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CUSTARD PIE (=9) TAL Words and Music by dummy Page and Robert Plant Rion [A] sim. throughout {é paeeoe ze === Ooh drop down ba-by yes, ‘See me comin’ through your oe elite ee et te se == z : — = 6 S| dalgia ES _ ji aae lnm Be = cyveeenc hee pee ystet lt © 1976 Flames of Albion Musto Inc, USA Warner Chappell Music Ltd, London WLY 3FA eee: ah i we I'm not lone - ly, I fool ‘round all night long. See me com-in’ through your back. door, _ a a ie # o> SS SSS say look ike Um era ~ 2%, 1. sill now right from Taint no tran - gen Pvebeen this way be = Bly pay Chonde a or veces 1 and 2 Puron_ your night-shirt and your Your custard pie, yeah 2nd rime ‘mom-ing gown, you know-a by now I'm gon-na see it at night, when you cutit Ma-ma, ey seas iE bp Put on your night - shire custard pie, yeah. ‘ma and your morn - ing gown, Waa 1 swear Til treat her nice, (ike your cus - tard pie), Gi po os w sure gonna shake. fem on down Mama please save mea solo ‘with wab-wah or envelope follower" Get aie = tL ‘The origieal effect was achieved by filtering the guitar signal through an ARP analogue synthesize. ors cs Bs os tal DS al Coda fs Gs IA) ete Sa eee eee thing for your cus - tard THE ROVER Words and Musie by immy Page & Robert Plant ter fet noise =. = aa =a = © 1078 Flames of Albion Music Ine. Warner Chappell Musto Ltd., London WLY SFA 1 know to crip is just to fall. T used to rock ity some-times Td roll i,__ ou.2 jatoieescies pale ae $ —- ae is f: = $F = Tal ways knew wha it was for. v == ‘Therecan be no de- ny on Chord shapes combine Guitars 1 & 2 2 wwe could just join 12 fe) w In fields of plea on 1 saw the kings who ruled them ve on. v im pur-ple moon - light, on. 1 hear the rust-ed vers call, _ ee my lov-er she is fon the dark side of the globe. If-we could just join rp Sees LeU *Chord shapes combine Guitars 1 & 2 ge ve = if we could just join on 2 iar ‘You got_me rockin’ when I ough-ta be a - rollin’ dar-tin’, — ‘ ; 4 SSS = ———- 5 P= ? i Bi es i SS = ee ——=——S a —= Es aio aoe marae Fold ea rstOS! Fea Son $i ee fb ee ee eee r and 1 would dear-Iy like 10 how all the squan - der of earth-ly lun - der, will leave is the new world "*Chord shapes combine guitars 1 & 2 ae from the sham-bles of the old? If-we could just join eS x I +. = 4 if wecould just join dnands, — if we could just, if wecould 20 ‘That's all it rakes, that's all it takes,__ thav’s all it takes, that's all it takes — yeah yeah-yeah yea, yeah yeah, yeah yeah, yeah-yeah, yeah yeah, Gu yeah yeah. yeah yeah, yeah yeah, yeah yeah, that’s right. =n = epee —— a ge Sees empl BF So BE oe = 22 IN MY TIME OF DYING Words and Musio by Jimmy Page, Robert Plant, John Paul Jones & John Bonham w (Bean [Guitars double tracked ad lib. Guitars played with slide on 3rd finger throughout © 1078 Flames of Albion Musto Ine. ‘Warner Chappel! Muste Ltd., London W1Y SPA 23 pa In my time_ _of_dy-ing, want no ~ bo: to moan, dy ‘Meet me Je - sus, meetme, ‘meet me in the mid-dle of the sit, all 1 want_____ for you is ke my bo - dy if my wings should fail me Lord, ‘oh please mect me with an-oth-er T can die ca ot -ta make out, IAL + sus gotta take oot, — Jesus gon-na_ make ft my dy-in’ bed. 2 (sttime) & Se ———— (2 = 100) [ea ae |r orn or brats) oy rant f° f° = 26 ont Saint Pe ter, atthe gates of heav'n, ‘Oh! 1 did some-bo-dy some good, some-bo- let me in? = dy’s some good, oy pst or oraits fa Ee" Ea” SS ———— ee on! oh Oh! 1 See et Bee ee ee ee oieen. lea ee ee ee ES" eg" EE" ete ee et - OF i QO ait Tl qi, il Mm tin Oe ir GE Tr ati 2 2 a : ack TEL ETT we wlll - Qe QE = te £. $. eo mr Et BEE pra sls ir ros a = “(SS k re re: Salud] fe ee a 7 sill 3 eu \ il HY all dl re nH i mn ~ | a LF ae. Fe EE : | bE g a t etme be yours ev- er ry Ee ¢ + a tt SS SSS EE =I £ r Why don't you alls G0 mt Qne mM Ea a ss _ Eg EE : 6S ee _—— SS Se are be B eel i ¢ —_ i ee wage bos =e v v PS] Ee a as a = fal eee i SSS Pee v h SS jai i ——— Boar p E i p | = ES ¥ —— — 65 KASHMIR Words and Musto by Simmy Page, Robert Plant John Bonham ELELEEE) 74 —— ————— 5 = +> GLEE) = = i = = eee 7 Oh et the sun down up on___ my face, with stars w Oh pi-- lor of the storm who leaves no trace, like thoughts in = — = es ae SS = Ss 7’ ona © 1976 Flames of Albion Music Ine Warner Chappel! Music Ltd, London W1Y SFA 66 ee | space, 10 be where yel = low desert My (and) sit_with Shangri - cl + ders Ia be - neath world T will ret oa - (who) tlk of (Sure) as days for which the dusi_ it blows jee ae Ft = pop - Tae r aS Gua ne =- taf he SF Wiking grace, sil my sails.” the sea of as =. = we oe ‘ Y Fs aiaint with no pros = Pve heard could 1 but ano quite clear. of fear. 6 Guitar 2 mixed out sin'tne deny oon ye) Thobeen fate x ee i =] = 3 7 v 4 ee a ee z (eer a v 7 Po EE === —. Teint ee ain't no deny ~ ing, no Guitar 2 chythim partern sim. ad bib round, eS =e Eee I y Pel 4 @-cona aye ee ae [ei aGune sta ae == Se when seethe way you ial Ia) 78 tal Ooh. yeah, —__ ooh yeah. When I'm ooh yeah, __ When I'm fade tel iar = a Ooh my ba ~ by; ooh. my ba-by let me. take you Is) ‘Oh! Oh! Come on, come on. on et me take you there, ’ IN THE LIGHT Words and Musto by Jimmy Page, Robert Plant ‘% John Paul Jones Free dime TAD eee) (eee) Gries (eee) Ge Gt © 1076 Flames of Albion Music Inc. Warner Chappell Muste Ltd., London W1Y FA 78 ve BM — thatyou can't______ go 79. aa and you can't__ youwill find 80 ‘tempo (6 = 64) 1A) on [fei aed troughow Did you ev-er be-lieve— that Teould leave you on. 81 Yeahs yeah, T know how it feels ‘cause T have slipped 82 ve show you, what a clear view from ey-ery bend in the road, Gn on} as Twas re-lieved it will be for you as you would for me,_ 83 etme share your load, share your load. [Gay Free time [Syn edited or piar Sl echo = 6.530ma, ———— ont = @=aim) Sl [ie net reir v thatyou can’t. i ‘that you can't 85 in the Poa you will find the — road. —.. eee youwill find_______ the road, Hey! ‘Ob, oh, thewindsof change may. blow a-round 86 ‘bur that will al-ways be so. ve pain it can de-vour on 87 ve SS bur you are ne-ver a = Jone, x2] 3] 1 will share_ your love, Ge2| ors 88 Ge 2| ons} we in the light, ed for guitar Get ev-ery-bo-dyneeds the light. Get =z Sat. $e ea (Guitar 3 repeats last 4 bars to fade A cimat Fen ” fe" Ge 90. Get Gra] “Light, — ight, ight, on f= x ight, light, G2 (Ooh yeah! light, a comer wr fs |e oc omar Pint We gt 92 x2 cmt Fim? i ‘Light, — light, light, —— Light, light, light, inthe light. Gn BRON-YR-AUR 7 Musie by simmy Page Wei) fain (eL-Tel-TeT-] ee © 1976 Flames of Albion Music Inc Warner Chappel! Music Ltd., London WLY SPA 95 OO ——————————==————— DOWN BY THE SEASIDE Words and Muste by ‘Smmy Page de Robert Plant 7 Chord boxes represent Guitar 4 F if fe” s os) mom pod DE DA RED DL = © 1975 Flames of Albion Music Ino, USA Warner Chappel! Music Ltd, London W1Y SFA te = = Sa the sea - side, see the boats go sail - ing, tremolo off what the lit - de fish are 99, == 5 (The) Peo - ple turned. a - seeall the folk go— acing, rac = ing. SS) 100 Ve of to pass. the time. 101 turned __ 1a) sce stave for Electric Guitar 4 w _ a-way,— 90, faraway. [si Ga ote smal off f Ge. 102 on = + = see how they run, see how they ran, setttr SSS eee =e feedback sustains FBectric Guitars 3 and 4 repeat last 2 bars Pa pee oe tt 104 = ® v« do the twist, do you find, you re-mem - ber things that well?__ a (Electric Guitar 4) 1 wan-na fell you some folk twistin’ ev - eryday, though some-times it's aw-ful hard hnear the peo - ple— sing: Ss SSeS == oe Ber? # - : pe 106 (The) peo - ple — turned_ loud for tremolo off and she willcome back Ree tremolo on __terving 108 ve cumed eo - ple By TEN YEARS GONE . Words and Music by ‘Jimmy Page & Robert Plant owe il *Bass plays F © 1976 Flames of Albion Music Tne, Warner Chappell Musie Ltd., London W1¥ SFA 110 ===——=: SS Ss 1 a [ Mii ied wh Ecc and Star Gite = : pee ‘on the wings of may-be downy bieds of prey Kind of makes me feel some - times 12 ova " if — we did-n’thave 10 grow, for asthe ea-gle leaves the nest wwe got sofar to go. Henna = E f= Sis et ‘ba-by tha’s alight with me, — inthemidstT think of you and how it used to be, 113 ge wo. oo Soest eg E st A a ‘and real -Iy need ’em bad, 6 age the best stuffyou ever had os ution e. d Sooo ~ (gees + ber me ba + by did it feel 80 ood, al ons ——— Spree ifs os yg Ava (FB) ce ig* ote the first. time. and you knew you would, 118 nei? ‘om? ‘oma? ie wemolo FEBS ge EE ee ——— SSS See eS os —— ons BSE 2S ae SSeS =e Cow 120 Gut ba, i _ i SS Ss Te! eo afF Pe ‘now spar-kle, sen-se5 Brow 50 keen, Kind-a makes me feel some-times, dlid-n'thave_to know * —— io. wee = — SS 2 fie | = SS the nest is inour soul, Tf T ne-ver thought T's see your face = = = Ses ee wt 123, Ey i ia Oh {fade in 3rd time “Ten years e : on, ten years oe ‘enter 4th time ‘se 124 a = ‘Tenyears gone, bold = ing, tenors pone bee = ace = hs oe bem Gut = —— a —— = SASS tg es = a be 7 SF Sei ages £ _¢ f | es = ———— — i 2 £ — 7 «= = 2 repeat ad lib fe 125 NIGHT FLIGHT Words and Musie by ‘John Paul Jones, Jimmy Page Robert Plant (J =100) indo emcee Dro-ther “cross the wa-ter, he sat 1 re-ceived a mes-sage fram my Guitar through Leslie speaker ea en) *Chord names represent overall harmony Gi Soa Jaugh-ing as he wrote “the ends in ob © 1076 Flames of Albion Muste Ine, Warner Chappell Music Lt4., Lonéon W1Y SPA 126 Ea - i friends and packed my hopes in-side a match-box, ‘cause knowitstimeto Ay. Onh__ or i if a Vs = SS = SES eee). vuelta, cemce eee ees Aer set Hh zy yeah the morning light is coming, — oe . SIS SS St CLL ee er =f. ee ee 127 | 2 ee ee $ — —= = rs *Tulies show where sung Irie differs from offical Irie osaaaa Ooh yeah, 128 For my so now someshow [know Tl ne-ver— fisnish pay-in' 1 justjumped a train that ne-ver stops_ tee in-to myhand, tell me 'm the ype of man Some-one pushed a gun meet me in the morn-ing won't you meetmein the middle of _ the night, night, night, yeah. =: * ee well the morning light is com-ing, ‘ooh don't it make you wan-na kind-a feel right?_ Oh —ma-maa well T think it’s time I'm leaw ~ ing, Whoa ma-ma well it thre’ be —— § SSS SS [Ca oy ey 130 < must be time I'm go-ing, they're knock-ing down them doors, they're tryin’ a take me a - no time Jor grieo-ing ‘your vow ° eae ee a | J et tle fe epee fs = ffs. ote Please mis-ter brakeman wot ya ring. your— bell andiring it loud and clear, fireman of SS ee 7S aa 2-333 Ve - Sa no ca te fies et oy a a Please mis-er fre - man woo'tyou ring yoor bel? ‘rake-man Seed sour fae 3 7 3 * nt eee —— ee2reige ¢£ fete oe Be be como i‘ ¥ f= ee —————. ’ bet “Tal the people they. got-ta__ fly. a way from — here. 131 as : 2 opie» # ees = —— zs | (Gok) pl orevsen i gasauelee ala dering 6 as something madeher havea ve-ry, ve-ry spe-cial smile. SS a “ren 2 aa ol — * = = = —- 2 a : —— epee a ———$— oS == = peas LSS 7 132 ‘come on, come on now, ‘meet mein the morn-ing, won't ya ut lg eet ess . gt PEER EE ‘mect me in the mid-dle of the night, night a= n- n-night. Ho aS SS ee Hj Lo be Le a a et tn Cte the & tie te re ff 2 f be # Fee , SS == BLACK COUNTRY WOMAN © Words and Muste by ‘Jimmy Page &e Robert Plant © 1975 Flames of Albion Music Ine Warner Chappell Music Ltd., London WLY SFA 148 Srd time Harmonica solo whats the mat = ter here? ‘why you treat me — mean? (eo. ‘man, 149 what's the mat why you teat me You ehave wo tell me that you love me You chave to cu ci = fy me like you 3. You thave to tell me that you love me Now my ma-ma why you = ont have to eru-ei- fy me like you See ser aie { EEE eS SSE EE EEE what's ter here? You i te te mean is wror with you? — tou what's the mat — ai Get — Py S == pops a eS SSeS Ga Gra| 151 for le ee ai =———= ——t - have to make mea to-tal disgrace, id-n't have. to leave me_ with that hhave 10 say you'dal "ways be by my tide, you my have. to leave me like a tonal” diegrace, Sou n'thave to tell me youwould be my —— own, jou by, by 2 ett tet SSS — beer in my face blushing bride, beer on my face. let me go. Hey hey ma - ma, Hey— hey ma - ma, Hey hey ma ma, Heyhey ma - ma, Wwhar'sthe mat ter here? why you treat me mean? what is wrong with what is wrong with 152 tii eae 4.0h yeah yo, ‘Mandolin continues sim. ad lib, throughout ESS =a = Lay isd Guna ‘tere (Bec) Guns tees) (Bleek) Gar Ben) es SICK AGAIN Words and Music by Jimmy Page & Robert Plant © 1078 Flames of Albion Music Inc. Warner Chappell Music Ltd., London W1Y SEA 155 Siig be. tee te # te @#6¢ <> ee | foe = : See oeen ee etal anes a ae aaa re pa far set aI ata aN cr CE Ping caer ae aoe ee nee tere Phe pee eee Sw ear oes One day soon, through their -" cus Said you dug me since you thefan “of coming, out ci you're gon-na reach six of the L. A.queensy were thirteen, all the pain in leav-ing, painted Ia - dy im the ci-ty of lies how fast —youlearn the down: then yougigle as you heave a ba = by dry those sil - ver \ = Do ya know. my how you play the gume, Do ya now my name’ Oh Do you know. my name? look the know your name. look the look the a, 157 eA ay 4, (e ——— a Se ‘You know I'm the one you want ‘You know I'm the one you want Ba-by [ve gottotell youl'm babe, babe, the one you want, ooh, [racer tse time sea ; a be ae ee Ex === ————e acer is cme tthe Te, aca te, 158 me 1 must be the one you_ need. — yes 1 got tobe the one you need, and ev = ery bo dyknows T'm the one you. ou Ses He Ee i 165 en ‘ooh, ooh, yeah, yes— I'm the one you 166 ons b b a et —————— = - ooo ye oe 169 == Ree orn on. = Backing vocals double — i

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