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  • Where Is The Love Full Band-Flute

    Uploaded by

    Matthew Justiniano Cleto
    4 views2 pages
    This document provides musical notation for a flute transcription of the song "Where is the Love" by Bando Dasgaitas. It consists of 60 lines of musical notation indicating the song's melody, rhythm, and other musical elements like dynamics and articulation. The transcription is attributed to Matthew Justiniano Cleto.

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    Original Title

    Where is the Love Full Band-Flute

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    This document provides musical notation for a flute transcription of the song "Where is the Love" by Bando Dasgaitas. It consists of 60 lines of musical notation indicating the song's melody, rhythm, and other musical elements like dynamics and articulation. The transcription is attributed to Matthew Justiniano Cleto.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views2 pages

    Where Is The Love Full Band-Flute

    Uploaded by

    Matthew Justiniano Cleto
    This document provides musical notation for a flute transcription of the song "Where is the Love" by Bando Dasgaitas. It consists of 60 lines of musical notation indicating the song's melody, rhythm, and other musical elements like dynamics and articulation. The transcription is attributed to Matthew Justiniano Cleto.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Flute Where is the Love

    Transcribed from Bando Dasgaitas

     = 102 
                           
    Matthew Justiniano Cleto

      

                          
                 
     
    8

                

                          

    11

          
                              
        
    14

                           
    cresc.

            
    17



                            
            
    20

         
       
        
         

                 
    23


                 
         
               

    27


       
        
          
    31

                           
            
    50



      
                        
    2

          

     
    53

                     
             
         
    56

      
                
        
    60

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