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  • Creep PMJ-Alto - 1

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    andrewfriday21
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    1. The document contains musical notation for a song with lyrics and chords displayed across multiple lines. 2. Various musical symbols such as quarter notes, half notes, and chord indicators are used throughout the notation lines. 3. The lyrics and chords provided in the musical notation suggest it is for a cover of the Radiohead song "Creep" arranged in the style of Postmodern Jukebox.

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    Creep PMJ-Alto_1

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    1. The document contains musical notation for a song with lyrics and chords displayed across multiple lines. 2. Various musical symbols such as quarter notes, half notes, and chord indicators are used throughout the notation lines. 3. The lyrics and chords provided in the musical notation suggest it is for a cover of the Radiohead song "Creep" arranged in the style of Postmodern Jukebox.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views1 page

    Creep PMJ-Alto - 1

    Uploaded by

    andrewfriday21
    1. The document contains musical notation for a song with lyrics and chords displayed across multiple lines. 2. Various musical symbols such as quarter notes, half notes, and chord indicators are used throughout the notation lines. 3. The lyrics and chords provided in the musical notation suggest it is for a cover of the Radiohead song "Creep" arranged in the style of Postmodern Jukebox.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Alto 1 Creep

    Postmodern Jukebox

         
    Chris Davis


                 

     = 75
                    
    1 21


       
    [1–17]

                   
     
    26 31

                
    [34–41]

      
     
                      
    46


                         56       
          
     
    51

                    
                          

    61 66 71

                  
                      
     
    76 81

           
                       

    86 91

        
                                
     
    96 121

                      
    [97–117]

    
                 
    126

          
                        
       
    131 136

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