Bass Drum 1.

L'Homme Armé
From "The Armed Man: A Mass for Peace"

Karl Jenkins
Arrangement For mixed choir & combo: Roel Meere/PMP
 = 65-70
 
                                
   
Marziale
Snare Drum


                                
   
3

                                
   
5

cresc. poco a poco

                                
   
7

                                
   
9

                
 
  

            
       

11

 
                                
   
14

A 
                                
   
16

                                
   
18

                                
   
20

                
 
  

            
       

22

cresc.

©2024. Paladin Music Productions. All rights reserved.

 
                                
   
2
25


                                
B
   
27

                                
   
29

                                
   
31

                                
   
33

                                
   
35

                                
   
37

                
 
  

            
       

39

cresc.

 
                                
   
42


                                
   
44

                                
   
46 Floor tom

                                
   
48

                                
   
50
                                
   
3
52

                              
  E  
54

                                 
   
56

                                
   
58

                                
   
60

                                  
    
  
62 F

cresc. 
                                
   
65

                                
   
67

                                
   
69

 
                                  
   

71


                                 
   
  
74


                                
   
81

                                 
   
83
                                 
   
4
85

                                
   
87

                
 
  

            
         

89

 
                                
   
92

cresc.

 
                       
 
 
94