The World of Musical Theatre from the West End to Broadway and beyond
HIG ALS
MusicalsMagazine.com
Shows of 2023
The soul diva and
POR eg
LY es ColaM aaa ac cole llale}
i and Sister Act revisited
-
ae
~
Elaine Paige hails ai’
PACT) rad oe
rock opera
eCTge itty
TN Teg
CoN Raley
SA leeoe
Te ae
flocking to panto
ey
eae eH
rere) ere)
Pic Rate hag Ulric Ue Sah Von
Secu arta
eeu)
STS Lee)
a
ge
(2
Meee
eelear cot
El ere
PwShare your love of theatre
Get your Christmas presents sorted early by ordering
MIN Col ic Mo)
Broadway Bulletin
It's long been the norm to pay three figures for a ticket to a Broadway shows says Matt Wolf,
who considers the impact of hefty ticket prices on the collective experience of theatregoing
Glass ceing? The phrase - once
frequently deployed in theatre
cites to suggest a barter
‘beyond which ticket prices
couldn be pushed ~ has
long been a ting of te past
Mote and more, the headtines
surrounding shows are to do
withthe cost of being able
tosee them, To hel with at,
the mortgages required for
‘Onand Off Broadway fand
In London too), social media / Nove Cabaret with Eddie Redmayne heads to NYC
abounds with reports — Left Ticket prices soared Tor Broadway's Music Man
tismaylsurpise/outrage —
ofthe seemingly imitiess heights OB” vinnetiwas
reached by producers who, lp-synching to
Understandably from their lene or two of the more physically
point of view, want return on | demanding numbers, There wae
Investment in evertiekier times, _ no social mela then. so such
The receved wisdomisthat one | assertions, accurate or otherwise,
in every seven or eight Broadway didnt gain the traction they
shows recaups, so youcan ‘would nowadays. (Also in those
imagine adesireto cash out days, The New York Ties
‘while you ean, since most theatre ads would often include
productions do not the ticket prices, something
Onthe other hand. it rendered impossible now by
sometimes seems asf the trend toward dynamic pricing
reached a once-imagined realm where costs can change on
that no longer seems out of aime and do)
reach, The proffered notion then Flash forward to 2002 when
‘was of one Broadway show the Broadway production of
Playing eighttimesa meekto.an The Producers took the unusual
‘audience of one who had pald | move of setting aside 50 or so
‘milion dollars a ticket. Not seats per performance to be sold
‘much jay to be had there nthe at S480 when the prevaling|
convivial at of theatregoing, $100 ticket high confiemed
Te been around ong enough double-digit cost for aeate a=
totrace the ise and rse on this part ofa allowed bygone era.
front. In 3987, responding to Late in 2017, the Bete micter
wage increases and sialing ‘eval of Hel, Doty took to
costs, producers ofthat season's charging $998 for front row seats
Broaaway revival of Cabaret that would allow an up-close
vith Joel Grey retuming tohis view of The Divine Mis M
(sear and Tony-winning ole 3 insure her act Broadway
the Emcee — dared to charge $50 appearance. That level of
fora best seat, and the Broadway _ pricing, in turn, had been
bow of The Phantom ofthe ‘equalled previously only
(Opera quick followed suit bby Hamiton in 2018,
Prior to that. the Liza Minne
star vehicle The Acta decade
eater made headines for
charging an unheard-of $25,
an indignity compounded by
rumours swing atthe time that,
18 M Muska Dee 25/3an 242025
It these numbers represented
successive shatterings of a clearly
fragile celing, average ticket costs
have continued o skyrocket. The
Hugh Jackman-Sutton Foster
revival of The Music Man, with
tickets topping out at $697, was
reported to have an average ticket
price of $283. The show was
credited fr iting Broadway out
ofthe pandemic to achieve
weekty grosses in excess of $3.5
milion, but astonishingly,
vaunted a revival dant report
‘recoupment of costs
Asiilar price tag is reported
{or Broadway's Apri 2024 transfer
‘of Rebecca Frecinals ongoing
revival of Cabaret, which, the
invaluable Brovehay Journal
reports, wit ave to sell out for
‘a year atthe August ison
Theatre at an average ticket price
(0f $248 to pay back costs. That's
2 serious challenge fora show
‘that wl ony retain Rs Oiler
Award-winning leading man
Ede Redmayne fr five montis
whe The Music Man kept
Jackrnan and Faster loyaly on
board for overayear. And more
‘than $9 millon of the ety
captalsation of Cabaret going
‘toward physical makeover of
It's reported that Cabaret will have
to sell out for a year at an average
ticket price of $248 to pay back costs
the theatre in keeping with the
‘overhaul ofthe Playhouse
‘Theatre in London on the way
to becoming the KR Kat Club,
Noristhisa uniquely
Broadway, or even commercial,
Phenomenon. Eyebrows have
been raised atthe trple-cigit
ticket costs of a good seat forthe
‘Off Broadway Hell’ Krchen, the
show from Alla Keys that has
Broadway in is sights as previous
shows originated a the not-for=
profit Public Theater dis before
It including Hamiton and,
‘going way back Chorus Line
Here We Av, the posthumously
realised Stephen Sondheim
musical
63], promoted Rede threads
astounded ata $549 top ticket
fora musica at Hudson Yards
‘The Shed uated well away
‘rom te Broadway mainstream,
Thats unts you remember that ts
creatives constitute a who's who
‘of Broadway ~ and in the case of
‘Tracie Bennett, the West End [see
My Musicals on page €2I ~ andso
interest, nd demand, ae bound
toe high
Indeed, Sondheim ofall people
would be gobsmacked to note
that arguably the three toughest
New York tickets a write are for
shows afhis Mery We Roll
‘Along and Sweeney Todd on
Broadway, and Here We Are.on
ite way there, So much for the
view of his genius as inimical to
mainstream consumption.
Stil, can help but think that
he, ofall people, would question
‘consumers landscape that has
for some Wwhie careered trom
‘one price-reated record high to
another rt int easy, were told
in Sunday inthe Park ity
George, and nether, these days.
is finding an affordable ticket,
Were not quite at that rea of
the sole occupant waiting forthe
show to begin but fand when
that scenario does ever arive,
ite bound to foak aly lonely
atthe top.
MusicalsMagazine comRi
/
ing Star
Billy Nevers
This young, versatile performer is living his best life as
Lafayette/Jefferson in the new tour of Hamilton
Who tony 2 Bly Nevers
hasbeen working profesonlly
since 2019 when wa plucked
‘oto Atsoappearinthe
ensemble of Tint Sheaders
Jesus Cs Superstar JCS)
athe arbican.Hethen went
Stcghtinio Jb fistin
Manchest andafterardsin
London, apeaingasasuing
then asi cover rangi,
thenasFancois ised ont
‘tery opportunity there was
with thathownejoke) When
‘Jul clozed by ring
thepandemic Nevers reumed
toSheaders JCS thistimest
Regen Pak Open fr Theat
here the production is
inated. n202 he retumed
tothe vemie ar encembllcver
Emmettin acy MosssLegaly
Blonde, a production he remains
‘very pou tohwebeenapart
of Therefollonedastintas Fed
inGrounog Day atthe Ol Vic
thssimer where Nevers otto
pusuehispasion for‘haracter
‘tng comedy dancing and
working with wonderful people,
Which rings sto Heiton~
for Nevers, the ultimate ream
tocometie
‘Theatrical besianings
eoing vp inure ith
‘amethe who wine an
‘acess and whocurenty
teaches drama atacollege where
shes also head of pefoing
arts Neverstooklocal dance
asses ad then joined Songtine
Theatre ts row Bitch Theatre
cade. or BT fromthe age
of seen Atschool he stuggled
acadeicallyanhapily moved
toa Conto takes GCSEs.
HewonaMuscl Theatre
scholashiptohrtsdor
Sith fm, and was du to
the eile tosingin,andhe
does nce. Groundhog Day
letme ofl these passens
andthe OldViwaea venue
Talus aspired to workin
Hamilton nally) hen the
show frst came out the young
Nevers was obesiedTingit
inthebithroomand amy way
toschool was hess, the
frst show Teen where could
seeaversion of ysl onstage
Whenhefistaudiionsdin Yar
15.hemade al thewaytothe
fina Every yar since eas
auctioned, without sucess,
fovdtferen rack —btthe
yearwas diferent Tey only
SentetheLafoeteeferion
‘ateialAninthe past. ve
anes mary ounds but this
timeitwasonlytwoor three
During rehearsals Nevers says
hewas holding backteas’on
a dalybasi, wed tosay hat
ileould de Harton raat
ts he conte.
Contnuethere onthe re yet
degree course but uimately
that wasnt be
‘Auditions Nevers knewhisheart
waitin doinga degrees whe
sitin Year 13, he auctioned or
‘every show under the sta and
dso wel wasinhe als
forSimbain TheLion king hat
hedeciedtobrave inthe
profesional ord Helanded
Sand the through sind
GraceMout-who he dmetat
National Youu Music Theabe
~hemetthe casing director
of Juliet. The show waz area.
learning cuveIwasadearin
theheadlights reals To
covet asixmaeensebie
tracks wae doting bato
exciting vas ratfor eto
testy sls asadancer singer
andensemblemember 8 the
timethe show coed he wat
playing Fancisand ‘audit
ave ated or anything more
Mentoring Teaching isinporant
to Neversbecauseatschool
helachedolemodelt ert
have teachers that ok he
me or spoke kee, o danced
heme er saw the wold the
re He ae zee theinflvence
smu onyeung people
in changing perceptions of
themselves andsince Legally
Blondehas een positive changes
ihn the industry bute
believes there's along way
ogo Neves doesn takefor
ranted thechangshe an
affectasa teacher and performer
went comes tothe younger
generation Asheputsit'Iwant
toshowthemthathe 50
‘much merethan the boxes
were putin:
Passions ego thisindusy,
‘weputpresureonourslesto
‘how theword were blezedto
beworing!Nevessa
Groundhog Day was crac
rand Forhimto ead with
Your pasion, net your ego.
Peoplewouldsay-Butyour
roléSnotasig as Frags’ but
Francis does singin apart of
“Hamilton opened at Manchester Palace Theatre on 1 November andi playing there unt
41 March 2024 i's thn on tour unt 25 January 2025 - vist hamitonmusial.comul-tour
‘MusicalsMagazinecom
News M Curtain Up!
Southwark Playhouse!
_Arevluionary new musicals visting Southwark Playhouse
Boroughin Februar 2024, Sein 1936in the hear of
London's Jewish community, Cable Stretisthe tue story of
cote secton of East Londoner who rece up to protect their
neighbourhood from Oswald Mele’ farcie Blacks
‘The show is rten by playwright Alex Kanefsky and
composers Ti Givin the ater also penned the music
for Unfortunate, laying at Southwark Payhouse over
Christnas), and stars Debbie Chazen and Sophia Ragavels.
Its iectd by dam Lenson, founder of SIGNAL, which has,
showcased the work of multiple emerging writer.
Researching the story Kanetsky became increasingly aware
of the paralels with today: rancial depression, plat
uphewal and powertl gues seapegoating minorities,
Thebattl of 936 fees deeply resonatin these] darktimes.
Formore information, vist southwarlayhouse co.uk
Touring the UK in 2024.
‘An Officer andl Gentleman with Luke Baker and
Georgi Lennon sets salon 23 February and Come
from Away (pictured) launches on L March, with Sara
Poyzer and Natasha 3 Barnes Lite Shop of Horrors
starts at ipswich's New Woleey Theatre (L Ma
and Grease jves across the Ux/ieland trom 12 Api
Mesnwnile, Douglas Hodge and Johnny
MeKnights 101 Dalmatians tours from 22 June,
and ACChorus Line returns to Leicester Curve rom
28.June prior to Sacer’ Wells and beyond, Fresh
from the West End, & Juliet embarks ont rst
UX tour rom 8 July. and Brenda Edwards, a previous
‘Motormouth Maybelle in Hairspray co-directs
anew production ofthe show rom 16 July
‘And finally. a new production of Dear Evan
Hansen tours from 8 September and Only Fools
and Horses w=
Peckham for
Bromiley ana
‘elsewhere from 23
September Look
fur for reviews in
future issues!
New UK writing on the up
“The annual tls + Drewe Bert New Song Pie which wat
founded by composer George Stiles and yc Anthony
Drewe n2009, returned o The Other Palace on 15 November
forits 6th instalment hosted by Rob Madge The event,
once again produced by Mercury Musical Developments
(HD, saw the £3,000 prize go to Rachel Walker Mason and
ina Sundstrom for‘Drown Without Water rom The ile,
The Other Palace and The Turbine Theate,meanwile
have announced the retun of MTFetUKin January 2024,
during which ight shortisted productions willbe presented.
sit mercurymuscalscom;theturbinethestrecom
idan 26 M19