tis RE-HARMONIZED VERSE sounds different because: ‘The melody of the first phrase is played an octaye higher ead” and “drinking the cup” to “praising God.” ‘Fhe ascending bass line in that first phrase gives a Zegato (connected) fee! to the arrangement. ‘Adding notes to the triads (like 9s, Ils and 13s) gives the harmony a richer sound, 8 Fn? BWP aus —— + ‘Abe? Gut 7 cr Fm fp DP iall,13)pi9 B oF. a OY ob d&68 Let Us Break Bread Together SPezern P 1G [adit prt Arranged by Carol Tornquist This traditional spiritual is probably the most familiar communion hymn of all. Even though the time signature is 4, itis often sung in “cut time” (2 beats/mensure). Az EB Em? Bsus Bhunis HE a a 7 & mw ® Bb SS SS SS SS SS full on my hess with my face to the ris = Ing sun, o | eS fee ee SSS eee TREPEAT (ar needed) bar 5. | optional TRANSITION (oltre) Bs BE cm GE Ab Abmaj7Blous BA7 Eb a —Bhunis At | SS ==—— SSS Ort fe? ? | t Lord, have mer = cy on (on t rt ‘ev Con rd Maen,is RE-HARMONIZED VERSE sounds different because: * The chord inversions are more interesting duc to the L.H. octaves which move mostly in whole or half steps. * The R.H. rhythm pattern from the first ending (4. #3 4) is used again in this final verse, which adds musical continuity the arrangement. (Scc bars 29, 33, 35, 37, and 41.) ar REMOTE wee D Done maj? wm OD AB Bp we AAT SS fig —S== 3 z rs i = * = — From yon - der throne. lo - lous Bn? D DP Ent Be Ams A Danis § 2 oR Wo O.Lord, Giro’ end = Jess days A - dored and mag - onl - fed! = 8-1rown Him with Many Crowns — Word by 7 (une DvoeNA) MATTHEW Baioces m Arranged by Carol Te well-known hymn is introduced by using the first 6 notes of the melody, which should be played like a “f (accented!) The Intro, ends with the AT (dom iar 7) chord... a strong lead-in t0 the conic (D) at the beginning of the Notice that the A7 chord is used again in the fin ncling for additional repeats. ‘The R.H, repeated "D" (J 4) adds| ‘majesty of this stately hymn. Notice that the Transition sounds fuller than the Intro, because of the added L.H octaves, gj mo RE 8 OR S . \ a a a tH | Ht: ott ‘ae G oS Crown Him with man = y crowns, Lamb up - LS = $= E - =o = ° REPEAT (arneeded) but 5, Roop A DOB @ D Ams a7 "5 ‘a7 * * eT h $—7—5 —-¢ —» > = = SSS SSS are