check one & complete
rc, A long lashed “20's chap slick-haite,
‘ah, « bution
se vomted, py sleeve tear i 8
Hsia hooked in in bel
ae pe ris mad resting in wu
ing, The Red Book
tes winsmelyarkance ki
He wear six mermaid peat
‘Those atthe wrists completely
Not so the Indian abowr
Ain't Leute?
hide his ut.
raining a bin: “Turn not away Your bel
bro aed eu
‘They stenabefre two terpes and in the shy
ther eyes uplifted 101
tix balconies under alas
faeen lass over the fags. pl
Tithout people. Hard times atthe ol
Or dim, subacqueous dels”?
Working down the next stud
pom seven hand-tined children ped
wading, swimming cowinn. J
vali ins FROM LINCOLNVILLE CENTEN MAINE
SE REETINGs TO YOU, TOO. Hom cl hey mus
eine being what it, bow wel hey (ie
past the ice-rea man
tho plucks a banjo
Tor a fly apperpointn
‘peath the word's most sil
Jin, iteines and ft Seite
Brown Palace?
pansed-an-bazerd
1 with pointed shoe
had bide la
w
He path of Chaeton he eos ot THe
at lat the hoxury of over”
to quote
sive gare with
mm indo with
‘VW
Pith joat one blown; at
te pills prope on fat bolts.
ee tr ey ceanee
ce hand on his ib eage, " 7
c ee
cw
Sipe pid len ote one
sow of tmp poems.
the bed
Fr
close tat interesting flank
seers where near meets che
Ma soup-bowl breast points up
iy dragonfly wings
amescent weight
ross his
spite fs
‘The nine
and crows hel
‘between their thighs
emma at hip level pound each ther
nother stain ashe lifts her les,
Jer fat free, just, ofthe ground,
atid of entry. Entwined like tres,
pote ofa deliberate swift terra-cota cyclone
the back is called
Cupid and Payche
lotion (1738-1814)
“The Frick Collection, New York
fut onthe pedestal ean just be read
The Embrace
(Claude Michel Cation
Embrace indeed, Clodion!
‘Screny-six years of it (one hopes you had
ems fir share, Passionate, vrginal postcard
for Frank Oarsgreen slate
“blades, lichens and moss create
“Can it be 20 s00n before the long whit.
ris not like this at all.
The rapid running of the
Tapping watcr« hollow knock
trrmeone shipping ox:
Gra eleven years since
Frank aat at this desk and
Faerun beard it all
fhe incessant water the
immutable crickets only
imme same! new needles
ete eprace, new scanced
fon the low-tide rocks
ther grass and other water
len the great gold lichen
‘om a granite boulder
even the boulder quite
Titerally i not the same
0
‘A day subtle and suppressed
in mounds of juniper enfolding
pockets of shadow
hile bigness—rocks, trees, a stump—
ftands shadowless in an overcast
tripe eras. There is nothing
tht ade, like the bogay depths
ofa stand of spruce, its resonance
jus the thin scream
‘ef mosquitoes ascending.
Boats are light lumps on the bay
stretching past erated stands
“fo ocean and the terrible tumble
and London (“rain persisting”)
Paris (“changing to in"
day, vetting the bright
aiof «dalled and distant point,
‘a day like « gull passing
low flapping of wi
of wings
ind of lope, without
to shake loose
the last of the freweed lowers,
FROM
THE
| HOME BOOK
S 1951-1970
(1977)
We
ysTean't gt over
how it ll works in together
[ike a woman who just came to her window
tnd stands there Bling
Jonging her aby in her arms.
She's ao far off. Tet the light
thot kes the baby pink?”
ean ser the litle fats
and the ruckingchorse motion of he
Ws geting grayer aad poled ad hs
‘Teo dogesne lions face each ther
beasts
thape of «tli
the water ithe drinking glass the tulips ate in
W's a day like any other,
‘With Frank and George at Lexington
Pally Red Top Thermos i with us
and my TS pound Fil pen
to lighter than or hel
on the socks
among the
hing so
Is thi chen, this sl hese?
And these leaves.
te they oak leaves
fd what cam Ure
In char, such a: black branch
vere you a dog tee?
Teel it wus though
‘The som has oases it
like wet cement:
in ima tl of Tat years gross
‘ca ly by Tike bees: anon
‘cmlickLate afternoon.
“Another sky that looked snow-bearing breaks up and sn
bit or miss on the hills.
‘Country living. The Pyrofar (the gas which
togive out the day before yesterday (00 can‘canals in oatmeal, the steam
off oyster stew. Brown
agate, veined as a woods
bby smoke that has to it
the watery twist of eel grass,
in a quick, rust-discolored
‘cove. Undulating lines of
‘evening—a Munch,
without the angst;