Audio 11 Reharmonizace autentického závěru (turnarounds I-VI-II-V):

  G7(b9) 


C‹ƒ‰7 A-7 D-7 G7 C‹ƒ‰7 E-7 A7 D-7 C‹ƒ‰7
  
   
  



    



  
  
f
        
       

   


E¨7 D7 D-7 G7[áÆ] C‹ƒ‰7 E-7 E¨º7 D-7 D¨7 C‹ƒ‰7
    
      
      


           
    



   
C‹ƒ‰9A7(#9) D13 G7[áÆ] C‹ƒ‰13 E-7(b5)E¨7  D7  C‹ƒ‰7
D¨7
    
          
 

        
 
     
       


  E-7


G F Fmaj7 E
klamně
(G+7)
19 C Eb7 D-7 G7 C6 E7[äÆ] F-‹ƒ‰7 D-9(b5) E¨&9 C‹ƒ‰7(#11)
    
     

       

          
          