thectrings,makingthe12-string | endon the Amajor chord shown, morecomfortablew play and to | in Fig 1B. ce the songin arange sulted > Anthony Kiedis’ vocals, In | THEPRE-CAORUS addition othe 12-sring.aciean- | A healthy handful of traditional, toned electric (alo tuned down | open-position ‘cowboy 1/2 step) makes an appearance | chords"—C. G, Am and Fmaj? n the song?s outro, (lg. 2|—are strummed in an Identical rhythm and help drive "THE INTRO AND VERSES this songs pre-chorus. Okay, 0 Frusciante kicks off "Breaking | maybe Fmaj? doesn't qualify as the Girl” with a syncopated | simple ‘comboy eierd,” but it strummingfiqure sawnedfrom | isajreat“thumb voicing” found fan A major chord in open position— played tn open pos! Frusciante favorie, tion Fig. 1A) Paying which the guitarist in 6/8 meter (six possibly nabbed beats per measute, from the opening of eighth notes receiv one of his hero's Ing the beat) tunes: David Bowie's Frusciante strictly “Space Oddity’ adheres to @ strum: ming rythm derived ‘we conus from 16th notes The arrangement of (counted: one-and, chords used in this two-aned,thnee-and, song's chorus— Am?-E7/8-C8-G/D-E7 (Fl ape = four-and, five-and, six-and). Red Hot Chili Peppers iar bel oh Sy igreer care “Breaking the Girl” Roni cctted wae cunt || nibenera tent necro n steady I6ths, striking the gui- | (A-B- C-D-E-F-G) all the way ta’ strings with the appropri- | up oF (7uafiet, Sth string). The yale Turner 1992. hefore “Breaking the Git!” | ate down/up strum that corre- tricky chord voicingsowe much was releayed a2 a single and | sponds to the specified chythm | to Frusciante’ fascination with Girl" was released as the video. (Arik Marshall, | dndicated by the italicized sy- a particular jazz icon. “The fourth single from the Red Friseiants’s temporary replace” | lables in the earlier counting | chords for the chorus came fram Hot Chili Peppers landmark ment. appears ithe “Breaking | prompo) Nodce Frusciante also | a Duke Fllington plano book,” album, RloedSugarSexMagit the Girl video) Interjects a 5th string pull-off | Frusciante explains. “I leaned [Warmer Bros), The tack. pre into the mix (on “four-and”). | like three chords of « song that pelled by guitarist John TWEGEAR AND TUNNE Once you've locked into | probabiyhassdchordsinit.and, Frusclantes 12-string textures, For this song. Frusciante tunes | Frusciante grocveallyouneed | Ttook those three chords same- demonstrated a subiler side of all six courses (each string pair | to do fs move the A triad shape | where else.” Every eight bars RFICP—a Beatlesquepophit.far on a 12-string) down 1/2 step | (thefretted notes on strings2-4) | Frusciante punctuates his cho femoved fiom the band’s funk (low to high: E>-Ab-Ds- | upthrough the th. Suh, 7th,and | ruspassage with anothor Fmaj7 fap roots. Iroatcally. john Gt») This was mest likely | 9th frets, applying the same | voicing, found at the 8th fret Frusciante left RHCP in May done to reduce the tension on | strumming rhythm. Then you'll | (Fig. 3B). 3} Fmaj7 Jon 200191 The Maguame You Can Play 107BREAKING THE GIRL ‘As Recorded by the Red Hot Chili Peppers (From the Warner Bros. Recording BLOOD SUGAR SEX MAGIK) “ihe Words and Music by Anthony Kiedis, Flea, Jobe, Frusciante and Chad Smith ‘ine ine V2 ep: Tanseribed by Adam Pesimutter 7 Verse el ——— tte ay, Ba amt as (IT 108 GUITAR ONE « www gutaronemsa.com «JUNE 2091Breaking the Girl ver the —— a ‘ae te ——<——— e i. 12 Ray. FEBreaking the Girl BH. Nb elt ee TTT] GR LTT] De Hob = S SS 4140 QumaR OWE «wane gstaronemag com «NE 2001Yoaite rp (Gi Rg 2087Breaking the Girl Tntertade th time, DS. ab Cade e ‘bac ay oes 0 Cua Outro (he 1 Ry 2 (hwy. 21 oe) Fi? o an? =m ce an, af Wen one David Bow ended up that the combined for poste Stormy M Walker so bah sri 10 show th Along wi Lonnie Na biggest tn ‘onving ites ep at Fe a axa ie care ee lent on ‘ALBERT Kaw According checked it recorded e employed Idoynerat high tran The advan many, inc