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    This document provides a bibliography of sources about Johannes Brahms's chamber music compositions. It includes journal articles that discuss Brahms's conception of the scherzo, destabilized beginnings in his works, and unity and coherence in his late chamber music through variational techniques. Book sources examine Brahms's chamber music as a whole and analyze specific works like the Piano Quartet in G Minor, Op. 25 and Piano Quintet in F Minor, Op. 34.

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    This document provides a bibliography of sources about Johannes Brahms's chamber music compositions. It includes journal articles that discuss Brahms's conception of the scherzo, destabilized beginnings in his works, and unity and coherence in his late chamber music through variational techniques. Book sources examine Brahms's chamber music as a whole and analyze specific works like the Piano Quartet in G Minor, Op. 25 and Piano Quintet in F Minor, Op. 34.

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    © All Rights Reserved
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    8 views1 page

    BIBLIOGRAFIA

    Uploaded by

    rosaria
    This document provides a bibliography of sources about Johannes Brahms's chamber music compositions. It includes journal articles that discuss Brahms's conception of the scherzo, destabilized beginnings in his works, and unity and coherence in his late chamber music through variational techniques. Book sources examine Brahms's chamber music as a whole and analyze specific works like the Piano Quartet in G Minor, Op. 25 and Piano Quintet in F Minor, Op. 34.

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    BIBLIOGRAFIA

    LORIS AZZARONI, Elusività dei processi cadenzali in brahms: il ruolo della sottodominante, Rivista
    Italiana di Musicologia, Vol. 24, No. 1 (1989), pp. 74-94, Libreria Musicale Italiana (LIM) Editrice
    WALTER FRISCH, Chamber Music, in Brahms, Johannes, Oxfordmusiconline
    JAMES FRY, Brahms's Conception of the Scherzo in Chamber Music, Source: The Musical Times , Apr.,
    1943, Vol. 84, No. 1202 (Apr., 1943), pp. 105-107 Published by: Musical Times Publications Ltd.
    IVOR KEYS, Brahms, Chamber Music, BBC Publications, Londra 1974
    DANIEL GREGORY MASON, The Pianoforte Quartet of Brahms in G Minor, Op. 25, Source: The Musical
    Times, Sep. 1, 1932, Vol. 73, No. 1075 (Sep. 1, 1932), pp. 785-789 Published by: Musical Times
    Publications Ltd.
    DANIEL GREGORY MASON, The Pianoforte Quintet of Brahms in F Minor, Op. 34, Source: The Musical
    Times , May, 1933, Vol. 74, No. 1083 (May, 1933), pp. 413-418 Published by: Musical Times
    Publications Ltd.
    DANIEL GREGORY MASON, The String Quartets of Brahms: No. 2, in A Minor, Source: The Musical
    Times , Jan., 1933, Vol. 74, No. 1079 (Jan., 1933), pp. 23-27 Published by: Musical Times
    Publications Ltd
    RYAN MCCLELLAND, Brahms and the Principle of Destabilised Beginnings, Source: Music Analysis ,
    March 2009, Vol. 28, No. 1 (March 2009), pp. 3-61 Published by: Wiley
    MICHAEL MUSGRAVE, Brahms the Progressive: Another View, Source: The Musical Times , May, 1983,
    Vol. 124, No. 1683 (May, 1983), pp. 291-294 Published by: Musical Times Publications Ltd
    HEATHER PLATT, New Paths to Understanding Brahms’s Music: Recent Analytic Studies,
    ttps://doi.org/10.1017/S1479409800003128 Published online by Cambridge University Press

    ELISABETH REITER, Der Sonatensatz in der späten Kammermusik von Brahms: Einheit und
    Zusammenhang in variativen Verfahren, Schneider, Tutzing 2000
    ARNOLD SCHOENBERG, Style and Idea, Philophical Library, New York 1950
    PETER H. SMITH, Brahms's Motivic Harmonies and Contemporary Tonal Theory: Three Case Studies from
    the Chamber Music, Source: Music Analysis , March 2009, Vol. 28, No. 1 (March 2009), pp. 63-110
    Published by: Wiley

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