“MOVIES ~ PAIRWORK ~A: PICK AT LEAST 6 QUESTIONS TO ASK YOUR PARTNER, Discuss. ‘Whats yourall-time favorite movie? How much money do you spend when you go © movies? What do you prefer, animated movies or eal movies? What is your favorite movie soundtack? Do you tink historical movies are educational? Dp you ike documentaries? “Whois your favorite movie hero? ‘What do you thnk about comic books movies? Can you remember the name of the ist movie you saw? ‘Whats your favorite classical movie? Have you ever watched a movie twice that you dilked? Do you ever download bootleg movies? Have you ever seen a movie in another country? Desert the experience. _Do you lke foreign films that are dubbed in your moter tongue or do you like watching the fil in its oxiginal form? ‘What isthe best movie you have ever seen? Who was ine? Why did you like i? Who was the director? Is there a movie you coud watch over and over again? [MOVIES - PAIRWORK - B: PICK AT LEAST 6 QUESTIONS TO ASK YOUR PARTNER, Discuss. ‘Are there any kinds of movies you dsike? 1 so, what kinds? Why do you dist ke them? Do you lke to watch hortor movies? Do you usually watch movies a home or at movie theater? Have you ever sen the same movie more than once? If yes, name it (or them). How aften do you g0 to movies? book has beea made into a movi, which do you prefer todo fist, sce the movie or read the book? Why? ‘What isthe scariest movies you have ever seen? What's the funniest? Wha’ te most ‘Whats the worst movie youve ever seen? ‘What was the last movie ou sa? Was it god? Who di you soe it with? Who is your favorite actor or actress? Do you think hat films canbe educational? Who's your favorit director? How much docs it cost to ee movie in your country? Have you ever watched a movie in streaming ? ‘Are you interested in using the services of Netix? Why ? Do you buy DVDs ? How often do you watch movies ?The language of film analysis CAMERA RANGE (the distance between the camera and object ‘ares Toop aot hotah eg, large crowd scene ora view ofsener] Tas the horizon Tong hot ‘View of situation Orseting Tom a distance "the camera pulls away from the close-ups to along 11 ofthe Boston sine" ‘median long thot” hows a group oF people in intracion wit cach here. ight seen, with part oftheir uroundings inthe picture Tallabot View of igre elie body onder to show tion andlor constellation of characters vedio shot id shot mem lose ‘hat ows a subject downto his orher walt. Showing head and shoulders of two people in Tall-sowen shot o Fa subjeats Toe, showing he Finest nuanes of expression |The camera suddenly ews oa close-up.” ‘arene deep eta hot) hot oF hand, ee, mouth or abject deal POINT OF VIEW (VIEWPOINTS) the postion from which the camera is ming long shot taken from a neutral position [he scene starts with an ~ olar-oFview shot, fhaws a scene from the perpesive ofa Caras POV-shat ‘rertheshoulderpilen used in dialogue scenes, «Tonal view oFa dlogue parr fom he shot puts of bth canbe seen len used at the beginning ofa sene to indicate the location or sting, Ws usualy a Reset a seceding behind ed hy te tbe hr pteTe shor oF a Caras response an Aton He decided to hola Taser ho detail shot which quickly gives visa lformationneweieary fo undestand the weaning ofa scene, for example a newspaper page, o¢ a physi dtl shot from the opposite perspective, afer an over-theshou der shot [har efet does the— have inthe party scene?” “CAMERA ANGLES aerial shot or high ange or overhead Jone or exer Tong shot oT the god Tom He How does the sequence of aerial and racking shots support the vlceover commentary?” Tigirangle shor rows people Or objects Tom above, Le higher han eye level Towcangle sot or below shat hows people orabjects Tom Below, Te Tower han eye level jews subject Tom te evel ofa parsons yes inthe first part the sraight-on aml of the camera putt the vewer onthe same level as Mrs tobinson How do the varovas camera shot angles ighlight the power of Mrs Robinson?” ‘CAMERA MOVEMENT movement ofthe camera during a shot ‘antag tho) Fe camera pans (moves horizontally) from let right or vce eva acTos Te pte [he camera pons across the pictor TE (Ghat) Fe camera ult up (moves upwards) or Hits down (moves dowawards) rounds teal line Taekg i camera Tllows along nex to of Behind a moving Oboe or pao srucking shot ‘oom Pe salonary camera appens To approach a subject By ZoomTIg IN; OF TO OVS farther away by zooming out |The camera zooms in(z00ms ou) on Ben's face." EDITING | MONTAGE (the arrangement of shots in a structured sequence ‘mavier shat [man shot of whole scene taken By one camera in one posios, whICh sen intercut with other shots to ad interest ‘ataway | sot of something not shown by the master shot Of a seene, but connected othe ‘main action in some wa intermingling the shots of twa or mare snes which are aking place ate sme a Scene oF Sequence Gealing with We pas which Is sere into Tvs presetTasi-Torward [a soon or eguence whieh ooKs Tt the Tar match ext] two scenes connected by visual or aural parallelism, © one door closing and them another one opening plitsereen | division of the sereen to show two or more pictures athe Same me PUNCTUATION (=the way in which shots are inked) choosing acon o impersonate the characters ‘sith fom one image or shot to another “What effect dows the sudden cut from the pool 10 Ben's room base on the viewer?” or erowtade TJempzat—|[a) switching back and forth between two or more persons who are closely involved with each aher, n a conversation ora chase scene; (b sing eu o crete an efecto moving rapidly towards a subject Tadea [rom a black screen or ground, the gradual emergence Tan nage, which sawly ‘becomes brighter unt it reaches fl strength Taieout |The gradual disappearance ofan Tmage unl he sreen or grounds completely black: a device ured to end a scene “solve, aaslving | Talowing a fade-owt wilh Tade-in a ard to move slowly Tron one wane To the Miscellaneous Timing «person or event against a background of ight, especialy the sun, which proves an idealized, sometimes romantic effet Tackgroued mesic the music accompanying scenes What ~ would you use? What eft does the ~ have?” ‘camera operator the person behind the camera); in major produstions, the head o he camer eam is sully called the direetor of photogra aptow ‘words that are shown ona cinema or television aren, eg To eTabIT the sane oF @ tory tiip short pise of film or vdeo ‘omposiion the rangement of people or tings ia painting, photograph Tim sone, Ge) director the person responsible forthe artistic production ofa im the Tighining, camera work, action, and the actors interpretation of her roles "What do you think the director's intention is?" "Why dos the director use thie shor?" roi ‘it ia ae Tooaae Tit of people who helped to make a film or progamme. ranging he camera shots and oplcig (eating asi re the shots together ‘wansript ofthe final lm according othe individual shots giving Tied sz, camera angle, camera movement, ation, dialogue ee Piece of fil o vdeo.Tre the ~ being Fined From ™ “What sort of TV programme ues footage like this? ‘eee Tame effect when all movement i stopped. US.and Canadian erm ‘raducer the person responsible forthe overall organization, especially te Financing and ‘marketing of film or TV production ‘Scene shot or series of shots that deals) witha single ation ‘ereenplay film script with dafogue, location descriptions and some camera angles and ‘equeace Connected pve of film, pvhaps a complete scene “What does the ~of close-up and extreme cluse-p shots fous on?" Selling the location of film "if you were the decor ofthe flm, whet kind of veting would ou choose?” “hot Single piece of eaera work, eg. a cutaway. "What sort of shot has tobe used fr an even like this? ‘Watch the fm a far asthe frst shot of Ben in is room.” “The dretor uses shot to Semndieek A sone fora ey, including voices and musie ‘i Single frame ofa il, ikea photo “What could the connection between the sie and thesis?” ‘forgboard series of simple pictures showing the sequence of main shots, oflen wih notes an camera angles and movements “ubuie Printed words, usually Below We picture, and usually used to Wana Gafogue wa forvign Fim imeTapse Technique of Ting very short Burts om a ved postion a Red Ue lea, by so thet action appears very rapid when the film is played back a normal speed ‘Woieeait wot to Be seen bu tobe heard especially anaraor, a character voicing oughis ora news errespondent commenting on pictures that are being shown voiceover commeniary heard by the viewer without the speaker being in-stot (Ren used in documentaries ‘Te voice-over comment break the scene in four sections.”LEXIQUE DE TERMES CINEMATOGRAPHIQUES E ‘ag brivnion[Nomcomple “Aton [Nom compe Behl des ne Sale of camer shou PGE Hinde and eee as een og shor Fe endensenble| is Teng bo PoE He de de nse Ms sei angi plan mo fash FA, anand MS neu be Pa ‘Pan approche ail) Ms ‘neo cle Pa Ban arpach pins) cs love st cr = wy lo Tor ns ros gan Bc seen ih dap ‘Gamers movemenas pee de ure even dally FAN | petoranige borrntl Favs [puntonhe gi PAN =| punoramgue bona gauche PaN'e [uno he et Ze on rat a om was Zar om are py oom balan Te eveling aan Tin ‘cing in ar eveling aie Tr eoctng ot PL longs HAS ips sb on one lgie LAS Iowanghesbt Prk dere, persion 7H Tondo a ‘ada RID? > | sds vei aia) ge ops aS. ep dai) TaN, fonda encaind Bs dace REC ecadrage dans a REF rang CoD aL tone du champ (tog) ouofshor a cate champ reve hat rofondeur de chap espace le so en wee cceated mii — lag weit of oie oer pera