TRACK 1 ain thing I'm concerned with in my warm up is producing a good sound, vent a distant second. The first part of the warm-up is long tones, which are sim X stretching for an athlete before training or competing. These Jong tones should be Playeg an easy mezzo forte, and you should not feel strain. y The second part of the warm-up expands downward, trying to fully warm-up all esters the horn. ‘This part of the warm-up should also be played mezzo forte without strain, The third and final part of the warm-up goes from the low register to the high register, Think about the quality of your sound being even from low to high. Play the Sequence to your desired range without strain, and use the alternate fingerings indicated for the first four sequences. ‘Ihere is a slight crescendo ascending and a slight decrescendo descending =60 4 Clicks in Front (Click = d) ax's meWARM-UP PART TWO TRACK 2 d-7 4 Clicks in Front (Click = 4) mf Simile