M345. «$3.50 easy piano /easy organ Including Selections from the Broadway Musical “PROMISES, PROMISES” and the 20th Century-Fox Film “BUTCH CASSIDY AND THE SUNDANCE KID” ALFIE / ANYONE WHO HAD A HEART / THE APRIL FOOLS / AS LONG AS THERE'S AN APPLE TREE / BLUE ON-BLUE / CASINO ROYALE / CHRISTMAS DAY / COME TOUCH THE SUN / DO YOU KNOW THE WAY TO SAN JOSE / DON'T GO BREAKING MY HEART / DON'T MAKE ME OVER / 1 SAY A LITTLE PRAYER / ILL NEVER FALL IN LOVE AGAIN / I'M A BETTER MAN / IT’S OUR LITTLE SECRET / KNOWING WHEN TO LEAVE / THE LOOK OF LOVE / THE MAN WHO SHOT LIBERTY VALANCE / A MESSAGE TO MICHAEL / ODDS AND E| ea a THE APRIL FOOLS / AS LONG AS THERE'S AN APPLE TREE / BLUE ON BLUE / CASINO ROYALE / CHRISTMAS DAY / COME TOUCH THE SUN / DO YOU KNOW THE WAY TO SAN JOSE / DON'T GO BREAKING MY HEART / DON'T MAKE ME OVER / | SAY A LITTLE PRAYER / I'LL NEVER FALL IN LOVE AGAIN / I’M A BETTER MAN / IT’S OUR LITTLE SECRET / KNOWING WHEN TO LEAVE / THE LOOK OF LOVE / THE MAN WHO SHOT LIBERTY VALANCE / A MESSAGE TO MICHAEL /.ODDS AND. ENDS (OF A BEAUTIFUL LOVE AFFAIR) / PACIFIC COAST HIGHWAY / PROMISE HER ANYTHING / PROMISES, PROMISES / RAINDROPS KEEP FALLIN’ ON MY HEAD / THE SUNDANCE KID / THIS GUY'S IN LOVE WITH YOU / TRAINS AND BOATS AND PLANES / (THEY LONG TO BE) CLOSE TO YOU / WANTING THINGS / WHAT THE WORLD NEEDS NOW IS LOVE / WHERE CAN YOU TAKE A GIRL / WHO IS GONNA LOVE ME / WHOEVER YOU ARE, | LOVE YOU / THE WINDOWS OF THE WORLD / WISHIN’ AND HOPIN’ / WIVES AND LOVERS / YOU'LL NEVER GET TO HEAVEN / YOU'LL THINK OF SOMEONE / A YOUNG PRETTY GIRL LIKE YOU / ALFIE / ANYONE WHO HAD A HEART / THE APRIL =easy piano /easy organ 40 GOLDEN SONGS "BACHARACH & DAVID Including Selections from the Broadway Musical "PROMISES, PROMISES” and the 20th Century-Fox Film "BUTCH CASSIDY AND THE SUNDANCE KID” CONTENTS ALFIE z ee see re ANYONE WHO HAD A HEART F : : setee i 8 (The) APRIL FOOLS é eae wie eee ASLONGASTHERE'SAN APPLE TREE |... <7 A0, BLUE ONBLUE. . . : eater CASINO ROYALE . a ir CHRISTMAS DAY . eel (They Long To Be) CLOSETO YOU . nee: a COME TOUCH THE SUN. hae 2 ede DO YOU KNOW THE WAY TOSANJOSE. | |... seat DON'T GO BREAKIN’ MY HEART aL aas DON'T MAKE ME OVER Bees ss ISAY A LITTLE PRAYER nee cee aa VLUNEVER FALLINLOVEAGAIN . . 2. gee AWATBETTER MAN =P". Syn ot oes eae s ae IT'SOUR LITTLE SECRET... emg anae KNOWING WHEN TO LEAVE . ey ORNS 9 Sasa eee (The) LOOK OF LOVE a Waa al 2 (The) MAN WHO SHOT LIBERTY VALANCE. | 1)... 30 (A) MESSAGE TOMICHAEL . . . SMa Baa Fos 31 ODDS AND ENDS (OF A Beautiful Love Affair) oe 38 PACIFIC COAST HIGHWAY 2 Sei 2 : 32 PROMISE HER ANYTHING. acy es : 34 PROMISES, PROMISES nie : oe RAINDROPS KEEP FALLIN'ONMYHEAD | | 1.1... a 90 (The) SUNDANCE KID pote soe + 40 THIGGUYSINLOVEWITHYOU 9.) see eee. 4 TRAINS AND BOATS ANDPLANES. . . - . -.- ~~ é aaa) WALK ON BY peri nn ere tere. 4a WANTING THINGS nue fa 45 WHAT THE WORLD NEEDS NOW IS LOVE vse 5 46 WHERE CAN YOU TAKE A GIRL. fee et fo) WHO IS GONNA LOVE ME eases 5 50 WHOEVER YOU ARE,ILOVEYOU. .. .. 2. ~~ 5 Berea! (The) WINDOWS OF THEWORLD ... -- - ee ee aba WISHIN’ AND HOPIN’ : aoe Deepest esas WIVESANDLOVERS. . 2. 2. 54 YOU'LL NEVER GETTOHEAVEN. . . . « ; 56 YOU'LL THINKOF SOMEONE... . . : 56 (A) YOUNG PRETTY GIRL LIKE YOU fF ele gOThe object of sincere adulation from top show world celebrities. Burt was born in Kansas City in 1929 into a family that generated *s lot of love and respect.” His father, Bert Bacharach, is @ nationally syndicated columnist; his mother, his inspiration for music!! Burt’s musical education began with piano lessons at age 12. His complete enchantment with music blossomed much later when he joined a neighborhood band in Forest Hills (Long Island), N.Y, “It was thrill performing with others,” he recalls. “The reason there are so many dropouts at the piano is because practicing and play very solitary thing.” During his high school days, Burt discovered the world of op” music as a result of many expeditions to the 52nd Stre Broadway niteries that featured jazz greats! He was instrumental in organizing a band, and performed at parties and army camps in the New York area, and was subsequently asked to go on a USA tour of Army hospitals. This was his first introduction to show business Following the tour, he enrolled for musical studies at famed McGill University in Montreal. It way there he wrote his first song Additional musical education followed in New York and California. and, while in California, he composed his first serious work — ua three movement sonata for violin, oboe and piano, Immediately after college, Bacharach was drafted into the Army (during the Korean War) and toured the First Army area bille “concert pianist.” (Which, he admits, he was not!) He was sent to Germany where he became friendly with the singer, Vic Damone, @ friendship that proved invaluable when he launched his eivitisn musical career. After his discharge, Bacharach played piano in several top New York clubs. At age 24, Bacharach joined Damone in Hollywood as his companist, and, he recalls, it opened up “a new lite” to him, To work and mix with stars like Imogene Coca, Georgia Gibbs, The Ames Brothers and others was, in his words, “great!” While teamed up with arranger-conductor, Peter Matz, who packages musical and club tours for some of the top talent in show business, he met Marlene Dietrich. He compared their first meeting to having an audi ence with the Queen, They hit it off immediately, and toured the top night spots of the world together, with Burt as her accompanist Bacharach is a success in the complex and competitive world of composing for monies. He does not plan to desert the recording studio for the screen permanently, He continued to turn out albums for A&M Records such as “Reach Out” and “Make It Easy On Yourself,” in which he arranged, played and conducted his own songs. “1 plan to compose for two pictures a year and each one will take three months,” Bacharach says, “When you are working hard and are successful, you have a responsibility to people. Succ: means more than just money! The greatest thing about success is being able to give people something they appreciate.” andBurt Bacharach One of the most brilliant names in today’s world of popular music belongs to Burt Bucharach, hit maker of the new breed of contemporary composers. Bacharach has displayed an undisputed ability to succeed at any type of music endeavor he attempts. whether it be a musical comedy, a musical score for a motion picture, or a chartsoaring song. His popularity results trom his ability to bridge the generation gup with dignity. His speech is full of “uptights,” “groovys,” “nuttiests” and “eats,” and a whole conglomeration of allusions to the varied worlds and era that ie mixes in his music. That mixture is a key to his phenomenal ability to break down chronological barriers. I reflects his background Bacharach, who studied serious music under such great com- posers as Darius Milhaud and Henry Colwell, is recognized as one of the most perceptive and talented composers to emerge in the musie scene in years, appreciated by the whistle-a-tune generation, as well as those brought up on a music diet of rock, folk and country- /western, With lyricist, Hal David, Bacharach has three Academy Award nominations to his credit for “What's New Pussycat,” “Alfie” and “The Look Of Love.” He has appeared on television “specials” with Herb Alpert and Jose Feliciano, and has hosted TV's “Kraft Music Hall” and “The Hollywood Paluce” with his wife, Angie Dickinson Prior to his Broadway success, “Promises, Promises,” which he wrote with lyricist Hal David, Bacharach had been personal con- ductor and arranger for Marlene Dietrich, both in the United States and for her European tour. He has composed the musical score for such motion pictures as, “What's New Pussyeat?”, “Casino Royale” and “Butch Cassidy And The Sundance Kid.” Most of his musical grooming was in the standard pop field (playing piano and conducting for Vie Damone, the Ames Brothers, Polly Bergen and Steve Lawrence.) Add to this an affection for rhythm and blues, the ability to write metodies so inventive that they are unclassifiable, and a lyricist uupreme sensitivity and Kindness, and you have songs like: “Wives And Lovers,” “What The World Needs Now Is Love.” “Wishin’ And Hopin’,” “I Say A Little Prayer.” "Message To Michael,” “Walk On By.” “Do You Know The Way To S “This Guy's In Love With You” and “The Look OF Love.” (A hit list that just won’t quit!) Bucharach is married to actress Angie Dickinson, He soaks up sun and sips strawberry milkshakes beside the pool of his impossible- tofind home in Beverly Hills. Their daughter, Lea Nikki, is the unofficial decision maker in the household as to the assignments her parents will accept, whether they be in New York, California or Europe.Hal David Hal David has climaxed a series of triumphs by winning the Cue Magazine “Entertainer OF The Year” Award for 1968, the first time it has been presented to 4 non-performer. (Previous winners were Pearl Bailey, Barbra Streisand, Zero Mostel, Mike Nichols, Barbara Harris, Diahann Carroll and Sammy Davis, Jr.) Hal and his collab- orator, Burt Bacharach, were chosen over such luminous contenders as Angela Lansbury and Jocl Grey. Cue publisher, Edward Loeb, stated, “We picked Hal and Burt for their continuous contribution to the entertainment world through their words and music.” Hal David has also become one of six lyric writers whose works ‘of preservation in book form with the publ tion of “What The World Needs Now and Other Love Lyries” (by Trident Press.) One of the top royalty earners of ASCAP, Hal David has been writing lyrics professionally since 1947 when band leader Sammy Kaye bought his song, “Isn't This Better Than Walking In The Rain?” and engaged him to write special material for his act Brooklyn-born Hal David attended Thomas Jefterson High School and the New York University School of Journalism. During the summer vacation following his second year at N.Y.U., he took a job with Publishers’ Service writing promotional material for contests, they sponsored in the newspapers. Instead of returning to college, he remained with Publishers’ Service until his induction into the Army for servive during World War Il, He was assigned to the Central Pacitie Entertainment Section in Hawaii, and wrote sketches and lyrics for the group headed by Major Maurice Evans. The outtit’s personnel included entertainers like Carl Reiner and Howard Morris, and director George Schaefer Alter the war, Evans tried to help him get started as a song writer and sent him to Paula Stone, who liked his score but was unable to raise money for the production. Then he went to work for Sammy Kaye and, soon after, wrote his first hit, “The Four Winds and the Seven Seas” with composer Don Rodney. Hal married Anne Rauchman, his childhood sweetheart, in 1947, They have two sons Jimmy, 17, and Craig, 12. Both are ited musicians. Jimmy is also the youngest member of ASCAP, having written both the words and music of a song called, “There Is Beauty In The World.” The Davids live in a house built by Stanford White in Roslyn, LiL, New York. It has tremendously large rooms and walls sixteen inches thick. Hal celebrated his feeling about their home in the lyrics of “Windows and Doors.” In answer to the inevitable question of which came first, the words or the music. Hal David has divided his songs into three sep- arate cat ries... those in which the lyrics were written first, those in which the tune preceded the words, and those that were batted out line by Ii re by measure. In footnote to one of his lyrics, Hal David concluded: ine meas songs Fe the love of my life and I have never been able to control my love. Maybe it's be that is too big to look at through the eye of a needle, is love.”Bacharach & David ‘The musical history-making, record- setting, brilliant team of Burt | Bacharach end Hal David has had one or | two songs in the Top 10 almost constantly over the past four years. They met at the Paramount Music Publishing Company white both with different collaborators. They liked cach other's work and decided to try writing together. One of their first songs, “The Story OF My Life,” was an immediate hit! One day, while Bacharach and David were working, a girl walked into their office whom they had promised to hear sing. Impressed with her voice, they asked her to make a demonstration record for them. The song, later recorded by Jerry Butler, became a hit, (The girl, Dionne Warwick!) On the back cover of Dionne | Warwick's Golden Hits album — Part 2, she has dedicated a letter to Burt Bacharach and Hal David, for all to read and relish (and thus realize the intensifying influence this remarkable team has had on her, ~ and on the | vast world of music!) She writes *To my friends Burt & Hal Vd like to take a moment to give a special thanks to Burt and Hal for all they have been to me. And they have been many things to me. For this reason, my thank you is not easy to put into words. Since Hal and Burt have been doing such a good job for a long time, I'd like to talk about them by telling you about one of their songs. ‘Do You Know The Way To San Jose” captures the importance of true friends when you're lonely and a long way from home. But the words and music have a far deeper meaning for me. They talk of an appreciation for real friendship all the time; when things are going great, as well ay when I'm in a low mood. That's what this album is all about. 1 want to let two wonderful friends know how I feel about them, every day! And | want everyone who listens to this album to understand and know these very special people, Burt Bacharach and Hal David. “IY you respond to the lyrics Hal writes and the musie Burt compoxes, you already know what kind of men they are: honest, imaginative, full of emotion! But | have an inside view of them | want to share with you. Good friends are those you want to be with as much as possible. Every time you're together, you learn more about each other. Things you like and respect. AS the friendship g7OWs, You want others to meet them, enjoy their company, share your good fortune in knowing them “I'm not only talking about Burt and Hal. I'm also talking about the songs they have written. These men and their songs have been the very best friends | have ever had. They have made me aware of the beauty in the world, as well as the heartaches; and to know how to handle both extremes of living. They have helped me to grow up in my understanding of myself and others. For these same reasons, | think they can be good friends to you! Listen to the words and the music just as you would listen to a conversation. Let yourself respond to it, It may make you happy, or sad, or even a little bit angry at times. As these songs become better friends, you'll know you can depend on them. Share a smile with them when you want to, Or, a tear, when you have to. Talk back to them, if you feel like it! “This is how I have come to respect these songs. They have a life and personality of their own. Just as Hal and Burt do, they respond to my laughter and my sorrow, they share my hopes and my frustrations. They soften the hard bumps, and help my joy lift higher than I could manage alone. And, they have been the key to my success in the same way Burt and Hal have: by guiding me. encouraging me, and helping me put my talents to their most challenging use, “There is a bit of advice I have given to young singers which can also apply to those looking for the most in the music they buy and listen to. It is this: Settle for good lyrics, good music, and no gimmicks. Provided they are by Bacharach and David. Happiness, Dionne W.” The publishers of this music book take this opportunity to share these "special people” and their magic music with you! Smile... and Enjoy!!!Prom The Paramount Dictore “ALELE" ALFIE lytic by HAL DAVID (For Ongam: Registration No. 3) Music by BURT BACHARACH. Slowly c Dm? © Emt AT What's it all a-bovt, - ust for themonient we | ive? mp mt Em Amt pm Cam, im ywusort at out, Al-te? Jace we meant to take more] than weve, Diy ar © Div? are wemeant to be kind? AL - te then cee c Em? aT bint Em? Amt Jeruet And it fife be- tongs on-Iy t0 the Dm cain be Am? 2 atl yoo ten an old | olden rate? © there's a heawsen a * 4 Copyright © 1966 by Famous Musie Corpuration, Now Yorky N.Y. ‘This arranyement Copyright © 1967 by Famous Musie Corporation Used by Permission Inernational Copyright Secured ‘Made in USA ‘AU Tights Reserved The use of the Iyrien ofthis song with any other musie is expressly prohibitedBat Em Amt But —1— tls meres some-thing much | more, Something © Dont Tbe -ttove i lowe 8. fr Em? Amt Femt-5 n An Watneout true love we gust ex [st UL you find the lowe youve Ponsssed you're mitt 2S: 2: br pnt cain bot a let your heart | tead the way and | yout Hind tove 4ANYONE WHO HAD A HEART (For Organ: Registration No. 1) Lyric by HAL DAVID Music by BURT BACHARACH Very Slowly am Amt Fmait ‘An y-one who ev- er loved: could leak at me land know that 1 Eylry timeyou go a Way, Tal =ways $3 his time is) good Gmé_Bb Am Amt Fray? An- y -one who ev- er dreamed} — could look at me: and know 1 dream] pv -ing you the way T doy Td take you back Without you, Td Gms Bb F Bb Ab cm Aney-one who had a heart would | take me— in his | arms and—tove mo | too, Jcould-a't real-ly have aheart and |urt me— lke you hnurt me and be so un-| true, 1970 by be Sem Musi Tie ge Mae Co. ine and US. Song Toe Used by Remission Intemational Copenh Scere Nadel va AnTkighu ReenedFrom The Cinema Center Film Production "THE APRIL FOOLS” ° (For Organ: Registration No. 2) THE APRIL FOOLS Lyric by HAL DAVID Moderately Slow uate by BURT BACHARACH Bhmajo Bb Eb Ebmajt? In an _A-prildreamy once you frame to me. wnenyou) emited 1 Lit-te did we know. where the [road would lead, Herewe | are a r pr aad re cr) cT-9 Blmaje looked in= to your eyes and 1 | knew —T'd be lov-ing] you and [then you touched my hand mil-lion miles a - way from the | past, trav- [There'sno turn = Ing back. r tr? mw? OF e Broadly Refrain Fra Bbmayt F96us Bhmai9 Foeus Ebmajt A-prit| dreams can come Acpril | “dream does= n't F Bbmajo_Ebmaj? Bb Bly Bb FT pogus_phmajg Ebmal? —Bbmaj@_Ebmaj7 who can't coe all the dan-ger a-|round us? if we're fjust Ay pri ‘t 5 * i = im = { ‘True love has found us ee Weilltind our way some| lope ae Noneed to be a-|fraid Irrve tove has found us Tr Wr? 7 5 Copyright © 1969 by Blue Seas Musi, Inc. Jac Musie Co. Ine. and April Music, Ine. Now York, N-Y. Bide Sos Muse fF Mu Co, Lis 24 Fakside, Knipp, London Si. 1 England This arangement Copyright © 1969 by Blue Seat Music, Inc. Jac Music Co. Inc. and April Musi, Inc. Used by Permission Intemational Copyright Secured Made in US.A. “Al Rights Reserved10 AS LONG AS THERE’S AN APPLE TREE (Foy Organ: Registration No, 1) Lyric by HAL DAVID Music by BURT BACHARACH Moderato Ge Fo os Fo 1. AS Long — apple there ve ap - ple | pi, 2) As long — ap ple tere'll be 3p = ple | ple, 2 48 lone — ap ple there'll be ap = ple | pie, 7 ? os ro To Cole MB y iit te meant to | be will bs is meant to | be will be |Who teach ~es birds how to | fly? asthere's a |you and me,—— = lWno teaches birds how to | tly? oi ct Amt Femi » Hore in this world where so | few things Took a+ round you, How man- y times have you | looked = at———— Thin 0 = ver, Gmt cn Ant > ont Can you exeplain how it |blooms and—— “Mt growq?— You fast know that it's wil go on for -ev-er. | Tike TP xnow— “T “tove you, Who teach = D.c.at ¢ coda @coda a Ftmt_D. Who teaches ba= bies “to | ery? Love can nev = er ‘There still are things that are |con stant and sure,|__ Love that's faith = fal and sn ti SEL a a a NN Ansett Cpyn Sere ” Main Sia ECs Miah ReseBLUE ON BLUE " Lyre by HAL DAVID Music by BURT BACHAIA (For Organ: Registration No. 2) . “ees Moderately ab Eb cm A Atwatka-|] tong thestreet we fusedto walk. Two by |two lov- ers pass and as they're lone Iy night’ We [meetin dreams, As [run to your side you wait with = J . i t Tcould die ‘eause| you're not here with | me, Now the trees are bare, there's O-penarms that [now are closed to. | me. |Tarougha vale of tears your sad-ness in the alr an | I'm as blue as |1 can be.) Sicslon di ap-pears and | fim as blue as [I can bec! [[Biweon blue, [heart ache on heart = ache, # Blue on blue —[nowthat we are through. [Blue on blue, heartache on heart ache # 5 # 2 Me Fr Bh et o-ver | losing you. 2. Night after Pos-ingyou. 4 fa4 ‘Thisatrangene st Copyright © 1968 by Famous Make Cnpeaton ed by Peminion Iovenatinal Copy Secs Made in U8. OY A Rigs Reseed ‘Then of the yi of ths song with any ether musics expres prohied12 Main Title From Charles K, Feldman's "CASINO ROYALE” A Columbia Pictures Release CASINO ROYALE (For Orgen: Registration No. 1) Moderately c Have no fear, Bond is |nere, Jewels, Bond is here, bt Emt Am Dm? ‘There'a| e- vil in nis evel for-ma-la ia {sate pyri ©1967 by Cape Ms Cop cana not al ngs nn =e erat Sa eee eC All eight fs International Us ight Secured Lyric by HAL DAVID Music by BURT BACHARACH emt Am ‘There's | dan-ger in the air! ‘They'll ney-er get the Have no fear, Bond is withold Dou -ble 0 Used by Permission ‘AV Rights Reserved13 ‘Though he's a lover, |when you are in trou-ble have no bt Eat Am Dm 6 z Welre|tight-ingtor our lives, Have no fear, Bond is on-na save the [world Bond is ere, have no | fear,From The 200 Century Fox Production “RUTOM CASSIDY AND THE SUNDANCE KID" COME TOUCH THE SUN Moderato not t00 fast and smoothty) wuer BREACH e Em? (Por Organ: Registration No. 3) DYysus) D7 ce Gs cs Dyjsus)_Dt G os 6 Bat ce - pi atisus) AT Am Br Bis Bm ar cere r © Cone i Sm Mak a. enh Cnty Md Cop, ew Yar NY Tit Twentieth Contry Muse Cor Ltds Londo, en ie yh Tae Cy uid y Pion Mn US AA igh ReveredDsus) « amt amt Bet Brit Ent Bn? Em? Emt put put mt Di(sus)16 From The Broadway Musical "PROMISES, PROMISES" CHRISTMAS DAY (For Organ: Registration No. 3) Moderately Slow Bb Amt Dm? here and so are . fall that it should | be, real - lyin your” | heart, crrist - mas foots, ring - ing out good will to Dc.al 6 Coda Eb cm cmt one abn Ey ~ ‘ry -thing they taught you [when you were a child, the |tnings a |cnitd once ftaugnt the world, ut ® cmt Fo Fmajt to tive, each aay uke [nriat - mas Day. Mo Compan in Wet Sh Sat Nee Ya RY TOTS season Copy Sard asses ree a ed17 DO YOU KNOW THE WAY TO SAN JOSE (For Organ: Registration No. 1) syste by HAL DAVID Moderato —Rhythmically ‘Music by BURT BACHARACH be. F CT Do you know the |way to San - Jo-se? | I've been a-way you ‘can real-ly preatheinSan- Jo -se, [hey've got a lot et E be F Crm wrong and lose _my way. [Do you know the |way toSan - Jo-se?|I'm go-ingback to |find some-peace of place where 1——ean stay,]1 was born and [raised in San - Jo- se. [I'm go-ing back to [find some—peace of Amt) Dm Ant Dm Am jooe| L.A. i a great{. bigfree-way.| Put a hun-dred down.| _andbuya cde. Imind in San-Jose.| Fame and for-tine is a mag-net, | can pull you far] — sway fromhome a Fimt-s ont c Got _ c Ih a week, may-be | ewo,tney't make— you a |otar. weeks turn in - 10 fears.Hlow quek they pass, with dreamin your Peart you're nev © jeamsturn in = to (iustandbiom 8 way s — 121 and all the stare| that nev-er are ark-ing eare-[ and pump-ng gaa] — nd there you “are — with-out a You packeyaur car—[- and Fide a-way ve got lots of Do you knowthe Can't wait to get Sore © 190 1968 yh Sen Ma In ad Mun In, New York: NY shoe Set hie Li Jo Muse Co, Lid, 4 Parke, Keiphisige, Condon, S11 Epa ‘ie tanen pigh © 98 ye Si Mb Me Cain Une ron International Copyright Sebered ‘aden USA ‘Kil Rights Remrved18 DONT GO BREAKIN’ MY HEART (For Organ: Registration No. 3) Lyric by HAL DAVID. Music by BURT BACHARACH ‘Moderately Slow Ant D G Det s mun a- ways love as gain. Dut ce Ant D Don't go break int my {heart One fall-ing teat} does- n't make Sep- Don't go break-in my hears My love will last HL the ‘sky falls P P F E Dm 6 Dm? 6 To Coda ber in May IDontt go break = —r "E -ven then, fyou'l re-msin— in my 1 eae ata Feat Fr Emt at Fem FL es 4 2: ba Emt at Dm a FL a.c.at e coda went a= stray— for a-| whi ‘Teach my heart how to |smite, A cmait o ‘Come to my arms r-ov-ermord Stay inmy arms | and give me your Copyright © 1965 by Bie Seas Muse, ne, J4e Muse Co, bie Seas Wonk Lada Jae Mas Inwerntinal Copyright Scere 1, New York, NY. Mase Co ity 24 Bari, nghtsng Condon SW.) Pala “O1970 by Hive Seas Mass tes fc Mose Corn” Usd ty Berson ‘isso US 1A Rights Reserves19 DON’T MAKE ME OVER (For Organ: Registration No. 2) Lysle by HAL DAVID = ‘Music by BURT BACHARACH Stow Rock F an En os Don't make me | o- ver Now that 114 | do any thing Don’t make me| 0 -ver———— Now wat 1 {can't make it with- Now that you 1 woald-at Don't make me Don't make me Bh ce er F De know how 1a dore . Don't pick onthe [things ‘The things T do, — change one thing 8 [bout “hust takemein[-side your fane old me teh Just love tne with | al my faults — the way that | 1 love you. I'm |beg-¢in’ you. — and al-ways be | by my side-— 1 Tam wrong or right. fm | begin’ you, So don't make me | o-ver,— Don't make me Now that you've) got me at your— com- |mand. r z r = right © 1962 by Blue Seas Music, Ine, Jac Music Co. Ine, New York, NY. seas Blste Lt, Jac Music Co. Lid 24 Purside, 5, London, SW.l, Er nib ‘nis arrangement Copynght © 1970 by Bie Seas Musi Toen fac Musee Cos Inc” Used by Bermsion Antertonal Copyright Secured Made in USA. ‘Al Rights Reserved20 ISAY A LITTLE PRAYER (For Organ: Registration No. 3) Lyric ty HAL DAVID Music by BURT BACHARACH Moderato ‘am Dest G_Glous)c ‘The mo” = ment 1 Before 1 pat | on my make - op, 1 run for the While rid'= ing Thin of ‘us, dear say a it te prayer for White comb = ing my say Ait He prayer for ‘At work— oT just Dm G Glows) Br hair now And won - d'ringwhat dress fo wear now, say a Lt-tle prayerfor you, take time and all thru my. [eat fee break time say & little prayerfor yo For-| ev-er, for-ev-er you'll | stay in. my heart_ And F 6 Em? Bb oc FE « We | nev-er will part. how I'M love you! To- [geth-er, tongeth-er, that’s TF Cony © 1967 ty ue Seas Mais In. and Je Mac Ca, Ine, New York, NY. iv SBM Lid Jan Co Li Pantie, Rah’ Landon S81 Plo ‘his atangement Coprtghi 1959 by Bie Sear Make Ine ndlae ane Corin Used bt femnsion ImcematonstCoppnght sees inci ‘Rigs Rese21 hive with = out you would | only meanheart-break for | me. = ling, ne = fuieve me, For me— there is cmast ou cmajt on Please—tove me | too, cmajt en may? ou = ‘An - swer my Say you love me cmajt?22 From The Broadway Musical "PROMISES, PROMISES" I'LL NEVER FALL IN LOVE AGAIN Lyrie by HAL DAVID (Por Organ: Registration No. 1) ‘Music by BURT BACHARACH Moderately Bright F Dm Bb What do you get when you [fall in love, a |giet with a pin to fourst your bub - ble, wf Am bo Gm Gm oo ‘That's what you get for fall your trou ble, never fall in tove a ~ Dm Bb What do youget when you | kiss a girl, you [get e-noughgerme to {eaten pneu - mo = Gut be Gm oo At = ter you do, he'll | ney - er phone— you, hev- er fall in love a : C C exp erat Ra mea EIN ays vpramima ie Net Dota, te arent aglaw ion srt Maat eda ast vacances cea anev-er fall in love a-gain Don't tell me what it's | all ‘Cause | I've been there— and I'm lout of those chains those | chains that bind—— you, cr F Dm Bb to re-mind you, |What do you get when you fon = ly get Mes and Am bo Gm mt co pain and sor = row, | So for atleast un -|til_ to- mor - row, never fall in never fall in love eee Oe eee ee Oa a emeelteS SO24 From The Broadway Musical "PROMISES, PROMISES” For Organ: Registration vo. 9 ~— IT’S OUR LITTLE SECRET Very Slowly Ctews Er Ces E ab Lyric by HAL DAVID Masic by BURT BACHARACH it-tle |se = eret, t-te |e - cret, t-te | se - eret, me Ge en buy mea | hat = crot | un-dor that, stop counting | sheep. eontt talk [when I sleep We've gota it te | plot that we can tell just _one an -| ott ‘There ‘ie=a't an = y--| one that we ean trust ‘except each | oth abo Bb Abmajt mt ot what it's | all a- bout, wev-er get a | chance to find there't er cma ems Bot eT Amt in won't [There'it ee Si Engin “SAMs Reserved This rangement Copyright O19 Anemia Copyright SeoedDs Dr ant cmayt cn Amt we don't care, Chews Amt bt mt ctsus cr keep it locked in-/ side me, cause t's} no-one else's |>us-!nes ‘Yes, is] nocone el-ae's |bus-'ness Our lit-tle se-eret,| a Bbs F Bb car te se-eret| for now. and all. tetime, | We'll stick to-geth- cr] femse we've gata bt = ue26 I'M A BETTER MAN (nie orpeah Reqtaevaecne! 2 (For Having Loved You) Lytic by HAL DAVID Music by BURT BACHARACH. Amt Moderately Slow © nf 1 could catch a star be-fore it row “at last 1 face the future touched the ground ra uns as leat with 2 2 place it in a box, tie you here be my side, How é rib- bons all a - round, and then Td | of fer it to you, fast We shad - ows “fade” and there 18 [nope inside the heat, to-ken of my love and deep de -| vo-tion, . T have something won- der fal” to | tive for, world's a bet = ter place obmayt om &. - wih you Tm a beteter man for hav tng loved you. - z - r Amt F Amt ae am to ~ day that's how 1 al-ways stay bet ter Fmajt__Bbmajt Fast oe Fmajt__Bbmaj_ Fpait ea for hay ~ing loved you, a bet-ter man for hav-ing loved you, onyrint © 1969 hy ve Seas Mu, In ae uke Cn I New Yorke NY. missionFrom Charles K. Feldman's "CASINO ROYALE" A Columbia Pictures Retease a7 THE LOOK OF LOVE (For Organ: Registration No. 1) Moderato yn can't €- Fase, bm 1s say-ing tet this be so much more than just Just the start—— of 50 bd: Atsus. heart has heard, —well, it Tov-ers vow" and’hen 2d: 2 a FE How | tong have I wait- ed, takes my breath a-way| a'kiss. wait - ed just — Lyric by HAL DAVID Music by BURT BACHARACH Amt bi your ‘The took Be |mine And what my Tet's take ‘a wordeoeld evsi0r su. Wan sy nighis kets, —I— a aie bm? G7 F Got tean|nard-ly walt tohold you] feel my arms a-round you, Gmt = You've got the row that Ihave found yo. to love you| pa — 7 Peasedon't ev-er | 60, slo be Bhnayt “ay ar 1 tove you) 50, don't ev- er | go. ad 7p? pipe Copyri Al sights or Great tain a Inexmational Copyright Secured Tipt ¢ 1 © 1967 by Colgems Musie Corp, New Vork, NY. ire controlled by" Sereen Gems-Calombia Music Limited, London, England wement Copyright © 1967 by Colgems Music Corp. Used by Pe Maden U.S.A ‘Al Rights Reserved28 From The Broadway Musical "PROMISES, PROMISES” KNOWING WHEN TO LEAVE (For organ: Registration No, 4) asic ay BURT BACHARACH Moderately, with expression c Dt Bm Go while the go = ing is know-ing when to leave may be the Fly ‘while you Stl” have your now-ing when to leave won't ev - er Devt c cmayt smartest thing that an = y= one ean _|learn, . Pm a = trad my Tet you reach the point of no Fe -| turn, _ Fool -tsh” as it i a a a a r ba CmajT EbmajT_ & ad tacet ig=nit ve= ry | smart T “suithave my | dreams. So 1 keep hop-ing| day after day, as 1 | walt for the man—— need walks in your fe, you just | bet= cer be “sure he's pit, Night af ter night, andr | HCmse if he's wrong, there are | | 9 wish for a love that hough tm sure that eart-aches and. tears you Keep) both of Four PH Morris & Company. tne West 84th St New Verk NY. 10019 ie re Cv 3 a setae ope © Tb Me Sos Make Ma Css mi29 fone can tell where theif wish-es and hopes will Iead, [Some - how 1 fecl there is ‘on the door, "nev=er | et it get out-— of sight, | Just’ be. pre-pared when the oo ——_:&,........ c Ebmajt lacet Ebmay?______ hap - pi- nese Just walt- ing there for 1 _— wnen some-ore | time fas come for you to run a ~ Sail when the wind 1 don't finow * Dmayt sf30 Inspired by the Paramount Picture "THE MAN WHO SHOT LIBERTY VALANCE’ THE MAN WHO SHOT LIBERTY VALANCE (For Organ: Registration No, 4) Lyric by HAL DAVID Music by BURT BACHARACH Moderato FE Bb FE Dm. When Lib-er-ty | vat- ance rode to |town the wo men |folk would hide, east a stranger |eame, a law-boak | in his hand, Bb c xe F Bb F Dm When Lib-er- ty |Vat-ance watked a- round the menwoatd fatep a - etd; ‘The kind of a [man the west would Paced to tame a [troubled land; “Cosa Am Em An, Bbc Fr Aw he was |might-y L From out of the polar of a qua was the[ n=1y taw— that | Lib-er-ly un -der- ftood,——When i Fame to shoot - int a bm Dot Amn bh c 5am bm Am a man woute | al, ‘The |manwho shot |Lib-er-ty Val-ance, Dm Am Dm Am Bb F Lib-or-ty Val -anee, was the foray - est a ro r : 7 vacate Ha ee a emaA MESSAGE TO MICHAEL (oe Ongans ‘Registration. to: 2) (Also Known As “A Message To Martha") Moderately Slow F Bb Spread your wings for | New Or = leans, he was here, New OF - lean, is, a year since Spread your "wings “Tor BL Lyric by HAL DAVID Music by BURT BACHARACH, Bhmo aa Bb Bim F Bb hight im some cafe. In his | earch to find [wealth and miss him more each day. AS his | ‘train pulled ost (down the SMart for home (o- day.-—When you find” ‘him, please [let him —E—e =—— cr e [fe be I one and changed his Soon becom. = ing back, ‘= ways love him so. = Z ne c Am Bb And even though his dream of [fame fet trroush, aa pe, a opr Secured ‘adem US. and take a | mes-sage to Michael) Mes-sage to Mi ~ chael] He sings each find take 2 | mes-sage {0 Mi rchaell Message (0 Mi - chael] Tell him T fand take a | message to Mi —ehael] Mes-sage to Mi ~ chal} ‘Ask him to track, — know, [Rich or poor, 1 wilh b. ear Mi = chael has si -chacl pro mised he'd NC To next strain Oh, toll him how my heart just journeyed) far, © BC. at Fine me he will al- ways) be a star. — 1970 by Be Sex Moni Tne Jac Me Co tae an US. Song te iki fcc32 (For Organ: Registration No, 4) Moderato c PACIFIC COAST HIGHWAY Derm br co Used by Permision “A igh Reserved Music by BURT BACHARACH 0 Coda: Finajg 2-S.al¢ Coda Dicom mayo Eb cam 6 ———— Eb cum 6 Fade out 2ud tine34 rom The Paramount Picture "PROMISE HER ANYTHING" PROMISE HER ANYTHING (For Organ: Registration No. 7) Lyric by HAL DAVID Masi by BURT BACHARACH Moderately Dat Emi She does-n't real-Iy want. thingsthat you canfuev-er get, ot emt Am. smay-be she'llcomp plain a bit be-cause shdicels up-set ——_ Fmajt FE Fmt pho BAD to |tett ner, that you}iove her, AC she wants winter in - to spring| Prom - ise Mer An- y-- thing: she's dream an Dot Prom ~ ise her an-y-thing,| she will be haps py she Copyright © 1965 & 1966 by Famous Monte Corporation, New York, 8. ¥. This avangetnt Copyright 9 1966 by Famous Manic Corporation.” Une by Permission international Coppel Secures Tassos sk “A Rights Rewerved “The tae tte pros of thle song with anyother tune expressly prohibited35 Ob, you can promise her thelmoon whenthe sun is bright, Prom-ise her the mast ¢ Dat Dm Emt when you're out Prom-ise her the | world and Ab Bh BH) Ebmayt eb her ev + your com -| mand. just love—_will do, Prom - ise her an - y ~ thing, aint you a way from | you.Fram The Broadway Musical "PROMISES, PROMISES" PROMISES, PROMISES (For Organ: Registration No. 2) Lyric by HAL DAVID ‘Music by BURT BACHARACH 36 Moderately G at hm c br Bat Prom-is-es, Prom: Byo-is-es) Prom ‘Ym all through with | Prom-is-es, Prom-is -es,| now! I doa!t know this is where those | Prom-is-es, Prom-is-es, | end! [won't pre t c . a) (Fr) Now 1 [Things that look. at my = prom’- ised my > | self Ls ‘Gmait Tudt {Copyright 1968 by Ble Seas Music, nc, Jae Music Ca. Inc New York. gun gto, Em Mer Coa ine ha Sah New Wak NY, 10019 Exclnve Detbutor Hansen Picton (aa 1:25 Fa see London EC Engen ‘This arangement © Copyright 1969 by Ble Sens Marc Inc, Jae Muse Coin” Used by Penion erations Copy Mate nish "AI Righs Reserved37 e at © oa Bexd Prom-is- es, their kind of prom- is es can just de ~ stroy your prom is = es, those kind of | promis ~ es take all the joy tram at © by3s ODDS AND ENDS (For Organ: Registration No, 6) (OF A Beautiful Love Affair) Lyric by HAL DAVID Moderato(aot too fast) Muste by BURT BACHARACH cmt Fi Bb Bbisus Ebmajo Cm Your pillow Glos -et was emp - ty foo. all of your houlden't have rus a way. Were you a Fm Eb Bb cm, Gm SUES amt tee, were leone. Therewas-a't a [trace of | yo. Howeouldyou go and Head’ that I" waste fery? My tears might have| made you stay lconeare te dreams that Noting was eft of | all the mem-'ries we used to share Noth-ingiw lett to | show that we were py tere. cr lacet Fmt bs. pot emt empty tube of tooth-| paste anda alf-) filed cup of cof - em A a cm Shut te cmt Jodds and ends of a | beau-tial love af- fair. ‘At least you Ib. bed od F) om ue St ai ei 4 Parke ihe inn Sia Iotematond Copy ee eee en ne ene er ReseFrom The 20th Century-Fox Film "BUTCH CASSIDY AND THE SUNDANCE KID" 39 RAINDROPS KEEP FALLIN’ ON MY HEAD (Foy Organ: Registration No. 4) (For Organ: Regi ” Lyric by HAL DAVID Music by BURT BACHARACH Moderate F Fr Bb SSS SSS Just uke te guy whoee feet are | too big. fornia 1 said T did n't like way he got things ‘tmean my eyes will [soon be turn - int 4 fe = SSS 1 nafh-tropskeep all-in? on my 2, ‘aid me some talkin to the 5, lain-dropateepfall-in' on iy els: 4 by Amt Am? pa Noth- in’ seme to | it, raln-drops are fall- in’ on my |nead, They keep fall-in’, Sleep- in’ “onthe | job, are fall in’ on_my |ead, They keep fall in”, Cry. in's not for |me, gon- na stop the |rain” by" com” plain-in', * . r F ie Wp, To next siram Va, Fine | Csus) c7__CHsu8) C7 __Crlsus) cr Fmaj? er(sus) F But there'sone | Be-cause I'm | free, Noth-in'swor-ry- tn’ | me, ad 3. ‘The |biues they send_ to. | meet me won't de = |feat me. " ba # aad D.C. al Fine CXsus) CT Cileus) CT won't be tong till | hap-pi- ness steps | up to greet me. 4 # & + —__ Conyrigt © 1969 by Ble Seas Music. Inc. Jac Music Co. Inc. and Twentieth Century Maic Corp. New York, NY. ‘A fs Li Jac Musi Ca Lid. nd Tenth Cpntny Masi Corp Ei, London 1 Rosen 1 1969 by bine Se Sue. ne Fac Mane Ce. nd Tenet Conta Was Can oy ed Windein USA ‘Rights Reserved40 THE SUNDANCE KID istration No. Maste by (For Organ: Registration No. 4) BURT BACHARACH, Moderato. ‘Ateus AT Emt At Ant at Ataus AT tacot Emt Fm Ent Fem EDT gg ror oF pref : Atsus At Emi at amt at (times) a r 7 7 ? 7 be Sear oe Lady 24 Pande Rnighiags: London: 1 nga ~ Antenatal Cay Saveahte Reser4 THIS GUY’S IN LOVE WITH YOU ‘ (For Organ: Registration No. 7) Lyne by HAL DAVID Music by BURT BACHARACH Moderato F Bb eb F love with you. Yes, I'm in love ve heard sometat Thesf say you think ton fine, This BYE in tore, Bb AT Dm To Coda Cm Fr a Who] tooks at you the [way 1 dor Whenyou smile, — 1 can tell we — And | what a do to. fmakeyou mine.— en 7 BC al @ Coda know exch other howyes meld fet to know you,"Camse 1 4 f Bl cm f bb bm Amt Tellme now, Is so?Dontt fet _me be the lust toknow.My [hands are |snak-tng, Don't aa Gat cnet F Bb F Bb | my frearckeepbreak-ing{Cause| 1 need your love, 1 want your love, = om DmT go c a a FBC amdyjate ( Eayyeten in and fyoo'tt vemy — | rt. not, Pujust | abe. vy * ae owe whine | fay ™ Fr re r near eye Be Pat ei ont SP aaa pak eB 0 Ean a a MN Ce rn42 (They Long To Be) CLOSE TO YOU (For Organ: Registration No. 1) Lyric by HAL’ DAVID Music by BURT BACHARACH Moderately Slow nm Boma? ‘Atsus AT Amt Dat why do |} birds — sud-den= ty ap | pear stars fall down from the | ‘sky mp S Foor? i, Fait tacet Pe Fat Bb F ust tke they long tobe Jelose to do Just ike fey long tobe Jciose to you. (On the day that you werebornthe | an-goie got tougeth- er and de-| cid-ed to cre - ate a drcam come So, they] sprinkled moondust in your hatr of | gold and star-light in your eyes of | blue, a3 Bhmalt Atsus AT Ant Dat all the boys in | town fol-tow | you a gd Bb ¥6 Fipayt Fe Fmaj? (Repeat and fade) Just like close to @ rept bseatn at eee EE s P e madara Coppi ote “Wisden USA me AT Ripe Rene43 TRAINS AND BOATS AND PLANES (Por Organ: Registration No. 6) Lyn by HAL DAVID Music by BURT HACHARACH Moderato c F [Trains and boats and planes tmeymean a trip] to Par - isor Rome We were 80, in love] — we hal a starl— to wish up-on;Wish] Jtrgins “and boats and planes{—— took you. a= way, Beery time{ see en ray r id r —3— am to some-one —else|___but_not_ for ‘Thetrains and the [boats and planes] — took you a= andareamscome — true|—— but not_for ‘Thetrainsand the [boats and planes [— took you a and if my” prayer can cross the ‘Thetrains and the boats and planes will Bring you Vein To next strain trom me, ~ from me, (ee Amt pt Am Amt home to me the | wort, vr . an ‘amt or as 7 go ick —a-fehile and then You said you re-turn a gain, th pr F 6 oo Dic. al Fine Fm wait-ing |nere uke I prom-ised to,| I'm waiting here but |where are you". Copyright © 1968 by Blue Sas Music, te, Je Music Co. Inc. and U.S. Songs, Inc, New York, NY. This arrangement Copynight © 1966 by Blue Seas Music, Inc tac Macc Cor Inc. and US. Song Ine. Used by Peemission Intemational Copy ight Secured Nadim USA. ‘Al Rights Reservedaa WALK ON BY (For Orgen: Registration No, 2) Lyric by HAL DAVID Moderately ‘Music by BURT BACHARACH Em? A Em? A Em? A WC you see me walk-in’ downthe pireet and start to ery ‘each time we meet, fustean’t get "0 -ver losin’ [you andso if I seer brok-en and blue, Dmt Em? Det mt _ am Make be= tieve— that |you don't see the tears, Just Foolish pride — that's [all iat T have lett,” So 2 Tree rrr f prep e ft fr Emt # 7 To Code ® let me grieve in. | private, "Cause each time 1 [seeyou, 1 break down and | ery, Jet me ide the tearsand’ the sad-ness you [gaveme when you sald good walk on by, Don't | stop, D.c.al @ Coda © 1964 by Blu Seu Music, ne, Jae Music Con Ine, New York N iv ele Li face Cosi 34 Fie Kp Conon SW Bay “This arrangement Copyright © 1969 by Biue Seas Muni, ines Tae Muse Cow Ine.” Used by Permission International Copyoght Secor ‘ade in USA. ‘Ai Rights Reserved45 From The Broadway Musical "PROMISES, PROMISES" WANTING THINGS or Org Restrain 3. 9 Coreen wee ' Lyric by HAL DAVID Hedi he sapien sunt OU Seas ‘cmaj? Det cmayt Dm 1 | keep cmajt Dut mat tings, ing Jehings, when 1 ings, ing things’ “that say ‘There are manay who have| much less than Day by day they Peo ple that i |meot Seem to. | thine Tam [they don'e'see “n= make their way. And they tind than | 1 can see, ‘ide of me, So they don't and | often wrong. F = Dmt a cmayt Dat Ent a Dmt cs Cay needing. things that just can't a 1968 by Bue Se Mase. nc. Ja Mase Co, ne New York. NY. Stat Sth New Yosh, NY. 10019 Internationa Copy Seed NindeleSia “Ran Rees46 WHAT THE WORLD NEEDS NOW IS LOVE (For Organ: Registration No. 4) Lyric by HAL DAVID Music by BURT BACHARACH. Moderato amt Em? Brot Em? c pe De Bu? Ws the on = y that there's | just______too | 11t- tle of. What the 5 not just for some, BY Em? Lord, we don't |need an - oth - er | moun - tain, fa ee ____ Dat 6 c are |moun tains and hilt - sides ce = [rough to. limb, Copyrht © 1968 by Bie Seas Msi, nc and Jae Mui Co, In ‘This rangement Copyright© 1969 by Ble Seat Masi Tne and Ine Mae Co. ne Used by Permiion International Copyright Scared Maiein USA “AU Rigi Reed47 Dat 6 c Emi ¢ = |nough to cross, a oy Bt Em? all the end tne | wortd Bmt Em? c not just for _somey No, not just for some,48 From The Broadway Musical "PROMISES, PROMISE: WHERE CAN YOU TAKE A GIRL? (For Organ: Registration No, 2) Lyric by HAL DAVID Moderato not too slow Music by BURT BACHARACH ¢ Bb i youtre—a man, | take girl, if she's a gaat Wt You're—a - Tone, | take ltl, who's on-— ner own, ‘2 "man—that's true, | take Bi "who gets to you, cmt FI Bb —Ebmayt F _ can't. ev - er take| home for a lit -tle drink, like other guys who tive. can't ev > er take|home on your one night oy Jone night to bea man can't ev > er take|home fora little whirl, Jdance her a-round so. {ast rT oT Bb F Bb —Bbmayt F tacet = lone ean do? ‘That 18 the rea-son why. = ana’ “not "a moase Most mar-ried men play cards she staris—to shout? Most mar-ried men just waltz, To next strain men are true. A-| side from ho- tele men play house. Wer like to play house too, All we need is men make out.” We'a | like to make aut | too, All we need is Devt Gm Frou truck or trall-er for = ty min-ates place a place or small a= part-ment, a six - ty min-utes” or FT cpt tet nen aera pee eae” sees ena se Ce dn ae acts EE49 (Oh, there must be A| ba-by carriage, a (Oh, there must be Ih | twenty min-ates We are-n't proud. kid = ay car will We can be fast, welt) ind hap. pl = To Code @ € DCal@ Coda take git that | you just can't take al - ways ‘are. ‘© -| "side from ‘Foot tops you, af you—vare tree, | take girl you'd like to see, | z @ code cmt Fr Bb — you ty cant ev = er take | home? What's there lelt to _ Ebmayt F Bb Eb Bb but (0 go home wiven?.50. WHO IS GONNA LOVE ME (For Organ: Registration No. 3) Lyric by HAL DAVID Music by BURT BACHARACH. Moderato, Cnt Fr Bt cmt Fr Db iS gon -na | tove ‘You wilt ve gone | and here 1 wilt is gon ona | kiss walk “cut the door?|There'll be no “one cmt Fm, Db eb Dea cmt Fr |an atone, and |1' just waste a — won-der-ing | who is gonna Not for me’ teause |my whole IMfe is Dar-ling, if you don't want to =F toro? ? prep? to! i To Coty Bbmt che EE @ abe i Fmt hold me and [keep me warm| when I'm cold, ove me were's | just ‘no use r i - —S Dm ar cmt co D.c.ate coda wut | steep © a tnese | tears, hangin? on for with] out for | me. - F r r r RFP tue Sele Lt Jone Ca Lad Se Rese Kosei anon, Se 1 read Thin arrangers Copptighi® 1990 by Bie Ses Mane In. anda Won Co Toe. Used Ue ernst Internation Copy gt Seed Vindint'S 8 Ti RheeFrom The Broadway Musical "PROMISES, PROMISES" WHOEVER YOU ARE, I LOVE YOU (For Organ: Registration No. 3) Lyre by HAL DAVID Slowly with feeling Music by BURT BACHARACH Bb Fn? Bb Gm cr Some-times your eyes | lock blue tome, Al-though I know they'rel realaty green, Sometimes I fest |you'remine a ~ lone, And yet I'm sure it's) [just nol so. cmt Fr Bb Bb og Gm Det | Am? Prous seem to gee youdie'renthiy; Changing fr treated meamly. | fet thls feel-ing on my fown; Aft er I learn ifyou're atay- ing, | or i You're waving) by From Eb Abatim Eb cmt Jraitn-ulandwarm whent'm in your arms, and then, mo-ment to | moment you're | two dif- rent | people, [eaitkOal endyaren Shien in yoursarms, wal tom rr an i Fig me Bhat BE aig ba when you Teave, you're | $0 un-true, | But how is 1 | never knew, ev-er you are, tan Tih. But how cout Grsus or ev = er you are, Who-| ev -er you are,___ 1 ove you, 7 ol de Bb Fiat Some-times _youreyes Took blve r t Copright 196 by tue Seas Musk Ine. Jae Music Co “lve Sens Mase La IaeAte th Face Kaige This artnpement © Copynaht 1570 oy Ble Sass ing ae Mon Calne Use eon Iteration Capri ecore Tinea US Ai Rh Reserved"= THE WINDOWS OF THE WORLD (For Organ: Registration No. 5) Lyric by HAL DAVID Music by BURT BACHARACH Moderato Dat om When will those black skies Jwnat ‘is the whole world ‘The | Win-dows Of The World are |eov-ered with rain, Tere must be Some - thing (ies ls te sun = shine we once knew? Ey-try-bod-y | knows when | lit -tle children play tira ‘to blue?. Evctrycbod-y | knows then |ooys grow in ~to men com -ing to?. Ev-'ry-bod-y | kno when |men can not be friends we can do, When |'ev~ er rain ap - peare Bb Bbm Ft need a aun-ay day to | grow straight and tall Start to woo-der when thelr \eoun- try will calls quarerel of =ten ends where some have to die. Feal-ly an- gol toars, “How | long must wey ery? bo ‘Copyright © 1967 by ae Sea Muse, fc amd Ia Mosk Co ne New York .Y ‘ye Sear uc Lid fae Mute Co tid. 38 Parade, Knphdege Landon, $1 Pad rand Joe sk Cone. Vac Remon ‘hs arrangement Copyrights 1970 by Ble Ses Maes tntemationl Copyeah Setured Msdein US. Ait Rghs Res5a WISHIN’ AND HOPIN’ (For Organ: Registration No. 5) Lyric by HAL DAVID een We Music by BURT BACHARACH, Moderately Slow c 6 FE e c c F each Jnight of is charms, Wish-in! and hopin’ and |ehinc-n' and pray-tn, | Plan-nin’ anddream-in fag) | eM Of Ria case tat won't get you = thatwort fet Sou in-to his arms, into is heart So it you're llodk-in’ to find love So if you're [ink-in’ of how great gee All you got-ta do 1s |nold him and kiss nim and | tove nim and show nim that you feare, < ST = t F Stow hm that you} eare just for hin Do the things. he kes to doy 23 D.c.at # Coda e Em Gt \ — hast for nim eause— | You won't get him |uunk-int and a-pray-tn', [wish-In" and a-hop-tn'. ‘Cause > T = = r r Oeada c ¢ F 6 Spa Fa F A squeeze him and love him, Just [do it and a you | do, You wilt be Tr r ight © 1963 by Blue Seas Music, Inc. Jac Music Co. ne., New Yorky NY. ue sea ese Ld Jac Mise Co. L124 Farid Knightebige, London, SW. England This anangement Copyright © 1970 by Blue Seas Muse ines fe Mast Coy inc: Used by Permission International Copyright Secured Madsin USA. ‘All Rights ReservedInspired By The Paramount Picture "WIVES AND LOVERS" WIVES AND LOVERS Lyric by HAL DAVID ‘Music by BURT BACHARACH 54 (For Organ: Registration No. 3) Moderately Bright Gmt cr Gmt cr Gat t comb your] hair, tixyourfmake-up, soon ne wilt | open the afte day! there are [girls at the Jul = tice, [and menwill | always. be y 2 ow nveden't You snsy at ring on yo tn hate sult in | ear ae think be -[eause theres a send him] olf withyour a Dua 5 Dr Ant ba Dm nee Se pale should] al -ways | be him af gain, 4 tid z Femajt DT to hisfarms the mo -ment comes home to | you fis | “a pe] here Gm cr Gut cn 2 nt-te | girt, Bet-ter|wear some-thing | pret - some thing you'd sil ne |e, pour tele, start the [imi = ie to get to fel a y; 7 = T T r r Tt Copyright © 1963 by Famous Musi Corporation “This arrangement Copyright © 1964 by Famous Music Corporation” Used by Permission Imernational Copyright Secured ‘Made In U.S.A. ‘AI Rights Reserved "The tre of the lyrics of this song with any other music la expressly prohibited