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  • PARTES How Insensitive

    Uploaded by

    José Escandón
    4 views13 pages
    The document is sheet music for the song "How Insensitive" arranged for various saxophone instruments. It contains musical notation including tempo, key, time signature, notes, and other elements of a musical score across four pages for alto saxophone 1 & 2, tenor saxophone 1 & 2, and baritone saxophone. The sheet music provides the musical arrangement of the song for performance on these saxophone instruments.

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    Original Title

    PARTES How insensitive

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    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document is sheet music for the song "How Insensitive" arranged for various saxophone instruments. It contains musical notation including tempo, key, time signature, notes, and other elements of a musical score across four pages for alto saxophone 1 & 2, tenor saxophone 1 & 2, and baritone saxophone. The sheet music provides the musical arrangement of the song for performance on these saxophone instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views13 pages

    PARTES How Insensitive

    Uploaded by

    José Escandón
    The document is sheet music for the song "How Insensitive" arranged for various saxophone instruments. It contains musical notation including tempo, key, time signature, notes, and other elements of a musical score across four pages for alto saxophone 1 & 2, tenor saxophone 1 & 2, and baritone saxophone. The sheet music provides the musical arrangement of the song for performance on these saxophone instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 13

    How Insensitive

    Saxofón alto 1

    ( = 120)
    Compositor A. C. Jobim
    Arreglista José Escandón

                      
             
        

                       
            
    6

    3
        

                          
          
    12

      3
     3

                      
            
    18

        
                      
      
    24

       
        3

           
       
    31

     

    How Insensitive
    Saxofón alto 2

    ( = 120)
    Compositor A. C. Jobim
    Arreglista José Escandón

                 
              
        
                         
        
    6

          
    3
     
                       
      
    12

        
      3  3 

       
                          
       
    18

     
       
      
                      
     
    24

       
      
     
                
    30


    3
     
    How Insensitive
    Saxofón tenor 1

    ( = 120)
    Compositor A. C. Jobim
    Arreglista José Escandón

                      
             
        
                            
            
    6

    3
        
                         
          
    12

      3
     3

                      
        
       
    18

       
        
               
                 
    24

          
     3

         
         
    31

     
     
    How Insensitive
    Saxofón tenor 2

    ( = 120)
    Compositor A. C. Jobim
    Arreglista José Escandón

                       
              
        
                         
       
    6

        
    3
        
                          
     

    12

        
      3
     3 

       
                         
    18

         
       
         
                    
       
    24

       
      
               
    30 3


     
    How Insensitive
    Saxofón barítono

    ( = 120)
    Compositor A. C. Jobim
    Arreglista José Escandón

                      
             
       

                       
            
    6

    3
        

                          
          
    12

      3
     3

                      
            
    18

        
                      
      
    24

       
        3

           
       
    31

     
    How Insensitive
    Trompeta 1

    ( = 120)
    Compositor A. C. Jobim
    Arreglista José Escandón

                   
         
       
                  
          
    7

       

                
       
    15

      

             

    23

      

      
     
    32
    How Insensitive
    Trompeta 2

    ( = 120)
    Compositor A. C. Jobim
    Arreglista José Escandón

                    
         
       

     
                  
        
    7

       


                  
     
    15

      

             

    23

      

      
     
    32
    How Insensitive
    Trompeta 3

    ( = 120)
    Compositor A. C. Jobim

     
    Arreglista José Escandón

             
           
         

              
      
    7

     
      
          
                
    14

       
       

          
       
    21

      

        
     
    30
    How Insensitive
    Trompeta 4

    ( = 120)
    Compositor A. C. Jobim
    Arreglista José Escandón

            
              
       
          
          
    7


      
           
                
    14

       
        
         
    21

      
        
     
    30
    How Insensitive
    Trombón

    ( = 120)
    Compositor A. C. Jobim

     
    Arreglista José Escandón

                  

          



                   
    8

       
      

                 
    16

       

            
    24

      

     
    33
    How Insensitive
    Guitarra Eléctrica

    ( = 120)
    Compositor A. C. Jobim
    Arreglista José Escandón

                           


                        

                            


                  
     
    6

        

                   
    
     
    
                    
     
       
             
          
    11

       

                      
    
                                  
                
    16

         

       
                            
                      
                 
    21

        

                        
                              
         
    26

            

             

               

    31
    How Insensitive
    Bajo Eléctrico

    ( = 120)
    Compositor A. C. Jobim

                           
    Arreglista José Escandón

     

                                  
    6

                                  
    11

                              
      
    16

               
                      
    21

          
                     
    26

          
         
    31


    How Insensitive
    Bateria

    ( = 120)
    Compositor A. C. Jobim

                   
    Arreglista José Escandón

      
             

      
       
    6

      
       
    12

      
       
    18

      
       
    24

      
      
    30

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