Himno Nacional Del Per - Himnos Nacionales

Lyre
Himno Nacional del Perú

C.T.E. Jesús Obrero Jose de la torre Ugarte
Jose Bernardo Salcedo
Abel Neyra Gonzales
 
                    

 
DO DO DO DO DO DO DO DO DO DO DO FA DO DO# RE LA DO
               
      
5
     
3 
Sib LA LA SOL FA FA DO DO DO DO DO DO DO FA DO DO# RE LA DO

A
                
9
   
3
Sib LA LA SOL FA FA DO DO DO DO DO DO RE
                      
         
15

3
MIb MIb MIb MIb SOL FA MIb MIb RE FA MI RE DO LA DO DO Sib LA SOL FA DO DO DO DO DO RE
                      
      
19 B
    
MIb MIb MIb MIb SOL FA MI MIb RE FA MI RE DO LA DO DO Sib LA SOL FA DO MI DO
    
       
       
23
 
Fin
 
FA DO SOL DO LA MI LA SOL FA FA FA FA

( = 96) D.C. al Coda
C
  
  
26 rall. a tempo
DO DO
"Ser más, para servir mejor"

Flute
Jose de la torre Ugarte
C.T.E. Jesús Obrero

                
Abel Neyra Gonzales
           
      

                                


         
6
                     
3 3 
    
A

11
                           

  
    
15
                    
       
3
        
        
19
       
                
  
                  
Fin
   
( = 96)
  
23 C
                 

        
 
27
  
                   
          
31
   
    
          
             

35

                   
            
     
      
39
                     
            
rall. a tempo

44


D.S. al Coda
2 "Ser más, para servir mejor"

Clarinet in Bα 2
Abel Neyra Gonzales
 

          

    
 


                  
5
   

    
     
A
   
9
       
3
     
                            
15
 
3
                   
         
B

19
        
   

              
23 C
 
Fim ( = 96)
          

           
27
   
           
            
31
    
         
   
  
35
               
    
                   
40
          
  
                       
a tempo

rall.
45
 
"Ser más, para servir mejor" 3

Clarinet in Bα 1
Abel Neyra Gonzales
  
             

 


         
          
5
 
 
 
              
9 A
  
3
            
             
       
15

3
           
                
B

19 B
      
      

                      
C ( = 96)
   
Fin
23
   
     
                
27
          
    
            
31
    
                           
35
   
  
                             
40
    
        
                 
45 rall. a tempo
 
D.S. al Coda

Soprano Sax
Abel Neyra Gonzales
  
             

 
   

    
          
5
   
   
          
A
   
9
  
3
           
                      
15

3
            
           
B
 
19
           
      

                           
Fin C ( = 96)
23
 
  

  
                
27
          

               
31
    
                       
35
    
    
                           
40
    
        
                 
a tempo
rall.
45
 
D.S. al Coda

Tenor Sax
Abel Neyra Gonzales
    
  
               

   
3
  3 
 3
                     
5
     

3
 
                         
9 A
   
3
 
3
    

         
   
    
  
13
         
3 3
  
                                  
17
  
3 3
3
   
              

 
21
  
 
           
       
Fin C ( = 96)
       
24
 
 


           
      
  

29

 

            
                
34
 
           
             
39
  

  3
a
                          
      
rall.
44 a tempo

3
D.S. al Coda

Tenor Sax
Abel Neyra Gonzales
    
  
               

   
3
  3 
 3
           
       
5
       
          
3
 
                  
9 A
   
3
3
    

         
   
    
  
13
         
3 3
  
      

   
                        
17
 
3 3
3
   
                
B

21
  
 
               
Fin
         
C ( = 96)

24
 
      

       
             
29

 

     
                        
   
34
           
             
39
  
              3

                     
rall.
44 a tempo

3
D.S. al Coda

Baritone Sax
Abel Neyra Gonzales

               

       
3 3


   
               
5
        
3

3
       
               
      
A
 
9
   
3 3
              
       
13
           

3 3
                
        
17
           
3
         
             
21 B
  


                      
   
Fin C ( = 96)
24
       
             
                
  
29
 
        
   
            
         
34
    
    
                
39
 
        

                             
a tempo
 
rall.
44
         
3 3
D.S. al Coda

Alto Sax 2
Abel Neyra Gonzales
     

       

  

      

                    

5
  

                       
3
      
A

9
  
                 
3
     


  
13
                           

  
17

3
        
                          
B
 
21

    
                  
C
 
Fin ( = 96)
     
24
   
 

                         
29
 
 

      
       
                   
34
  
      
                        
39
     
                          
rall.
44 a tempo
D.S. al Coda

Alto Sax 1

Abel Neyra Gonzales
      
  
   

 
 
      

          
   
5
                             
  

A
 
9
 
                            
3 
    
13
                           

     
17
                              
B

21
      

     
                    
Fin C ( = 96)
  
24
      
            

                  
29



 
                              
34
  
                           
 
39
   
             
                  
rall.
44 a tempo
D.S. al Coda

Alto Sax 1

Abel Neyra Gonzales
       
  
     
 
      

          
   
5
                            
  

A
 
9


         
                   
3 
  
13

                            

    
17
                                  
B

21
   
          
             
C ( = 96)
       
Fin

24
            

                
29
 
  

                              
34
  
                           
 
39
   
             
                  
44 rall. a tempo
D.S. al Coda

Alto Sax 2
Abel Neyra Gonzales
  
 
           

 
      

                    

5
  
                               
3
 
A

9
  
                 
3
     


  
13
                           

  
17

3
        
                           

21 B

   
                
C ( = 96)
 
Fin
         
24
  
 
 

      
      
           
29
  
 

   
                                
34
  
      
                        
39
     
                          
rall.
44 a tempo
D.S. al Coda

Baritone (T.C.) 2
Abel Neyra Gonzales
     
          

          
3
  3 
 3
           
       
5
 3
      
                         
9 A
    
3
  
3
               3   
      
 
13
         
 
  
    
3
   
                  
          
17
 
3
 
3

3
     
                      
21
 
B
 
            
Fin C ( = 96)
25
       
   
               

    
29
 
 

     
                   
    
34
   
     
                   
39
  
              3

                     
rall.
44 a tempo

3
D.S. al Coda

Baritone (T.C.) 1
Abel Neyra Gonzales
       
              

    
3

 3
           
          
5
    
3
                              
3
 
9 3 A
   
      
3
                 
          
13
   
     
3
    
3
 
 
            
             
17 3 3
   
3
                           
21

B
  
 
                 
Fin C ( = 96)
25

      

       
             
29

  

        
       
               
34
   
           
             
39
  
           

               
   
rall.
44 a tempo

3
3
D.S. al Coda

Percussion
Abel Neyra Gonzales
  
        

            
          

  A 
                   
7
         
3
 
       
                   
     
15

        
3 3
                       
               
19
           
           
B
      
 
   
 
            
Fin
22
        

 
D.S. al Coda
 
C ( = 96) rall.
26 a tempo

Percussion
Abel Neyra Gonzales
  
                    

          

  A 
                   
6
         
3
 
       
                    
     
14
        
3 3
                       
                
18
       
           
B
      
 
   
 
            
Fin
21
        

   
C ( = 96) rall.
25 a tempo
D.S. al Coda

Trombone 2
Abel Neyra Gonzales
  
            
             

   
  
                  
 3 3
         

5
  
            
3
      
A
       
9
              
3 3
      

13
  

                            
3 3
       
17
  
                        
                     
3 3
B

21
                            
Fin
   
C ( = 96)

25
             
    
  

       
29
                             
  
34
     
   
               
    
 
       
39
  
                      
          
rall. a tempo
44
    
3 3
D.S. al Coda

Trombone 1

Abel Neyra Gonzales
                          
  
                    
 3 3
      
5

           
3
  
A
         
9
    
         
3 3
   
          
13

            
         
3 3

              
17
       

                  
3 3
B
                   
21

  
            
         

Fin C
   
( = 96)
 
25
           
      

        
29
 
   
                      

          

34
   
             
          
          
39
   
                        
a
 
            
rall.
44 a tempo
3 3
D.S. al Coda

Sousaphone
Abel Neyra Gonzales
                
 

         
3 3


 
                
5
        
3
 
3
  
         
            
9 A
         
3 3
                     3  
  
13
      
   
3
                          3
        
17
      
 
                
        

21 B
   
              
Fin
   
C ( = 96)
25
       
   
      
         
29
       
      
     
                     
   
34
     
    
                    
39
         
                
  
rall.
44 a tempo
 
         

3

3

D.S. al Coda

Trumpet in Bα 3
Abel Neyra Gonzales
 
   

                   


  
     
5
                  
3
             
      
9 A
           
3
      
      
13
            
    

 
                      
17
         
3
       
                     
B
   
21
          

  
  
Fin
         
C ( = 96)

25
 
    
 
             
       
34
  
    
   
          
       
39
   

  
             
rall.
44
      
a tempo
3
D.S. al Coda

Trumpet in Bα 1
Abel Neyra Gonzales
 
                             

   
       

                                 
6
   3
 
             
3
          
11 A
   
                              

     
15
            
3
             
B
            
19
       
            
Fin C ( = 96)
  
    
      
               
23
 

              
         
27
  
  
  
                             
31
  

    
                           
35

                                 
         
39
   
     
                              
rall.
44 a tempo


D.S. al Coda

Trumpet in Bα 2
Abel Neyra Gonzales
  
                  

    


 
                   
5
       
3
  

                
     
     
9
 
3
A
 

                            
13


 
                
              
17

3
        
          
B
  
                 
          
21

     
 
C ( = 96)
  
          
25
  
       
Fin
             
       
34


 
                           
39
        

     
              
rall.
44 a tempo

3

D.S. al Coda

Trumpet in Bα 1
Abel Neyra Gonzales
 
                              

   
  

  
                                 
6
   3
 
             
3
          
11 A
   
                               

   
15
 
            
3
              
 
B
          

19
       
           
Fin C
 
( = 96)
   
                      
23
 

           
             
27
  
 
  
                             
31
  

    
                         
35

            

                           
39
    
     
                              
rall.
44 a tempo


D.S. al Coda

Himno Nacional Del Per - Himnos Nacionales

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"Ser más, para servir mejor"

2 "Ser más, para servir mejor"

"Ser más, para servir mejor" 3

4 "Ser más, para servir mejor"

"Ser más, para servir mejor" 5

6 "Ser más, para servir mejor"

"Ser más, para servir mejor" 7

8 "Ser más, para servir mejor"

"Ser más, para servir mejor" 9

10 "Ser más, para servir mejor"

"Ser más, para servir mejor" 11

12 "Ser más, para servir mejor"

"Ser más, para servir mejor" 13

14 "Ser más, para servir mejor"

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16 "Ser más, para servir mejor"

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18 "Ser más, para servir mejor"

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20 "Ser más, para servir mejor"

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22 "Ser más, para servir mejor"

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