Breath Range and Endurance Developed Through Control Chromatic Technique By Dr. Charles Colin fro ! AK C Eon Medern Method fOr Trumpet or Cornet (SY tate cain. 23 Grape © toppon NY 10980 =)BREATH CONTROL Range and Endurance Developed Through CHROMATIC TECHNIQUE ‘The intent of these exercises were prepared specifically as a discipline for coordinated Rhythmic Accented Breath Pulsation. It is recommended that the prelimina y exercises be practiced slowly, Accelerated speed should be gradually increased when synchornization feels comfor able and secure. Speed increased prematurely cold quite often unbalance coordination of Rhythm Breath Pulsation and Finger Synchroni- zation. During preliminary slow practice discipline in firmness of pressing down of tie valves stabilizes muscular development. Emphasis on dynamic accented “Rhythmic Breath Pulzation" motivates and molds the fluidity of unlabored finger dexterity. Concentration on rhythmic accented breath pulsation synchronized with rhythmic accented finger firmness is an added dimension, study, and discipline for growth in stabilizing coordination. a3 — - @ Se aga Hed ee ee ee Concentrate on the discipline of firmness in training of muscular finger technique to ride on the Series cr ab ave ;SORES G5 18 POSINE WIN TERMEING Dee prtire exercise, one breath only. x— foe be bea S Ala Breve - one beat to the bar = aa © ml lala lS eS dS "oli Breve - one beat to the bar ot ew, = aa: = ee eee EXERCISE IN ACCENTED BREATH PULSATION {timate goal to be played in one breath Q=s A oboe woh eet ra a Rest 10 seconds. 2/ id ’ * 6 eee SSS : A D + to) Rest 10 seconds. epi + DISCIPLINE. Accents with dynamic Breath Pulsation. A A neefe = =S a ———=== re Ss Zt vbe shes18 oe i | i 4 on oo ook os oo I & SSS pe = 2 === =» Do not let go of diaphragm support or completely drop the body buoyancy already built up by the initial energy gained in muscular support. oe ‘= During te following one bar rest, do not drop Body Support. a re obe obo, St | i A 2 tir aS : = = ce See =To be played in one breath, eS Sapper é Ene _ebe. ttre ei SSS — fe | Rest frequently in between exercises. To be played in one breath, ce clei clewcle ce cleskks| | | 22 Do not let go built up boily support. Reinforce it, Do not strain. a Reinforce body support. Do not strain. a ta ete aDo not strain, Do not drop your diaphragm and body ‘A support. A Rest 10 seconds. = Release arm tenseness wid remove 1 Do not let go on the built up: support on your diaphragm muscles. mouthpiece for the li aa-nN = = presto = = q e Ld Sie SS SSRemove the mouthpiece from the lips. Do not drop the built up . I body support. Feats psouthplece Dis got strate hung onto tncteastngy built up body support teDo not strain. Remove mouthpiece. Do not drop body support. Do not strain. Remove mouthpiece. Do not drop body support. “i ante = I sie ti ef Do not strain. ‘Remove mouthpiece. Do not drop body support. I . Do not strain. Do not release body support. Remove mouthpiece. : I Digpheagm support not too tight; don’t drop buoyanc a . = A I 31.Tl = A mn E _ Rest 10 seconds. Do not strain. Reinforce body support. Remove the mouthpiece. ATH |> 2 fe Sete ee Etude No. 1 a a ere eeEtude No. 3 Hesto 1- L Ao be == a ebe.* * Repeat is optional. ‘ * Repeat is optional. ; Rees 2 - Geese te tte py erate] Morea