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HÉROES DE LA CONCEPCIÓN

Marcha Chilena
arr: Arlegui Autor: Jacinto Chacón
         
                  
    
 = 108

Flauta piccolo

            
                      



   
           
    
Oboe

 
                       
 


       
       
Fagot

                     

  




       
Clarinete en Mi♭

    
      


Clarinete en Si♭     
      
             

                 


  
  
 
  
   
       

Clarinete en Si♭
     

              


  
  
 
  
   
          

    
       
Clarinete en Si♭

       

                          


 

 
Saxofón contralto

     
                            

               


Saxofón tenor

                
              

              


Saxofón barítono
     
                            
       
              
                                                                         




                

Corno en Mi♭

                             

                       

                                                           


Corno en Mi♭
           

                                                 


 
 

Trompeta en Si♭   

              
                          
   

   


Trompeta en Si♭           


             
 

               
 

            
      

  
 


Trompeta en Si♭

                 
    

Fliscorno   
   
        
      
           

   
           


                

Fliscorno
                 

                         


        
            
 

    

Trombón

                      


       

              


        

Trombón

       
            
 

        
                        
  
                  
Trombón

       
        
 

                 

         
Trombón

        
                
 
   

  
                


Trombón

                                                 


 


Trombón         

       
            

        
    


Bombardino
                  

       
                  

       
        


        

 
Bombardino

                
      
     
    
         

  
 


Bombardino  
        
                       
                                                                      



Sousafón en B♭                      
    
                                                                   

                      


                         
    
 
Tuba

                     

                                  


 


Glockenspiel

                                                                             
 

 
 

           


                                
Set de percusión
   
   

transcripción. Roberto Lobos Ratti 2019



                  

                  
                
To Coda
1. 2.
23

Picc.

                         


             
    

   


      
1. 2.

           
      1.   2.     
Ob.

    
  

        

  

    

 

   
         
        
Fag.

          
  

    

                 
1. 2.

                 
Cl. Mi♭

            


   

              
1. 2.


                
Cl. Si♭

 
    
           


               
1. 2.

          
     
Cl. Si♭

 
          

       
          

   
1. 2.

Cl. Si♭

2.   
                                   
   
  

 
1.
Sax. Ctrl.

        1.      
                        

     

  

2.

      
Sax. T.

          1.   2.       


                       

   

Sax. Bar.      
                 2.           
                                          

                                                 

           
       
1.

 
Cor. Mi♭

                      2.           
             

                                                                         

               
1.

 
Cor. Mi♭

                


       
 
             
 

  
  
 
1. 1.
Tpt. Si♭

        2.    
             
                      

  

1.
Tpt. Si♭

         
                        

           

    

1. 2.
Tpt. Si♭

                                 



                         

  
1. 2.
Flisc.

       
                                               

      
1. 2.

 
Flisc.

          
                            

 
   
1. 2.

 
Tbn.

          
        

                     


  

1. 2.
Tbn.

       2. 
         

                        


     

1.

           
Tbn.


                  
  

             

 
1. 2.

           
    
Tbn.

      


       
   1. 
 

               
2.

     
   
Tbn.

        


       
 
 

                       

1. 2.

 
Tbn.

        1.    
                        
 

       
 
2.
Bo.

        1.      
     

                     


 
 
 

2.

      
Bo.


              1.  2.       
   

 

              

Bo.

                                                 1.       
                        
 

                               
    
     
2.

Sax. B♭

                                
2. 
                        
 


                         

 
               
1.
Tba.

           2.    
                                    

  

    
 
1.

                                                           1.   2.                     


Glock.

                        

                                  

Perc. Set.

 

2 transcripción. Roberto Lobos Ratti 2019


                     D.S.al Coda      
1. 2.

               




                            
46

Picc.

 
                        
          

    

                        


2ª vez 

           
1. 2.
Ob.

                   
               

       
2ª vez 

              
1. 2.

   
            
         
Fag.

                    


                         
2ª vez 


1. 2.

            
  
Cl. Mi♭

                         


  2ª vez 


                          
1. 2.


                    
Cl. Si♭

                        



2ª vez 

                      

   
1. 2.

                 
Cl. Si♭

      
                

             


 2ª vez 

                
1. 2.


      
Cl. Si♭

                     
   


 2ª vez 

     
                 

1. 2.

Sax. Ctrl.

                   
                    
 2ª vez 

            
1. 2.

   
      
Sax. T.

                  
             
                   
 2ª vez 


1. 2.
Sax. Bar.

          2.    
                                                                   
2ª vez 

     
    
1.

 
Cor. Mi♭

             2.    
               
2ª vez 

                                                  
     

1.
Cor. Mi♭

                            
    
       
                 
2ª vez 

 

       


1. 2.
Tpt. Si♭

     

             
  

       
    
                    
   
 2ª vez 

       
    
1. 2.
Tpt. Si♭

 
     

             
  

                        

             
2ª vez 

      
      
1. 2.
Tpt. Si♭

                                        1.  
        
    
      
            

   
2ª vez 

    
2.

Flisc.

         1.    


   
                      
                              
 2ª vez 

            
     
2.
Flisc.

           
                       
   
    

       
2ª vez 

 
1. 2.

   
   
Tbn.

                  
                              
2ª vez 

 
1. 2.

   
Tbn.

         
          
           
               
2ª vez 

  
      
1. 2.

   
Tbn.

                
                 
2ª vez 

                  
1. 2.

  
                   
Tbn.

          
         
    
2ª vez 

            
1. 2.

   
      
           
Tbn.

       
           2.             
2ª vez 

    
         
1.

   
Tbn.

                  
                             
2ª vez 

  
1. 2.

   
Bo.

            
                   
   
    
          
2ª vez 

  
1. 2.

   
    
Bo.

                      
           2.                
2ª vez 

         

1.

    
 
Bo.

                             
     
2ª vez 

                
               

1. 2.

Sax. B♭

                   2.   
                
2ª vez 

               
               
 
   

1.
Tba.

       

                                           
2ª vez 

      
     
1. 2.

                                2.                     
Glock.

      
 2ª vez 

                          


                                       
1.

  
Perc. Set.

2ª vez 

transcripción. Roberto Lobos Ratti 2019 3


     
                        
 
          
                                
Fine 1.
1. 2. TRIO
70

   
Picc.

                      
   

        

   

   

        
 

              

1. 2. TRIO 1.
Ob.

                      
                               


        


 
           
1. 2. TRIO

 3
1.

     
Fag.

                      
                                      
 3 3 3 3

         
1.
1. 2. TRIO

     
Cl. Mi♭

                                    
 

                          


1.


1. 2.
TRIO

        
   
Cl. Si♭

                       
                        
 

         


1. 2. 1.
TRIO

         
Cl. Si♭

         
             2.                                       
 

     
TRIO 1.
1.

   
Cl. Si♭

       
               
  
 3      
 

                           
1. 2.


3 TRIO 1. 3

Sax. Ctrl.

                               

                          
      
 

  
     3  3
1. 2. TRIO 1.

  
Sax. T.

         
           
                                  
3

   
3

          
3

 
1. 2. TRIO 1.
3 3
Sax. Bar.

  
                                                                    
   
 3 3 3 3 3 3

   
    
1. 2. TRIO 1.

 
Cor. Mi♭

  1. 
                                                                 
 3 3 3

    
3 3 3 3 3

          
3


1. 2. TRIO 3 3 3 3 3 3 3

Cor. Mi♭

     2.               
                                        


            
1. TRIO 1.
Tpt. Si♭

                                                         


  


      
        
1. 2. TRIO 1.
Tpt. Si♭

               
                                        


                     


      
 
1. 2. TRIO 1.
Tpt. Si♭

        2.                  


                               


 


              
1. TRIO 1.

Flisc.

         

                                                              
 

    
 
1. 2. TRIO 1.

         
Flisc.

                          

          
       
     


    


      
 3
1. 2. TRIO 1.

         
Tbn.

                        

          
       
     
 3  3

    
3

  
3

    3  3
1. 2. TRIO 1.

       
Tbn.

           
       

          
       
     
 3

          
3


  
3

   3
1. 2. TRIO 1.

                   3
      
Tbn.

       
                           

     
 3  3

  
3

    
TRIO
1. 2.

  3
1.

                     
   
Tbn.

   
                                     
 3 3 3


3

        
TRIO

 3
1. 2. 1.

  
                  
   
Tbn.

      
                                
3  3 3


3


    3    
TRIO

  3
1. 2. 1.

         
Tbn.

                       

          
       
     
3 3

   
3
 

   
     3  3
1. 2. TRIO 1.
Bo.

       
                   
 
      

          
       
     
 3

    
3

   
3

     3  3
1. 2. TRIO 1.

                   3
Bo.

                        
    
             
     
 3

  
3

    
TRIO

  3
1. 2. 1.

     
Bo.

  
             
                              
 3 3 3

  
3

       

    

1. 2. TRIO 1.
3 3
Sax. B♭

     
                                  
 3 3 3 3 3 3

               
                        
1. 2. TRIO 1.
3 3 3 3 3 3 3 3
Tba.

       1.             

                                                           


        
2. TRIO 1.


        1.       2.    1. 
Glock.

     
                                            


 
3

                                        
3 3 3 3 3 3 3
TRIO 3

 
Perc. Set.

 

4 transcripción. Roberto Lobos Ratti 2019


                      
 2. 
                 
1. 2.
94

Picc.

2. 
  2.        
 

                   
Al TRIO y Fine

 
1.

     
Ob.

               
 
    
            
Al TRIO y Fine


 


2. 1. 2.
Fag.

  
 2.                              
3
 

            
Al TRIO y Fine


1. 2.


                           
Cl. Mi♭

 2.      
          
 Al TRIO y Fine

 
1. 2.

 2.         
Cl. Si♭

                 
          
  Al TRIO y Fine

 
1. 2.

       
Cl. Si♭

 2.                
             
  Al TRIO y Fine

  Al TRIO y Fine
1. 2.
Cl. Si♭

 2.  
                          
 

 
1. 2. 3

Sax. Ctrl.

        
               
 

     
Al TRIO y Fine

  
2. 1. 2.
Sax. T.

  


               
3


          
Al TRIO y Fine


2. 1. 2.
Sax. Bar.

 2.                                    


                      
Al TRIO y Fine

  Al TRIO y Fine
1. 2.
Cor. Mi♭

2. 
 2.              
           



  
  




  
  




  
     

1.
Cor. Mi♭

 
 2.                       
                    
 Al TRIO y Fine


1. 2.
Tpt. Si♭

 2.                    


                  
Al TRIO y Fine

     

1. 2.
Tpt. Si♭

 2.    
                      
 Al TRIO y Fine

                   
1. 2.
Tpt. Si♭

 
 2.                       
                    
Al TRIO y Fine



1. 2.
Flisc.

 2.    
                      
 Al TRIO y Fine

                   
1. 2.
Flisc.

 2.      
                       
Al TRIO y Fine



1. 2.
Tbn.




  


    
3

                    
Al TRIO y Fine

 
2. 1. 2.
Tbn.

 2.  
 

  
3

                      
Al TRIO y Fine

  
1. 2.
Tbn.

    


              



3

         
Al TRIO y Fine


1. 2.


2.


Tbn.

    
 
        
         
  3

    
Al TRIO y Fine


2. 1. 2.
Tbn.

      


                
3

   


   
Al TRIO y Fine

 
2. 1. 2.
Tbn.

        
 3

               


      
Al TRIO y Fine

 
2. 1. 2.
Bo.


        
 3

                   
Al TRIO y Fine

   
2. 1. 2.
Bo.

   
 

       
3

                      
Al TRIO y Fine


2. 1. 2.
Bo.

  
            
 

      
3

        
Al TRIO y Fine


2. 1. 2.

Sax. B♭

       


      
Al TRIO y Fine

               

2. 1. 2.
Tba.

2. 
      
    


                            
Al TRIO y Fine
2. 1.

     
Glock.

     


                                      
Al TRIO y Fine

         
2. 1. 2.

   Al TRIO y Fine
Perc. Set.


transcripción. Roberto Lobos Ratti 2019 5


Flauta Piccolo C HÉROES DE LA CONCEPCIÓN
Marcha Chilena

                


arr: Arlegui


Autor: Jacinto Chacón

        
 = 108

        


     
 


      
To Coda
1. 2.
28

                            


            
40

         
 
1. 2.

         


         
51
D.S. al Coda

             


  2ª vez 

    


61

 
                
       
                 
1. 2. TRIO
72

   

   
              
 

               
Fine 1. 2.

 
83

   


                     1. 
 
           
2.
95

  Al TRIO y Fin

transcripción. Roberto Lobos Ratti 2019


Oboe HÉROES DE LA CONCEPCIÓN
Marcha Chilena

        
  
arr: Arlegui

                
Autor: Jacinto Chacón


   
 
 = 108

                      
 

    
   
30 To Coda 1. 2.

                                       

    
   
43

1. 2.

               

                      
      
55 D.S. al Coda

   
  2ª vez 

    
               
          
   
67 1. 2.

          



                    
    
78 TRIO
     

  
                 


                 
   
90 Fine 1. 2.
1.


 

     
103
2.

Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Fagot HÉROES DE LA CONCEPCIÓN
Marcha Chilena

       
               
arr: Arlegui Autor: Jacinto Chacón

          
 
 = 108

    
             
     
  



14

        
  
         
             


28 To Coda 1. 2.

                            
  
   

  
41

1. 2.

  
       

      
                  
    
D.S. al Coda


54

         1.    
              
             
     
 2ª vez 


2. TRIO
68

                 Fine
               
3



80

   2.                          
  
3 3 3

     
 3 
93
1.

 
         




102 1. 2.

3
 Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Clarinete Mib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

         
arr: Arlegui

                
Autor: Jacinto Chacón


  
 = 108

        
   
 

                
29 To Coda 1. 2.

            
                  

        
43


  D.S. al Coda      
1. 2.

          

           
55

             1.         
  2ª vez 

         
66 2.

     
     


         
  
  
  
      
   
78 TRIO
      

     
                        


        
   
Fine 1. 2.
91

          
       
101
1. 2.

 Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Clarinete 1° Sib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

       
 
arr: Arlegui


Autor: Jacinto Chacón

      
 = 108

       

         
 

       
        
16

             
     

  
           
1. 2.


31 To Coda

  
                      

  

       
44

  D.S.
 al Coda                       
1. 2.


               

55

         1.     2.    


  2ª vez 

          



66

     
           
     


           
78 TRIO

     

                         


                 
Fine 1. 2.



90



transcripción. Roberto Lobos Ratti 2019


        
        

100
1. 2.

 Al TRIO y Fine

2 transcripción. Roberto Lobos Ratti 2019


Clarinete 2° Sib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

 
            
arr: Arlegui Autor: Jacinto Chacón

  
         
 = 108

        
 

  
         
16

           

    
   

    
 
  
  
31 To Coda 1. 2.


                      
      

      
44


   
1. 2.

              



              
  
D.S. al Coda
55

    1.     2.    
         
  2ª vez 

          


66

     
             
           


         
78 TRIO
      


      
                    1.  


         
 
Fine 1. 2.


91

 

transcripción. Roberto Lobos Ratti 2019


  2.   
 
103

Al TRIO y Fine

2 transcripción. Roberto Lobos Ratti 2019


Clarinete 3° Sib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

 
arr: Arlegui

          
Autor: Jacinto Chacón

    
     
     
 = 108


 

            
      
18

           
 
   

   
      
            
33 To Coda 1. 2.

                     D.S. al Coda



 
           
1. 2.


46

                                 


 
57

 
                                   
 2ª vez 

  
            
70 1. 2. TRIO
  

   
            
 

      
               
83 Fine 1. 2.

   


                              

 
97
1. 2.

  Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Saxo Alto HÉROES DE LA CONCEPCIÓN
Marcha Chilena

               
arr: Arlegui Autor: Jacinto Chacón

       
   
 = 108

   
 

                     



 
16

     

           
 
 
       
      
30 To Coda 1. 2.

                      
1. 2.

    

            
  
44 D.S. al Coda

             


       
58

     1.     2.     3


   
2ª vez 

                   
70 TRIO

         
 

                 
             
1. 2.

 
83 3 Fine 3

 


                    
97 1. 2. 3

 Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Saxo Tenor HÉROES DE LA CONCEPCIÓN
Marcha Chilena

             
 
arr: Arlegui

  
Autor: Jacinto Chacón

                 
 = 108

  
  
                             
 


16

   
                1.  2.     

            
 

 
30 To Coda


1. 2.

              
          

             
    

D.S. al Coda


44


                  

  
         
 
59

  
     1.    2.                   
  
2ª vez 

    
  3
72 TRIO

            Fine    


                       
 
1. 2.

 3
85



3 

              
3

       

97
1. 2.

3  Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Saxo Barítono HÉROES DE LA CONCEPCIÓN
Marcha Chilena

         
arr: Arlegui

 
Autor: Jacinto Chacón

                     


   
 = 108

      


  

          
         

15

       1.    
  To Coda     

         
           
30 2.

                          D.S. al Coda


  
              
1. 2.


43

                     
 

        
57

       1.  2.    
2ª vez 

                      
             
71 TRIO
3

 3 3

   
                                
Fine 1. 2.

  
84
3

 
  
3 3 3 3 

            2.
    
98 1.

Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Corno 1° y 2° Mib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

          
arr: Arlegui

        
Autor: Jacinto Chacón

                                      
 = 108

             
                                      
                   
 
11

                
                          
               
 
  
20

       Coda
 1. 
        
                             
            
    

     
29 To

              
                                     
               
39
2.

        
1. 2.


   
                                   
 
D.S. al Coda

    
49

 
                                
2ª vez 

    
60

    
                           
                                         
  
73 1. 2. TRIO

                        
                                       
3  3 3 3 3
Fine 1. 2.

 
87

3 3 3 

transcripción. Roberto Lobos Ratti 2019


               
      

100 1. 2.

Al TRIO y Fine

2 transcripción. Roberto Lobos Ratti 2019


Corno 3° y 4° Mib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

          
arr: Arlegui Autor: Jacinto Chacón

     
                                 
 = 108

             
               
                
    
 
11

              
                               
       
20

            To Coda 
                                        

29
1.

              
                                         
39
2.

         
1. 2.

  


                  
                        
 
49 D.S. al Coda

       
                       
  
2ª vez 

   
60

 
                       
                                 
73 1. 2. TRIO 3 3 3 3

                                      

Fine 1. 2.

                              
86 3 3 3 3



transcripción. Roberto Lobos Ratti 2019




                   
99
1. 2.

Al TRIO y Fine

2 transcripción. Roberto Lobos Ratti 2019


Trompeta 1ª HÉROES DE LA CONCEPCIÓN
Marcha Chilena

    
           
arr: Arlegui

       
Autor: Jacinto Chacón


         
 = 108

        
              
  

        

17


                1.   2.                   
  

    
 
31 To Coda

 1. 2.

                                         

      
   
45 D.S. al Coda

                                  
 

        
58

     1.    2.                  


   
2ª vez 

       
    
72 TRIO
   

                    
      
 

      
      
84 Fine 1. 2.
   

                               1.   2.  


 

96

Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Trompeta 2ª HÉROES DE LA CONCEPCIÓN
Marcha Chilena

    
arr: Arlegui


Autor: Jacinto Chacón

              
     
       
 = 108

               
  

          
    
17

                             
  

          
    
   
31 To Coda 1. 2.

           

                             
1. 2.

   
   
45 D.S. al Coda

         

                       


      
57

                  
 2ª vez 

  
                     
         
70
1. 2. TRIO
   

 

                                
 
Fine 1. 2.

     
83

   




                
                      
96
1. 2.

Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Trompeta 3ª HÉROES DE LA CONCEPCIÓN
Marcha Chilena

    
arr: Arlegui


Autor: Jacinto Chacón

              
     
       
 = 108

          

             
  

 
   
17

                              
  

 
       
 
31 To Coda 1. 2.

                               D.S. al Coda

        
1. 2.

       
45

  
              

            

    
 
57

    1.    
 
 2ª vez 

                                 
 
69
2. TRIO
 

        
      
 

              


  
80

     

  
                                    

92 Fine 1. 2.

  1.   


  
 
102
2.

Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Bugle 1° HÉROES DE LA CONCEPCIÓN
Marcha Chilena

             
arr: Arlegui Autor: Jacinto Chacón

     
            
 = 108

                
                
 
 


16


                     1.    2.       
     

  
 
29 To Coda

          
           
                 
        

 
 
42

1. 2.

        
        
      
            

   
    
 
52 D.S. al Coda

                        
 
         
  2ª vez 

    
64
1. 2.

                                    


        
77 TRIO
     

                                        



     
90 Fine 1. 2.

  
          



101
1. 2.

Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Bugle 2° HÉROES DE LA CONCEPCIÓN
Marcha Chilena

arr: Arlegui


Autor: Jacinto Chacón

                                   
 = 108 

                   
 
 

    
       
15

         
           
    

     
29 To Coda 1. 2.

        
    
    
             

       
          
    
42

1. 2.

                

         
               
  
   
52 D.S. al Coda

         1.  
           
  2ª vez 

                  
  
64
2.

               
           


       

77 TRIO
     

     
       
                       


    
89 Fine 1. 2.

  
       


        
100
1. 2.

Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Trombón 1° Sib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

           
arr: Arlegui

 
Autor: Jacinto Chacón

               
      


 = 108

                            
 

  
15

   
     

                    




29 To Coda 1. 2.

                    D.S. al Coda


   
                  
1. 2.

  
42

          
                 


   
 
57

    
         1.    2.     
 
2ª vez 

 
          
        
71 TRIO

          Fine 
 3

                        
   
1. 2.

 3
84

    
 3 

    
3

           

97
1. 2.

 Al TRIO
3
y Fine

transcripción. Roberto Lobos Ratti 2019


Trombón 2° Sib HÉROES DE LA CONCEPCIÓN
Marcha Chilena


arr: Arlegui

    
Autor: Jacinto Chacón

                         


  
 = 108

  

                     
 

        
 
14


                            1.   2.    

     

27 To Coda

                         

           
  
1.

  
41

2.


          


     
           
 
D.S. al Coda


56

    
            1.    2.      
2ª vez 

                  
    3
70 TRIO

               Fine 
             


       
 
1. 2.

 3
83

 
 3

            
3

             

95
1. 2.

 3 Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Trombón 3° Sib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

      
arr: Arlegui

 
Autor: Jacinto Chacón

          
        

     
 = 108


 
           
 

               

14

     
            

        


27 To Coda 1. 2.

                          
         
      
40


1. 2.

                                  

 
     
   
54 D.S. al Coda


                1.    2.   
2ª vez 

  
                   
 
68 TRIO

               Fine


 3

             


 3
81

  1.       2.    
3

             
  
         
93
1. 2.

 3  3  Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Trombón 1° HÉROES DE LA CONCEPCIÓN
Marcha Chilena

         
            
arr: Arlegui Autor: Jacinto Chacón

     
     
 = 108

                



 

      

14

           
          

      
25 To Coda

              
          
             

38 1. 2.

1. 2.

      D.S. al Coda


   

          
              
 
50

            1.  
         
2ª vez 

        
 
64 2.

    TRIO         
             
       
77

          Fine 1.            
3 3

   


          

2.

 3 
89

3 3
 

transcripción. Roberto Lobos Ratti 2019


        
     

100 1. 2.

3
 Al TRIO y Fine

2 transcripción. Roberto Lobos Ratti 2019


Trombón 2° HÉROES DE LA CONCEPCIÓN
Marcha Chilena

                               
arr: Arlegui Autor: Jacinto Chacón

   

   
 = 108

                 


 
 

       

14

    
         1. 2.

              

26 To Coda

             
               
        
  
40

1. 2.

   

   


    
                        
 
D.S. al Coda
53

         1.          
       
2ª vez 

        
 
   
66 2.

TRIO                         
3




         
 
78

    Fine 1.    2.           1.
3

            
       
 3 
92

3 3
 

transcripción. Roberto Lobos Ratti 2019


     
  
103
2.

3
 Al TRIO y Fine

2 transcripción. Roberto Lobos Ratti 2019


Trombón 3° HÉROES DE LA CONCEPCIÓN
Marcha Chilena

                             
arr: Arlegui Autor: Jacinto Chacón

  
   

 
 = 108

                           
 

    
14

 
       

                   
 
27 To Coda
1. 2.

                 
           
 

    
      
40

     D.S. al Coda         


 
1. 2.

  

            
          
54


         1.     
          
2ª vez 

           
    
TRIO

  3
67 2.

        


              


 
 
79

    Fine 1.    2.
3

                     
           
 3   3
92
1. 2.

3 3
  
Al TRIO y Fine
transcripción. Roberto Lobos Ratti 2019
Barítono 1° Sib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

 
arr: Arlegui

 
Autor: Jacinto Chacón

              
     
   
   
 = 108

                       
 

        
16

    
                    

          
     

30 To Coda 1. 2.


1. 2.

              
           

           
     

D.S. al Coda


44

     
                     
   
59

    
     1.    2.                    
2ª vez 

     
  3
72 TRIO

                 Fine    


                   
 
1. 2.

 3
85



 3 

              
3

       

97
1. 2.

3  Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Barítono 2° Sib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

 
arr: Arlegui

 
Autor: Jacinto Chacón

               
     
   
   
 = 108

        
 


    
                  
16

   
                  1.  2.     

            
 
 
30 To Coda


1. 2.

                    D.S. al Coda 


          

              
  
44


 
                           
   
59

    
     1.    2.                     
2ª vez 

     
  3
72 TRIO

             Fine 
               


           
1. 2.

 3
85



 3 

 
3

                 
   

97
1. 2.

 Al TRIO
3
y Fine

transcripción. Roberto Lobos Ratti 2019


Eufonio HÉROES DE LA CONCEPCIÓN
Marcha Chilena

               
arr: Arlegui

 
Autor: Jacinto Chacón

        
     
 = 108 

          


             
 



16

 
             1.   


          
29 To Coda 2.

                            
    

     

41


             
1. 2.

       

      
            
54 D.S. al Coda

       1.       
                   
      
2ª vez 


TRIO
67 2.

         



                
3




 
79

    Fine 1.    2.
        
3

 
    
                 

 3 
92
1.


      
3 3


 


103
2.

3
 Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Tuba HÉROES DE LA CONCEPCIÓN
Marcha Chilena

      
arr: Arlegui Autor: Jacinto Chacón

          
                

    
 = 108


      
 
                                  
 
 

            
10

                                    
                 
19

               

           
      
28 To Coda

               

         
                 
     
37
1. 2.

                               

                  
46

1. 2.

             
            

    
          
55 D.S. al Coda

           
                           
2ª vez 

    
68
1. 2.

      
                              
78 TRIO
3 3 3 3 3



transcripción. Roberto Lobos Ratti 2019


                  
        
Fine 1. 2.

     
88
3 3 3



 
     
    
101
1. 2.

Al TRIO y Fine

2 transcripción. Roberto Lobos Ratti 2019


Lira HÉROES DE LA CONCEPCIÓN
Marcha Chilena

    
arr: Arlegui

            
Autor: Jacinto Chacón

                 
 = 108

                     
  

          
 
17

                   1.   2.                 
  

   
 
31 To Coda

   
 1. 2.

                            

        
   
45 D.S. al Coda

   

                       
         
  
59

        
2ª vez 

                       
            
72 1. 2. TRIO
   

          
        


              
         
84 Fine 1. 2.
   

          1.   2.  


          
         
96

Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019


Percusión HÉROES DE LA CONCEPCIÓN
Marcha Chilena

                
arr: Arlegui Autor: Jacinto Chacón

                                    
 = 108

                      
  

                                    
11

                                   

                  
20

                         To Coda
  


                      
                
29
1.

                        

  
                                
  
39
2.

 

                     
1. 2.



                                   
   
48 D.S. al Coda

  
     
                                   
    
   
58


                       
2ª vez 

                     
              
TRIO 3 3 3

70 1. 2.

  

transcripción. Roberto Lobos Ratti 2019


                 
                                
Fine 1. 2.

                      
3 3 3 3
83 3

  

 1. 
  2.
                                
         
96

  Al TRIO y Fine

2 transcripción. Roberto Lobos Ratti 2019


Contrabajo Sib HÉROES DE LA CONCEPCIÓN
Marcha Chilena

     
                               
  

arr: Arlegui


Autor: Jacinto Chacón

  
            
 = 108

 

                                            
  

               
12

               
         
                   
23

       1.           
                                

   
34 To Coda 2.

    1.
    
                                      
   

         
45

            
2.

                    

 
    
56 D.S. al Coda

          1.     
       
                 
2ª vez 


70 2. TRIO

 
                                     
3 3


  
82
3 3
Fine 1. 2.

               
         
3 3 3 3

 
  
95 1. 2.

 Al TRIO y Fine

transcripción. Roberto Lobos Ratti 2019

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