Le Tour du monde en miniature

Alexandre Tansman

1. Coconut-Grove, Hollywood, Cal. (U. S. A.)

                        
                                 
Lento (Tempo di Blues)

 
        
               
 
PIANO 

    
legato e tranquillo

 
    
                               
                      
4

 
       
  

   

    
     

     
            
 
              
                                
   
 
7


     
          
 


     

             
   




               

   

 
 




 
10

         
  

     




   
   
   
                        
          
                  
     


  
13

    
 
             
         

              
                      
16

      
 
  
         
     
3


   


                       
   
   
19

         
           
   
3 3

  

  
                                     
D.C. al 

 
22

  
     
         
3

     
3

      

2
 2. Waïkiki-Beach de Honolulu (Hawaï)
     
    
   
      
Moderato commodo

  

 
   
 
 

       
 
 
      
   

5

    
    



 

              

   
  
10

 
    
 
 


3
 3. Complainte de Nikko (Japon)
                    
      
Lento

                       
                 
 espressivo

     
          
    
4

            
       




      
       
        
         
6

    
    


 
       



 



  

           
       

            

 
10

       
            
  

   

 


    





 
14

   
        




4
                  
4. Le marché d'oiseaux à Shanghaï (Chine)
 
  

Allegro giocoso

                      
          


                                   
     
5

                      
         

               
     
       
    



9

  
        
 
 
            
           


   
     
         
    
      
           

13

                    
           

                                 
  
17

               

       

5
       
   
               
       


20

 
  











 
 
 
 


 
 
 
 
   

           

 
           
                   
      
   
24

     
         
 
      
 

 


6
 5. Les gongs dans un temple de Hong-Kong
                    
                
Lento

    

 tranquillo lontano

            
                                 
con Ped.

   
4

         
  

                    
                 

8

          
  
  
 dolento

                    
                
11

          
          
 morendo


 
     
     
14

   
rall.

   
7
 6. Les Iles Philippines
     
                           
 
 
Allegro Barbaro

                 

        
              


   


      

 
         
5

           
                                    
             
meno 

        
        

9

        
    
   

                        
       


   
   
   
   
   

  
13

       

        
  
        
  
        
             
 


    
  
  
 
  
 

17

           
                                    
           


8
          
     
        
21


                  
                 
meno 

        
           
25

               

                
             


  

    
    
29

                  

                                   
    


           

 
 
34


  


9
 7. Le charmeur de serpents à Singapore
      
        
   
Ad libitum



 


  


  
   
               
3

    
  

  

        
 
     
6

 
   
       

10
                                
8. Les singes dans la jungle de Penang
     

Presto

                             
 
 leggiero

                

      
    
4

                   


                         
     
  
 
6

             
          






           
            
9

         
       

      
         
  
     
11

   
    

11
                   
         

13

     

 
  


                

 

 

 



15

  




   
   

     

 

 

 

 
    
    

  
17

   
         


           
             
19

  
         
     

   
         
  
 
21

    
       

12
9. La flûte de bambou dans la forêt de Bandoeng (Java)
               

 
Allegretto grazioso

     
                        
     


               
   
   

4

     
               
 

 
             
    
7


                 
                  

   
        
     
10 

     
          
  

          

D.C. al 

 
13

 
             


13
10. Le Gamelang de Bali (Waïang-théâtre d'Ombres)
                        
        

Lento

                 
        
  
   
 legato

            
  
           
4 Animé

          
               


(sans pédale)

          
                      
7

          
    

                            
9

             
         
  
 

                  

      
11

     
         
 
sub. 

14
                  
       
13

  
   
        
   

                          
  
 
15


       
                     


     
            
       
17

 
    
           

           
  
                  
  
19

          
       
     




                                   
        

Lento

                                     
       


15
                                   
            

5 Animé


     
 


                                         
      
8

                   
    



                     
                       
11

   
    

     


  

     

                
          
13

          
    
  

                    


15

          

sub. 

16
             
             
17


           
      
 
 

          

          
  
19

 
 
          
 

             
 
         


  
21

  
              
      

 
   
                        

23 

                 
   

      

   
       
25 

 
       
      


       


17
                   

Lento

 


27

   

 
     
     



legato

  

                      
       
 


30

                                 
       

   


33


    


18
 11. Les éléphant blanes de Ceylon
                        
             
               
Moderato

               
                                
               
               

                           
      
               
5

               
                                
               



 
                                
               
9

               
                                
               
               

                   
   
13

   
              
         


          
      
 
      
16

    
                
       
 
19
 12. Les tours de silenee à Bombay
  
      
Moderato


                        
 lontano gravemente

  

      
   
5


              
              


        
   
    

10


                         
dolente

     


   
        

        
14

 

                  
                 

     

        

18


                             


20
 
   
  

  
        
23


              
              

21
 13. La nuit sur le Nil
   
   

Andante cantabile

  
                      
 malinconico 

              
con Ped.

 
                       
4

  
                     
              

         
         
                 
7

   
                            
                   

        

11

 
                      
morendo

            

22
 14. Puerto de Soller (Iles Baléares)
                 
 
      
  
Allegretto grazioso



          
 dolce

                  

     
                   

4

         
                  

                  
  
7

         
                    

          

    
10

         
3

                   


                   
   
  
14 Fine Da Capo alla Fine

          3               
            
  


 3

23
 15. Napoli
           
                
Presto (Tarentelle)

     
     
           

giocoso

          
                     
 
          
6

 

 
             
           
très sec



                                                   
12

             

                
        

             
       
                                     
17

    
                   
          

    
             
  

          


   
                       
22

   

          
                
  
  
   

24
      
  
                            
      
 
28

     

                 
 
  
    

  





  

     

   
              
        
34

       
        
          
 giocoso

 

                   
                  
           


40

          


         
                              
  
46

    
                  
                 


        

        
                           
 
   
54


   
              
     
   
      
 
25
       
       
  
      

                                              
60

               
                                    
       

    
                 
     
66


 
 
 
 
 
   
 
  
 

      
         
     


  


           
               
      
72

  
    
      
    
sub.  leggiero

     


            
   
               
  
78

   
     
                 




          
         
               
  
84

       
            

26
                      
              
        
90

          
            
   

  

   

         
 

                 
     

96

          
           
           
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    

             
         
   
  
102

        
    
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

  
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             
  
  
       
   

      
           
         
         
108

    
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     
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    
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   
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