Best Part

Daniel Caesar ft. H. E. R.

Composed by Tawang

 
= 80


                     
      
              
DM7 Am7
GM7 B♭M7


 


    

    
 
  



     

                        
1.

      
 

DM7 Am7 GM7 B♭M7
5

    
      
     
   
      

    

                  
  
2.GM7


DM7


2nd time only
9 B♭M7

        

3

       
      


 
                           

Am7 GM7

 
B♭M7


12

         

   
To Coda

   
      

       Am7       
     
2

      
15 DM7 GM7

          

    

       


         DM7     Am7   
    
      
B♭M7


18

           


           
 
 
 


    B♭M7
          DM7         
       
 
   
     
21 GM7 Am7

                

             
    
 

 
                     Am7     
  
D.S. al Coda

   
GM7 B♭M7 DM7


25


                     

     

 
                           
   
3

        
B♭M7
29 GM7 DM7 Am7

                 

           


           DM7
          
 
 
  Am7
     
     
B♭M7


33 GM7

           

       

  
   
    
  

                         
  
37 GM7 B♭M7 DM7


              
 
          

 

  Am7                  



  
GM7


40

 
  
     

        
 
 
           
4

     
42
B♭M7



    
           


