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Heist Oe eet CHeIMBZS| oF Aie\(Anne Farrer) Molah & 228 SAO! Wel FA elstatiml ZIN-Selet 2) MUBMO| Bet XAleH BE AA, “AML BURRIOS) HER” CiMRURAE)EH, 1961, pp.3- 25, RMN, (MAM FR), SSSA, 1984, NEE, “PR BHM RCIA) BAL ERO Ie) 7]o4(Guimet) MIAME) OE AE RUROINI HLH ARDS FR", URE RMR) 42, MMRINLIA, 1992, pp.41-78, wm, HAE EAR LEAS! 7), (RN) 12H, REA, 1994, pp.73-139, MGR, "19234 4Bity MU ARASH) ) (SIMD, 288, MILER, 1995, pp.33-56. HALE, “BLAH HRM: RAMS] HR IV", GML), 208, MMMM, 1995. 12, pp.5-38. mM, “it WAR RAR (ARI HHO) OL BERT, (oeHEM) 908, STILMEERM, 1997. 12. 3) IR17Z WAI SHAIo| ATEBOR Roderick Whitfield, (The Art of Central Asia in the British Museum), 3vols. Tékya, Kodansha, 1982-1985, (4 «SMI. ou 77s 7, RSA, | INE, HOR, IRGEGL, 1994 - 1995, wee | 1831, RFR OE HUES] AS S ES] HFARel Ae, S beta] PE eh (Rajagrha)lA] SIAREES} 2 obs of patel} Alo] 2] Bache S ele aleh. wlelAbet ee] Balatar gl & A71DA 5417]) AALS SArtol] wet Aah. 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Bey AI7HES} oflEHEo] SAlo] SAsHs BASE PREY To ASS AB BAFAT AG. 198 | mar ROM aRA Study on the Buddhist Paintings of the Legend of Ajatasatru Kwan-gyongdo is a pictorial presentation of a sutra that teaches the Buddhist way for a person to be reincarnated in the paradise of Amitabha Buddha. It consists of a preface (Kwan-gyong sobun pyonsangdo) and 16 scenes of Sakyamuni preaching. ‘The preface, a painting illustrating the motivation behind the production of the kwan-gyongdo, illustrates the “Legend of King Ajatasatru”, a tragic story in which the prince of India’s Magadha kingdom murders his father, the king, to usurp the throne. The 16 subsequent scenes show Sikyamuni teaching the distressed ‘queen how a person can be reborn in paradise through meditation and praying. In the kwan-gyongdo in the Mogao Cave No. 17 in Dunhuang, China, painted during the Tang dynasty (618-907), the preface and the 16 scenes are presented in one painting, whereas they are presented in two paintings in those painted in Korea during the Koryo period (918-1392). The difference is attributed to the stylistic disparity of the two periods. Despite the temporal gap between the Koryo paintings and the Mogao Cave paintings, a comparison of the two can show the character development of kwan-gyongdo. Kwan-gyongdo of the Koryo period do not have the “enmity created in the previous life” scene featuring a heavenly figure and a hare, a result that shows the influence of the Tang school that deleted the scene. The scene of Sakyamuni preaching on the Mountain of Spirit is included in kwan-gyongdo of both the Koryo period and the Mogao Cave, but the scene of Sakyamuni emerging from the earth to the Magadha palace is not included in Koryo kwan-gyongdo. Kwan- gyongdo of Koryo are generally a simpler but more faithful rendering of the sata. aes | 199Cae oe A eee 1312, WE ABSA 133.3: ee nd a202 | REXSwRMS ER204 | eunsenms aeEE es es)(mR ERE) eI, BAP] | RES wRE oR