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  • 1 Bariton T.C. - Gladiator, Arr. Massimilliano Legnaro

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    1. The document is a symphonic suite for wind orchestra composed by Hans Zimmer based on the film Gladiator. 2. It contains several movements depicting scenes from the film including "The Might of Rome" and "Slaves to Rome." 3. The music uses dramatic rhythms and motifs to represent the power and brutality of the Roman Empire as experienced by the gladiators.

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    1 Bariton T.C. - Gladiator, arr. Massimilliano Legnaro

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    1. The document is a symphonic suite for wind orchestra composed by Hans Zimmer based on the film Gladiator. 2. It contains several movements depicting scenes from the film including "The Might of Rome" and "Slaves to Rome." 3. The music uses dramatic rhythms and motifs to represent the power and brutality of the Roman Empire as experienced by the gladiators.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    12 views5 pages

    1 Bariton T.C. - Gladiator, Arr. Massimilliano Legnaro

    Uploaded by

    jbxz94bymm
    1. The document is a symphonic suite for wind orchestra composed by Hans Zimmer based on the film Gladiator. 2. It contains several movements depicting scenes from the film including "The Might of Rome" and "Slaves to Rome." 3. The music uses dramatic rhythms and motifs to represent the power and brutality of the Roman Empire as experienced by the gladiators.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 5

    Gladiator

    1 Baritone (T.C.) Hans Zimmer


    Symphonic Suite for Wind Orchestra

    
    Massimilliano Legnaro

        
        
    The Might of Rome, Slowly, temp. 46

          

        
              
    a tempo


    rit.


    9

      

     
        
    22

     
    rit. a tempo

        
    19

      
            
            
    29

     

          
    40 48

     
        
    38

       

               
    56

         
    49

     
        
             
    rit. a tempo rit.


    59

     
         
      
    68 76

      
    a tempo

            

     

    ©SW
           
    2 Gladiator

                   
                           
    78

             3   3  3     
       
    90

        
    Slaves to Rome, Allegro, temp. 63

      
    86

      3 3

           
            
    92 3 3 3 3
    3 3

    3 3 3 3

           
            
    96 3 3 3 3
    3 3

    3 3 3 3

                     3   3   3  
    cresc.
    100 104

                  
     3 3 3 3
    3


    110

                  
    105

              
        
    rall.

     
    112

       
    120

             
      
     
        
    cresc.

           
    128


                               
    126

     
    Gladiator 3

         
        
    136

              
    cresc.

          
    132

     

        
             
    139

             
     
      
         
    147

                
    The Battle, Solenne temp. 100

     
               
          
    153

               
    161

     
    159

            
        
    167

    sepreme dim.

          
     
    175

             
            
     
     
          
    184

                
    180

       
    cresc. 

                                      
    186

           

    4 Gladiator

     
    199

                         
    
    
    193

     
    sub. 


           
    202

         

        
    216

               
     
    212

     

                     
                        
    219

            
    227

          
    225

                      

     
    poco a poco cresc.

       
    230

                       


         
    235

                 

          
       
                
    241 Barbarian Horde, Marziale

               
    239

     
                        
                           
    244



    Gladiator 5

                                        
    249

      

         
              
    254

          
    Moderately Fast

     
     
           
            
       
    260

     

          
               
     
    266

     
    3

     
     
          
    

     
        
     

      
    272 3 3
    3

                
    280

               
           
    278 3
    3

     3 3 3

      
       
     
      
        
      

       
    283

    3 3 

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