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  • Get Lucky

    Uploaded by

    Cecilia Sofia
    5 views3 pages
    The document contains musical notation for two instrumental parts labeled "Tx. 1" and "Tx. 2". It consists of repeated rhythmic motifs using symbols like quarter notes, eighth notes, and rests. The two parts align at certain points to play together and diverge at other points, suggesting this is the score for a song with interweaving instrumental parts.

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    Original Title

    GET_LUCKY

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    The document contains musical notation for two instrumental parts labeled "Tx. 1" and "Tx. 2". It consists of repeated rhythmic motifs using symbols like quarter notes, eighth notes, and rests. The two parts align at certain points to play together and diverge at other points, suggesting this is the score for a song with interweaving instrumental parts.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    5 views3 pages

    Get Lucky

    Uploaded by

    Cecilia Sofia
    The document contains musical notation for two instrumental parts labeled "Tx. 1" and "Tx. 2". It consists of repeated rhythmic motifs using symbols like quarter notes, eighth notes, and rests. The two parts align at certain points to play together and diverge at other points, suggesting this is the score for a song with interweaving instrumental parts.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    GET LUCKY

                             
    Daft Punk

           
              
    Zeharkako txirula 1

                      
    Zeharkako txirula 2
       

    4                                     
            

                                            
    Tx. 1

    Tx. 2
        

    8 
             
        
     

    
    Tx. 1

      
      
    Tx. 2
                         

                 
             
    11

      
    Tx. 1

                               
    Tx. 2
      

             
              
      
    14

       
    Tx. 1

              
    Tx. 2
                  
                      
               
     
    18

     
    Tx. 1

           
           
    Tx. 2
        

              
             
    25

              
    Tx. 1

           


    Tx. 2
    

      
                              
    28

     
    Tx. 1

    Tx. 2
                    

    31          
                   

     
    Tx. 1

    Tx. 2
                      

     
                         
    34

     
    Tx. 1

                
    Tx. 2
           

                                         
           

    37

                                            
    Tx. 1

    Tx. 2
        

    2
    41                                     
           

                               
    Tx. 1

             
    Tx. 2
        

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