BEBOP LINES - EXERCISE No.4 ‘-STEPS USING My FooLis HEAeT MOECKS Music STEP 4: ARPEGGIOS UP - GOOT POSITION - 7TH CHORDS shmaj7 = gpmaj7 m7 Q7 Cm? Em7 av s Om? 07 Gm? 0p” Cm? Cm705) Fv 9 shmai7 Fm? 897 epmai7 STEP 2: AGPEGGIOS UP - INVERSIONS 12. gpmal7 Epmai7 Om? 67 Cm? Em? av 16 Om? 07 Gm? 047 Cm7 m7 FT 20. ghmaj7 Fm? 8h7 epmal7 Am7e5) 0” 24 Gm? E70 a7 Om? grds Cm? #7 28 ghmaj7.——gpmaj7 Dm? 47 Cm? Em? a7STEP 3: ARPEGGIOS UP + DOWN 2 shmai7 epmai7 Om? 67 Cm? Em? av ED Om? 07 Gin? v7 Cm? cm Fv STEP 4: AGPEGGIOS DOWN + UP 40 ghmaj7 epmai7 Om? 67 Cm? Em? ay co Om? 07 Gm? 047 Cm? C705) FT STEP 5: ARPEGGIOS SCOVEN - ANGLUA® LINES - NO NEEO TO COMPLETE THE TTH CHORD EVEGY TIME 43 ghmai7 epmal7 Om? 7 Cm? Em7 ar 2 Om? 07 Gm? 0p” Cm? Cm FT % shmai7 Fm? 87 Epmaj7 Am705) 07‘STEP 6: CHEOMATIC APPROACH FROM SELOW ON THE OOWNSEAT eo ghmaj7 gpa Om? q7 em? Em? ” 64 Om? o7 Gm? 0b? Cm? Cm7e Fv 6 shai? Fun? 87 epmai7 Ain76 07 2 Gu’, Emo a’ Om? g7d STEP 7: TRAPPING - DIATONIC FROM ABOVE + CHROMATIC FROM BELOW - BEFORE THE DOWNSEAT z shmaj7gpmal7 Om? a7 Cm? LF Em? ar Om? 07 Gm? 047 Cm? 3 C709 F7 shmai7 Fm? 87 epmai7 | YY Rar a hy49 07 m7 E705BEBOP LINES - EXE@CISE No.2 WITH 4 TAIL VARIATIONS mOecKs Music Fimaj7 €7 ” 0” m7 7 maj? g7 ” 0” m7 ¢7 maj? g7 ” 07 m7 7 Fimaj7 E7 a 07 Gm? 7 real gwar, $7 7 fun? he b b 43Abmn7 E -- 2 4 - sariehetie 7 gpmai7, sp? 87 €b7 Abm? 7 gpmai7 FT 8h7 ey? Abe? 7 gpmai7 gmaiy gg? 7 f7 Ayn? 0” CO 87 €7Am? 9” gmai7 p47 87 E7 —orlebe tte ete ene ; {s fe Ayn? 0” gmai7 py? 87 @7 Am? 07 mai? apa 67 7 Ff 8bm7 &7 Amal? g? 7 Ff? Bhi? e7 aaj? 7q f 8hm? 67 ama? q f7 8h? 67 apa amaj7 GH” a Fy 8m7 e mai? g47 a Fy 8m7 €7 amaj7,— gf? a Fy 8m7 €7amaj7 GH” ct Fa? 8m? e7 ammaj7 Bhmal7 a 97 7 Cm? f7 pina? a 0” Q7 Cm? FT Bhmal7 ay 07 q’ Cm? f7 ee 07 Q Cm?F7 Bhmai7 gmaj7 a o#7 gi? Chm? Fy maj? A? of GH” Chm? Fa? emai? AT 04 Gi? Chm? Fa? emai? AT on Gi? Chu? Fe gmaj7 cmaj7 8,@7 a Om? 67 qmaj7 a, €7 ru Om? 67 qmaj7 i €7 " Om? Q7 qmaj7 g, €7 av Om? Q7 cmaj7 obmaj7 et Peek aie S ose! é ip te. le 1 Sof - | Ebm? a7 bi re b eeobmaj7 cq ‘7 87 Ew? a7 opmaj7 q F7 87 Ebm7 7 opmaj7 q f7 87 Ebm7 47 opmai7 omaj7 cw Fe 87 Em? ru om a7 ew FA 87 Em?a omai7 47 Fa? 87 Em? a oma? 47 FH 87 Em? a omaj7 Epmaj7 07 Q7 q Fn? #7 Epmaj7 0, Q7 7 Fn? 87 Epmaj7 o, Q7 qFm? 87 eEbmaj7 97 b Q q Fm? 87 epmaj7 maj 7 o#7 oH c 7 Fem? 87 emaj7 ov oH CF 7 Fm? 87 emaj7 of ou cH Few? 87 emaj7 of” on a Fhn7 87 emaj7 _——. _—— —— _——. _——. ——BEBOP LINES - EXE@CISE No.3 12-KEY WORKOUT USING TRITONE SYSTEM MODULATION PATTERN MOECKS MUSIC Abm7 047 Gpmmaj7 Em? av bebebe he bet eed omaj7 Cm? f7 shinai Em’ a Abn? b ob” Gm7 7 Fmal7 Ebm? a7 oe 8mn7 E7 amai7 Ebm? a7 TAL. 3 Gm? 7 Feen7 87 eEmal7 Om? q’cmaj7 8bm7 &7 apenai7 Om? Q? Feo 87 Fm? 87 is Chm? Fy gmai7 3 Am? o7 gmai7 Chm? 87 Fm? 87 wentBEBOP LINES - EXERCISE No.4 12-KEY WORKOUT USING TRITONE SYSTEM MODULATION PATTERN MOECKS MUSIC Abw7, beb 7 gpmai7 Em? a b ucKtA b Tah omaj7 Cm? f7 spa? Em? a Am? 047 Qu? qe Fmaj7 Ebm? a7 opmai7 8m7 : é7 beth? anmaj7 Ebm7 a7 Gm? 7¥ f AEey ica TALL emai? 8h? b ey? ama? beb Om? 47 Fu? 87 Fun? 87 emai Chm? Fa? gmaj7 Am? 7 gimai7 Chm? Fa? Fm? 8h7 pt ews oe Oe O_O eeeBEBOP LINES - EXE@CISE NO.5 12-KEY WORKOUT USING BEBOP PeoGeESsION MOECKS MUSIC 017 gpmai7 Em? a Abm7 bey omaj7 Cm? FT spmaj7 Em? a Ab? 067 Gm? 7 Fmaj7 Ebm? a7 opmai7 8m? eo anmaj7 Ebm7 a7 Gm? 7Fem? 87 Emaj7 Om’? 47 cmaj7 — FH weed, Tad, uc TAL re 8 Bhi? a apmai7 Om? q’ Feo 87 Fm? 87 epmai7 Chm? FAT maj? Aim? 97 gmaj7 Chm? Fy Fm? 87 OnBEBOP LINES - EXERCISE No.6 3 Licks WITH ENCLosuees MOECKS MUSIC ar Om? 7 Obm? Wz oh eb>- > > by! fp Bhi? e7 Am? 7 ‘7 7 7 ew > tw 9 Guy. eeeAmn7 lick 2 Ebm? bm? => 8m7 > ey Em? 87 ee 4 bo b 7 hu tick 3 b 2. 67 Ab? > > > b bg ck 2 , b 2 ex 3 7 13. ek 3 Fe S lick 2 0” ek 3 > bsGu? en g@ ivr of bm? q’ Cm? Fa? 8m? fp 8bm7 g7‘7 A cg Abu Gm? ca Fea’ 7 Fy? 87 > Em’ 87 Ebm?BEBOP LINES - EXERCISE 7 4-Licw (PREPARING LINE No.8) MOECKS MUSIC Em7b9 ard Ome b Ann 709) o7é Guat Om709 Grd Cm? Gm765 (a) Fine Pe bebteres heey C79 F7d , Bh?Fm705 8h7d Ebm? B75 e746 Abra D4m7e gerd Chu? Gfm7e f cfd Faun’ CHT rAd Brat _——. ——. ——. ——. ——. _——.FAm7b9 87d Enh 4 m7 E79 ArméBEBOP LINES - EXE@CISE NO.8 2-LICK VARIATIONS MOECKS MUSIC Em7b9 > _ Ardy Om? b > Atos > 074 > Gmé wee 2? Om7bs Grd Cm? weet 3 Gm7bo uc 2 3 (a) 3 7d , Bbw? eee —_ eeFm7e ap7do Em B70 eb7d Abm? OFm7e5 > gerd Chm? > > > Gtm7e9 ; cdFem? 5 ten! Chen 709 3 > Fed Fem709 87d Em? Bm7b9 > E7ém Am? Em7b9 > andOme A705 o7dn me Om7bs g7é> Cm? Gm705 7d ye! heb Fut 4 Cm7e9 3 be nds Shut bF765 8h7d Ebm? B75 E74 Abmn® OFm7b GH7d> Chu? GAm7b9 cfd Font >CHT rAd Brat Fa 769 > 7d | | |BEBOP LINES - EXE@CISE NO.9 USING THE SYMMET@IC DIMINISHED MOECKS MUSIC 1, 0 ord gma? 8709 8h70 and pmaj7 Gp7em 7b E7d> amaj7 3 p70 C70 87d emaj7 4h70 gem 3 »Fyne gmnaj7 3 £b700 07 Op7e i gpmai7 ve be + f si eu x x 8h70 A7os ard obmaj7 ; F769 £709 Eprd apmai7 C789 B708h7d ebmaj7 709 6 Gp7em F7d ahinaj7 3 070 Op7H ends pmaj7 aren Ayre» g7d cmaj7 E769 E}70mBEBOP LINES - EXE@CISE No.10 SCALES COMBINATIONS: LOCIAN 49 © SyMMETEIC DIMINISHED * MATOg MOECKS MUSIC Gm7e9 C76 beb: pmaj7 bf Funté9 gyre emai b pobebe Ebm7b5 A706 opmai7 b. Chm 769 FAO gmaj7 Bm7b5) E79 j ama7 enelele feapnea es es Abw709 0b70 opmaj7 Fam7e9 870 emaj7 Dm7e9 gre cmaj7 bob. Cm769) F7OD b gpmaj7 | | | nis rin wai | |BEBOP LINES - EXERCISE No.1d 2-Lick WoeKouT over 2-5 MOECKS MUSIC Fn? 7 bw? ATO Cha? Fane» fw eT Cm? FT Bhan? TO fom? gh7é Fhu? 8785 mn | | | be. a = a | Em? AT Fu? 87 Eh? a7 Chu? FAT 8m7 E76 Ar? 0” Bh? 3 £7 Abm? = 476 Fem? 879 Ew? ATED Os? G7 Eb? “7Chm? Fee? Bm7 ETE Am? 97h Gm? cr Abu? 047 Fein? 876 Em? Aron Om? gre 3 Cu f7 Chin? a Amn? 78 Gm? C7 ea? 8)7 Fb? 8 Em? ari Om? gr Cm7 F1 Bhi? 3 7 8m? é7 Aw? ore» m7 e709 Fw? Bp7e9 Ebm? 7Em? Ar Om? Gren Cw? Fre ii Bh? £p76 Abmn? 097 Am? 0” Gm? 78m Fn? B78 Em? ATO Chin? FAT Ow? gg? Cm? FIO bmn? EY70> Abu? Db76» Fhn7 87 Gm? 7BEBOP LINES - EXE@CISE No.12 Loceun 49 © SyMMETeiC DIMINISHED * Mazor MoKoes Music Gm7e9 C709 pmaj7 F709 870 ebmaj7 pebabebe t Ebm7e Ayre opmai7 Chm 769 F4TOD gmaj7 3 Bm7b9 E79 arnaj7Am7é9 gmai7 (—rreeee Ef te eke = Bhm7e> Ep7e> apna Abb 0570 gpmai7 tararebetele bey b Fam7e9 870 emaj7 Em7e5 Arb omaj7 Dm745 G7 cmaj7 Cm769 _—— _— _— —— _—— _——F7bD ehmaj7 F705 3 Ab76 Gm7bo pie? 70 emai? opmai7 b. 7» gai?Bhm7e> £b70 Apmai7 o b. greece teteie rt Eleret ee : 2 - ye b 5 Abm7o9 op7b gpeai7 3 a pete Fam7e9 376 Em ATb omaj7 Om709 gre emai m7) F7bD gbmaj7BEBOP LINES - EXE@CISE No.13 EncLosuees (TeiPLE Cugomaric Teap: 1 FROM ABOVE, 2 FeOM BELOW) mores music Coa? f7 Bhe go7, bAm? 07 G° Geo? FA? 8m7 e7 ab ayo7 G7 Chm? Fy 8 co? or, Se eeeBEBOP LINES - EXERCISE No.14 TRIPLETS © ARPEGGIOS * APPZOACH TONES MOECKS MUSIC Fm? 7 Epmaj7 behebe |b b. Cm7 7 Fm? $7 Epmaj7 Apenai7 Fim? Ff hm? Eb? | ; apmai7 res pT Ebm? 47 , :opmai7 Bbm7 87 _——— bebe Ce a Ms opmaj7 F7e5 beet og ae ig 07 pina 3 yb * 3 a Abmn7 0b7 Gpmai7 8709 Eb7 bgsh Chm? Fa? emai?Gt? Gi” Cem? FHT gmaj7 of769 Gi? Fh” 87 emaj7 Chm? t 7 Fh? 87 emaj7 GF7e9 (ou 8m7 e7 amai7 Fam? Fy 8m?@7 ama? C4769 RYT Em? ar omai7 8m7 87 Em? ar omaj7 FyTbo $7 Am? 07 qmai7 Em? e Aw? 97 gmai7 gb) = g7 Om?Q maj? Am? ” Dm? Q7 maj E769 ar Qm7 ¢); Fmaj7 Dm? 0” m7 7 Fmaj7 ares og? Cm? f7 apmaj7 m7 QCm? F7 gpmaj7 ov =?BEBOP LINES - EXE@CISE No.15 OVE@ AFTERNOON IN Pacis MOECKS MUSIC cmal7 Cm? Ff gpmai7 hm? €7 Apmaj7 Om7e G7br emaj7 ‘Am Om? 67 bab. cmaj7 Cm? Ff pmai7 , Bbm? Eb? 3 3 Apmaj7 Om7e9 G7 emaj7 ‘Am Om? 67 cmaj7 3 Cm? F7 spmai7 8bm7 &b7 Abia? Om7e9 gre cmaj7 Ay cmaj7 Cm? f7 spmai7 8bm7 €7 Apmal7 Om79 G7 qmaj7 beySEB0P LINES - EXE@CISE No.16 THE V7/V © TH4 wOecvs Music Prd 8h7 y y eymai7 Shu? ETE aynT Ey? Bp7din 67 ama 3 Ebm? ; we opal? hn? eb7dity Ab?opmaj7 Ab? mT OFT gpAIT. by? pra 097 opmai7 Chm? iw F47OD gmaj7 Gtmn? Op7dt 3 oy" gmaj7 Feo ; gre) gmal7 Chu?FyTdLD 87 emai? Bm? ET mai? Feu? gai €7 amai7 Em? Arb» = gmaj7 Bm? erdib ayomaj7 Am? 076 gmai7 Em? 3 Ardin 07 gmai7 m7 G7 maj Aww? 3 omy 47 qmaj7 m7 C76) pmaj7 m7 3g7din c7 Fmaj7 Cm? FT ghmai7 Gy cndip f7 b. apma7 Fm sh78 mal Oy?SEB0P LINES - EXERCISE NO.17 Douste TIME MOEes Music A769 3 4 ‘L ond» bait , heb beb 1 Gm 67 0” Gm £ ae $s =—t = r= — b co y £ y f £ yWITH ANNOTATIONS DIATONIC FROM ABOVE 9 Gm €b7 07 — Gm = cHeomaric FeoM sew =~, [1 — f Tagger b3 3 ALS AePeqoIo 7d) 2 — 9 CH. PLT. = G Mazoe Te Uree SteucTURE ENCLOSURE (DOUBLE CH. ABOVE ENCLOSURE (DOUBLE CH. ABOVE cH seL0ui) CH SEL0W) wT O TRIAD HEAD —- — ENCLOSURE (DOUBLE CH. ABOVE DOUBLE CH BELOW) o © ALTERED SCALE “ aa. | bebe! am 67 07 Gm bod. #SEB0P LINES - EXERCISE No.18 CREATING VARIATIONS BASED ON SHAPES & TARGETS MOECKS MUSIC OPIGINAL LINE Cm? Ff Bh? ey? Abrn7 0»? Feo 87 Gm? 7 lick # TARGET NOTES Cm? FT hm? Feo 87 Gm? 5 Lick #CONCEPTS USED by Cm? Fm 8m? <—=——! be oa as Feo 87 Gm? On ss" OevELormeNT 1 - OveR A2516 Cm? Fre» mai? Gm? DEVELOPMENT 2 - ADAPT Lick 2 Cm? F7bo shai Gm? OEVELOPMENT 3 - STARTING ON DIFFERENT TACGET NOTES Cm? FTbM gpmaj7 Gun? 2Cm? Plas. spmai7 Gm? Cu? 7 emaiy sm? OEVELOPMENT 4 - EXTENSIONS Cm? F7bo shai Gon? 3 Cm? Plas. spmai7 Gm? ; gpmaj7 Gm? —_ 3 be 2 = oe v . ye be cs. iLick 2 INVEeTEO CH 3 | a eCm7 Plas. gpmai7 Gm? DEVELOPMENT 5 - REPLACE THE IMAT7 WITH THE lil Cm? FIO Om? 3 om” Cm Flas. Om? — m7 Cm? Flas. Om? Gm? Cm? Flas. yma? Gn? 3 DEVELOPMENT 6 - REPLACE THE PROGRESSION WITH A PEHAPMONIZATION Cn? F706 Om? 34, (m7 Flas, Fun? 87 epmai7 Eb? 3 Om! 7 m7 Flat 8h™Ai7 Gun?OEVELOPMENT 7 - DISPLACE THE STARTING MEASUSES. TURN IT INTO A RHYTHM CHANGES PROGRESSION Bhai? gro Cm? F710 Om? G70 Cm? Flas. 3 3 Fin? 87 Epmaj7 qth Om? G7 Cm? Fa pmaj7BEBOP LINES - EXERCISE NO.19 PLAY THE LINES THINKING OF THE LANDING SEAT. Tey To HEA® THE ENTIZE LINE IN YOUR HEAD BEFORE PLAYING IT. MOECKS MUSIC ama Frio Sh? ey? tHe 1 $ $ , wn § Apmai7 apmaj7Apmal’ iG 8 b 4s f m' El yma yma amar ‘amar yma mai 6 rt 2] —— fe x may apmaj7 ama Abmaj7 Abmaj7 F705 6 Bm? &7 apmaj7 $ feb aapa Bie Be LLL SHEE a aes apa PSS Sea=: ama a ty apa bebe —s tate FE avai iis bebe —p ; Ces Sry Apmaj7 be—be— bebe — Ease a may eSeaae a may etre teas SS Apmaj7 be » 4, - iz ee may be» b. —4 he—be ie aa - I Erie ers F Abmaj7BEBOP LINES - EXERCISE NO.20 USING THE SUS2 PERSPECTIVET To INCORPORATE TENSIONS Step] : Turn the ii chord into a sus2. And play it over the 2-5 MOECKS Music psus2, gus Om? 47 Gm? ¢7 te |__ Cm? FT Fin? 87 bm? eb7 Ebm7 a7 Ab? ob7 Obm? gy? Fem? 87 8m? €7 Em? a’ Am? 97Step] variation with the target 1 chord Om? 7 cmaj7 Gm? q pmaj7 Cm? F7 apmaj7 Fm? 8b7 epmai7 bm? ey? Apmaj7 Ebm? a7 opmai7 Ab? 047 gpmai7Obm? ap? cpmai7 Fem? 87 Emaj7 8m? —7 amaj7 Em? A’ omaj7Step 2 : on the dominant chord move up a half-step o.sus2) EDsus2) Om? ard Gm? eng 495 4 on #9 3 Cm? end Fea? sgn 8h? er7dy ebm’ arden Abu? ord Obm? apr Feu 874) 8m7 end)Step 2 variation with the target 1 chord Dm? a749 qmaj7 Gin? erg pmaj7 ——* m7 F742) spmai7 We 3 Fun? arf epmai7 a 8h? ergs) apmai7 Ebm? avr obmai7 ——- Abu? 0742) agpmai Obm? apd coma Flea? 8749 emaj7Bm? e749 amaj7 Em? arcs) omaj7Step 3 : on the dominant chord move down a half-step psvsar Obsus2) r Om? 7) Gm7 cr 195 15 643 69 Ht cm? ent Fun? ert) 8hun? 27%) Ebi? a7) Aon? on7(%) Obm? apts) Fem? 87 8m? e7 Em? Ang ) Am? 07Step 3 variation with the target 1 chord b Om? a7) qmaj7 Gm? engi) pmaj7 Cm? F7t%) Bpmaj7 4 ——— Fu? 8b7()9) epmai7 hm? 677) Apmnai7 ebm? arth) opmai7 Ss Absa? ov7t) gpm Obm? apr) chal Fe? sth emai?z = £7 8m7 = a any Em?‘STEP 4: (MISTY) SUS2 ON EVERY CHORD. DOMINANTS: THE SUS ON THE STH (MOVE UP Of DOWN ON OOMINANTS WITH ALTERED NOTES) ebsvs BhSUS2 gpsus2, —ysus2) Apsusa — apsus2r epmaj7 8hm? &)7 apmaj7 Abm7 ov? 1 f Ebmaj7? Cyn? Fm? 87 Gm? 7 Fm? 87 epmai7 bmn? &)7 Apmaj7 Abm7 ob? EbMaj7 Cyn? Fm? 87 Epmaj7 97 Epmai7 8hm? E70 Apmaj7 Am? 97 FT Gm? —_c707 Fm? 87 epmai7 bmn? eb7 Apmaj7 Abm7 ob? Epmaj7 Cm? Fin? 87 Ebma7 Cn? Fn? 87‘STEP S: (MISTY) Dom. MOVE UP Of DOWN RANDOMLY Ep sus2) gpsus2, = -gisus2) Epmal7 8bm7 &}7 apmaj7 Abra? 097 Ebmai7 = Cm? Fm? 87 Gm? 7 Fin? 8b7 epmai7 Bm? e)7 Apmaj7 Abm? 007 Epmal7 Cm? Fm? 8b7 Epmaj7 957 Epmai7 8b? £>70 apmaj7 Aw? 7 F7 Gm? c7dm Fn? 87 epmai7 bm? ey? Apmaj? Abm7 oy? Ebmai7 Gm Fm? 87 Ebmai7 Cm Fim? 8)7‘STEP 6: (MISTY) CHANGE THE PERSPECTIVE TO QUAGTALS PM THE 2NO EGREE (ITS INVERSION OF THE SUS2) F174 074 8b74 Epmal7 bm? Eb? Aapmay7 Abm? 0b7 Ebma\7 = Cm? Fm? 87 Gm? 7 Fm? 87 epmaj7 8hm? &)7 apmaj7 Abm7 oy? Epmaj7 Cm? Fin? 87 Epmaj7 oy? Epmaj7 8b? Eb70 Abmai7 epmaj7 8hm? &b7 apmaj7 Abm7 ov? Ebmai7 C7 Fin? 87 EbMa\7 Cn? Fm? 87BEBOP LINES - EXERCISE No.21 SASED ON A BILL EVANS LINE VARIATIONS ON AN 8 MEASUSE LICK MOEcKs Music Cn? f7 apmaj7 epmaj7 Am7e9 cHeOMATIC. Cm? FT Bhmay7 ebmaj7 BROKEN ARP, MiKo B9 13 BROKEN ACP. Am7e9 7m Gm? Gren z ee, mixo b9 b43 Cw? zg, Bhmal7 Epmaj7 ALTERED BROKEN ARP. Am7e9 0709 Gm? gro ‘APPR. Cu? yf shai? emai ALTERED SROKEN ARP. eurrame vag. Am709 7b Gmé Ab? =A? 3 SHYTHMIC VAR. MODULATIONChm? FA? gmal7 eEmaj7 WAKO Abm709 0470 Gm? Ge7e> Chu? Fe CHROMATIC. de eh BROKEN AP. Mixo D9 b43 gmaj7 emaj7 SROKEN ACP. Abw7e9 04769 Gh? Ge70> aap. mao 9 b43 Chon? F# gma emaj7 ALTERED ‘BROKEN AGP. Abw7e9 D476 Gm? Ge7e> Chun? Fe gwar emaj7 hee ote! o = Cretetere fae ALTERED ‘SROKEN AGP. 0479 Gt? hete # he he . SHYTAMIC VAe. 3 SHYTHMIC VAR. 7 Amn? a Om? MixO MOQULATIONia Dm? @7 CHROMATIC. qunaj7 b f ‘BROKEN AP. b Mixo 99 b13 BROKEN ARP. Fmaj7 Bm7e9 E70 Armée Aap, mano b9 b43 67 le= Pete ete ALTERED BROKEN ARP. 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