Sones A Condoy

=SONES A CONDOY=
Alto Sax.
Tomás Vargas Gris
 solo trompetaAllegro Moderato 

           


     
Largueto

        
 
                                         
11 1. 2.
     
          
 
19
           
                       
Moderato
 
27
 

          
                           
49
  
    
                        
 al 
 
57 1. 2.

y
 
     
  
       
67

        al    Allegro          
     
  
86 1. 2.
y 
 1. 
       
              
101 2.
    
 
                aly 

A 1. 2. 1. 2. 3.

a la A

y 3a casilla
                       


    
131

                                     1.      2. 
  
 
143

                                        
     
149
  

           
           

              
157 1. 2.
 3
© luis_sep@hotmail.com
=SONES A CONDOY=
Baritone (T.C.)
Tomás Vargas Gris
  
           
Largueto
                
 
             2.    
           
9 Allegro Moderato 1.
  

          
            
16
   

                   
 
      
24 Moderato
  

  
               
32
       
 
                    
40
  

                     
48
  
  
  

      
 
          
  
56 1.
2.
 
al

 
y
        
         
64
    
                      
72
 
                  

80
       
  
 
2 =SONES A CONDOY=
                   
 
  
88 1. 2.
 
    
al                            
Allegro

96
 y     
 

                   
                
104 1. 2. A
    


                                           
111 1. 2.

    
                                        
118

     
       y 3a casilla          y    
125 1. 2. 3.
  
a la A
 
al
                                  
132
   

 
                           
  
137 1. 2.



                            
149

   
                      
     
156 1. 2.
     
  

           
163 3
=SONES A CONDOY=
Clarinet in B  1
Tomás Vargas Gris
  

      
   
Allegro Moderato
  
    
solo trompeta

Largueto
 
 
          1.             

    
10 2.
            

   
17

    
              
Moderato
 
25


  
33
               

        
          
   
41 1. 2.
 y 
al

         
        
      
65


       

         al   
83 1. 2.
y 
              

 
      

 
Allegro
  
99
     
 1.    2.   A  
                 
106 1. 2. 1. 2.
      
           
127 3. 1. 2.
 a la A
y 
al
 
     
y 3a casilla
        


       
149
      1.  
  2.        
   
           
156
  
3

164

=SONES A CONDOY=
Clarinet in B  2
Tomás Vargas Gris
   

             Allegro Moderato
      
Largueto solo trompeta
  
 
                
        


 

11 1. 2.

    
                
          
19

 
                                         
Moderato
27


     
   
   

35

         
        
43 1. 2.
 al

 
y
   

          
67
     
              
Allegro
  
85 1. 2.
  
al

 
y
              


    
  
100

  
                   
107 1. A 2. 1. 2. 1. 2.
  
a la A
y 3a casilla
      
        
          
128 3. 1. 2.

al
 
y
         

 
   
     
150
   
                    

     
 
157 1. 2.
 
3
=SONES A CONDOY=
Tuba in Bb
Tomás Vargas Gris
            
    
  
         
Largueto Allegro Moderato
solo trompeta

 
  
                           
10 1. 2.
          
 
18
                

                              
27 Moderato

  
                         
36
                  
         
45
    
   
                  aly  
54 1. 2.
 


                        
63


  
                         
71
        
                   
80

       
 
            
     
89 1. 2.
 al


y
   
                                   
2 =SONES A CONDOY=
98 Allegro

 
                                   
106 1. 2. A

                             
 

113 1. 2.
   
     1.  
       
  
            
120 2.
    a la A
y 3a casilla
 
                               

128 3.

al

y
                                      
136
      1.   2.  

                 
144


     
                                  
151 1. 2.

            
159
              
  
3
=SONES A CONDOY=
Percussion
Tomás Vargas Gris
 
   
        
Allegro Moderato
 
             
Largueto solo trompeta
   
     


11  
                                             
  
1. 2.
    
      

                                        
19 
         
27 Moderato       
   
          

1. 2.
   
y 
   
al
   
      
         al               
 
 
79 1. 2. Allegro
  


y

 
    
101  
    1.   
     
    
       
            
      
                                               

    A  
                   
    
108 2. 1. 2. 1. 2.
     a la A
y

3a casilla
  
           
         aly 
 
128 3. 1. 2.
 
  
  
                       
    
149
                            
         
156  
 1. 
        
              
     
2.
     
    
          
           

               

   
3
164
   
=SONES A CONDOY=
Flute
Tomás Vargas Gris
   
     
  
Allegro Moderato
     
   
solo trompeta
 
Largueto

  
                      
        
   
 

10 1. 2.
             

  
   
17
  
                                        

Moderato
  
25

    
              
33
        
      
trompetas
 
      
41 1. 2.


al

y
               
  
trombones
 
65

 
           
      al 
 
82 1. 2.
 
      
y
  
       
 
98 Allegro

        1.  2.  
      
   
trompetas
      
   
   

105 A 1. 2.

      
 
    
sax tenor Sax. Soprano-Alto
            
125 1. 2. 3.

a la A al
           
y 3a casilla y
           
 
             
147 1. 2.
 
       1.               
        
    
155 2.
            
 
163
=SONES A CONDOY=
Horn in E  1-2
Tomás Vargas Gris
      
        
     

    
solo trompeta Allegro Moderato
      
Largueto
   
 
                            
      
10 1. 2.
                    
     
                    
18


     
              
26 Moderato
 

                     
      
34
 
    
      
  
           
43
 
    
      
1.   
            
51
 
  
 
    
 
 
 al 
               

59 2.
 y 
 
               
           
68
                  
        
76
 
     
                  
85
 
       
        
2 =SONES A CONDOY=
                
            
Allegro

93 1. 2.

al
 
y

                              1.       
                            
101
      
                                            
108 2. A

         
 
  
       
                                
115 1. 2.
          2.    
         
                                        
122 1. 3.
a la A
y 3a casilla
 
                    
            
129
al
 

y
                          
             
136
 
                  1.      2.   
                                  
143
                                              

150


                            
                
157 1. 2.
 
3
=SONES A CONDOY=
Soprano Sax.
Tomás Vargas Gris
     
        
           
Largueto solo trompeta Allegro Moderato
      
 
11
           
1.
 
                           
2.


       
       
19
         
                      
Moderato
   
27
   

                                 
     
49
 
 
                        

57 1. 2.
 al

 
y
    
           
67

 
               al       
85 1. 2. Allegro
 y   
   1.
                                         
 
     
100


     A      


        
108 2. 1. 2. 1. 2. 3.
 
a la A


y 3a casilla
 al                

   
130
 y 
 
                                                    
143 1. 2.
   

                                             
150 1.
  
             
  
           
158 2.

3
=SONES A CONDOY=
Tenor Sax.
Tomás Vargas Gris
 
          
         
solo trompeta

Largueto
     
  
 
Allegro Moderato 
             2.    
           
9 1.
   

             
            
16

 
   

           
      

24

Moderato

  
               
32
       
 
                    
40
  

                     
48
  
   
  

      
 
          
  
56 1.2.
 
al


y

        
         
64
    
                      
72
 
                  

80
       
  
 
2 =SONES A CONDOY=
                   
 
  
88 1. 2.
 
 
   al                            
Allegro

96
 y     
  1. 
                       
   
104 2. A
        

                                      

111 1. 2.
    
    
                                        
118
 

                   
125 1. 2. 3.
  
a la A al
y 3a casilla y
                                   
132
  
 
                           
  
137 1. 2.

                            
149
   

                           
   
156 1. 2.
      

           
163 3
=SONES A CONDOY=
Trombone 1
Tomás Vargas Gris
    
      
      
Largueto
    

solo trompeta
 
  

    
                            
9
Allegro Moderato 1. 2.


               
        
    
16

          
          
Moderato
     
24


               
        
32

             
         
40

             
         
48

           
           
56 1. 2.
 
al

y
                       
   
78
     


                          
      
85

             1. 
 
   
    
      
Allegro
 
92 2.
 
al

y
               
2 =SONES A CONDOY=
          
   
100
  

       
A
       
           
107 1. 2.


     
         1.   
        
      
113 2. 1.
      
         
     
126 2. 3.
 
a la A al

y 3a casilla y
                                        
134

            
               
140
                                  
        
147 1. 2.


       2.   
      
     
          
154 1.
 
 
                      
161
 
3
=SONES A CONDOY=
Trombone 2-3
Tomás Vargas Gris
                      

Largueto
  
solo trompeta
   

     
                   
     
Allegro
9 Moderato 1. 2.


        
         
        
16

           

                
24 Moderato
 

       
            
    
  
32
 
            
              
 
  
40

          
              
 
     
48

   2.     
                  
56 1.
 y 
al

                         
       
78


     
        
         
       
85
   
  
                         al      
Allegro

92 1. 2.
   y 

  
                           
2 =SONES A CONDOY=
         
100
 

         2.                           
A
   
107 1.


          1.    2.   
            
113 1.


                   
126 2. 3.
  
a la A al

y 3a casilla y
                       
                  
134
 
141
             
                                               
           
1.
                              
          
148 2.
 

    2. 
   
           
        
155 1.
 

                
162
 
3
=SONES A CONDOY=
Trumpet in B  1
Tomás Vargas Gris
  
solo
   

                           
Largueto
    

   

                                        
9 Allegro Moderato 1. 2.



                                   
17
   
  
Moderato
              
25 1. 2.

al

y

                                   
62
  

                                   
      
70
  

          
al          
Allegro

78 1. 2.
y   
  1. 
                                          
101 2.
   
                                
   
A

1. 2.


                      a la A         al 
123 1. 2. 3.
     y 3a casilla 
  

y
       
                        
131 1. 2.
   
                                      
152 1. 2.
   
                     
 
160
 
3
=SONES A CONDOY=
Trumpet in B  2
Tomás Vargas Gris
   solo trompeta
  Allegro Moderato
                  
Largueto
         
  
 
                                         
11 1. 2.

          
   
19

Moderato   
                       
27 1. 2.
 al
  
 
y

              
                   
64
     
 
                                 
  
73 1. 2.
 
 
     al     Allegro                         
96
  y     
  
               
 
                   
104 1. 2. A 1. 2.
 

                 
       
118 1.
       
    a la A   
 
        aly         
126 2. 3. 1.
       
 
y 3a casilla
                    
                     
148 2.
 

            
                            
156 1. 2.

3

Sones A Condoy

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Sones A Condoy

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=SONES A CONDOY=

 solo trompetaAllegro Moderato 

                       

            

              

              

         

      1.   2.  

             

 al                

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