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Document - 668 - 82download Ebook PDF Experiencing The Worlds Religions Tradition Challenge and Change 6Th Edition Ebook PDF Full Chapter
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Preface xvii
1 Understanding Religion 2
F I RS T ENC OUNTER 3
What Is Religion? 4
Key Characteristics of Religion 5
The Sacred 7
Religious Symbolism 8
Speculations on the Sources of Religions 10
Patterns among Religions 13
First Pattern: Views of the World and Life 14
Second Pattern: Focus of Beliefs and Practices 16
Third Pattern: Views of Male and Female 17
Multidisciplinary Approaches to the Study of Religion 20
The Study of Religion 22
Recent Theories 23
Key Critical Issues 24
Why Study the Major Religions of the World? 26
The Journey 28
Reading: Finding What Brings Joy 29
2 Indigenous Religions 32
F I RS T ENC OUNTER 33
Discovering Indigenous Religions 35
Past Obstacles to the Appreciation of Indigenous Religions 36
The Modern Recovery of Indigenous Religions 37
vii
viii CONTENTS
3 Hinduism 72
F I RS T ENCO U NTER 73
The Origins of Hinduism 75
The Earliest Stage of Indian Religion 76
The Religion of the Vedic Period 78
The Vedas 79
The Upanishads and the Axis Age 80
The Origin of the Upanishads 81
Important Concepts of the Upanishads 81
Living Spiritually in the Everyday World 86
The Bhagavad Gita 86
The Caste System 87
The Stages of Life 88
The Goals of Life 90
The Yogas 90
Devotional Hinduism 94
The Trimurti: Brahma, Vishnu, and Shiva 95
Worship of the Divine Feminine: Devi 99
The Guru as Object of Devotion 102
Devotion to Animals 102
Other Forms of Religious Devotion 104
CONTENTS ix
4 Buddhism 122
F I RS T ENCO U NT ER 181
Shared Origins 182
Jainism 183
Background 183
Mahavira and the Origins of Jainism 184
Worldview 186
Jain Ethics 187
The Development of Jainism and Its Branches 189
Digambaras 190
Shvetambaras 190
Sthanakavasis 190
Terapanthis 191
Jain Practices 191
Jain Scriptures 192
Jain Art and Architecture 192
Sikhism 193
Background 193
Nanak and the Origins of Sikhism 193
The Worldview and Teachings of Nanak 194
The Development of Sikhism 195
Sikh Scriptures 197
Sikhism and the Modern World 198
Personal Experience: A Visit to the Golden Temple 199
Reading: A Prayer for Peace 201
F I RS T ENCO U NT ER 205
Basic Elements of Traditional Chinese Beliefs 206
CONTENTS xi
Daoism 210
The Origins of Daoism 210
Laozi (Lao Tzu) 211
The Daodejing 211
Zhuangzi (Chuang Tzu) 215
Basic Early Teachings 216
Daoism and the Quest for Longevity 218
The Development of Daoism 219
Daoism and the Arts 222
Daoism and the Modern World 226
Confucianism 227
The Dao in Confucianism 227
The Life of Confucius 228
Living According to Confucian Values 229
The Five Great Relationships 231
The Confucian Virtues 233
Confucian Literature 236
The Development of Confucianism 238
Schools of Philosophy 238
The Development of Confucianism as a Religious System 240
Confucianism and the Arts 243
Personal Experience: Qing Ming, a Ceremony in Spring 244
Confucianism and the Modern World 246
Reading: Holding onto Harmony 250
7 Shinto 254
8 Judaism 280
9 Christianity 332
10 Islam 406
Baha i 494
New Religious Movements: A Special Role 497
Personal Experience: Celebrating the Goddess 498
Reading: Baha i Prayer 501
I’ve been asked why this book is named as it is—Experiencing the World’s
Religions: Tradition, Challenge, and Change. I’ve also been asked why each
chapter describes experiences both possible and real. These are challeng-
ing questions. I think that the answers go back to my experiences of
religion when I was young. Entering religious buildings involved some
mystery—I never knew what would be inside. Sometimes the ceilings
were immensely high. There might be paintings or statues or gold candle-
sticks. Even unadorned religious buildings could have interiors that were
memorable for their very simplicity. The services were sometimes exotic—
featuring antique robes, bells, and books with ribbons and gold edges;
candles being lit; old languages being spoken. Often the experience felt
like entering a time machine. These buildings were places, too, where
babies were named, couples were married, and deceased family members
were mourned. Sensing the emotions that had been felt in these spaces
was very moving.
As I traveled to new countries and new encounters, my wonder grew.
I could climb bell towers and I could stand in prayer on bright rugs. I could
chant ancient words. I could talk with people inside an old religious build-
ing about their deepest experiences.
I learned quickly that religions begin to show their richness when you
experience them firsthand. You have to approach each one with an open
heart, talk to people, and try out things you have never seen or done before.
Reading about doctrine and history is interesting, but it is not enough. Such
topics become really meaningful through experience. The experiences
described in this book will suggest possibilities for each reader.
xx
xx
C ri ti c a l R e a d in g S k ills
Interactive assessments reinforce students’
comprehension of key learning objectives in
each chapter and check their understanding
of the cause-and-effect relationships between
historic events that influenced the formation
of each faith.
P ri m a ry S o u rce A n a ly s is
Scripture readings and works of art introduce students to religious doctrine, history, ceremonies,
and everyday practices in each chapter. The accompanying assessment in Connect Religion
guides students through the process of reading and interpreting these primary sources for
symbolism and meaning and turning that knowledge into a deeper understanding of the
world’s religions.
C ri t i c a l T h in k i n g S k i l l s
Critical analysis questions tied to each of the pedagogical boxes in each chapter challenge
students to engage in interfaith dialogue by making connections across religions, and over
time and continents, to understand the role religion plays in shaping our lives and our world.
xxi
Changes in the Sixth Edition
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Acknowledgments
Many great teachers have shared their insights with me—I am simply
passing on the torch. I will always be especially thankful to Arthur Daspit,
Sobharani Basu, Abe Masao, Eliot Deutsch, Winfield Nagley, and David
Kidd. It is a joy to recall the influence of their unique personalities. I remain
grateful to the East-West Center in Honolulu for a grant that early on assisted
my studies in Asia, and I encourage students and professors to apply for
grants there and elsewhere. Several monasteries were kind in allowing me
to share in their life: Songgwang-sa in South Korea, Engaku-zan in Japan,
Saint John’s Abbey in Minnesota, and Saint Andrew’s Abbey in California.
I am grateful to my editors Meredith Grant and Laura Wilk, to my develop-
mental editor Betty Slack, to my copy editor Andrea McCarrick, and to those
who assisted with the photos, design, index, and cover. Because so many peo-
ple work on this project, and because we are spread from Honolulu to Boston,
perfection is a difficult goal. Despite such challenges, it’s wonderful to see how
much turns out right. But the never-ending work of clearing typos and getting
captions right is like trying to bathe your dog. I apologize if you find a flea.
Thanks also go to these teachers and scholars who offered their ideas
for earlier editions: Richard Anderson, Oregon State University; Nikki Bado-
Fralick, Iowa State University; Lee W. Bailey, Ithaca College; Lulrick Balzora,
Broward College; Robert M. Baum, Iowa State University; Wendell Charles
Beane, University of Wisconsin–Oshkosh; Ann Berliner, California State
University–Fresno; Dan Breslauer, University of Kansas; Harold Bruen, Wake
Technical Community College; Charlene Embrey Burns, Loyola University–
New Orleans; Dexter Callender, University of Miami–Coral Gables; Lee
Carter, Glendale Community College, Arizona; Ron Cooper, Central Florida
Community College; Madhav M. Deshpande, University of Michigan;
Michael Desmarais, University of Nebraska–Omaha; Jonathan Ebel, Univer-
sity of Illinois–Urbana-Champaign; D. Kerry Edwards, Red Rocks Commu-
nity College; Tanya Erzen, Ohio State University–Columbus; Steven Fink,
University of Wisconsin–Eau Claire; Brett Greider, University of Wisconsin–
Eau Claire; Rita M. Gross, University of Wisconsin–Eau Claire; Mark
Hanshaw, Richland College; George Alfred James, University of North Texas;
Philip Jenkins, Pennsylvania State University; Ramdas Lamb, University
of Hawaii–Manoa; Richard A. Layton, University of Illinois–Urbana-
Champaign; Jared Ludlow, Brigham Young University–Hawaii; R. F. Lumpp,
Regis University; Thomas F. MacMillan, Mendocino College; Mark MacWilliams,
St. Lawrence University; Sarah McCombs, University of West Florida; Robert
J. Miller, Midway College; G. David Panisnick, Honolulu Community Col-
lege; Sarah Paulk, Okaloosa-Walton College; Lloyd Pflueger, Truman State
University; Robert Platzner, California State University–Sacramento; Kenneth
xxvi
ACKNOWLEDGMENTS xxvii
REVIEWERS SCHOOLS
Catherine Alvarez University of South Florida
Vanda Bozicevic Bergen Community College
Chris Brawley Central Piedmont Community College
Charlene Burns University of Wisconsin–Eau Claire
Dan Campbell St. Petersburg College
Tim Cannon Forsyth Technical Community College
Jeff Christ Moraine Valley Community College
Brandon Cleworth Glendale Community College
Jonathan Ebel University of Illinois–Urbana-Champaign
Steven Fink University of Wisconsin–Eau Claire
Stephen C. Finley Louisiana State University
Steve Godby Broward College
Amanda Hayden Sinclair Community College
Karen L. Hornsby North Carolina A&T State University
Fotini Katsanos University of North Carolina–Charlotte
Carolyn M. Jones Medine University of Georgia
Steven D. Meigs University of South Florida
Micki Pulleyking Missouri State University
Curtis Smith Pennsylvania State University
Lori Stewart San Diego State University
Debbie Thompson Ozarks Technical Community College
EUROPE
NORTH
AMERICA
ATLANTIC
OCEAN
PACIFIC
OCEAN SOUTH
AMERICA
CHRISTIANITY
ISLAM
MUSLIM MINORITY
HINDUISM
JUDAISM
CHRISTIANITY and NATIVE RELIGIONS
BUDDHISM
CHINESE RELIGIONS
SHINTO and BUDDHISM
NATIVE RELIGIONS
OCEAN
ASIA
PACIFIC
AFRICA OCEAN
INDIAN
OCEAN
AUSTRALIA
CHAPTER
1
Understanding
Religion
F I R S T E N C O U N T E R
For months you have wanted to take a break from work and every-
day life, and recently some friends invited you to vacation with
them at their mountain cabin. At first you hesitate. This is not the
kind of trip you had in mind. After reconsidering, you realize that
a remote getaway with friends is just the change of pace you need.
Now, three weeks later, you have been traveling all day and have
just arrived at the cabin. It is late afternoon, and the air is so cold you
can see your breath. Your friends welcome you warmly, and there’s
a nice fire in the living room. Your hosts show you to your room and
give you a short tour. Soon you are all fixing supper together—pasta,
mushrooms, salad. During the meal you discuss your work, your
zany relatives, and your mutual friends. Everyone is laughing and
having a good time. It’s confirmed: coming here was a great idea.
After supper, your friends won’t let you help with the dishes.
“I think I’ll go out for a walk,” you say, putting on your heavy,
hooded jacket. As the front door closes behind you, you step into a
world transformed by twilight.
3
4 CHAPTER 1 UNDERSTANDING RELIGION
What strikes you first is the smell in the air. There is nothing quite like
the scent of burning wood—almost like incense. It fits perfectly with the
chill. You walk farther, beyond the clearing that surrounds the house, and
suddenly you are on a path beneath tall pine trees. As a strong breeze
rises, the trees make an eerie, whispering sound. It is not exactly
a rustle; it is more like a rush. You recall reading once that the
sound of wind in pines is the sound of eternity.
Moving on, you find yourself walking along the moun-
tain’s ridge. To your left, you see the evening star against
the blue-black sky. To your right, it’s still light and you see
why you are cold: you are literally above the clouds. You
sit down on a flat rock, pull up your hood, and watch the
pine tree silhouettes disappear as darkness spreads its thick-
ening veil.
It’s difficult to pull yourself away. All around you stars
begin to pop out, and soon they are blooming thick as wildflow-
ers. Overhead, the mass of stars resembles a river—it must be the
Milky Way. You get up and slowly turn full circle to take it all in.
You had almost forgotten about stars. You don’t see them much back
home, let alone think of them. Where you live, stars appear in movies. Here,
though, stars are mysterious points of light. You remember what you once
learned: stars are so distant that their light can take millions of years to reach
earth. You realize that some of the stars you see may no longer exist. Only
their light remains.
At last you begin to walk back to the cabin. A cluster of clouds emerges
on the horizon, lit from behind by the rising moon. You see your friends’
wooden cabin in the distance. From here it looks so small. The stars seem
like the permanent, real world, while the house appears little and tempo-
rary—more like a question mark in the great book of the universe. Questions
flood your mind. Who are we human beings? Do we make any difference
to the universe? Are we part of any cosmic plan? Is there any point to the
universe at all? What is it all about?
WHAT IS RELIGION?
The Starry Night, one of the world’s most loved paintings, depicts a sky full
of luminous, spinning stars. Painted near the end of its creator’s life, the
work summarizes the vision of Vincent van Gogh (1853–1890). Van Gogh
was an intensely religious man who had planned to be an ordained minister
in the Dutch Reformed Church, as was his father. But he struggled with his
studies and had a falling-out with Church authorities. For a time, he lived
as a lay preacher, working with poor miners in Belgium. When he was 27,
his brother Theo, an art dealer, encouraged him to take up painting.
Despite his new career, van Gogh continued to think of himself as a
minister. If he could not preach in words, he would preach in pictures. His
What Is Religion? 5
subjects were the simple things of life: trees, sunflowers, a wicker chair, a
bridge, his postman, a farmer sowing seeds, peasants eating a meal, workers
bringing in the harvest. His paintings express a quiet awe before the wonder
that he sensed in everyday objects and ordinary people. It was his special
sense of the sacredness he saw all around him that he wanted to share.
Almost as a reminder, in The Starry Night van Gogh placed the little church
tower below the night sky, pointing like a compass needle upward to the
stars. The heavenly realm with its spinning fires illuminates van Gogh’s
vision of the sacred character of the entire universe.
I see increasing reason to believe that the view formed some time
back as to the origin of the Makonde bush is the correct one. I have
no doubt that it is not a natural product, but the result of human
occupation. Those parts of the high country where man—as a very
slight amount of practice enables the eye to perceive at once—has not
yet penetrated with axe and hoe, are still occupied by a splendid
timber forest quite able to sustain a comparison with our mixed
forests in Germany. But wherever man has once built his hut or tilled
his field, this horrible bush springs up. Every phase of this process
may be seen in the course of a couple of hours’ walk along the main
road. From the bush to right or left, one hears the sound of the axe—
not from one spot only, but from several directions at once. A few
steps further on, we can see what is taking place. The brush has been
cut down and piled up in heaps to the height of a yard or more,
between which the trunks of the large trees stand up like the last
pillars of a magnificent ruined building. These, too, present a
melancholy spectacle: the destructive Makonde have ringed them—
cut a broad strip of bark all round to ensure their dying off—and also
piled up pyramids of brush round them. Father and son, mother and
son-in-law, are chopping away perseveringly in the background—too
busy, almost, to look round at the white stranger, who usually excites
so much interest. If you pass by the same place a week later, the piles
of brushwood have disappeared and a thick layer of ashes has taken
the place of the green forest. The large trees stretch their
smouldering trunks and branches in dumb accusation to heaven—if
they have not already fallen and been more or less reduced to ashes,
perhaps only showing as a white stripe on the dark ground.
This work of destruction is carried out by the Makonde alike on the
virgin forest and on the bush which has sprung up on sites already
cultivated and deserted. In the second case they are saved the trouble
of burning the large trees, these being entirely absent in the
secondary bush.
After burning this piece of forest ground and loosening it with the
hoe, the native sows his corn and plants his vegetables. All over the
country, he goes in for bed-culture, which requires, and, in fact,
receives, the most careful attention. Weeds are nowhere tolerated in
the south of German East Africa. The crops may fail on the plains,
where droughts are frequent, but never on the plateau with its
abundant rains and heavy dews. Its fortunate inhabitants even have
the satisfaction of seeing the proud Wayao and Wamakua working
for them as labourers, driven by hunger to serve where they were
accustomed to rule.
But the light, sandy soil is soon exhausted, and would yield no
harvest the second year if cultivated twice running. This fact has
been familiar to the native for ages; consequently he provides in
time, and, while his crop is growing, prepares the next plot with axe
and firebrand. Next year he plants this with his various crops and
lets the first piece lie fallow. For a short time it remains waste and
desolate; then nature steps in to repair the destruction wrought by
man; a thousand new growths spring out of the exhausted soil, and
even the old stumps put forth fresh shoots. Next year the new growth
is up to one’s knees, and in a few years more it is that terrible,
impenetrable bush, which maintains its position till the black
occupier of the land has made the round of all the available sites and
come back to his starting point.
The Makonde are, body and soul, so to speak, one with this bush.
According to my Yao informants, indeed, their name means nothing
else but “bush people.” Their own tradition says that they have been
settled up here for a very long time, but to my surprise they laid great
stress on an original immigration. Their old homes were in the
south-east, near Mikindani and the mouth of the Rovuma, whence
their peaceful forefathers were driven by the continual raids of the
Sakalavas from Madagascar and the warlike Shirazis[47] of the coast,
to take refuge on the almost inaccessible plateau. I have studied
African ethnology for twenty years, but the fact that changes of
population in this apparently quiet and peaceable corner of the earth
could have been occasioned by outside enterprises taking place on
the high seas, was completely new to me. It is, no doubt, however,
correct.
The charming tribal legend of the Makonde—besides informing us
of other interesting matters—explains why they have to live in the
thickest of the bush and a long way from the edge of the plateau,
instead of making their permanent homes beside the purling brooks
and springs of the low country.
“The place where the tribe originated is Mahuta, on the southern
side of the plateau towards the Rovuma, where of old time there was
nothing but thick bush. Out of this bush came a man who never
washed himself or shaved his head, and who ate and drank but little.
He went out and made a human figure from the wood of a tree
growing in the open country, which he took home to his abode in the
bush and there set it upright. In the night this image came to life and
was a woman. The man and woman went down together to the
Rovuma to wash themselves. Here the woman gave birth to a still-
born child. They left that place and passed over the high land into the
valley of the Mbemkuru, where the woman had another child, which
was also born dead. Then they returned to the high bush country of
Mahuta, where the third child was born, which lived and grew up. In
course of time, the couple had many more children, and called
themselves Wamatanda. These were the ancestral stock of the
Makonde, also called Wamakonde,[48] i.e., aborigines. Their
forefather, the man from the bush, gave his children the command to
bury their dead upright, in memory of the mother of their race who
was cut out of wood and awoke to life when standing upright. He also
warned them against settling in the valleys and near large streams,
for sickness and death dwelt there. They were to make it a rule to
have their huts at least an hour’s walk from the nearest watering-
place; then their children would thrive and escape illness.”
The explanation of the name Makonde given by my informants is
somewhat different from that contained in the above legend, which I
extract from a little book (small, but packed with information), by
Pater Adams, entitled Lindi und sein Hinterland. Otherwise, my
results agree exactly with the statements of the legend. Washing?
Hapana—there is no such thing. Why should they do so? As it is, the
supply of water scarcely suffices for cooking and drinking; other
people do not wash, so why should the Makonde distinguish himself
by such needless eccentricity? As for shaving the head, the short,
woolly crop scarcely needs it,[49] so the second ancestral precept is
likewise easy enough to follow. Beyond this, however, there is
nothing ridiculous in the ancestor’s advice. I have obtained from
various local artists a fairly large number of figures carved in wood,
ranging from fifteen to twenty-three inches in height, and
representing women belonging to the great group of the Mavia,
Makonde, and Matambwe tribes. The carving is remarkably well
done and renders the female type with great accuracy, especially the
keloid ornamentation, to be described later on. As to the object and
meaning of their works the sculptors either could or (more probably)
would tell me nothing, and I was forced to content myself with the
scanty information vouchsafed by one man, who said that the figures
were merely intended to represent the nembo—the artificial
deformations of pelele, ear-discs, and keloids. The legend recorded
by Pater Adams places these figures in a new light. They must surely
be more than mere dolls; and we may even venture to assume that
they are—though the majority of present-day Makonde are probably
unaware of the fact—representations of the tribal ancestress.
The references in the legend to the descent from Mahuta to the
Rovuma, and to a journey across the highlands into the Mbekuru
valley, undoubtedly indicate the previous history of the tribe, the
travels of the ancestral pair typifying the migrations of their
descendants. The descent to the neighbouring Rovuma valley, with
its extraordinary fertility and great abundance of game, is intelligible
at a glance—but the crossing of the Lukuledi depression, the ascent
to the Rondo Plateau and the descent to the Mbemkuru, also lie
within the bounds of probability, for all these districts have exactly
the same character as the extreme south. Now, however, comes a
point of especial interest for our bacteriological age. The primitive
Makonde did not enjoy their lives in the marshy river-valleys.
Disease raged among them, and many died. It was only after they
had returned to their original home near Mahuta, that the health
conditions of these people improved. We are very apt to think of the
African as a stupid person whose ignorance of nature is only equalled
by his fear of it, and who looks on all mishaps as caused by evil
spirits and malignant natural powers. It is much more correct to
assume in this case that the people very early learnt to distinguish
districts infested with malaria from those where it is absent.
This knowledge is crystallized in the
ancestral warning against settling in the
valleys and near the great waters, the
dwelling-places of disease and death. At the
same time, for security against the hostile
Mavia south of the Rovuma, it was enacted
that every settlement must be not less than a
certain distance from the southern edge of the
plateau. Such in fact is their mode of life at the
present day. It is not such a bad one, and
certainly they are both safer and more
comfortable than the Makua, the recent
intruders from the south, who have made USUAL METHOD OF
good their footing on the western edge of the CLOSING HUT-DOOR
plateau, extending over a fairly wide belt of
country. Neither Makua nor Makonde show in their dwellings
anything of the size and comeliness of the Yao houses in the plain,
especially at Masasi, Chingulungulu and Zuza’s. Jumbe Chauro, a
Makonde hamlet not far from Newala, on the road to Mahuta, is the
most important settlement of the tribe I have yet seen, and has fairly
spacious huts. But how slovenly is their construction compared with
the palatial residences of the elephant-hunters living in the plain.
The roofs are still more untidy than in the general run of huts during
the dry season, the walls show here and there the scanty beginnings
or the lamentable remains of the mud plastering, and the interior is a
veritable dog-kennel; dirt, dust and disorder everywhere. A few huts
only show any attempt at division into rooms, and this consists
merely of very roughly-made bamboo partitions. In one point alone
have I noticed any indication of progress—in the method of fastening
the door. Houses all over the south are secured in a simple but
ingenious manner. The door consists of a set of stout pieces of wood
or bamboo, tied with bark-string to two cross-pieces, and moving in
two grooves round one of the door-posts, so as to open inwards. If
the owner wishes to leave home, he takes two logs as thick as a man’s
upper arm and about a yard long. One of these is placed obliquely
against the middle of the door from the inside, so as to form an angle
of from 60° to 75° with the ground. He then places the second piece
horizontally across the first, pressing it downward with all his might.
It is kept in place by two strong posts planted in the ground a few
inches inside the door. This fastening is absolutely safe, but of course
cannot be applied to both doors at once, otherwise how could the
owner leave or enter his house? I have not yet succeeded in finding
out how the back door is fastened.