Mobile: 5 easy tools to engage your visitors

Sašo Zagoranski, Slovenia

Expo Forum: opificio della luce
The illuminator of the Mona Lisa: The history and adventure in the
project Toshiba
Paolo De Vecchi, Italy
Marco Angelini, Italy

Coffee Break

Expo Forum: Tianyu Cultural Group
www.chinamuseum.com: Your perfect gateway to the Chinese museum
community
www.chinamuseum.com or Museum Exhibitions on Tour, acts as a bridge

between Chinese museums and you. The session will present some key figures
and facts about Chinese museums and exhibitions and walk you through the
main functionalities of the platform which can benefit your museums
Schnittmarke

Introductory Workshop: Introduction to LIDO – Lightweight Information
Describing Objects
Chairs:
Erin Coburn
Regine Stein
Emmanuelle Delmass-Glass

Introduction to documentation standards
Chair: Jonathan Whitson-Cloud
148
MONDAY 4 JULY
Notes 16:00 – 16:10

Spreading the word: Explaining what Museum Documentation is –
And why it’s important
Angela Kipp
Rupert Shepherd
16:10 – 16:20
International Image Interoperability Framework (IIIF) supporting research
projects at the Yale Centre for British Art
Emmanuelle Delmas-Glass
16:20 – 16:30
A textile thesaurus – Merging and enlarging the existing vocabularies
Dorothee Haffner
16:30 – 16:40
Mind the gaps: Missing connections in museum documentation
Michael Jones
16:40 – 18:00
Workshop exploring the themes of papers presented
MONDAY 4 JULY
Detailed programme
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Memorial Lectures

Schnittmarke
Panel Discussion
Plenary Session
Social Events
Sponsored Session

Detailed programme
TUESDAY 5 JULY
TUESDAY 5 JULY
Detailed programme
TUESDAY 5 JULY
North Wing
ROOM Registration Exhibition Silver White White Red Red Blue Blue Yellow Yellow Yellow
Area Area Plenary Hall 1 Hall 2 Hall 1 Hall 2 Hall 1 Hall 2 Hall 1 Hall 2 Hall 3
LEVEL +1 +1 +2 +2 +2 +1 +1 +1 +1 +1 +1 +1
8:00
8:30
9:00
Membership
9:30 Office
Museum Keynote „Where
10:00 Fair and Speeches ICOM from“
Expo Exhibition
10:30 Forum*
11:00 Coffee Break
11:30
Museum MPR Joint ICOFOM NATHIST ICOMON
12:00 Fair and Session
Expo INTERCOM
12:30 Forum* and FIHRM
12:45
13:00
13:15 Lunch
Break
13:30
Case Study Case Study Panel
13:45 ETT s.p.a. Goppion Discussion
MuseumLab ICOM
14:00 Memorial
Lectures
14:15
Museum Case Study
14:30 Fair and SOYO Tech-
Expo Case Study Case Study nology Deve-
14:45 Forum* MiBACT Goppion lopment
MuseumLab Co., Ltd.
15:00
15:15
15:30
15:45
MPR ICOFOM NATHIST
16:00
16:30
17:00 Coffee Break
17:30
Museum Fair &
18:00 Expo Forum*
18:30
19:00
South Wing
ROOM Suite 2 Suite 3 Suite 4 Suite 7 Suite 9 Brown Hall 1 Brown Hall 2 Brown Hall 3
LEVEL +2 +2 +2 +2 M +2 M +2 +2 +2
9:00
9:30
10:00
10:30
11:00
ICOM US
11:30
CIDOC CIDOC ICAMT ICR CAMOC ICMS CIDOC
12:00
12:30
13:00
13:30
14:00
14:15
ICMS
14:30
14:45
ICDAD ICR
15:00
15:30
ICOM LAC
16:00
CIDOC CIDOC CIDOC Joint Session Joint Session
16:30 ICOM-CC, ICMS CIDOC and
and DRTF ICOMON
17:00
17:30
18:00
18:30
18:30
23:30 Special Open Night (National Museum of Science and Technology Leonardo Da Vinci) and many other events in Milan!
152
TUESDAY 5 JULY
North Wing
Turquoise Turquoise Orange Orange Orange Green Green Meeting Meeting Meeting Meeting ROOM
Hall 1 Hall 2 Hall 1 Hall 2 Hall 3 Hall 1 Hall 2 Room 3 Room 4 Room 5 Room 6
-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 LEVEL
8:00
8:30
9:00
9:30
10:00
10:30
11:00
11:30
Joint Ses- CIPEG ICLM CIMUSET Joint Session AVICOM Joint Session ICOM Arab ICTOP WG ICOM France/
sion GLASS ICFA and ICOMAM and ICOM Italy 12:00
and ICDAD COMCOL ICMEMO
12:30
12:45
13:00
13:15
13:30
Case Study Mentoring ICOM SEE
Fondazione Sessions for 13:45
cassa di Young
risparmio Professionals 14:00
di firenze 14:15
14:30
14:45
15:00
15:15
ICOM
Arab 15:30
15:45
ICOM-ASPAC Meeting of CIMUSET Joint Session AVICOM Joint Session ICTOP Conferenza
the inter- ICFA and ICOMAM and permanente 16:00
national COMCOL ICMEMO delle associazioni
museum museali italiane 16:30
organisations 17:00
17:30
18:00
18:30
19:00
South Wing
+2 +2 +2 +2 +2 +2 +2 +2 LEVEL
TUESDAY 5 JULY
Detailed programme
9:00
9:30
CIMCIM
10:00
10:30
11:00
11:30
DEMHIST CECA ICEE COSTUME ICMAH UMAC
12:00
12:30
13:00
13:30
14:00
14:15
14:30
14:45
DEMHIST CIMCIM
15:00
15:30
ICMAH
16:00
CECA ICEE COSTUME UMAC
16:30
17:00
17:30
18:00
18:30
18:30-
Special Open Night (National Museum of Science and Technology Leonardo Da Vinci) and many other events in Milan! 23:30
153
TUESDAY 5 JULY

Registration

Voting

Membership Office


Keynote Speeches
09:00 – 09:45
Introduction
Claudio Salsi, Director, Civic Museums and Castello Sforzesco, Italy
Keynote Speech
Michele De Lucchi, Italy
Architect, and was a prominent figure in movements such as Cavart,
Alchimia and Memphis
09:45 – 10:30
Introduction
Hans-Martin Hinz, President of ICOM
Keynote Speech
Nkandu Luo, Zambia
Minister of Gender and Child Development and former Minister of Culture
and Traditional Affairs in Zambia

“Where ICOM from” Exhibition

09:00 – 09:30
Ethno-organology in Italy in the 21st century
Cristina Ghirardini, Italy
09:30 – 10:00
Schnittmarke
Speaking for themselves: Ethnography as an avenue for representing

cremonese luthiery
Kathleen R. Wiens, United States
10:00 – 10:30
Sounds from the past, resounding in the present
Veleria Bellomia, Italy
154
TUESDAY 5 JULY
Notes 10:30 – 11:00

Coffee Break
11:00 – 12:00
Musical instruments in museums of different origins and profiles:
An assessment of new displays
L. Torp
B. Strauchen-Scherer
V. Villa
G. Rossi Rognoni
D. Martin
S. Berdux
M. Ruiz
N. Emelina
12:00 – 12:30
The land of accordions: Considerations for a survey to build the first
ecomuseum of mechanical bellow aerophones in Italy
Raffaele Pinelli, Italy
12:30 – 13:00
Layers and presentation of the connotations of music instrument collection.
Case study of the chime-bell of marquis Yi of Zeng
Xiang Zhang, China
Anna Wang

Coffee Break

ICOM US
Meet and Greet area
TUESDAY 5 JULY
Detailed programme
Expo Forum: Frank Europe GmbH
Demountable Frank showcases: Now, also in glass (Absolute)

Philippe Plessers, Belgium

Deepening connections
11:00 – 11:15
#startdrawing
Marieke de Klein
Schnittmarke
11:15 – 11:30
“Virtual museums: Know time” – A concept for a virtual museum,
its stakeholders and its marketing
Prof. Dr. Bernd Günter
155
TUESDAY 5 JULY
Notes 11:30 – 11:45

Working together gives better returns in marketing and business by looking
different: The Story of the Amsterdam Museums
Björn Stenvers
11:45 – 12:00
Staying connected between visits – Telling great stories to deepen affinity and
build loyalty
Meghan Curran
12:00 – 12:15
How can a local cultural institution be united? A case study on the Ueno
Welcome Passport as a tool for local cultural connection
Yasuhiro Sekiya
12:15 – 12:30
Radio Museum, a wing toward cultural connections
Damon Monzavi, Iran
12:30 – 12:45
The role of events at the Rijksmuseum the Netherlands
Gaby Laudy
12:45 – 13:00

Ethics in current museum landscapes
Chair: David Fleming, Director National Museums Liverpool, President of
Federation of International Human Rights Museum and President of Museums
Associoation, United Kingdom
11:00 – 11:20
Welcome
David Fleming, Director National Museums Liverpool, President of
11:20 – 11:40
Practical guide to museum ethics
Sally Yerkovich, United States
11:40 – 12:00
Schnittmarke
The revised Code of Ethics in the UK

Alistair Brown, United Kingdom
12:00 – 12:20
ICOM’s code of practice and illicit trafficking
France Desmarais
156
TUESDAY 5 JULY
Notes 12:20 – 12:40

Women’s Museums are important for women’s education, empowerment and
self-confidence
Astrid Schönweger
12:40 – 13:00
Panel Debate

The predatory museum
11:00 – 11:10
Opening speeches
Lynn Maranda
11:10 – 11:48
En amont et en aval du musée cannibale
Marc-Olivier Gonseth, Switzerland
11:48 – 12:25
Inside the Belly of the museum, metabolism of heritage action
André Gob, Belgium
12:25 – 12:45
12:45 – 13:00
Opening of the poster session

TUESDAY 5 JULY
Detailed programme
11:00 – 12:00
A natural history museum of the community, by the community,
for the community
Ian Miller, United States
Mathern Miller, United States
Andréa Giron, United States
12:00 – 13:00
Posters

Schnittmarke
Developing numismatic landscapes: Exploring digital numismatic landscapes
11:00 – 11:10
Outline of today’s sessions
157
TUESDAY 5 JULY
Notes 11:10 – 11:35

Kyprios character: Concept and realization of an educational website with
open access tools and linked data associations
Evangeline Markou, Greece
11:35 – 12:00
La numismatique au musee: Collections, expositions, reseau
Joelle Bouvry, France
12:00 – 12:25
Studying changes in the cultural landscape with the help of coins finds
from the territory of Slovenia
Alenka Miškec, Slovenia
12:25 – 13:00
Plenary: Exploring numismatic landscapes

Joint Session GLASS (Museums and Collections of Glass) and
ICDAD (Decorative Arts and Design)
Cooperation and sharing in decorative arts
11:00 – 11:15
Reflections on glass. The historical and archaeological glass collection
of the Antwerp Museum aan de Stroom, collectie Vleeshuis, Antwerp (Belgium).
Danielle Caluwé, Belgium
Annemie De Vos, Belgium
11:15 – 11:30
Light and Glass Society – Research and cooperation on the history of glass
chandeliers.
Helena Koenigsmarková, Czech Republic
11:30 – 11:45
Sebastian Herkner – Glasswork. Contemporary Design and traditional
craftsmanship: Sharing the experience.
Rosita Nenno, Germany
11:45 – 12:00
Gomide´s stained glass windows installed at Parque da Água Branca´s
Entrance Portal
Regina Lara Silveira Mello, Portugal
Paula Eduardo Barbosa, Brazil
12:00 – 12:15
Schnittmarke
The museum and the arts and crafts workshop. Interaction and renewal of
local tradition in the local landscape.
Nirit Shalev-Khalifa, Israel
12:15 – 12:30
The Triumph of Amphitrite: A story of resurrection through creative partnerships
Reino Liefkes
158
TUESDAY 5 JULY
Notes 12:30 – 13:00

Discussion

11:00 – 11:30
Unveiled Egypt in Lombardia. Digging in LBC Lombardia Beni Culturali Portal
Anna Maria Ravagnan, Italy
11:30 – 12:00
An Egyptian collection in the landscape of recently united municipal museums:
The Hanover case
Christian Loeben
12:00 – 12:30
Egyptian collections in Japan, an overview
Nozumo Kawai
12:30 – 12:45
A new Near Eastern collection of the Archaeological Museum in Bologna
Daniela Picchi
12:45 – 13:45
Lunch Break
13:45 – 14:15
Egyptian archives and collections in the Reiss-Engelhorn-Museen Mannheim
Eva Gervers
14:15 – 14:45
Between the museum and the archive: Photography, archaeology, and histories
TUESDAY 5 JULY
Detailed programme
of Egyptology
Christina Riggs

Shaping the cultural landscapes: The role of writers’ and composers’ museums
11:00 – 11:15
The Open Space Novel
Alexander Sholokhov, Russia
11:15 – 11:30
A literary voyage in Odense & Questions and answers
Schnittmarke
Ejnar Stig Askgård, Denmark
11:30 – 11:45
The Hans Christian Andersen Trail & Questions and answers
Ane Grum-Schwensen, Denmark
159
TUESDAY 5 JULY
Notes 11:45 – 12:15

Coffee Break
12:15 – 12:30
When the building of the museum is narrating
Narine Khachaturyan, Armenia
12:30 – 12:45
Literature Museums leading the way with Social Media & Questions and
answers
Nadia Kulakova, Russia
12:45 – 13:00
Museum houses and their historic, architectural and cultural ties with the
territory: A few examples of writers and musicians
Massimo Tosi, Italy

Digital landscapes and digital cultures
11:00 – 11:10
Paolo Cavallotti, Italy
11:10 – 11:30
Re-aligning digital for the responsive and participatory museum
Kajsa Hartig, Sweden
11:30 – 11:50
The material of the digital: Interpreting and participating in technoscientific
heritage
Tilly Blyth, United Kingdom
11:50 – 12:10
Revenge of the Nerds. Rebooting industrial heritage in the digital age
Ann Cronin, New Zeland
12:10 – 12:30
Displaying digital culture
Johanna Vähäpesola, Finland
12:30 – 12:50
The new role of museums in encouraging continuous learning in the
contemporary digital age
Schnittmarke
Yoshikazu Ogawa, Japan
12:50 – 13:00
160
TUESDAY 5 JULY

Shared responsibility
Chair: Klaus Weschenfelden, Germany
11:00 – 11:20
Common heritage - Divided responsibility: An introduction
Klaus Weschenfelden, Germany
11:20 – 11:40
Public art in the city of Athens: Shared responsibility as a new form of
collecting and caring
Alexandra Bounia, Greece
11:40 – 12:00
Shared responsibility in preservation of objects of art, monuments and
archaeological sites: Rules, practices and new perspectives in Italy
Adelaide Maresca Compagna, Italy
12:00 – 12:20
ICOM France and Museums, territorial systems and urban landscapes as
the new public space
Jacques Kuhnmunch, France
12:20 – 12:40
The Ceilãndia’s Water Reservoir and the heritage relations in Brasilia
Vinicius Carvalho Pereira, Brazil
12:40 – 13:00
Discussion
TUESDAY 5 JULY
Detailed programme
Technological cultural landscapes
Chair: Simona Caraceni
11:00 – 11:15
Introduction of the topic
Simona Caraceni
11:15 – 12:00
The landscape of the Hungarian Museums by data visualisation.
Ildikó Fejes, Head of department, Hungarian National Museum
12:00 – 12:30
Schnittmarke
“Agile Museums? Yes!” - A lecture on how Agile IT projects catalyze

the museums to transform rapidly and thus influence their positive change of
management and organizational culture
Gábor Tatai
161
TUESDAY 5 JULY
Notes 12:30 – 13:00

Nanjing Museum: Chinese Museum’s Development under condition of
new technologies
13:00 – 13:30
Internet +: The future development strategy of the Digital Shanghai Museum
on behalf of the digitization committee of Chinese Museums Association
Jiang Hu, China

Joint Session ICOMAM (Museums of Arms and Military History)
and ICMEMO (Memorial Museums in Remembrance of the Victims
of Public Crimes)
The ethical and educational issue of dark tourism
11:00 – 11:10
Introduction and greetings
Julie Higashi, Japan
11:10 – 11:40
Thana-Tourism: Journeys to the dead
Jörg Skriebeleit, Germany
11:40 – 12:05
New face of Katy Museum - The monument
Slawomir Frattczak, Poland
12:05 – 12:20
The house of Katyn relics as a tourist attraction on the map of Warsaw
museums – An ethical dimension
Magdalena Sasal, Poland
12:20 – 12:50
Discussion

ICOM Arab
General Assembly & Elections


WG ICOM France/ICOM Italy
Schnittmarke

Paper Presentations: CIDOC CRM SIG and research environments WG, part 1
Chair: Christian-Emil Ore
11:00 – 11:30
Using CIDOC CRM in “150 years of Canadian art” linked open data demonstration project
Heather Dunn
162
TUESDAY 5 JULY
Notes 11:30 – 12:00

Documenting buildings archaeology with CIDOC CRM. The CRMba extension
Paola Ronzino
12:00 – 12:30
Using the CIDOC CRM to evaluate an ontology on narratives
Carlo Meghini
12:30 – 13:00
CRMarchaeo: A CIDOC CRM extension to support archaeological excavations”
Achille Felicetti

Encyclopaedia of museum practice wiki
11:00 – 11:10
Implementing standards at Sao Paulo State secretariat of Culture museums
Alexandre Matos
Renata Vieira Motta
11:10 – 11:20
EEXCESS – The practical tools for museum professionals
Gordon McKenna
11:20 – 13:00
Discussion

Paper Session
TUESDAY 5 JULY
Detailed programme
11:00 – 11:15
Lecture
Mr Camuflo
11:15 – 11:30
Lecture
Mr Joppolo
11:30 – 11:45
Lecture
Ms Corbellani-Valentini
11:45 – 12:00
Schnittmarke
Lecture
Ms Rostago
12:00 – 12:15
Paper Presentation 5
163
TUESDAY 5 JULY
Notes 12:15 – 12:30

12:30 – 12:45
12:45 – 13:00

Museums, landscapes and horizons – Understand what you have,
know where you are, see where you´re going
Chair: Jane Legget
11:00 – 11:20
Cultural landscapes and museums as a prospering interactive dependence
Otto Lohr, Germany
11:20 – 11:40
Rethinking regional geological heritage: From museum objects to
interdisciplinary tourist routes
Yulija Glazyrina, Russia
11:40 – 12:00
Aperture of need
Wafa Akhtar, Pakistan
12:00 – 12:20
A new museum for an old cultural landscape: The Museo Altepepialcalli case
Paulina Sánchez Rojas, Mexico
12:20 – 12:40
The nature park Lonjsko Polje – A historical rural landscape
Jasmina Uroda Kutlić, Croatia
12:40 – 13:00
Climate vs History: The creation of a modern European Capital and the
challenge of reality
Leonidas Argyros, Greece

Historic houses and the interpretation of the cultural, social and urban landscape
Schnittmarke
11:00 – 11:30
Keynote Speaker
11:30 – 11:50
Vizcaya Museum and Gardens: Reflections on relevance in a changing
landscape
Remko Jansonius
164
TUESDAY 5 JULY
Notes 11:50 – 12:10

Musical soundscapes in the historic house museum
Jeanice Brooks
12:10 – 12:30
The count’s residence at Larvik and its importance for urban development over
the centuries
Aina Aske
12:30 – 13:00
Discussion

Community/Participation/Interpretation
Chair: Emma Nardi
11:00 – 11:15
Shared memory between Spain and Morocco throught landascape and heritage education
Rosa María Hervás Avilés, Spain
Elena Tiburcio Sánchez, Spain
Francisca Navarro Hervás, Spain
11:15 – 11:30
The Museum of Civilizations and the cultural landscape in Grassland –
Cameroon: Impact, limits and challenges in the XXIth century
Tatuébu Zacharie Duflot, Cameroon
11:30 – 11:45
Inside outside and vice versa
Arja van Veldhuizen, The Netherlands
11:45 – 12:00
TUESDAY 5 JULY
Detailed programme
Pachacamac Archaeological Sanctuary: Teaching for conservation
Denise Pozzi-Escot, Peru
12:00 – 12:15
Learning together: A collaborative project on community traditional knowledge
Subhra Devi, India
12:15 – 12:30
Museum and community
Anna Soffici, Italy
Nicoletta Matteuzzi
12:30 – 12:45
Schnittmarke
Ecomuseu da AmazOnia: An instrument of valorization and appropriation which

is responsible for the heritage at Cotijuba Island – Pará-Belém
Maria Terezinha Resende Martins, Brazil
Alvaro Campelo, Portugal
12:45 – 13:00
Discussion
165
TUESDAY 5 JULY

Innovating with style
11:00 – 11:30
Thinking outside the box to deliver powerful temporary exhibitions
Manon Delaury, United Kingdom
11:30 – 12:00
How to keep it up with touring exhibitions?
Agnès Ruiz, France
12:00 – 12:30
Investigation into the new style of contemporary museum exhibitions
Feng-Ying Ken, Taiwan
Shin-Chieh Tzeng, Taiwan
12:30 – 13:00
Fashion at the museum
Yoonji Kim, Korea

General Forum

Eco museums, natural and cultural parks, community museums,
interpretation centers
11:00 – 11:24
FEMS/Fresnes Ecomuseum
Alexendre Delarge
11:24 – 11:48
The new project of Albert Kahn Museum and Garden
Valerie Perles
11:48 – 12:12
Territory museums, new perspectives for Tunisia ?
Taher Ghalia, Tunisia
12:12 – 12:36
Community museums and interpretation centers in cultural landscapes,
exemples from Senegal
Schnittmarke
Abdoulaye Camara, Senegal
12:36 – 13:00
Territory and society Museums Projects, exemples of Mayotte and Guyane
Michel Colardelle
166
TUESDAY 5 JULY

Campus landscapes
11:00 – 11:20
Museums beyond the wall, landscapes beyond the architecture.
Hu Ying
11:20 – 11:40
The value and strategies of preserving campus landscape at Cheng-Kung
university museum
Mei-Fang Kuo
11:40 – 12:00
Museology evaluation: Diagnosis and outlines of university museal landscapes.
L. Julião
P. Roberto Sabino
E. C. de Freitas Rocha
12:00 – 12:20
Hard edges: Challenges in preserving the cultural landscape of Ust Manila.
I.C. Abano
A.M.H. Bautista
12:20 – 12:40
Cultural goals of the new permanent 15 of the University of Tartu Natural
History Museum: Visions from 15 authors.
R. Mägi
12:40 – 13:00
Reshaping the cultural landscape of research in the museum with ‚the study‘.
H.-L. Chalk
M. Munro
TUESDAY 5 JULY
Detailed programme
General Assembly and Elections
Chair: Jelena Savic

11:00 – 11:30
Lynda Albertson, Italy
11:30 – 12:00
Schnittmarke
Internal controls in the handling of museum objects and specimens key

to securing museum collections
Lovemore Mazibuko, Malawi
167
TUESDAY 5 JULY
Notes 12:00 – 12:30

Some aspects of protecting the martyrdom museums in Poland
Paulina Florjanowicz, Poland
Krzysztof Osiewicz, Poland
12:30 – 13:00
Problems facing museums in the changing Kenyan landscape
Freda Nkirote, Kenya

Session Workshop/clinic: How to capitalize on museum documentation
Is your documentation an expensive necessity, or a valuable resource?

Nicholas Crofts
Christian Greco, Italy
This workshop clinic, aimed at museum directors and documentation

managers, provides practical tips, innovative solutions and awe-inspiring
insights to help release the full potential of your collections information.

Lunch Break

Expo Forum: Collège Montmorency
The training of the complete museum technician : Versatility at your grasp

Josianne Blouin, Canada
Michel Paradis, Canada

Case Study Goppion MuseumLab
The Living Museum: A Collaborative Work Model for Building Museums and
Facilitating Client Vision
Harlow Tighe, Director of Museum Services, Goppion MuseumLab, Italy

Fabrizio Bardelli, Architect and Site Manager, Goppion SpA , Italy
Katrina Smith, Business Development Manager Middle East Region,
Goppion SpA, Italy

Panel Discussion
How can museums contribute to countering illicit traffic in cultural goods?
Moderator: France Desmarais, ICOM`s Director of Programmes and
Schnittmarke
Partnerships
Eric Dorfman, Director of Carnegie Museum of Natural History,

Chair of NATHIST, United States
Khaled El-Enany, Minister of Antiquities, Egypt
Markus Hilgert, Director of the Ancient Near East Museum in the Pergamon,
Germany
168
TUESDAY 5 JULY

Case Study Fondazione cassa di risparmio di firenze
Cultural landscapes and museums: Foundations and local authorities for
integrated territorial development
Chair: Cristina Acidini, Italy
13:15 – 13:25
Opening speech
Cristina Acidini, Italy
13:25 – 13:35
Institutional greetings
Monica Barni, Italy
Umberto Tombari, Italy
13:35 – 13:42
Bank foundations in Italy and policies for local museums
Marco Cammelli, Italy
13:42 – 13:50
Tuscan museum enhancement schemes
Luciano Barsotti, Italy
13:50 – 14:02
The Widespread Museum of Tuscany
Antonio Paolucci, Italy
14:02 – 14:15
Best practices and impacts
Barbara Tosti, Italy

TUESDAY 5 JULY
Detailed programme
13:15 – 13:30
Luigi Di Corato, Director of Fondazione Brescia Musei, Italy
13:30 – 13:45
13:45 – 14:00
Yousef Khacho, Head of Exhibitions at Qatar Olympic and Sports Museum,
Qatar Museums, ICEE board member, Qatar
Schnittmarke
14:00 – 14:15

case study ett s.p.a.
A new organization for Italian Museums
169
TUESDAY 5 JULY
Notes 13:15 – 15:15 | Meeting Room 6 (North Wing - Level -1)

ICOM SEE – South East Europe
Board meeting

ICOM Memorial Lectures
Convened by ICOM Austria, CECA, ICEE, ICTOP, INTERCOM, and ICOM Italy
13:30 – 13:45
Opening/Welcome/Commemoration
Danielle Spera, Austria
Hans-Martin Hinz, President of ICOM
13:45 – 13:55
Introduction to the ICOM Memorial Lectures 2016
Anne-Catherine Hauglustaine-Robert, Director General of ICOM
13:55 – 14:15
An ethical vision of nature, culture, heritage, and museums’ continuing social
mission – ICOM 70 years´ jubilee lecture
Bernice Murphy, Immediate Past President, INTERCOM, Australia
14:15 – 14:30
Museums and changing cultural landscapes – Fourth Alma S. Wittlin memorial
lecture
René Rivard, Canada
14:30 – 14:45
Revisiting Weil´s cabinet of curiosity – Eleventh Stephen E. Weil Memorial
Lecture
Cristina Vannini, Italy
14:45 – 14:55
Discussion
David Fleming, Director National Museums Liverpool, President of
14:55 – 15:00
Closing remarks
Lynne Teather, President, ICTOP

Expo Forum: PropaGroup spa
Schnittmarke
PROPADYN: The innovative humidity stabilizer

Davide Salvatore, Italy

Case Study SOYO Technology Development Co., Ltd.
Smart Tour Guide Technology, the most important tool to discover the museums
Chair:John Tang
170
TUESDAY 5 JULY
Notes 14:00 – 15:30 | Brown Hall 2 (South Wing - Level +2)

14:00 – 14:30
4 November 1966; Florence
Simona Tordi, Italy
14:30 – 15:00
The implications of culture on international security
Erika Jensen, United States
15:00 – 15:30
Break

Case Study MiBACT
A new organization for italian museums
Chair: Ugo Soragni, Italy
14:15 – 14:30
Opening speech
Ugo Soragni, Italy
14:30 – 15:10
Peter Aufreiter, Italy
Angela Tecce, Italy
15:10 – 15:30
Discussing
Marilena Pirrelli, Italy
15:30 – 15:45
TUESDAY 5 JULY
Detailed programme
The Living Museum: Exhibition Design, Facsimile Fabrication and Collection
Presentation
Paul Bernhard, President, Paul Bernhard Exhibit Design & Consulting, United States
Troy Woods, Paul Bernhard Exhibit Design & Consulting, United States
Adeline Rispal, Architect and Exhibition Designer, Studio Adeline Rispal, France
Michael Dunn, Architect and Exhibition Designer, Tropman & Tropman Architects, Australia

Schnittmarke
Cultural landscapes from arts and crafts to decorative arts and design
14:30 – 15:00
A birds-eye view: Management landscapes from arts and crafts to design
to the fine arts
James Bradburne
171
TUESDAY 5 JULY
Notes 15:00 – 15:15

The Embriacchi workshop of North Italy. Caskets with Certosina patterns.
Pall Martina, Austria
15:15 – 15:30
Temptation and fall. Figurative gilded decoration on leather caskets around 1600.
Focus on a North Italian writing desk in the collections of the German Leather Museum.
Rosita Nenno, Germany
15:30 – 15:45
Because of Tuberculosis. History and contemporary situation in production
of tapestries and gobelins in Czech Republic.
Martina Lehmannová, Czech Republic
15:45 – 16:00
The Handicrafts Museums and its role in the shaping of Russian cultural
landscape at the turn 19th/20th century.
Elena Titova, Russia
16:00 – 17:00
Coffee Break
General Assembly
17:00 – 17:15
Summer kimono born in the snow: The Changing landspape of Echigo Jōfu.
Melissa Rinne, Japan
17:15 – 17:30
The birth of the Ubiquitous landscape in Japanese Lacquers
Nagashima Meiko, Japan
17:30 – 17:45
Artistic and cultural landscape within an economic opportunity:
A brief view to Iranian decorative art verity
Golnaz Tayeebeh Golsabahi, Iran
17:45 – 18:00
Protection of landscapes in dynamic networks with visitors and the center of
museums. Proposal for the upgrading of museums utilisation and realization.
Rovetta Alberto, Italy
Eduardo Rovida, Italy
Gabriele Guidi, Italy

Schnittmarke
Museums, landscapes and horizons – Understand what you have, know where
you are, see where you´re going
Chair: Carrie-Ann Lunde
14:30 – 14:50
Scanning cultural Horizons – Past, present and future
John Magnussen, Australia
Jaye McKensie-Clark, Australia
172
TUESDAY 5 JULY
Notes 14:50 – 15:10

Evolving tradition – Social participation for the symbolic revival of the regional
museum of Anthropology Palacio canton
Giovanna Elizabeth Jaspersen García, Mexico
15:10 – 15:30
Archaeology and museum: Strategies for the valorization and protection of
archaeological Iron Age sites in Côte d’Ivoire
Héléne Kiénon-Kaboré, Cote DÌvoire
15:30 – 15:50
How can shared responsibility for the cultural and physical landscape be
organized between museums and their source communities?
Wilbard Lema, Tanzania
15:50 – 16:10
The Tower of Ouranoupolis, a landmark of various worlds
Eleni Stoumpou-Katsamouris, Greece
16:10 – 16:30
Challenges and choices in Pennsylvania’s forests
Susan E. Hanna, United States
16:30 – 17:00
Coffee break
17:00-17:20
Regional city museum and garden city – Exhibition as a catalyst for action
Kenjii Saotome, Japan
17:20 – 17:40
Radio museum, a wing toward new horizons of cultural landscapes
Damon Monzavi, Iran
TUESDAY 5 JULY
Detailed programme
Reza Dabirinezhad
17:40 – 18:00
Summary: ICR Sessions 1, 2 and 3
Jean Aase, Norway

Historic houses and the interpretation of the cultural, social and urban
landscape
14:30 – 14:50
The establishment of a house museum saves a neighborhood and initiates
Schnittmarke
a new appreciation for preserving historic buildings

Ann Scheid
14:50 – 15:10
Painful pasts, a diversefuture, Karen Blixen House (Kenya)
Josephine MuthoniThang’wa
173
TUESDAY 5 JULY
Notes 15:10 – 15:30

Come for the views, stay for noucentisme: How a house museum
offers multiple access points
Jordi Falgàs
15:30 – 15:50
La Casa Museo del Greco y su papel en la configuración de la ciudad y el
turismo de Toledo
Ana Carmen Lavín
15:50 – 16:30
Coffee Break
16:30 – 18:30
General meeting

14:30 – 15:00
Creative programming within an uncreative budget
Mimi S. Waitzman, United Kingdom
15:00 – 15:30
‘Fanfare’ and the art of music in the Metropolitan Museum of Art’s reframed
musical instrument galleries
Bradley Strauchen-Scherer, United States
15:30 – 16:00
History of the Musikinstrumenten-Museum Berlin between 1933 and 1945
Heike Fricke, Germany
16:00 – 16:30
The Development of a new kind of audio controller. Linking historic musical
instrument technologies with up-to-date sound generation and control
Thomas Lerch, Germany
16:30 – 17:00
An extended stage: NCPA performing arts museum
Gao Hongbo, China
17:00 – 17:30
The museo del Paesaggio Sonoro at the crossway between past and present
Guido Raschieri, Italy
Schnittmarke
17:30 – 18:00
Museo Fernandez Blanco Art Museum: Interpreting the present
Leila Makarius, Argentina

ICOM Arab
Meeting of the new board
174
TUESDAY 5 JULY
Notes 15:00 – 18:00 | Suite 7 (South Wing - Level +2 M)

ICOM LAC
Board meeting

Scriptwriting and animation of natural scenery/culture
15:00 – 15:36
„Roman Limes on the Rhine“
Renger De Bruin, The Netherlands
15:36 – 16:12
The Memorial of Waterloo – 1815
Jean-Pierre Garrabos, Belgium
16:12 – 16:48
„Recovery/reconstruction of cultural landscapes „“in situ““ or displaced
example of Africa House, El Jem“
Myriame Morel-Deledalle, France
16:48 – 17:24
Strategy of communication on the national archaeological Georgian sites:
Dmanisi, Dzaliza, Vani
Natia Khuluzauri, Georgia
17:24 – 18:00
The relation of museums to cultural landscape on conflict territories,
south-east boarders Turkish examples
Burçak Madran, Turkey

TUESDAY 5 JULY
Detailed programme
Making cultural connections
15:30 – 16:30
Making Cultural Connections
Zefeng You
16:30 – 16:45
Coffee Break
16:45 – 17:00
From elderly to bebè: Enlarge museum audience, enlarge community
Romina Mancuso
Schnittmarke
17:00 – 17:15
Marketing the Museum as a landscape of cultural memory
Carol Scott
175
TUESDAY 5 JULY
Notes 17:15 – 17:30

Museums as marketing instruments for cultural quarters
Dr. Adla Ragab
Dr. Nora Ebeid
17:30 – 17:45
Open-Air Novel: Developing connections – Cultural connections
Natalia Trofimenko
17:45 – 18:00
Art in Village – Turn a city into a museum
Susan Lin
18:00 – 18:15
Abbonamento Musei a successful network to enhance the relationship
between citizens and museums
Francesca Leon
18:15 – 18:30

15:30 – 16:00
Predatory museums in specific cultural landscapes
Tereza Scheiner, Brazil
16:00 – 16:30
Predatory Museology: Theoretical approaches and focuses for the building of
a specific field and object
Luciana Menezes de Carvalho, Brazil
Tereza Scheiner, Brazil
16:30 – 17:00
Conscious museum
Anna Leshchenko, Russia
17:00 – 17:30
Ecomuseology in Scotland and Costa Rica: Paradigm or predator?
Karen Brown
17:30 – 18:00
El museo como depredador de otros espacios culturales, una reflexión sobre
Schnittmarke
las políticas culturales del Estado Mexicano

Scarlet Galindo
18:00 – 18:30
Museo depredador: Co-constructor de paisaje, México
Freire Rodríguez Saldaña
176
TUESDAY 5 JULY
Notes 15:30 – 18:30 | Yellow Hall 2 (North Wing - Level +1)

Natural history collections
15:30 – 15:45
Fatal relationship between natural history collections and society in Slovenia
Breda Činč Juhant, Slovenia
15:45 – 16:00
Type specimens in the insect collections of the Vietnam National Museum
of Nature, Hanoi
Hong-Thai Pham, Vietnam
16:00 – 16:15
The numerical revolution in the Paris “Museum” naturalist collections
Pierre-Yves Gagnier, France
16:15 – 16:30
DNA Barcoding – A new role of museum collections
Ivona Kautmanova, Slovakia
Jan Kautman, Slovakia
16:30 – 16:45
Developing new touring exhibitions: Pivot points of science and culture
Amina Darwish, United Kingdom
16:45 – 17:00
Panel discussion
17:00 – 17:30
Coffee Break
Natural history exhibitions
TUESDAY 5 JULY
Detailed programme
17:30 – 17:40
Crossover - When nature & art intersect
Linda Carioni, Italy
17:40 – 17:50
Monkey business
Alanna Davidson, United Kingdom
17:50 – 18:00
The “International Nature Exhibition” – A new concept for a worldwide
exhibition format
Christopher Garthe, Germany
Schnittmarke
18:00 – 18:10
Developing new touring exhibitions: Pivot points of science and culture
Amina Darwish, United Kingdom
177
TUESDAY 5 JULY
Notes 18:10 – 18:20

Fish, fishing and fishing-depedent communities: A travelling exhibition to
commonwealth Small Island Developing States (SIDS)
Nicolas Watts, United Kingdom
18:20 – 18:30
Panel discussion

ICOM-ASPAC – Asia-Pacific
ICOM-ASPAC Work Report
Dr. Song Xinchao, Chair of ICOM-ASPAC
Activity Report from National Committees
Discussion
Election for the ICOM-ASPAC Board (2016-2019)
Short speech from the new Chair

Meeting of the international museum organisations

Work and Industry in the heritage of modern landscapes
Chair: Irena Marušič, Slovenia
15:30 – 15:40
Introduction
Irena Marušič, Slovenia
15:40 – 15:48
Partnering to engage: Steam and the cultural landscape of Thirlmere
Judith Coombes, Australia
15:48 – 15:56
The heritage of coal mining in the Netherlands: when memory turns into
history
Mijke Harst Van den Berg, The Netherlands
15:56 – 16:04
The Museum as the vehicle of communication between technology – Industry
and cultural landscapes: The case of the network of Museums of the Piraeus
Bank Cultural Foundation
Kostis Kalapothakis, Greece
16:04 – 16:12
Schnittmarke
The heritage of coal mining in the Netherlands: When memory turns into history
Serge Langeweg, The Netherlands
16:12 – 16:20
A new conception of Reserve store for scientific and technical heritage.
Cooperation between museums and territory development policy :
A challenge for a landscape
Juliette Raoul-Duval, France
178
TUESDAY 5 JULY
Notes 16:20 – 16:28

Dolní oblast Vitkovice – From Steelworks to Cultural and Science Centre
Anna Schaefers, Germany
16:28 – 16:36
Cultural heritage in planning
Mette Kristine Slyngborg, Denmark
Digital landscapes and digital cultures

Chair: Paolo Cavallotti, Italy
16:45 – 16:55
Introduction
Paolo Cavallotti, Italy
16:55 – 17:03
Technological social network for cultural heritage
Tania Basterrica, Chile
17:03 – 17:11
The research on learning with digital technologies in exhibitions
Hong Liao, China
17:11 – 17:19
Communication of “circles of friends”: Function and application of WeChat in
science and technology museums
Yuhua Liu, China
17:19 – 17:27
Let the digitization of museum beyond the significance of text
Ximing Pan, China
Contemporary heritage: Shaping the landscape of future memory
TUESDAY 5 JULY
Detailed programme
Chair: Laura Ronzon, Italy
17:30 – 17:40
Introduction
Laura Ronzon, Italy
17:40 – 17:48
Departmental museums of communication in Russia’s cultural landscape
Nina Borisova, Russia
17:48 – 17:56
The visitors’ behavior of an experimental project for reviving scientific
instruments in a new science museum
Schnittmarke
Jeng-Horng Chen, Taiwan
17:56 – 18:04
Sustainability in museums: Local approaches for community impact
Stacey Freeman, United States
179
TUESDAY 5 JULY
Notes 18:04 – 18:12

Towards invisibility – Three dimensional models and institutional memory
Jane Insley, United Kingdom
18:12 – 18:20
The role of collaboration between museum professionals and educators in the
teaching history of science and technology courses
Olga Krasnyak, South Korea
18:20 – 18:28
The museum of Astronomy and Related – MASTSciences in the landscape of
São Cristóvão neighborhood
Maria Esther Valente, Brasil
Isabel Henze, Brasil

Historic houses and their fine art
Chair: Giuliana Ericani
15:30 – 15:50
Collecting fine art to cultural landscapes. Participatory frameworks of
interpretation and display
Nicole Moolhuijsen, Italy
15:50 – 16:10
Museum building as the meaning maker in the case of IRHM
Aysegul Guchan, Turkey
16:10 – 16:30
Interpreting the artistic heritage of a cathedral. The case of the Skovgaard
Museum and Joakim Skovgaard‘s decoration of Viborg Cathedral
Anne-Mette Villumsen, Denmark
16:30 – 16:50
Discussion
16:50 – 17:10
Experience of the collecting and the development of collections in
Grassland-Cameroon: An analysis from the actions of the project COE/IFA
Zacharie Duflot Tatuebu, Cameroon
17:10 – 17:30
A scenario of public behaviors in art museums of Shanghai
Schnittmarke
Xianya Xu, China
17:30 – 17:50
The sense of place. An experiment of Museum Civico di Bracciano with the children
Cecilia Sodano, Italy
17:50 – 18:10
Discussion
180
TUESDAY 5 JULY
Notes 15:30 – 18:30 | Green Hall 1 (North Wing - Level -1)

General Assembly

Joint Session ICOMAM (Museums of Arms and Military History) and ICMEMO
(Memorial Museums in Remembrance of the Victims of Public Crimes)
The ethical and educational issue of dark tourism
15:30 – 15:40
Summary of morning session 2 introduction of session 3
Eva-Sofii Ernstell
15:40 – 16:05
Wewelsburg castle – An attraction pole of “Dark Tourism”. How to deal with
this phenomenon at a memorial site?
Kirsten John-Stucke, Germany
16:05 – 16:30
“Let there be Light!”, the German tank museum as a failed dark exhibition?
Ralf Raths, Germany
16:30 – 17:00
Discussions
17:00 – 17:30
Coffee Break
17:30 – 17:50
A new perspective on a dark chapter: Tuol Sleng Genocide Museum for Peace Education
Chhay Visoth, Cambodia
17:50 – 18:10
TUESDAY 5 JULY
Detailed programme
War museums in Iran
Maysam Abdoly, Iran
18:10 – 18:30
Discussions


Conferenza permanente delle associazioni museali italiane
Different views on a common theme „Museums and cultural landscapes“:
AMACI (Associazione Musei Arte Contemporanea Italiani)
Schnittmarke
AMEI (Associazione Musei Ecclesiastici Italiani)

ANMLI (Associazione Nazionale Musei Locali e Istituzionali)
ANMS (Associazione Nazionnale Musei Scientifici)
MUSEIMPRESA
CASE DELLA MEMORIA
ICOM ITALIA (International Council of Museums Italia)
SIMBDEA (Società Italiana per la Museografia e i Beni Demoantropologici)
181
TUESDAY 5 JULY
Notes 15:30 – 18:30 | Suite 3 (South Wing - Level +2)

Training session: Introduction to Museum Processes WG MPI
15:30-16:30
Introduction to museum process
Walter Koch
▪ Introduction and explanation of basic definitions
▪ Domain (museum) specific issues and requirements
▪ Application (process/procedures) related standards and frameworks (e.g. SPECTRUM)
▪ Use case: “Modelling the Object Entry Procedure” (group exercise)
▪ Discussion of implementation issues
▪ The SOOM-Project: Implementation of a “Service Oriented Object Management”
system as baseline for an adaptive Museum Collection Management System
16:30-17:00
Discussion
17:00-17:30
Break
Session, introductory workshop

17:30-18:30
Introduction to digital preservation
Susanne Nickel
The session will start with a short introduction to the work of the WG.
A discussion on current projects on digital preservation will follow. The second
hour we will work on a definition of digital preservation and its documentation
starting from existing definitions as for example in UNESCO guidelines.

Paper Presentations: CIDOC CRM SIG and research environments WG, part 2
Chair: Christian-Emil Ore
15:30 – 16:06
Selected WissKI projects at the Germanic National Museum in Nuremberg
Siegfried Krause
16:06 – 16:42
Designing an appication ontology for architectural 3D reconstruction
Piotr Kuroczynski
Schnittmarke
16:42 – 17:18
Researchspace
Dominic Oldman
17:18 – 17:54
Modelling the iconographic discourse
George Bruseker
182
TUESDAY 5 JULY
Notes 17:54 – 18:30

Discussion about the future of the research environments working group

Poster session
Chair: Marie-Clarté OŃeill
15:30 – 17:00
Best practice session
Marie-Clarté OŃeill
17:00 – 17:05
Celebrating our city’s riches: Three stories from Logan
Robyn Daw, Australia
17:05 – 17:10
The digital contents design for people with hearing impairment in science
museums based on collaboration with a University
Ryohei Egusa, Japan
17:10 – 17:15
Meeting the public outside the museum
Nicole Gesché-Koning
17:15 – 17:20
“Discover Permian period!”: Museum beneath their feet
Yuliya Glazyrina, Russia
17:20 – 17:25
Acts into saving the old short-wave station in suburban Pori (Finland)
Pia Hovi Assad, Finland
TUESDAY 5 JULY
Detailed programme
17:25 – 17:30
The creation of the Sugar Cane Museum
Leila Heck, Brazil
Alice Registro Fonseca, Brazil
Tania Cristina Registro, Brazil
17:30 – 17:35
Promoting cultural continuity through revitalizing museum collections.
A case study of collaboration between museum of Xiaolin Pinpu indigenous
people and their community inTaiwan
Yiping Lu, Japan
17:35 – 17:40
Schnittmarke
Archival material in private hands. The case of the Educational Museum

in Belgrade
Maja Nikolova, Serbia
17:40 – 17:45
European conference “L‘Europe des musées”, Paris, 21-24 June 2017
François Parain, France
183
TUESDAY 5 JULY
Notes 17:45 – 17:50

Museums and cultural landscapes, special reference to Sigiriya Museum
Kamani Perera, Sri Lanka
17:50 – 17:55
Bringing the inside out: Reaching new audiences
Piyanan Petcharaburanin, Thailand
Pantira Suwansatit, Thailand
17:55 – 18:00
Maramures living treasure within European cultural heritage
Rodica Silvia Pop, Romania
Livia Sima
18:00 – 18:05
Museum education as (in)visibility of boundaries
Raska Pranskuniene, Lithuania
18:05 – 18:10
The creation of the House Museum of Italian Memory and the visitors
Alice Registro Fonseca, Brazil
18:10 – 18:15
The social technologies of community ecomuseums and museums:
Innovation, recognition, praxis
Maria Terezinha Resende Martins, Brazil
18:15 – 18:20
The Milan model of youth engagement
Elyse Resnick, United States
Martha Friel, United States
Gualtiero Carraro, Italy
18:20 – 18:25
The Museum of Contemporary Art of Crete as a vehicle to familiarize children
with ist surrounding cultural landscape
Sofia Trouli, Greece
Anastasiadis Panagiotis, Greece
Kostas Xristidis, Greece
18:25 – 18:30
Artistic education for the heritage – Building cultural tourism routes
Nicoleta Zagura, Romania

Schnittmarke

Connecting with audiences in style
15:30 – 16:00
Interactive exhibitions as a means of informal film education for the public
Terazi Krizkovska, Czech Republic
184
TUESDAY 5 JULY
Notes 16:00 – 16:30

„Geneva at the heart of time“ by Capital Museum – Beijing in collaboration
with the Museum of Art and History, Geneva – Geneva & Vacheron Constantin
Laura Zani, Switzerland
16:30 – 17:00
Break
17:00 – 17:30
Creating the experience of Alexander McQueen: Savage Beauty
Rachel Murphy, United Kingdom
17:30 – 18:00
Kids deserve good design too
Megan Smith, United States
18:00 – 18:30
Connecting audience at the heart of China’s museum boom
Yu Zang, China

Social landscapes
15:30 – 15:40
University museums, cultural identity and social responsibility
B. Rothermel
J. Hartz
J. Deupi
15:40 – 15:50
Museums of engagement – Communities of diversity
N. Scott
TUESDAY 5 JULY
Detailed programme
15:50 – 16:00
Coffee Break
Inform-all Landscapes
Chair: Barbara Rothermel
17:00 – 17:05
The Utrecht University Museum.
P. Voogt
17:05 – 17:10
The Student Engager project.
Schnittmarke
K. Guyan
17:10 – 17:15
University and other education museums as the chance for discussion on
the changing pedagogical part of the cultural landscape.
Š. Branko
185
TUESDAY 5 JULY
Notes 17:15 – 17:20

The role of university museums in the study of cultural landscapes.
I. K. Karaia
17:20 – 17:25
University museum as a platform for inter-disciplinary cooperation and
integration: Applying photogrammetry and 3D modeling on artifacts and
cultural landscape for exhibition, rescue, and research
Jeng-Horng Chen
17:25 – 17:30
University campus and collections combining as a cultural landscape –
Nudging and critical thinking
M.N. Lanng
L. Zwisler
A.B. Sørensen
17:30 – 17:35
Connecting the dots: Shaping the cultural landscape of San Fernando City,
Pampanga.
A.M.H. Bautista
E. M. A. Castro
17:35 – 17:40
Designing a scientific landscape. Integrated management of the University of
Pavia museum system.
M. Montanari
C. Berizzi
S. Maggi
17:40 – 17:45
From past to present landscape: Collections, multimedia interaction and
cultural activities for an unique experience throughthe territory resources.
SMA University of Camerino (Italy).
M. Invernizzi
A. Blasetti
M.L. Magnoni
G. Crocetti
R. Tacchi
17:45 – 17:50
UMACs and cultural landscapes.
K. Van Dyke
17:50 – 17:55
Schnittmarke
The Asutosh Museum of Indian art of the University of Calcutta.

I. Bhattacharya
17:55 – 18:00
Heritage built the moral landscape: The University City of Bogotá (1936-2015).
E. Castell
186
TUESDAY 5 JULY
Notes 18:00 – 18:05

Audience, lens, participation and museum – How to modify a cultural
landscape?.
M. Bukowski
18:05 – 18:10
University landscape as a specific part of cultural landscape
O. Dostál
18:10 – 18:15
University landscape: A challenge for university collections?
M. Heruc
18:15 – 18:20
General discussion

Intagible heritage
Chair: Manvi Seth

Joint Session ICOM-CC (Conservation), ICMS (Museum Security),
and DRTF (Disaster Relief Task Force)
Disaster Risk Reduction for Museums in Crisis
15:30 – 16:30
Disaster Risk Reduction for Museums
Corine Wegener, United States
Willem Heckman, Canada
Marco Ciatti, Italy
16:30 – 16:45
TUESDAY 5 JULY
Detailed programme
Coffee Break
16:45 – 17:45
Panel Discussion – Museum Leadership in Safeguarding Heritage at Risk
around the World – moderated by France Desmarais, Director of Programmes at ICOM
Markus Hilgert, Germany
Corine Wegener, United States
Lisa Pilosi
17:45 – 18:30
Cultural Property Protection in conflict – CIMIC (civil-military cooperation)
Peter Stone, United Kingdom
Capitano Francesco Provenza, Italy
Schnittmarke

Joint Session CIDOC (Documentation) and ICOMON (Money
and Banking Museums)
Workshop: An encyclopaedia of museum practice, how to collaborate over
language barriers
187
TUESDAY 5 JULY
Notes 15:30 – 18:30

How to collaborate over language barriers
Jonathan Whitson-Cloud
Session, introductory workshop

17:30 – 17:40
Introduction to digital preservation
Susanne Nickel

Coffee Break

Expo Forum: Cincinnati USA & ICMEMO
ICMEMO 2017 & ICOM meetings in Cincinnati USA

Douglass McDonald, United States
Karen Franklin
Schnittmarke
An impeccable piece of superb craftsmanship.

And behind it some dragon thing.
The undetectable glass for exhibition display.

Visit us at stand #41 or learn more at guardianclarity.com. CLARIT Y
TUESDAY 5 JULY
189
Notes
Legend
Memorial Lectures
Panel Discussion
Plenary Session
Schnittmarke
Social Events
Sponsored Session

Detailed programme
WEDNESDAY 6 JULY
WEDNESDAY 6 JULY
Detailed programme
WEDNESDAY 6 JULY
North Wing
ROOM Registration Exhibition Silver White Red Red Blue Blue Yellow Yellow Yellow
Area Area Plenary Hall 1 Hall 1 Hall 2 Hall 1 Hall 2 Hall 1 Hall 2 Hall 3
LEVEL +1 +1 +2 +2 +1 +1 +1 +1 +1 +1 +1
8:00
8:30
Registration
9:00
Membership
9:30 Office
Museum Fair Keynote „Where
10:00 and Expo Speech ICOM from“
Forum* and Panel Exhibition
10:30 Discussion
11:00
11:30 Coffee Break
12:00
Museum Fair ICMS Joint Session ICOFOM NATHIST ICOMON
12:30 and Expo INTERCOM
Forum* and FIHRM
13:00
13:15 Lunch Break
13:30
Case Study Case Study Case Study Case Study Case Study
13:45 Goppion YXLON Inter- MAE MiBACT Goppion
MuseumLab national GmbH MuseumLab
14:00
14:15
Museum Fair
14:30 and Expo
Forum*
15:00
ICMS Joint Session ICOFOM NATHIST ICOMON
15:30 INTERCOM
and FIHRM
15:45
16:00 Coffee Break
16:15
16:30
Museum Fair
16:45 and Expo
Forum*
17:00
17:30
17:45
18:00
18:30
South Wing
ROOM Suite 3 Suite 4 Suite 5 Suite 6 Suite 7 Suite 8 Brown Hall 1 Brown Hall 2 Brown Hall 3
LEVEL +2 +2 +2 M +2 M +2 M +2 M +2 +2 +2
9:00
9:30
10:00
10:30
11:00
11:30
12:00
CIDOC CIDOC ICMEMO ICDAD ICAMT CAMOC ICLM MPR CIDOC
12:30
13:00
13:15
13:30
14:00
14:30
15:00
Eco-museums ICDAD Eco-museums Eco-museums Joint Session MPR CIDOC
15:30 CAMOC and ICR
15:45
16:00
16:15
16:30
CIDOC
16:45
17:00
CECA
17:15
17:30
17:45
18:00
18:30
192 18:30
23:30 Concert in Duomo of Milan (20:00 - 21:00) and many other events in Milan!
WEDNESDAY 6 JULY
North Wing
Turquoise Turquoise Orange Orange Orange Green Green Green Meeting Meeting Meeting Meeting ROOM
Hall 1 Hall 2 Hall 1 Hall 2 Hall 3 Hall 1 Hall 2 Hall 3 Room 3 Room 4 Room 5 Room 6
-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 LEVEL
8:00
8:30
9:00
9:30
Disaster Risk
Management 10:00
Committee
10:30
11:00
11:30
12:00
Eco- CIPEG ICR CIMUSET Joint Session AVICOM ICOMAM ICME MDWG ICTOP
museums ICFA and 12:30
COMCOL
13:00
13:15
13:30
Mentoring
Sessions for 13:45
Young Blue Shield
Professionals Netherlands 14:00
14:15
ICMAH
14:30
15:00
ICOM-CC CIPEG CIMUSET ICFA AVICOM ICOMAM COMCOL ICTOP ICOM Russia
15:30
15:45
16:00
16:15
16:30
16:45
17:00
17:30
17:45
„The Destruc-
tion of Memory“ 18:00
realised by
Tim Slade 18:30
South Wing
+2 +2 +2 +2 +2 +2 +2 +2 LEVEL
9:00
9:30
CIMCIM
10:00
10:30
11:00
11:30
12:00
ICEE CIMCIM CECA CECA COSTUME UMAC
12:30
ICOM Slovenia
WEDNESDAY 6 JULY
Detailed programme
13:00
13:15
13:30
Joint Session ICOM
Netherlands, CECA, 14:00
ICOMOS NL, EXARC
and ICOM MPR 14:30
15:00
ICEE CIMCIM CECA COSTUME ICLM UMAC
15:30
15:45
UMAC
16:00
16:15
16:30
16:45
Workshop on
Guidelines for 17:00
Women’s and
Gender-related 17:15
museums 17:30
17:45
18:00
18:30
18:30 193
Concert in Duomo of Milan (20:00 - 21:00) and many other events in Milan! 23:30
WEDNESDAY 6 JULY

Registration

Membership Office


Keynote Speech and panel discussion
09:00 – 09:45
Introduction
George Abungu, Vice-President of ICOM Executive Council
Keynote Speech
Australian economist, particularly well known as a cultural economist
09:45 – 10:40
Panel discussion „Social role of museums: New migrations, new challenges“
David Fleming, Director National Museums Liverpool, President of Federation
of International Human Rights Museums and President of Museums
Association, United Kingdom
Robin Hirst, Director Collections, Research and Exhibitions Museum Victoria, Australia
Marlen Mouliou, CAMOC Chair, Faculty of History and Archaeology, National
and Kapodistrian University of Athens, Greece
Giusi Nicolini, Mayor of Lampedusa and Linosa, Italy
The discussion will be led by Brenda Emmanus, BBC London News’ Art,
Culture and Entertainment Correspondent
10:40 – 11:00
ICOM‘s new visual identity

09:00-11:00 | Turquoise Hall 1 (North Wing - Level -1)

Disaster Risk Management Committee

09:00 – 09:30
A new exhibition model for Museum Collections: The TIDE Project
Eric De Visscher, France
Schnittmarke
09:30 – 10:00
The Soldier’s Musical Arsenal
Cleveland Johnson, United States
194
WEDNESDAY 6 JULY
Notes 10:00 – 10:30

The preservation of electronic musical instruments, a challenge in the face of
technological obsolescences
Thierry Maniguet, France
10:30 – 11:00
The MUSICES-Project: Making 3D-CT imaging more accessible to a wide range
of stakeholders
Sebastian Kirsch, Germany
11:00 – 11:30
Coffee Break

General Assembly

Expo Forum: smARTravel
Chair: Alessandro D’Amatto, Switzerland
10:40-11:00
smARTravel – Art in the palm of your hand!
Alessandro D’Amatto, Switzerland
Enhancing the value of museum artworks through qualitative content written by

industry experts and audio content registered in mother tongue by professionals, this
easy-to-use smartphone application will make visitors experience unique. smARtravel
is not only a multimedia guide, but a complete service tailored to customers needs.

Coffee Break

Expo Forum: Giant Monkey Software Engineering GmbH
Facilitating public access to the prussian cultural heritage using cutting edge technology
Chair: Lion Vollnhals, Germany
WEDNESDAY 6 JULY
Detailed programme

How the deployed technology facilitates visitors access to the divers offering of 19
museums in a single online shop. (Lion Vollnhals, Berlin, DE)
How the deployed technology facilitates affiliate and reseller structures thereby
increasing the museums reach. (Lion Vollnhals, Berlin, DE)
How the deployed technology facilitates online booking of individual group
offerings trough live availability checks. (Lion Vollnhals, Berlin, DE)

Schnittmarke
11:30 – 12:00
Virtual reality and immersive environment for security of Movable Cultural Heritage
Sergio Olivero, Italy
195
WEDNESDAY 6 JULY
Notes 12:00 – 12:30

Making use of new technology to protect cultural heritage
Stephane Thefo, France
12:30 – 13:00
The ICMS annual conference in Boston (USA) in 2017
Stephen St. Laurent, United States

Politics and display
Chair: Francoise McClafferty
11:30 – 11:40
Dancing with Lenins
Kalle Kalio
11:40 – 11:50
Manichaen Museums
Camilo Sánchez, Colombia
11:50 – 12:00
Ethics, social activism, and Human Rights
Carla Prat, Mexico
12:00 – 12:10
The making of the museum for international democracy – Changing politics
Susana Meden, Argentina
12:10 – 12:20
From the historical reflection to civil consciousness: An experimental project
to connect a history museum with present day issues
Guido Vaglio, Italy
12:20 – 12:30
Panel debate

11:30 – 12:00
Do predators go digital? Discussing museum ethics in the digital habitat
Georgios Papaioannou
Sofia Paschou
12:00 – 12:30
Du musée prédateur au musée symbiotique : L’enrichissement de la collection
des œuvres nouveaux médias dans les institutions muséales
Schnittmarke
Ji Eun Park
196
WEDNESDAY 6 JULY
Notes 12:30 – 13:00

Predatory act and story construction in art museums. About exhibitions display
and its meaning
Susanna Muston, Italy

Academic landscape
11:30 – 11:40
Outside the museum: Formative and interdisciplinary experiences
Luciana Pasqualucci, Brazil
11:40 – 11:50
Enabling the urban landscape museum of architecture projects: Architetural
project case studies of Natural History Museums done by graduate students
the FIAM FAAM - UNIVERSITY CENTER - São Paulo - Brazil
Ivanise Lo Turco, Brazil
Dimas Bertolotti, Brazil
Fernando Mauro Neto, Brazil
Andrea Bartkevicius Cruz, Brazil
11:50 – 12:00
The geological time in Natural History Museums´ narrative: A comparative
analysis
Rebeca Bombonato, Brazil
12:00 – 12:15
Panel discussion
Thematic landscape of ICOM NATHIST´s meeting

12:15 – 12:30
Current challenges in the Natural History Museum sector: Results from a
targeted focus group
Eric Dorfman, United States
12:30 – 12:45
Museums in the Anthropocene: Toward the history of humankind within
biosphere & technosphere
WEDNESDAY 6 JULY
Detailed programme
Osamu Kamei, Japan
12:45 – 13:00
Evolution in our museums: Contributing to the cultural and scientific
landscape for the XXI century
Maria Isabel Landim, Brazil
13:00 – 13:15
Panel discussion
11:30 – 13:00 add separatioon | Yellow Hall 3 (North Wing - Level +1)
Schnittmarke

General Assembly
197
WEDNESDAY 6 JULY
Notes 11:30 – 13:30 | Turquoise Hall 1 (North Wing - Level -1)

Eco-museums
Plenary Session
11:30 – 12:30
Introduction of the theme „Museums and cultural landscapes” organized by
the Network of Italian ecomuseums
12:30 – 13:30
Library of publications edited by the ecomuseums

11:30 – 12:00
Egyptology at the department of ancient orient in Pushkin Museum:
Our first 100 years
Olga Vassilieva
12:00 – 12:30
Ramesses the Great in Karlsruhe
Anna Gnyp
12:30 – 13:00
Cosmogony and Theology of Hermopolis Magna. Tuna el-Gebel as part of a
ritual landscape from the Late to the Roman Period
Regine Schulz

General Assembly and elections

General Assembly

Historic houses and their fine art
Chair: Peter van Mensch
11:30 – 11:50
Interior ensembles: The added values of objects in their surroundings
Eloy Koldeweij, The Netherlands
11:50 – 12:10
The Karen Blixen House: Contextualizing the interactions and collections
of a baroness in Kenya
Schnittmarke
Kiprop Lagat, Kenya
198
WEDNESDAY 6 JULY
Notes 12:10 – 12:30

Fine art collection for Buddhist temple
Tsogbayar Orkhon, Mongolia
12:30 – 12:50
The art of making art exhibitions. Giving new meaning and significance
to the former artists residence of H.W. Mesdag
Pascal Arts, The Netherlands
12:50 – 13:00
Discussion

„Internet festival of museum multimedia „Media Geek: Cultural heritage“
Chair: Natalia Tolsataya
11:30 – 12:00
Internet Festival of Museum Multimedia „Museum Geek „: From national to
international festival, a new communication channel with museum community:
“virtual and real”
Tatyana Pchelyanskya, Russia
Olga Kissel, Russia
12:00 – 12:30
F@IMP 2.0 online platform development of the pilot festival in november 2016
(MUZEUM@DIGIT)
Benedek Varga, Director of HNM Budapest
Ildikó Fejes, Head of department, Hungarian National Museum
Discussion
12:30 – 13:00
Preserving, sharing, and using sound and image content across cultures
the SOIMA way ICCROM/SOIMA practice preservation and sharing
Aparna Tandon
Samuel Franco Arce

WEDNESDAY 6 JULY
Detailed programme

„Dark memories as attractions in the cultural landscape; Good or bad
examples of collections and items, monuments, memories, battlefields,
forteresses, etc. „
11:30 – 11:45
Ways of peace – Le vie delle Pace, dedicated to the history of the former
battlefield and serve not only as places of memory, but also a reminder to peace
Christoph Hatschek, Austria
11:45 – 12:00
Schnittmarke
A bench, a mirror, a street-sign: Language of WWII‘s sensitive memory

Dr. Pnina Rosenberg, Israel
199
WEDNESDAY 6 JULY
Notes 12:00 – 12:15

The influence of the Soviet ideology on museum activities in Latvia during the
1940s – 1960s and nowadays situation
Juris Ciganovs, Latvia
12:15 – 12:30
Learning from the errors of the past: The Mob museum
Marta Soligo, United States
12:30 – 12:45
Patarei – A well-known but untold story of dark tourism in the context of
architectural and cultural heritage.
Hellar Lill, Estonia
12:45 – 13:00

ICME – Museums and Collections of Ethnography
Borderlands and bridges: Art and identity
Chair: Pauline van der Zee, Belgium
11:30 – 11:50
Multiculturalism and Ethnographic Museums in Israel: The case of a regional
Bedouin Museum
Havazelet Yahel, Israel
Ruth Kark, Israel
Noam Perry, United States
11:50 – 12:00
Migration as Art (MasA)
Stephen Copland, Australia
12:00 – 12:10
Beyond the borders – The museum as a pretext to encourage relation
Sarah Gamaire, France
12:10 – 12:20
Developing a ‘home place’ and interpretative communities in museums to
challenge racism
Dr. Patrizia Schettino, Switzerland
12:20 – 12:30
12:30 – 13:00
Elections

MDWG
Schnittmarke
Working Session
200
WEDNESDAY 6 JULY
Notes 11:30 – 13:00 | Meeting Room 4 + 5 (North Wing - Level -1)


Project presentations: Archaeological archive standard and international core
data standard for archaeological and architectural heritage
Chair: Stephen Stead
Pierre Choffe
International core data standard for archeological and architectural heritage (CS)
The documentation of buildings, monuments and archaeological sites, plays an
essential role in promoting the understanding, conservation, preventive maintenance
and preservation of the archaeological and architectural heritage. Within Europe,
a wide range of recording methods are employed in the compilation of inventories,
often within a national framework. The compilation of these inventories may have
occurred for a variety of reasons. However, some of these reasons enjoy a more
widespread currency, in particular those relating to the protection of cultural
heritage, and to providing some form of public access to the information held.

Museum process implementation
Chair: Walter Koch
11:30 – 12:00
„The change of the museum documenting work processes in the digital era.
The actual practices (e.g. SPECTRUM-Procedures, Business Process or
Workflow Management, ...) in this field.“
Walter Koch
12:00 – 12:30
Condition reporting in the digital era: A case study of articheck‘s applications in
Fine Art collections and 15s
Jennifer Hefner
12:30 – 13:00
Using modern technology to support museum activities.
Case study: Estonians Deported to Siberia: Soviet Red Terror 1940-1960
WEDNESDAY 6 JULY
Detailed programme
Andres Uueni

ICMEMO – Memorial Museums in Remembrance of the Victims of
Public Crimes
Member presentations
11:30 – 11:32
Introduction
Daniel Dratwa
Schnittmarke
11:32 – 11:40
Memory, identity, patrimony, commemorations
Gabriela Römer
201
WEDNESDAY 6 JULY
Notes 11:40 – 11:48

Museum of Memory and Human Rights in Chile, cultural landscapes for
memorial pedagogies
Sigal Meirovich
11:48 – 11:56
People, place, and our past: Curatorial reflections on the interpretation of
difficult histories
Laura-Edythe Coleman
11:56-12:04
Finding the tone to speak on GULAG nationwide: Gulag History Museum and
the Association of Memory Museums of Russia
Anna Stadinchuk
12:04-12:12
The Memorial Park Kragujevački oktobar: Memorial park, museum and
cultural events
Katarina Babić
12:12-12:20
Artificial landscapes and meaning
Jane E. Klinger
12:20-12:28
Challenging the social amnesia and politics of oblivion through the Hrant Dink
Site of Memory, Istanbul
Nayat Karakose
12:28-12:44
12:44-13:00
ICMEMO Membership Meeting

11:30 – 11:45
Exchange Museum – The new face on Bridgetowns´ cultural landscape.
Allison-Faith Callender, Barbados
11:45 – 12:00
From craftsman to the designers-history of the Decorative Arts Museum in
Georgia
Irina Koshoridze, Georgia
12:00 – 12:15
Reframing ancient skills in present Chinese cultural museum landscapes
Schnittmarke
Sofia Bollo
202
WEDNESDAY 6 JULY
Notes 12:15 – 12:30

An ordinary extraordinare. A case study on Wazir Khan Mosque.
Fatima Farooq, Pakistan
12:30 – 12:40
Discussion
11:30 – 13:15 add separatin| Suite 7 (South Wing - Level +2 M)

Some players museums
11:30 – 11:40
11:40 – 11:50
11:50 – 12:00
12:00 – 12:10
12:10 – 12:20
12:20 – 12:30
12:30 – 12:40
12:40 – 12:50
12:50 – 13:00
13:00 – 13:10
WEDNESDAY 6 JULY
Detailed programme

Emerging strategies, state-of-the-art project examples
11:30 – 11:35
Welcome and introduction
Jelena Savic
11:35 – 11:40
Schnittmarke
Museum taking us into the city

Jerneja Batič, Slovenia
203
WEDNESDAY 6 JULY
Notes 11:40 – 11:45

Scotland’s urban past
Rebecca Bailey, United Kingdom
11:45 – 11:50
Immigraton and representation in São Paulo
Carolina Vasconcellos Vilas Boas, Brazil
11:50 – 11:55
The concept of cultural landscapes in the Immigration Museum of the State of Sao Paulo
Marília Bonas, Brazil
11:55 – 12:00
Nigeria’s Brazilian quarters, the mandate of preserving public monuments and
the issue of sustainable development in Nigeria
Louisa Nnenna Onouha, Nigeria
12:00 – 12:05
Around the corner, how MAS uses its collections to connect to its diverse
cultural landscapes
Lieve Willekens, Belgium
12:05 – 12:10
Baraka – A quarter for refugees. A best practice example how to design cultural landscape
Susanne Anna, Germany
12:10 – 12:25
Discussion
Looking into the future, new territories for city museums

12:25 – 12:30
Future of city museums in India
Abdur Rasheed, India
12:30 – 12:35
The cultural heritage of suburbia – The case of Greater Copenhagen 1945-2015
Mette Tapdrup Mortensen, Denmark
12:35 – 12:40
The cultural landscape of street art in Italy
Paola Boccalatte, Italy
12:40 – 12:45
The city museum and city Planning: The Museum of the city’s experience
Chet Orloff, United States
12:45 – 12:50
Reach - out Museum. New practices inside and outside the museum spaces
Michela Bassanelli, Italy
Francesca Lanz, Italy
Schnittmarke
12:50 – 13:00
Discussion
204
WEDNESDAY 6 JULY

Business Meeting and Elections

Community/Participation/Interpretation
Chair: Arja van Veldhuizen, The Netherlands
11:30 – 11:45
Cultural landscapes: Researching and promoting heritage education with a link
between art and science
Franca Zuccoli, Italy
11:45 – 12:00
Museum done by us: The cultural landscape as a product of an educational
community
Odalice Priosti,, Brazil
Márcio Pinto De Oliveira, Brazil
Nelson Pereira Mendonça Junior, Brazil
12:00 – 12:15
Find your public by bringing the collection to them
Michael Fuhr, Germany
Schools and environment

Chair: Arja van Veldhuizen, The Netherlands
12:15 – 12:30
Museo Escolar Hugo Gunckel
Marta Cerda Silva, Chile
Miguel Hernández Mella, Chile
Lita Vega Trujillo, Chile
12:30 – 12:45
Student reports from a historical flooding
Anna Tiedink, The Netherlands
12:45 – 13:00
WEDNESDAY 6 JULY
Detailed programme
Discussion

Chair: Colette Dufresne-Tassé
11:30 – 11:45
Displaying & engaging visitors in difficult issues:
A study of visitors comments on “when the South wind blows” exhibition
Chia-Li Chen, Taiwan
Hsu Huang, Taiwan
Schnittmarke
205
WEDNESDAY 6 JULY
Notes 11:45 – 12:00

Impacts’ assessment of the Delphi’s Region candidate for cultural capital of
Europe on the local community
Georgios Panagiaris, Greece
12:00 – 12:15
The museum as a local development environment.
An experience of citizen participation
Rosa María Hervás Avilés, Spain
Antonia María Sánchez Lázaro, Spain
Magdalena Castejón Ibáñez, Spain
12:15 – 12:30
The role of Rice Science Museum in Philippine rice research and development
Diadem Gonzalez-Esmero, Philippines
12:30 – 12:45
Multi-sensory engagement of museums’ publics: Research into docents’
training at the Montreal Museum of Fine Arts
Manon Douesnard, Canada
Jean-Luc Murray, Canada
12:45 – 13:00
Discussion


Community landscapes
11:30 – 11:45
Re-imagining university heritage through virtual cultural landscapes
Karen Brown
A. Miller
11:45 – 12:00
Cultural landscapes: A challenge for university museums.
The potential of thematic routes
G. Weisinger Cordero
M. del Carmen Maza
12:00 – 12:15
Museum for each one, heritage of every one of us: Playing of building ideas
about museums and heritages in south of Minas Gerais: heritage education,
perspectives and practices in a university museum.
Luciana Menezes de Carvalho, Brazil
12:15 – 12:30
Schnittmarke
Connecting classical heritage with present city life – A case study.

V. Norskov
206
WEDNESDAY 6 JULY
Notes 12:30 – 12:45

The role of the science and technology museum in the development of Patras
University cultural landscape.
P. Theologi-Gouti
Pr E. Vitoratos
12:45 – 13:00
(Re) contextualizing ethnic landscape: Chinese ethnographic museum of
university from 1945 to 1980.
Hui Du

Shaping the cultural landscapes: The role of writers‘ and composers‘
museums
11:30 – 11:40
The role of the Thomas Bernhard House in the Austrian Cultural Landscape &
Sàrolta Schredl, Austria
11:40 – 11:50
The joint Hungarian-Chinese exhibition titled The Power of Poetry
Gulyás Gabriella, Hungary
11:50 – 12:00
The Literary Museum and Urban Renaissance: The Moscow State Museum of
S.A. Yesenin and Moscow‘s New Urbanism & Questions and answers
Svetlana Shetrakova, Russia
12:00 – 12:30
Coffee Break
12:30 – 12:40
Jorasanko Heritage Hub: Preserving the history of Bengal renaissance &
Baisakhi Mitra
12:40 – 12:50
WEDNESDAY 6 JULY
Detailed programme
Between place and time – The Word and the Image – The Sigfrido Bartolini
Home in Pistoia
Simonetta Bartolini, Italy
12:50 – 13:00
Promoting a district‘s tourism, economy and cultural heritage through virtual
technology in the third millennium
Marco Capaccioli, Italy

Schnittmarke
General Assembly
207
WEDNESDAY 6 JULY
Notes 11:30 – 13:00 | Brown Hall 3 (South Wing - Level +2)

Panel: UNESCO/PERSIST Guidelines
11:30 – 12:00
The UNESCO PERSIST content taks force and the Guidelines for the selection
of digital heritage for longterm-preservation
Clement Oury
12:00 – 12:50
Panel discussion
12:50– 13:00

ICOM Slovenia
12:00 – 12:15
Introduction
Tanja Roženbergar, Slovenia
12:15 – 12:30
The Wheel, museums and galleries of Ljubljana
12:30 – 12:45
The Flute, National Museum of Slovenia
12:45 – 13:00
Discussion

Lunch break

Expo Forum: Les Films Grain de Sable
13:00 – 13:10
Short presentation of the Baghdad 3D, the future of our origins project,
characters, partners, purpose, schedule
Ivan Erhel, France
13:10 – 13:13
Broadcasting of the teaser Bagdad 3D, the Future of our Origins
Ivan Erhel, France
13:13 – 13:16
Presentation of the SUMER VR application, an experience of immersive virtual
reality inside the most beautiful sites of Iraq
Ivan Erhel, France
Schnittmarke
208
WEDNESDAY 6 JULY
Notes 13:16 – 13:19

Presentation of the Mesopotamia 3D exhibition, an exhibition of 3D printed and
holographic artefact masterpieces
Ivan Erhel, France
13:19 – 13:23
Questions and demonstration of different experiences of VR immersion inside
some of the most beautiful sites of Iraq
Ivan Erhel, France

The Living Museum. New Technology: Smart Solutions and Multimedia
Innovations for Enhancing Visitor Experience
Anthony Pruett, Senior Vice President, The Hettema Group, United States
Phil Hettema, President and Creative Executive, The Hettema Group, United States
Alain Dupuy, President, Innovision, France
Stephen CK Petri, Architect and Exhibition Designer, Reich+Petch, Design
International, Canada
Giancarlo Cotrufo, Project Manager, Goppion SpA, Italy

Case Study YXLON International GmbH
Condition diagnosis and 3D-data analysis of cultural property using X-ray CT at
a Japanese museum
Setsuo Imazu, Japan

Dr. Imazu talks about his 10 years of experience of Japanese cultural heritage
inspection with X-ray and CT (Computed Tomography).

Case Study MAE

Case Study MiBACT
Sleeping Beauty. Proposal for Italian Museums in the World
13:15 – 13:30
WEDNESDAY 6 JULY
Detailed programme
Opening speech
Ugo Soragni, Italy
13:30 – 14:00
Sleeping Beauty: Proposal for Italian Museums in the world
Fabio Pagano, Italy
14:00 – 14:15
Schnittmarke
209
WEDNESDAY 6 JULY
Notes 13:15 – 14:15 | yellow Hall 3 (North Wing - Level +1)

Goppion EducationLab: Conservation Issues, Solutions and Innovations
Andrea Sartori, Business Development Manager, Goppion SpA, Italy

Pamela Hatchfield, Head of Objects Conservation at Museum of Fine Arts,
Boston and President of the American Institute for Conservation, USA
Giuseppe Ciccaldo, Branch Manager, THK GmbH Italian Branch, Italy
Peter Hohenstatt, Business Development Manager, Goppion SpA, Italy

13:15 – 13:30
Eiji Mizushima (Japan), Professor, University of Tsukuba, Founder & CEO,
MARC ASPAC: Museum & Culture
Advanced Research Center in Asia Pacific, Former Vice-Chair ICOM Japan,
Board member ICOFOM
13:30 – 13:45
13:45 – 14:00
Luis Reppeto Malaga (Peru), Director, Museo de artes y tradiciones populares, Lima
14:00 – 14:15

Joint Session ICOM Netherlands, CECA (Education and Cultural Action),
ICOMOS NL (Monuments and Sites), EXARC (Archaeological Open Air
Museums and Experimental Archaeology) and ICOM MPR
The Roman Frontier along the River Rhine, the role of museums in revitalizing
cultural landscapes
Chairs:
Drs. Astrid Hertog (board member ICOM NL)
Prof. Dr. Renger De Bruin (board member ICOM NL, The Netherlands)
13:15 – 13:35
Introduction to the Roman Frontiers in Europe and along the River Rhine.
Tourism, museums, lessons from the past.
Prof. David Breeze
13:35 – 13:55
Castellum Hoge Woerd , other site examples in NL and the Museum’s role
Drs. Erik Graafstal
13:55 – 14:15
Xanten and the Museums’s Role in interpreting the Roman Limes.
Dr. Martin Müller
Schnittmarke
14:15 – 14:35
Coffee Break
210
WEDNESDAY 6 JULY
Notes 14:35 – 14:55

Making the invisible visible: Interpretation Frameworks and museum projects
along the Roman Limes in Southern Germany
Dr. Christof Flügel
14:55 – 15:15
The Roman Limes, a memoryscape which can be developed into a challenging
tourist destination by using storylines as a connecting thread between
landscape and museums in order to make the past visible and tangible
Drs. Frederike van Ouwerkerkk
15:15 – 15:30
Value of WHS for governing bodies, cooperation between two countries,
differences in the heritage ‘landscapes’ especially concerning museums
Tamar Leene MA
Dr. Thomas Otten
15:30 – 15:35
ICOMOS NL, UNESCO and museums
Drs. Jurn Buisman
15:35 – 15:55
Coffee Break
15:55 – 16:15
Panel discussion

Expo Forum: rsf
In search for the Ideal Guiding solutions in a Multimedia age

Bechara Yared, Owner, and manager of RSF
In a Multimedia age, it is easy to forget and ignore the real operational needs for a
guiding solution. It is also difficult to decide on how much and what multimedia to
use? And on the best tools to communicate these medias.
The presenter will reflect on RSF’s more than 40 years experience developing audio
visual solutions dedicated to the museum fields. He will share survey results in the
WEDNESDAY 6 JULY
Detailed programme
search for the “Ideal Audioguide”. He will then explore the question of „What is an
Ideal Multimedia guide”?

Blue Shield Netherlands
Inspiration and network meeting Blue Shield National Committees
Chairs:
Robyn Riddett, Australia
Kristel Witkam
13:30 – 14:00
Schnittmarke
Welcome by Blue Shield Netherlands

Angela Dellebeke, The Netherlands
211
WEDNESDAY 6 JULY
Notes 14:00 – 14:30

Keynote Blue Shield Italy
Tiziana Maffei, Italy
14:30 – 15:00
Keynote Blue Shield International
Karl Habsburg-Lothringen
15:00 – 15:30
Keynote Blue Shield International
Peter Stone, United Kingdom
15:30 – 16:00
Best Practices
16:00 – 16:30
Challenges and possibilities for mutual support
16:30 – 17:00
Discussion, summary and outcome of the workshops


14:30 – 15:00
Changes in Chinese cultural landscapes
Tian Kai, China
15:00 – 15:30
Developing an effective emergency management plan. A proposal
Isabella Fiorentini, Italy
15:30 – 16:00
Coffee Break
16:00 – 16:30
Security Games. Cultural Heritage and Museum Protection in Card and Board
Games
Elena Franchi, Italy
16:30 – 17:00
Protection of Cultural Heritage against Cyber Threats in the new Digital
Cultural Landscapes
Kim Jongsok, Korea
17:00 – 17:30
Schnittmarke
Risk Analysis
Dick Drent, The Netherlands
212
WEDNESDAY 6 JULY
Notes 14:30 – 18:00 | Blue Hall 1 (North Wing - Level +1) Joint Session
INTERCOM (Museum Management) and FIHRM
Sustainability and ethics
Chair: Sharon Granville, United Kingdom
14:30 – 14:40
Ethical challenges for museum modernization –The National Museum of History
Yui Tan Chang, Taiwan
14:40 – 14:50
Collecting biological material: Borders and definitions
Ekaterini Malea, Greece
Georgios Panagiaris, Greece
14:50 – 15:00
Strangeness and acceptance of minority groups in Science Museums
Silvania Nascimento, Brazil
15:00 – 15:10
Panel debate
15:10 – 15:20
Coffee Break
Social responsibility and engagement

Chairs: Rosario Ramos, Mexico
Nicoleta Zagura, Romania
16:15 – 16:32
Welfare stories from the edge of society - The ethical dilemmas
Sarah Smed, Denmark
Jakob Knage Rasmussen, Denmark
16:32 – 16:49
The values and achievements of the Juming Museum
Wu Shun-Ling, Taiwan
16:49 – 17:06
WEDNESDAY 6 JULY
Detailed programme
The new Museum Tommaso Crudeli and Article 18 of the Universal Declaration
for Human Rights
Raoul Crudeli, Italy
17:06 – 17:23
Responding to ethical demands through curating
Irene Capolmi, Denmark
17:23 – 17:40
Nigeria Museum’s work against illicit trafficking of Nok Terracotta
Adeniyi Jude Aribido, Nigeria
Schnittmarke
17:40 – 17:57
Panel debate
213
WEDNESDAY 6 JULY
Notes 14:30 – 18:30 | Yellow Hall 1 (North Wing - Level +1)

14:30 – 14:55
En finir avec le musée prédateur? Les métamorphoses du musée ethnologique
Fabien Van Geert, Belgium
14:55 – 15:20
Reformulating the museum discourse in critical ethnology exhibitions.
Limits and ambiguities in the reform at the Museum der Kulturen, Basel and
the Musée d‘ethnographie de NeuchâteL
Gaëlle Crenn, France
15:20 – 15:45
L’achat, nouveau terrain de chasse du musée d’ethnographie ?
Audrey Doyen, Switzerland
15:45 – 16:15
Coffee Break
16:15 – 16:40
L’Autre en Nous, le cas des Premières Nations dans les musées de société
et d’histoire au Québec
Marie-Charlotte Franco, Canada
16:40 – 17:00
Expérimenter une zone de contact autour d’objet venus d’ailleurs (Imagine
a contact zone on objects from elsewhere)
Emmanuelle Cadet
17:00 – 17:20
Exposing the predator, recognising the prey: New institutional strategies for
a reflexive museology
Camilla Pagani
17:20 – 17:45
Images and indigeneous voices from the „field“. Museum Representions
of the world of Benin City and its Palace in Contemporary Displays of Royal
Objects Taken by British Military Forces in 1897
Felicity Bodenstein
17:45 – 18:30
Mnemosophy
Tomislav Sola, Croatia

Natural history museums & landscape
Schnittmarke
14:30 – 15:30
AGM 2016
214
WEDNESDAY 6 JULY
Notes 15:30 – 15:45

„Natural History Museums in cultural landscapes” –
The example Ruhr Museum
Ulrike Stottrop, Germany
15:45 – 16:00
The edible landscape in the century-old Camphor Factory as museum’s
devotion in conservation of farmland biodiversity
Chi-Ming Chen, Taiwan
16:00 – 16:15
Panel discussion
16:15 – 16:45
Coffee Break
16:45 – 17:00
Arctic Gallery 2017 - New approaches to describing natural history in a cultural
landscape
Ailsa Barry, Canada
17:00 – 17:15
Urban naturalist project: Citizen exploration of urban nature in historic
landscape
Phaedra Hui-Shih Fang, Taiwan
17:15 – 17:30
Museological strategies of the landscape representation. The case museum of
human evolution (BURGOS, SPAIN)
Raquel Nogal, Spain
17:30 – 17:45
The museum territory as an educational platform
Anna Klukina, Russia
17:45 – 18:00
Nuestra señora de la natividad del Acaray, a forgotten mission
Ana Elisa Burrò, Paraguay
WEDNESDAY 6 JULY
Detailed programme
18:00 – 18:15
Yes – In my backyard – Being relevant to the community
Dorit Wolenitz, Israel
18:15 – 18:30
Panel discussion

Professional development workshop lead by money and medals network UK
Schnittmarke
14:30 – 15:00
Establishing National Networks
Henry Flynn
215
WEDNESDAY 6 JULY
Notes
Notes 15:00 – 16:30
Skills development workshop: Display techniques
Henry Flynn
16:30 – 17:00
Coffee Break
17:00 – 18:30
Discussion on standards for collections and museums

ICOM-CC – Conservation
Loans and environmental guidelines – Current procedures and perspectives
14:30 – 14:46
Welcome
Kristiane Strætkvern, Denmark
14:46 – 15:02
Objects that travel: What risks? What rules? What to wear?
Stefan Michalski
15:02 – 15:18
Museum experience
J. Sengupta, India
15:18 – 15:34
The conservators’ role in loans
Kristiane Strætkvern, Denmark
15:34 – 15:50
Museum exhibitions and loans
Roberta Saraiva Coutinho, Brazil
15:50 – 16:15
Coffee Break
16:15 – 16:30
Case studies
L. Souza, Brazil
16:30 – 18:15
Open dialogue with participants
W. Wei
18:15 – 18:30
Closing
W. Wei
L. Souza, Brazil
Schnittmarke
216
WEDNESDAY 6 JULY
Notes
Notes 14:30 – 18:30 | Turquoise Hall 2 (North Wing - Level -1)
14:30 – 15:00
Amenhotep CIT 10, rescue and restoration
Rania El-Atfy
15:00 – 15:30
Evaluation of Modified Laponite Solvent-Gel as a Poultice in removing papyrus
attachment with poor quality cardboard backing
Amr Mostafa
15:30 – 16:00
Coffee Break
16:00 – 16:30
Refurbishment of the Tutankhamen permanent display
Mohamed Gamal
16:30 – 17:00
Break
17:00 – 18:30
General Assembly

Work and industry in the heritage of modern landscapes
14:30 – 14:50
Kalle Kallio, Finland
14:50 – 15:10
Darjeeling Himalayan Railway – Dream, development, promotion and
integration in the cultural landscape
Indrani Bhattacharya, India
WEDNESDAY 6 JULY
Detailed programme
15:10 – 15:30
Industrial heritage making in Taiwan: The hybrid landscape of modernity and
colonial narrative
Chao-Shiang Li, United Kingdom
15:30 – 15:50
Semiotic and ethnographic approachment to industrial heritage
Veronica Ortega Ortiz, Mexico
15:50 – 16:10
The industrial heritage of the Anthropocene
Schnittmarke
Jana Golombek, Germany

Torsten Meyer, Germany
217
WEDNESDAY 6 JULY
Notes 16:10 – 16:30

Renè Capovin, Italy
16:30 – 16:50
What future for museums of and for the people?
Christopher Burgess, United Kingdom
16:50 – 17:10
The good, the bad and the ugly: Labour heritage in Tampere
Kalle Kallio, Finland
17:10 – 17:30
Landscape with people. The “Heritage-isation” of the Ruhr area
Dagmar Kift, Germany
17:30 – 17:50
Integrating the industrial landscape through the regional narrative –
The heritage of industry and labour and the landscape in the Rupel area
Bruno De Corte, Belgium
17:50 – 18:30

ICFA – Museums and Collections of Fine Arts
Board Meeting and General Assembly

„Internet festival of museum multimedia „“Media Geek: Cultural heritage“““
Chair: Simona Caraceni
14:30 – 15:00
Introduction
15:00 – 15:30
MuseoMix: A French paradigm applied in italian museums
Davide Baruzzi
Rosanna Spanò
15:30 – 16:00
SvegliaMuseo: The main italian Social Network community
Francesca Gottardo
Valeria Gasparotti
16:00 – 16:30
Osservatori.net: An institutional insight on web strategies and social network
museum experiences
Michela Arnaboldi
Schnittmarke
Eleonora Lorenzini
218
WEDNESDAY 6 JULY
Notes 16:30 – 17:00

17:00– 18:00
Meeting of the italian Coordinamento Audio-Visivi and Nuove Tecnologie ICOM
Italia

„Dark memories as attractions in the cultural landscape; Good or bad
examples of collections and items, monuments, memories, battlefields,
forteresses, etc.”
14:30 – 14:45
The Polish Army Museum in Warsaw: A study of the significance of location and
historic environment
Marcin Ochman, Poland
14:45 – 15:00
Fortifications and landscape in the Montefeltro and Emilia Romagna at the end
of the Middle age.
Mario Scalini, Italy
15:00 – 15:15
Warsaw Citadel: Location of the complex of museums in the place of Polish
Martyrology
Aleksandra Dzwonek, Poland
15:15 – 15:30
15:30 – 15:45
Unesco Heritage site of Suomenlinna and the museums located on it
Lauri Haavisto, Finland
15:45 – 16:00
First World War’s Christmas Battles: Inside out
Robert Linis, Latvia
WEDNESDAY 6 JULY
Detailed programme
16:00 – 16:15
Cultural landscapes and the heritage of first world war. Remembering the
Isonzo Front 1915-17 in museums and cultural preservation
Kaja Sirok, Slovenia
16:15 – 16:45
Coffee Break
16:45 – 17:00
Schnittmarke
17:00 – 17:15
For memoration and in the name of Etarnal Glory
Svetlana Uspenskaia, Russia
219
WEDNESDAY 6 JULY
Notes 17:15 – 17:30

Extremely far and incredibly quiet, the Jewish
Tal de Lange, Israel
17:30 – 17:45
Beyond the gable wall: Creating balance and bite in representations of
Northern Ireland at the National Army Museum
Rebecca Newell, United Kingdom
17:45 – 18:00
A new museum in a military-historical landscape
Paul van Brakel, The Netherlands
18:00 – 18:15
18:15 – 18:30
Summary of all sessions

COMCOL – Collecting
General Assembly and Board Meeting


ICOM Russia

Board Meeting

Eco-museums
Laboratories
14:30 – 16:30
Comparing experiences about the theme of the Conference
16:30 – 18:30
Conclusion of the workshop

14:30 – 14:45
Plastic bags as elements of urban landscapes and museum collections
Schnittmarke
Christian Hoerack, Switzerland
220
WEDNESDAY 6 JULY
Notes 14:45 – 15:00

Radio museum, a wing toward cultural landscapes
Damon Monzavi, Iran
15:00 – 15:15
Posters and cityscape. The poster collection at Vienna City Library.
Julia Koenig, Austria
15:15 – 15:30
House Museum „Three Roofs“. A surprising multi-sensorial balcony in
Lombard landscape
Anna Maria Ravagnan, Italy
15:30 – 15:55
Final discussion

Eco-museums
Workshop

Eco-museums
Workshop

Market place of exhibitions and ideas
17:30 – 18:30
Travel story telling workshop for audioguides

14:30 – 15:00
Old violin versus old violin
Martin Kirnbauer, Switzerland
WEDNESDAY 6 JULY
Detailed programme
15:00 – 15:30
Inside a Stradivari. New insights by means of high resolution computed
tomography
Rudolf Hopfner, Austria
15:30 – 16:00
A study on the timbral quality of violins based on descriptors extracted from
the sound
Fabio Antonacci, Italy
16:00 – 16:30
Schnittmarke
Coffee Break
221
WEDNESDAY 6 JULY
Notes 16:30 – 17:00

A computer aided approach for the analysis of UV-Induced fluorescence
images of historical violins
Marco Malagodi, Italy
17:00 – 17:30
Neutron imaging: An alternative perspective into musical instruments
Davis Mannes, Germany
17:30 – 18:00
Understanding futuristic materials of the past: A technical study of ebonite and
vulcanite in the collection of Musical Instruments of the Metropolitan Museum of Art
Adriana Rizzo, United States
18:00 – 18:30
Brass sheets for the manufacture of Replica
Adrian V. Steiger, Switzerland

Research session
Chair: Pino Monaco
14:30 – 14:45
Museum of People’s Free Thinking
Niovi-Vasiliki Zarampouka-Chatzimanou, Greece
Marina Tsekou, Greece
14:45 – 15:00
This is horrible! Do negative emotions have to be proscribed during a visit to a
Fine Arts Museum
Elisabeth Meunier, Canada
Colette Dufresne-Tassé
15:00 – 15:15
Three cases of using object-based learning with university students:
A comparison of their rationales, impact and effectiveness
Cheung-on Tam, Hong Kong, China
15:15 – 15:30
Museums Without Walls – Cultural heritage study for public school children of
Pakistan
Farida Syeda, Pakistan
15:30 – 15:45
Creating transformative collectors for heritage sustainability: Experience from
Black Tai village in Petchaburi province, Thailand
Jitjayang Yamabhai
Patoo Cusripituck, Thailand
Schnittmarke
15:45 – 16:00
Engaging with members of migrant comunities through interviews
Insa Müller, Norway
222
WEDNESDAY 6 JULY
Notes 16:00 – 16:15

Can exhibitions change the climate? Looking for the impact of natural history
museums on their visitors
Stephanie Wintzerith
16:15 – 16:45
Coffee Break
Digital solutions
Chair: Stephanie Wintzerith
16:45 – 17:00
Beyond museum walls. Education and cultural actions in support of a dialogue
between museums and the cultural landscape where they belong
Alexandra Tranta, Greece
17:00 – 17:15
Museum without Walls application, used by 40 finnish museums
Leena Tornberg, Finland
17:15 – 17:30
A multimedial storytelling for a silk museum
Sarah Orlandi, Italy
Marco Boldrini
Paolo Pioltelli
17:30 – 18:00
Discussion
18:00 – 18:30
Book Presentation

Individuality versus tradition

General Meeting and presentation of the new book of proceedings
WEDNESDAY 6 JULY
Detailed programme

General Assembly

Joint Session CAMOC (Collections and Activities of Museums of
Cities) and ICR (Regional Museums)
Museums and landscape communities
Chair: Sue Hanna
Maria Ignez Mantovani Franco
Schnittmarke
Afsin Altayli, Turkey
223
WEDNESDAY 6 JULY
Notes 14:30 – 14:45

Opening Addresses
14:45 – 15:00
Navigating freedom: Social cohesion policies and the democratic cultural
landscape of Durban’s Liberation Heritage Route
Bonginkosi Zuma, South Africa
Steven Kotze, South Africa
15:00 – 15:15
Interpretation, inheritance and development of regional cultural landscapes:
A case of the new hunan provincial museum
Chen Jianming, China
15:15 – 15:30
Helsinki City Museum as an expert of cultural environment and challenges of
participation and open society
Tiina Merisalo, Finland
15:30 – 15:45
From the museum to the landscape
Irena Žmuc
15:45 – 16:00
Cemeteries in the city of Stockholm: A culture-historical characterization/
Slaughterhouse District: Stockholm city museum and the transformation of
an urban cultural landscape
Lena Lundberg, Sweden
Sebastian Ulvsgärd, Sweden
16:00 – 16:15
Regional identity as shaped by physical and cultural landscapes
Carrie-Ann Lunde
16:15– 16:30
Coffee Break
16:30 – 16:45
Planning culture & cultural planning: Museums and cultural landscapes
Afsin Altayli, Turkey
16:45 – 17:00
A regional museum in a city of volcanoes: Auckland Museum’s cultural
landscape – A case study
Jane Legget
17:00 – 17:15
Cityscape as a marketing tool or as life space of residents?
Makiko Ruike, Austria
17:15 – 17:30
Schnittmarke
Where the orange trees grow – A challenging cultural landscape in Argolid,

Greece
Stefanos Keramidas, Greece
224
WEDNESDAY 6 JULY
Notes 17:30 – 17:45

Preserve cultural heritage and landscape through city museum
Chunni (Jenny) Chiu, Japan
17:45 – 18:00
18:00 – 18:30
Closing session

Using values to connect
14:30 – 16:00
Using values to connect workshop
Jay Geneske
16:00 – 16:30
Coffee Break
16:30 – 16:45
Marketing and branding at the core of strategic change
Javier Jimenez
16:45 – 17:00
Stedelijk X – Influencer marketing at the museum
Karin Sommerer
Frederike van Dorst
17:00 – 17:15
Building relationships on broken relationships – A (hundred year old) new
museum making emotional connections
Tove Vesterbacka
17:15 – 17:30
Developing museum work with audience
Päivi Partanen
WEDNESDAY 6 JULY
Detailed programme
17:30 – 17:45
Exhibition co-creation and rebranding the Sarawak Museum –
Establishing a sense of belonging by co-sharing oral histories
Hans van de Bunte
17:45 – 18:00
18:00 – 18:30
MPR Programme Wrap-up, details for July 7 study trip
Schnittmarke

General Assembly
225
WEDNESDAY 6 JULY

Special UMAC Landscapes
15:30 – 15:35
UMAC TFT, a plan of action
D. Verschelde
15:35 – 15:40
Protecting university museum collections: A task force
L. King
15:40 – 15:45
The Polish Association of University Museums
H. Kowalski
M. Grassmann
M. Bukowski
15:45 – 15:50
University museums network in Japan and the Kyoto 2019 conference
Y. Kurihara
Defined landscapes
16:00 – 16:20
University museums and the urban landscape: Islands or lighthouses?
Y. Winkin
16:20 – 16:40
The role of university museums on the process of new cultural layers in case of Istanbul.
N. Özdemir
H. Sivri Gökmen
16:40 – 17:00
University museums and collections as keepers of the history of (their)
landscape and surroundings
N. Nyst
17:00 – 17:20
Building a new university: The changing educational landscape of the late 18th
and early 19th centuries, at the University of St Andrews.
J. Burdge
17:20 – 17:40
University cultural heritage of CUJAE in Havana city (Cuba). A methodology to
preserve and promote the movable goods and the landscape.
C. Marrero Leivas
17:40 – 18:00
Activity of Jagiellonian university museum in discovering and studying the
Schnittmarke
history and culture of Cracow city and its alma mater.

J. Ślaga
K. Stopka
226
WEDNESDAY 6 JULY
Notes 18:00 – 18:20

The role of the university in shaping the cultural landscape of Strasbourg: Past,
present and future.
S. Soubiran
D. Issenmann

Coffee break

Workshop on Guidelines for Women’s and Gender-related
museums
16:45 – 17:45 | suite 5 (South Wing - Level +2 M)

Market of ideas
Chair: Zeljka Jekavic
16:45 – 16:52
Open School
Michael Gyldendal, Denmark
16:52 – 16:59
Discover culture and heritage at your doorstep – The School Heritage Corners
Programme
Asmah Alias, Singapore
16:59 – 17:06
The role of museums on labor and maltreated children’s culturalization
Negar Sagharichi, Iran
Maryam Almasi, Iran
17:06 – 17:13
Sustainability in museums: Local approaches for community impact
Stacey Freeman
17:13 – 17:20
(Un)Real engagement: Reality gaming and youth in museums
JooKyung Rheea, Korea
WEDNESDAY 6 JULY
Detailed programme
Hosan Kim, Korea
17:20 – 17:27
The Getty College Night: Interdisciplinary partnerships beyond the museum’s walls
Peter Tokofsky, United States
Irina D. Costache, United States
J. Andrew Morris, United States
17:27 – 17:34
Flipped museum, how visual thinking strategies and collaborative work
improve competence skills and engage in museum visit
Schnittmarke
Vincenza Ferrara, Italy
227
WEDNESDAY 6 JULY
Notes 17:34 – 17:41

A museum as large as a city
Meysam Abdoli, Iran

Documentary „The Destruction of Memory“
Realised by Tim Slade (Vast Productions)

Over the past century, cultural destruction has wrought catastrophic results
across the globe. This war against culture is not over - it‘s been steadily
increasing. Based on the book of the same name by Robert Bevan, “The
Destruction of Memory” tells the whole story - looking not just at the ongoing
actions of Daesh (ISIS) and at other contemporary situations, but revealing the
decisions of the past that allowed the issue to remain hidden in the shadows
for so many years.
http://destructionofmemoryfilm.com
Schnittmarke
228
WEDNESDAY 6 JULY
229
Notes
Legend
Memorial Lectures
Panel Discussion
Plenary Session
Social Events
Sponsored Session

Schnittmarke
Detailed programme
SaturDAY 9 JULY
Saturday 9 July
Detailed programme
SaturDAY 9 JULY
North Wing
ROOM Registration Area Silver Plenary Meeting Room 3
LEVEL +1 +2 -1
8:00
8:30
Registration
9:00
9:30
Extraordinary General Assembly
10:00 followed by General Assembly
10:30
11:00
11:30
12:00
12:30
13:00
13:30
ICOFOM
14:00
14:30 Lunch
(Foyer Silver)
15:00
15:30
16:00
16:30
17:00
17:30
Executive Council Informal Meeting
18:00
19:30 -
20:00 19:30 – 20:00 Closing Ceremony (Sala d’Onore, La Triennale)
20:00 -
00:00 20:00 – 00:00 Closing Party (La Triennale)
Saturday 9 JULY

Registration

Extraordinary General Assembly followed by General Assembly
(Coffee Break included)
Extraordinary General Assembly

Presentation of the revised Statutes of ICOM (Per Rekdal, Chair of the
Working Group on Governance)
General Assembly
President’s Annual Report 2015
Finances
Resolutions
Approval of the Strategic Plan 2016 – 2022
Approval of a new Honorary Member
The dates and venues of the 32nd Ordinary General Assembly
Results of the election of the Executive Council for 2016 – 2019 and appointment of
the President of ICOM for 2016 – 2019

General Assembly

Lunch Break

Advisory Committe Meeting

Executive Council Informal Meeting
Saturday 9 JULY
Detailed programme
233
Legend
Memorial Lectures
Panel Discussion
Plenary Session
Social Events
Sponsored Session

Schnittmarke
Off-site Meetings
SunDAY 3 JULy
TueSDAY 5 JULy
WEDNESDAY 6 JULY
THURSDAY 7 JULy
MEETINGS
OFF-SITE
Schnittmarke
Off-site Meetings
Notes SunDAY 3 JULy

17:30 – 18:30 | OFF-SITE
ICOM-ASPAC
Melià Milano Hotel, 17:30-18:30
TueSDAY 5 JULy
15:30 – 18:30 | OFF-SITE
CAMOC and ICAMT

Mudec, 15:30-18:30
CIPEG
Visit University Archives, 15:30-18:30
WednesDAY 6 JULy
08:00 – 21:00 | OFF-SITE
ICMEMO
Museo della Memoria, Milan, 8:00 – 21:00
DEMHIST
Storie Milanesi museums, 11:30 – 18:00
GLASS
11:30 – 18:00
ICDAD
Museo Bagatti-Valsecchi, 17:00 – 19:00
ThursdAY 7 JULy
07:30 – 21:00 | OFF – SITE
AVICOM
Biella, 11:00 – 18:00
CAMOC and ICR

Bologna, 7:30 – 21:00
Palazzo Pepoli and Bologna Urban Center, Bologna, 11:00 – 18:00
CECA
Museo di Storia Naturale, 10:00 – 11:30
Triennale di Milano, Triennale Design Museum, 10:00 – 11:30
Mudec – Museo delle Culture, 10:00 – 16:30
Orto Botanico di Brera, Università di Milano, 10:00 – 16:30
Palazzo Moriggia, Museo del Risorgimento, 12:00 – 13:30
Museo del Novecento, 14:30 – 16:30
Museo Nazionale Scienza e Tecnologia “Leonardo da Vinci”, 14:45 – 16:30
Università Cattolica del Sacro Cuore, 15:00 – 16:30
Pinacoteca di Brera, 15:30 – 18:00
Schnittmarke
236
Off-site Meetings
Notes CIDOC
Turin, 11:30 – 13:00
Egyptian Museum, 14:00 – 16:00
CIMCIM
Violin Museum, Cremona, 9:00 – 18:00
CIMUSET
Villaggio Crespi, Crespi d’Adda (BG), 08:00-19:00
Taccani Hydroelectric powerplant, Trezzo d’Adda (MI), 08:00-19:00
Museum of the Hydroelectric power, Cedegolo (BS), 08:00-19:00
CIPEG
Visit Egyptian Collection, 11:00 – 13:00
Visit Palazzoo Morando, 14:30 – 15:45
Pinacoteca di Brera, 16:15 – 18:15
Gallerie d’Italia and the exhibition, 19:30 – 21:00
COMCOL
11:00 – 18:00
COSTUME
Duomo di Milano, 9:00 – 10:30
La Scala Museum, 11:00 – 12:00
Teatro alla Scala, 12:00 – 14:00
Laboratori Scala Ansaldo or Fondation Ferré, 15:00 – 16:30
Armani Museum, 17:00 – 18:00
DEMHIST
Casa Museo Ugo Da Como, 8:00 – 21:00
GLASS
Glass collections,Turin, 11:00 – 18:00
ICAMT
Politecnico, 9:30 – 16:30
ICDAD
Castello Sforzesco, 9:00 – 10:30
Museo dei Mobile e delle Sculture Lignee/Museo delle Arti Decorative, 9:00 – 10:30
Fondazione Prada, 11:00 – 12:30
Villa Necchi Campiglio, 14:30 – 15:30
Triennale, 16:30 – 18:30
Fondazione Achille Castiglione, 19:00 – 20:00
ICEE
MEETINGS
OFF-SITE
Milano, 10:00 – 12:00

Mudec, 15:00 – 19:00
ICFA
11:00 – 18:00
Schnittmarke
237
Off-site Meetings
Notes ICLM
Museo Donizetti, Bergamo, 11:00 – 18:00
ICMAH
Museum of Science, Trento, 10:00 – 18:00
ICME
Mudec, 11:30 – 14:30
ICMEMO
Fossoli Camp, Carpi, 11:00 – 18:00
Modena, 11:00 – 18:00
Museo del Deportato, 11:00 – 18:00
ICMS
Visit Museo Poldi Pezzoli, 10:00 – 11:00
ICOFOM
Università Cattolica del Sacro Cuore, 9:00 – 14:30
ICOM-CC
Pinacoteca di Brera, Milan, 9:00 – 11:00
Milan, 11:00 – 18:00
ICOMAM
The Royal Armoury, Turin, 11:00 – 18:00
The Artillery Museum, Turin, 11:00 – 18:00
The Museo Pietro Micca and the Siege of Turin 1706, Turin, 11:00 – 18:00
ICOMON
Visit to Museum of Savings, Turin, 11:00 – 18:00
ICTOP
11:00 – 18:00
INTERCOM
11:00 – 18:00
MPR
11:00 – 18:00
NATHIST
11:00 – 18:00
UMAC
University Museums, Turin, 11:00 – 18:00
ICOM US
Reception, Hosted by the US Consulate General in Milan (The Residence), 18:30 – 20:30
(invite only)
Schnittmarke
238
Saturday Notes
9 JULY
MEETINGS
OFF-SITE
Schnittmarke
239
Schnittmarke
partners, Sponsors
& Exhibitors
& Exhibitors
Partners, Sponsors
Saturday 9 July
Partners
Institutional Partners Excursion day partners

We thank all the partners that supported the great
number of Excursion Day proposals. The complete
Ministero degli Affari Esteri list is available on the
e della Cooperazione Internazionale Conference website.
pre- and post- conference tours

partners
We thank all the partners that supported the great
number of Pre- and Post- Conference Tours.
The complete list is available on the
Conference website.
tours for accompanying persons

A special thanks to MUSEMENT for the Accompanying
Persons Tours.
MUSEMENT is ICOM Milano 2016 Travel Partner.
main media partners
Partners
The complete list of Media Partners is available on the

Conference website.
242
Saturday
Sponsors
9 july
Main sPONSORS
Gold sPONSORS
sILVER sPONSORS
bRONZE sPONSORS
EXPERIENCING YOUR STORY
sPONSORS
Giant Monkey Software Engineering GmbH
Haroutunian Foundation
& Exhibitors
Partners, Sponsors
243
Saturday 9 July
Exhibitors
Exhibitor Booth number Exhibitor Booth number

Absolute Museum & Gallery Products 12 Musement 22
AFSP - Atelier des Fac-Similés du Périgord 4d Museo Internazionale delle Ceramiche in Faenza - MIC 43a
AKZU LIGHTSYSTEM CO., LTD. 14 museofabber.com 19
Alfavision 24 MUSEUM CONNECTIONS 10
ART & CULTURE TRANSLATED 43c Museum International, ICOM/Wiley 41a
ARTERIA SAFETECH 39 MUSEUM MANUFACTORY 60
ARtGlass 70 Museumspartner 15
ARTIS VIVENDI 58 MyTemplArt® 43b
Beijing Auto Museum 57 Nanjing VITA Information Technology Co., Ltd 69
Beijing Qiyi Wenbo Culture Co.,Ltd (MPT-EXPO) 49 NOMAD EXHIBITIONS 5a
Bresciani srl - Materials and Equipment for the 36 OPIFICIO DELLA LUCE 59b
Restoration and Conservation OTT ART & APICE & ARTSYSTEM 8
BROADMESSE CREATIVE INTERNATIONAL COMPANY 49 Panasonic Business 35
(HK) LIMITED Paul Bernhard Exhibit Design & Consulting 29
Capital Museum 54 Peking Man Site Museum at Zhoukoudian 47
Capitale Cultura Group 70 Présence 68
Chen Yun Memorial 52 Preservatech 87
China Science and Technology Museum 48 PROMPERÚ 76
Chinese Association of Museums 65 PROPAGROUP SpA 40
Chinese Museums Association - Hubei Provincial 7 Regione Lombardia 27
Museum
Routledge 17
Chongqing Hongyan Revolution History Museum 46
RSF 83
Cincinnati USA & ICMEMO 13
SAFIR 9
CITTA‘ DI TORINO 91
Self Electronics Germany GmbH 4c
ClickNetherfield 31
SHANXI MUSEUM 53
Collège Montmorency 21
SKINSOFT 28
CP & EXPONA EXHIBITIONS 62
smARTravel 3b
Cultural Heritage Partners 70
Sooeasy Penguin Pass 70
DACA vetrina d’autore 20
SOYO Technology Development Co., Ltd. 32
Eco-Counter 23
Suzhou Museum 45
Effektschmiede GmbH 13a
Sycomore 68
Empreinte 68
T&D Corporation Japan 33
ETT s.p.a. 18
Testo Spa 93
FORTECHO™ ARTWORK PROTECTION SOLUTIONS 85
The Administration Bureau of Dr.Sun Yat‘-sen‘s 55
FRANK EUROPE 84 Mausoleum
Fulldome.pro 3 The Hettema Group 29
Groglass 26 The Japanese National Committee for ICOM 4b
Gsnet Group 70 THK CO., LTD 29
Guardian Glass Europe 41 Tianjin Hengda Wenbo Science&Technology Co., Ltd. 51
Goppion MuseumLab 29 Tianjin Wangda Displaying Tools Co., Ltd. 90
hongbowang.net 49 TIANYU CULTURAL GROUP 50
ICOM ITALY 41b TOMORROW LTD 86
IDU INTERACTIVE 11 Tru Vue, Inc. 61
Inbolun ∧ China 95 TUOMI 2b
INNER MONGOLIA MUSEUM 44 Universcience 94
International Museum Construction Congress 16 University Products/ Lineco 6
ITALVETRINE S.R.L. 73 Vastari 38
Jiangsu Da Mei Tian Di Cultural Industry Co.,Ltd 56 Vitrinen- und Glasbau REIER GmbH 82
Kern Studer AG 63 Xergy Inc. 2a
KVORNING DESIGN & COMMUNICATION 5b XPONIA 3a
MARCO PIERI 37 YXLON International GmbH 59a
MEYVAERT 25 Zeutschel GmbH 34
MiBACT - Direzione generale Musei 42 ZHEJIANG PROVINCIAL MUSEUM 53
monalitag® by EDITAG 3c Zone Display Cases 4a
244
Exhibition
Saturday
Floor9Plan
july
Museum Fair
and Expo Forum
3c 3b 3a
2b 2a
Expo 20 15 11 3
Forum
21 16 8 5a
12
22 17 9 5b
18 13 10 6
23
13a
24 19 14 7
34 33
92 91 90 29 4c 4a
35
Networking
Lounge
93 95 4d 4b
94
38
31
36
27 25
39
32
40 37
28 26
69 61 51 44 41a
73
52 41
62 45 41b
Exhibitor 58 53
Help 70
Desk 63 54 46
55 47 42
76
59a 56 48
65 57 49
59b
68 60 50
43a
43b
China Pavilion
43c
Museum Fair
and Expo Forum
87 86 85 84 83 82
& Exhibitors
Partners, Sponsors
245
INSTITUTIONAL PARTNERS PROFILES
MiBACT - Ministero dei beni e delle attività

culturali e del turismo
The Ministry of Cultural Heritage and Activities and Tourism is the Ministry of
culture of the Italian Republic. The vast national tangible and intangible heritage,
constituting the country’s identity, has determined the development of a complex
and pervasive system for its protection and management.
This system embodies a comprehensive and holistic approach whereby

protection, maintenance, valorisation and promotion of national heritage
are tools for the administration and for the development of the territory. The
Ministry operates at the national level in close cooperation with the local
Ministero degli Affari Esteri administrations, municipalities, academies and universities. It has a capillary
e della Cooperazione Internazionale structure composed of Central Institutes, regional museums networks,
museums, Regional Secretariats, sectorial Superintendences, State Archives
and Libraries.
MAECI
The Ministry of Foreign Affairs and International Cooperation is responsible for
the State’s functions, tasks and duties in matters concerning Italy’s political,
economic, social and cultural relations with other countries. Our duty, therefore,
is to ensure that the international and European activities of Italy’s other
ministries and government offices are consistent with the country’s international
policy objectives.
Our Ministry operates through a network of offices throughout the world:

embassies, permanent missions to the international organisations, special
diplomatic delegations, consular offices and Italian cultural institutes.
Regione Lombardia
Regione Lombardia is the regional government of a dynamic and competitive
land, situated in the North of Italy with a population of nearly 10 million
inhabitants, distributed over an area of approx. 24,000 km². The role of the
government authority is to guide, plan, coordinate and control the management
of the territory.
Regione Lombardia has always paid particular attention to the preservation and
enhancement of cultural heritage and to the promotion of cultural events. With
more than 360 museums and cultural institutes, over 1.300 public libraries,
around 2.000 catalogues of local authorities, 10 World Heritage sites, 69.000
creative and cultural companies, around 1.000 theaters, auditoriums and
cinemas, Lombardia has a leading role on the Italian cultural scene.
246
INSTITUTIONAL PARTNERS PROFILES
THE CITY OF MILAN

Milan is an international city, a crossroads of economic, financial and cultural
exchange, at the forefront on innovation. It is the European city that hosts
the highest number of diplomatic missions and consular offices. 18% of its
population comes from other countries: Milan is home to about 300,000 citizens
of different nationalities, belonging to over 150 different ethnic groups, and over
500 associations that refer to foreign communities.
Arts, literature and the sciences flourish in Milan during the centuries. The city
is now open to the influences of European culture and overseas and credited as
one of the most active centers for the dissemination of ideas. The Milan Museum
System is a diversified aggregation of artistic and historical venues and sites of
great significance and value, comprising public museums and spaces managed
by the city administration or by private entities and foundation that together
provide a wide ranging and multifaceted cultural offer. A common heritage that
aims to become ever more widespread and accessible.
The Administration is the reference point for international and cultural

strategies, essential to the development of the city future.
& Exhibitors
Partners, Sponsors
247
company profiles
ARTERIA SAFETECH
Arterìa, the Italian leading company in the art logistics, with branches in Milan,
Rome, Florence, Venice, Turin and Malpensa, is today offering a wide range
of services and products dedicated to museums, galleries and art dealers
through its exclusive “secure” network. Packing and transportation, storage
and shipping, handling and installation, frames and display cases and more…
Arterìa l’arte viaggia con noi.
Artis Vivendi
ARTIS VIVENDI is supplier of museum shops with a concept of different items in
highest quality. Scarfs, bags, spectacle cases, mirrors, pins, boxes & fans.
culture innovation trust

Culture Innovation Trust is a network devoted to management and innovation
for culture, promoted by Capitale Cultura Group (Italy-Switzerland) and involving
the top consultancy firm Cultural Heritage Partners (US); ARtGlass (Italy),
leader in Wearable Augmented Reality for heritage sites; Sooeasy-Penguin Pass
(Switzerland, Italy), developing revolutionary smart access mobile services;
Gsnet Group (Italy) with its unique 3&4D interactive lab for museums.
Ett s.p.a.
ETT is a digital and creative company specialising in technological, cultural and
scientific knowledge integration. Our wide-ranging solutions, awarded as best
practices at the international level, include New Media innovative platforms
and products for the creative and cultural industry. People and Technology: an
international corporation with the Italian Touch.
Fulldome.pro
Fulldome.pro is a creator and of 360° immersive fulldome cinema experiences.
We provide the best value in the industry – unbeatable visuals at the best price.
Our revolutionary software and cutting edge manufacturing have allowed us
make an incredible 360° experience simpler and more accessible than ever.
Goppion MuseumLab, PBE, THG and THK

Goppion S.p.A. is the recognized global leader in the field of museum casework
engineering and design, and collaborates with the world’s most prominent
museums, protecting the greatest icons of cultural heritage, including the
Mona Lisa, the Crown Jewels of England and Leonardo da Vinci manuscripts.
Goppion MuseumLab provides design-assist and museum planning services
with specialized teams composed of curators, designers, architects and expert
consultants. It is main sponsor for ICOM 2016 with Paul Bernhard Exhibit Design
& Consulting (PBE), The Hettema Group (THG) and THK Co., Ltd. PBE creates
exhibitions with its diverse team of designers, artists, fabricators, animators,
programmers, media producers, writers and content specialists.
248
company profiles
THG is the premiere place-making and experiential design studio in the multimedia
industry, creating acclaimed projects worldwide. THK has developed many unique
products, including seismic isolation systems that protect important artworks
worldwide, including Michelangelo‘s Pietà Rondanini at Castello Sforzesco.
Company links Exhibitor names:

www.goppion.com Goppion S.p.A. and Goppion MuseumLab
www.pbexhibits.com Paul Bernhard Exhibit Design & Consulting
www.thehettemagroup.com The Hettema Group
www.thk.com THK Co., Ltd.
Guardian Glass Europe

Guardian Industries offers outstanding Clarity™ for museum showcases. As
a leading global manufacturer of float glass and fabricated glass products,
Guardian produces its Guardian Clarity™ double-sided, anti-reflective glass
using a state-of-the-art, magnetron sputtering glass coating technology.
Clarity glass enables a light transmission of 97% and a reflection of less than
1%, compared to architectural float glass, which offers a light transmission
of 90% and a reflection of 8%. Museum operators across Europe are opting
to use Clarity glass in some of their most demanding applications. For more
information, please visit www.guardianclarity.com.
Hubei Provincial Museum

Hubei Provincial Museum is one of China’s most famous and impressive
attractions. Standing by the beautiful East Lake, the museum was opened
in 1956 to showcase diverse of Hubei’s incredible archaeological finds. It is
the only provincial comprehensive museum in the province. The museum
collects, protects, and exhibits the cultural relics discovered in the province.
Since 1953, the museum has collected over 200,000 cultural relics, including
pottery, porcelains, jade, bronze vessels, ancient weapons, and ancient musical
instruments. Among these cultural relics, 812 are listed as first-class relics of
China, and 16 are considered national treasures.
During the recent 8 years, Hubei Provincial Museum actively in international

exhibition exchanges, imported and exported numbers of exhibitions and created
phenomenal audience attendance figures around the world, and frequently
cooperated with great international museums, such as British Museum, the
Uffizi Gallery in Florence, the Metropolitan Museum, Los Angeles County
Museum of Art, and Russian Pushkin National Museum.
& Exhibitors
Partners, Sponsors
249
company profiles
INTESA SANPAOLO
The Bank’s commitment to culture is seen in a host of projects which fall under
its Progetto Cultura plan. The values which have inspired it involve protecting,
promoting and increasing awareness of the artistic and cultural assets which
make up Italy’s incomparable heritage, and returning them to public display. The
Group has therefore created three hubs where art and culture can be enjoyed
and promoted, each one part of “Gallerie d’Italia”: Gallerie di Piazza Scala in
Milan, Gallerie di Palazzo Leoni Montanari in Vicenza and Gallerie di Palazzo
Zevallos Stigliano in Naples.
Another key objective for Progetto Cultura is to help safeguard Italy’s cultural
heritage. The Bank’s commitment is put into practice through the “Restituzioni”
Project, launched in 1989. This restoration programme for Italy’s artworks
and monuments is promoted, sponsored and overseen by Intesa Sanpaolo in
conjunction with the country’s national Superintendencies.
Meyvaert
Meyvaert has been producing museum grade showcases for 70 years. Our
cutting-edge engineering and manufacturing solutions provide our worldwide
customers with the latest exhibition possibilities to optimally present, preserve
and protect collections.
From large-scale museum projects to individual showcases, we deliver high

quality display solutions conforming to stringent conservation standards.
Museum Manufactory
EXPERIENCING YOUR STORY
Museum Manufactory is the first French-German group specialized in setting
up innovative exhibition venues such as museums, showrooms, visitor centers,
touring exhibition, etc.
Museum Manufactory brings a 360 degree expertise in order to offer full-

integrated services including study, design, manufacture, installation and
maintenance.
Panasonic Business
Panasonic Business’ goal is to improve the working lives of business professionals
through technology. We help capture and communicate information through
security and Pro AV cameras, PBX telephones, projectors, displays and much
more…. In the museum world, we deliver innovative lamp-free projection and
resistant high quality professional screens creating a truly unforgettable visitor
experience.
RSF
RSF is a French manufacturer of AV equipment dedicated for museums
and exhibitions. RSF offers the most innovative range of audioguides and AV
solutions. References include prestigious sites such as the Uffizi in Florence
and the Prado in Madrid. RSF supplies the multimedia guides for the new “Meet
Vincent Van Gogh” exhibitions.
250
company profiles
SOYO TECHNOLOGY DEVELOPMENT CO., LTD

SOYO Technology Development Co.,Ltd is a leading solution provider on smart
tour guide area for Museum,touism market. We have engaged in this area for
over 12 years and now we can complete over 50 smart tour guide system for
museum a year. SOYO technology offers complete solutions from product to
service, include digital wireless audio/video tour guide system smart APP tour
guide system, 3D VR show technology and the related service such as language
translation, audio record, video program according to the document provided by
customer.
SOYO is the Topthree smart tour guide solution provider in the world. We can
install the digital wireless tourism guide system in more than 50 museums and
tourist attractions a year all over the world.
You‘re welcome to contact us

Web: www.tp-wireless.com
Email: market@tp-wireless.com
Tel: +86-755-83866822-815
fondazione cassa di risparmio di firenze

The Fondazione Cassa di Risparmio di Firenze (FCRF) is a foundation with banking
origins. Its history goes back to 1829, when a group of 100 citizens decided on
their own initiative to set up the “Società della Cassa di Risparmio”, that was to
encourage saving and a prudent approach to money among the less affluent.
Continuing in the footsteps of the original Cassa, today the FCRF operates
directly through its own projects or through operating entities or by making
contributions to initiatives proposed by third parties that pursue objectives
aligned with its own statutory and programmatic aims. The performance of its
activity is directed in particular towards fostering culture and art, conserving
and enhancing the cultural, landscape, environmental and agricultural heritage,
furthering scientific research and technological innovation even in the medical
and health field and the education of young people. It also supports voluntary
work and associations and is committed to helping those in need of solidarity,
care and rehabilitation.
Tianyu Cultural Group

Tianyu Cultural Group provides its expertise to Chinese museums in areas of
exhibition production, exhibition exchange, museum education and design
of cultural products. The website www.chinamuseum.com acts as a bridge
between Chinese museums and you: it is your perfect gateway to the Chinese
museum community.
YXLON
YXLON International designs and produces radioscopic and CT inspection
systems for the widest variety of applications and fields. Not only the largest
producers in the aviation & aerospace, automotive or electronics industry belong
to YXLON’s customers, but museums, universities and institutes worldwide
benefit from the advanced X-ray technology as well.
& Exhibitors
Partners, Sponsors
251
Notes
252
Partners, Sponsors
& Exhibitors
253
Notes
Notes
254
Tianyu Cultural Group
As the only company in China providing specialised full-range services to museums, Tianyu Cultural Group is
dedicated to the professional management of Chinese museums. It provides services ranging from museum
planning and the production of permanent exhibitions to the daily maintenance of museums. Since its creation
in 2003, Tianyu Cultural Group has delivered premium services to more than one hundred museums in China,
including the National Museum, the Palace Museum, the Capital Museum and the Summer Palace.
www.tysmchina.com
Its services encompass:
Exhibition planning, design, production and mounting Design and maintenance of digital museums
Touring exhibitions Management of museums’ social media profiles
Museum educational programming Platform of information exchange for museums
Museum cultural products
www.chinamuseum.com
The platform is a free service provided by the Chinese

Museums Association for its members. Member
museums can publish exhibitions on the platform,
creating an information exchange network. It is
furthermore a bridge between Chinese museums and
their international partners for exhibition exchanges.
The platform introduces Chinese exhibitions to the
world and showcases exhibitions from around the
world to Chinese museums. The platform is run and
supported by Tianyu Cultural Group.
Tianyu Cultural Group is seeking out museums and

institutions serving museums as partners. Together,
we can work better with Chinese museums.
Promoting Chinese exhibitions to the world, Tianyu
Cultural Group aims to share the essence of Chinese
culture and history with you.
Chinese Museums Association, Art Exhibitions China,

Chinese Academy of Cultural Heritage, Weekly of
Chinese Cultural Relics
Paris: Yu.Zhang@chinamuseum.com +33 611779540

Beijing: Ellian.Qu@chinamuseum.com +86 18911559780
Cover photo: © Roberto Mascaroni

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INFORMATION GÉNÉRALE / franÇais

INFORMACIÓN GENERAL / Español

INFORMAZIONI GENERALI / ITALIANO

Detailed programme SUNDAY 3 JULY

Detailed programme MONDAY 4 JULY

Detailed programme TUESDAY 5 JULY

Detailed programme WEDNESDAY 6 JULY

Detailed programme SaturDAY 9 JULY

Partners, Sponsors & Exhibitors

Welcome Message from the ICOM President

Packed with stimulating sessions, networking

Welcome Message from the President of the Italian Organising

Message de bienvenue du Président de l’ICOM

Grâce aux réunions des comités, associées à des sessions

Message de bienvenue du Président du Comité d’organisation italien

Mensaje de bienvenida del presidente del ICOM

Repleta de sesiones estimulantes, oportunidades

Mensaje de bienvenida del Presidente del Comité Organizador italiano

Messaggio di benvenuto del Presidente di ICOM

per quella che sarà sicuramente una settimana ricca di culturale.

La conferenza di una settimana offrirà una piattaforma

La Conferenza Generale di ICOM è la chiave per permettere

Messaggio di benvenuto del Presidente del Comitato Organizzatore

Cari amici e colleghi, inoltre la possibilità di visitare a titolo gratuito l´Ultima

MiCo - Milano Congressi is conveniently situated in

Malpensa and Linate airports are respectively 30

Monumentale Isola district

Branca Tower Moscova

San Protaso PALAZZO Duomo San Babila

Zona Tortona Candia

M1 metro line red 1

M3 metro line yellow

hotel M5 metro line lilla 5

shopping bike railway university

South Wing - Level +2 Mezzanine South North

North Wing - Level +2

South Wing - Level +2 North Wing - Level +1

North Wing - Level 0

First Aid Room

North Wing - Level -1

South Wing - Level +2 Mezzanine

Suite Suite Suite Suite Suite

South Wing - Level +2

Amber Amber Amber Amber

Brown Brown Brown

Speakers Suite Suite Suite

North Wing - Level +2

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Yellow Yellow Yellow

First Aid Room

First Aid Room

North Wing - Level -1

3 4 5Green6 Green Green 8

Orange Orange Orange

Green Green Green 8

Organising Secretariat For any specific questions on

During the past 3 years, ICOM Italy organised

The Italian museum scenario is even richer than its

hundreds of small local museums, mostly established in

The role of ICOM has also evolved. Established by a

Accès Internet Programme interactif de la Conférence