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  • Short Dances

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    Luca Cismondo
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    The document contains musical notation for a piece titled "Siciliana" composed by Ronald E. McVey. It is divided into three sections with varying tempos and time signatures. The piece utilizes basic quarter note, half note, and whole note rhythms played across multiple instruments or voices.

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    The document contains musical notation for a piece titled "Siciliana" composed by Ronald E. McVey. It is divided into three sections with varying tempos and time signatures. The piece utilizes basic quarter note, half note, and whole note rhythms played across multiple instruments or voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    6 views2 pages

    Short Dances

    Uploaded by

    Luca Cismondo
    The document contains musical notation for a piece titled "Siciliana" composed by Ronald E. McVey. It is divided into three sections with varying tempos and time signatures. The piece utilizes basic quarter note, half note, and whole note rhythms played across multiple instruments or voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Short Dances


    I. Siciliana
    Ronald E. McVey

      
     
               
         
     = 48
        
        
      
             
           
     


           
          
             
          
    5 poco rit. a tempo

     
            
           
       
     


              
             
    9

          

             
     


         
           


       
        
                     
    13

     
          
                    
         


          
        
               
     
     
       
    17 poco rit. a tempo


        
                      
        
        


                   
        
        
            
     
    21

      
            
     
           
        
     

          
    2

          
            
     
    26

               


          
      


       


     
                     

      
    30

      
              
           
           


          
         
             
    poco rit. a tempo

      
    34

     
          
                   
          

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