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  • Sound Production (Student)

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    Israel Hernandez Marquez
    5 views2 pages
    The document provides instructions for a two-minute, forty-second violin exercise focused on tone production through proper weight distribution. It outlines four sections exploring different areas of the fingerboard and qualities of tone: near the edge with little hair and no vibrato, a sensitive central contact point, near the bridge with a rich clear sound, and an appropriate weight, contact point, speed and amount of hair. The entire exercise takes place in the fifth position.

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    Original Title

    Sound+Production+(Student)

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    The document provides instructions for a two-minute, forty-second violin exercise focused on tone production through proper weight distribution. It outlines four sections exploring different areas of the fingerboard and qualities of tone: near the edge with little hair and no vibrato, a sensitive central contact point, near the bridge with a rich clear sound, and an appropriate weight, contact point, speed and amount of hair. The entire exercise takes place in the fifth position.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    5 views2 pages

    Sound Production (Student)

    Uploaded by

    Israel Hernandez Marquez
    The document provides instructions for a two-minute, forty-second violin exercise focused on tone production through proper weight distribution. It outlines four sections exploring different areas of the fingerboard and qualities of tone: near the edge with little hair and no vibrato, a sensitive central contact point, near the bridge with a rich clear sound, and an appropriate weight, contact point, speed and amount of hair. The entire exercise takes place in the fifth position.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Tone Production:

    Weight Distribution
    Level 1 A
    Optimal Playing Time - 2m 40s

    q = 60
    ### 2
    On the edge of the fingerboard. Not much hair. No vibrato.

    ˙ 3
    & 4 ˙ ˙ ˙ ˙ ˙ 4
    ˙ ˙
    p

    ### 3
    ˙™
    Sensitive, but somewhat central contact point.

    ˙™
    4
    ˙™
    ˙™
    ˙™
    & 4 ˙™ ˙™ 4
    ˙™
    mf

    ### 4
    Near the bridge. Rich and clear sound.

    w 3
    & 4 w w w w w 4
    w w
    f

    ### 3
    ˙™
    Appropriate weight, contact point, speeed, and amount of hair.

    & 4
    ˙™ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™
    p f p

    ### ™ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™
    & ˙ ˙™

    ###
    ˙™ ˙™ ˙™ ˙™
    ˙™
    & ˙™ ˙™
    ˙™

    ### ™ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™
    & ˙ ˙™

    Moni Simeonov
    Tone Production:
    Weight Distribution
    Level 1 B
    Optimal Playing Time - 2m 40s
    The entire exercise takes places in 5th position
    q = 60
    #### 2
    On the edge of the fingerboard. Not much hair. No Vibrato.

    ˙ ˙ ˙ ˙ ˙ 3
    & 4 ˙ ˙ ˙ 4
    1
    Sul G Sul D
    p

    #### 3
    ˙™ ˙™ ˙™ ˙™
    Sensitive, but somewhat central contact point.

    4 ˙™ ˙™ ˙™ 4
    & ˙™ 4
    1 Stay in 5th position
    mf

    #### 4
    Near the bridge. Rich and clear sound.

    w w w w w 3
    & 4 w w w 4
    1 Stay in 5th position
    f

    #### 3
    ˙™ ˙™ ˙™
    Appropriate weight, contact point, speeed, and amount of hair.
    ˙™
    & 4 ˙™ ˙™ ˙™ ˙™
    1
    p f p

    ˙™ ˙™ ˙™ ˙™
    #### ˙ ™ ˙™ ˙™ ˙™
    &

    ####
    ˙™ ˙™ ˙™ ˙™
    ˙™
    ˙™
    Stay in 5th position

    & ˙™ ˙™

    ˙™ ˙™ ˙™ ˙™
    #### ˙ ™ ˙™ ˙™ ˙™
    &

    Moni Simeonov

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