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  • ALASKA - Ni Tú Ni Nadie Clarinet

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    Mui Mui Channel
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    The document is a poem written in Spanish. It discusses themes of loneliness and isolation, with references to "ni tú ni nadie" which means "neither you nor anyone". The poem uses symbols like dots and lines to convey its message in a minimal yet impactful way. It provides insights into the human experiences of longing for connection and feeling alone in the world.

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    ALASKA - Ni tú ni nadie clarinet

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    The document is a poem written in Spanish. It discusses themes of loneliness and isolation, with references to "ni tú ni nadie" which means "neither you nor anyone". The poem uses symbols like dots and lines to convey its message in a minimal yet impactful way. It provides insights into the human experiences of longing for connection and feeling alone in the world.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    12 views1 page

    ALASKA - Ni Tú Ni Nadie Clarinet

    Uploaded by

    Mui Mui Channel
    The document is a poem written in Spanish. It discusses themes of loneliness and isolation, with references to "ni tú ni nadie" which means "neither you nor anyone". The poem uses symbols like dots and lines to convey its message in a minimal yet impactful way. It provides insights into the human experiences of longing for connection and feeling alone in the world.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Ni tú ni nadie

    
                                           

       

                         
    22

         
                           
            
    29

     

           
      
                                   
    36

           1.  

                          
          
    42

                
                      
       
    49 2.

     

                           
     
                    
       
    67

      

         
                
      
    74

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