(Ta Aran areca senuaen Ten es ce Veet agen geet mmc ‘gy tae ed pares oe pn Sen sy woes el ls SNinates andy teh cnpotn te bess Mat et Tk onietyopoahunbi e ca copy ote rikipnbe acre Rede Aprcaly ering tiny ta tn yon ifs Gaal Vahey ee 90) 8 Peon ine San piper on Nfs aga Th Worksop paper fae ALN confenes angok Thala, 180 i ‘ice Henry eb ee Sea Ra lige Femi in hd (urbana 19854 Peroni So Sts Nis Cf May 6198 "Worksop paper AL onfens ng hal 150 bin Morgan, el, Sora 1 Glo (Caden Ci, New York Ane PrewDouey 950 688 “Tiong on the sree straits athe toma Aes rom the peonal neve wet Anca Derived rom Anchana Sawanaaond’ Eaglsh sanstion of Unde oop song "Not ong 7 ’ i | j j | i } | | egg Araki Queer New Wave and the Kimberly Yutani —————$ Lo Anges maker Greg Araki entiation in whats een comenieml dud the" Quser New Wave" Fil festivals in 1992 have been Sanita by = group of gays including Arak The Living Br These ‘iw aresomeo! the hippest of ndependet fms providing rex, dstine: {ian challenging points of view and aesthetics tinguished by con ‘entonaliy, They proven to be markeable—t the point of being sereencd ‘emulcinelenes However he ls ecevig the press and funds are forthe thot part oy an epeesent hte als exuding Tsbian and gay of colon, th sian in gone ‘Gregg Ares ls came to my tention a the American Fm Inte {At fim festival with the description of hs secon im, long wekend (despair) (1989)%2 minimal gyfiserual pospunk atheist the smugcomplacency of rgresive Holywood tripe lke The Big Ci! Then PBS tied his ist featur, he bordered people in he righ (1987 which found cul self-dsorbed dk morous, and entertaining oth fms were made ‘hss.o0 budget with Arai doing everything nacing, directing, shoot inp eting These ray gran, blck-and-wbite lms set an example for what5 Dec Gog A hora independent cinema strives for ort east should) —andrepeesent thew ‘sented the maisteam Hellywood movies Arai isto admit hath Fins ome roan ark eon place and makes no qualms abo seating subculture of generation f twenty sh characters define ote ‘hat msithe ent than anything ele, His carters ar predomi rts pesbin/bisexaa ented, nd lle with "post-modern ans ‘he il ho wander through an ei glamorous and inhabited nigh Los Angsles (Arak xchews location permits) of min-mal, parking sac ‘ures ard darkened apartments ‘More reseny Aras ln The Living End, corporates al ofthe res anger, quikinss, and despair of his previous sto create cl, bg bbedgeted moc hat challenges the "couple n-the-un oad movie gety -svingtwo gy HIV postive lovers a te protgonis andhases ck at san ‘ofthe more"eriland oppressive” ember of soit (gy bashers payer Insel, and videotape Tshirts: poles Bash) and has lo ethan slong the way: The Living fulso has recived both independent and mis sream tention daring the pas year amit the Queer New Wave, Inded, calling the group exceedingly popula and succes ls mae ‘byand representing gaye and lesbian a" Queer New Waves controveis Although poste feback city and incall proves acer lsc an sudience such abel ae simply convenient and pigeonhole and ith ‘work and filmmakers ovclooknghe fat that lesbians ad gays bane ahs ‘made movies Most conciely B.Raby Rich xplaine ‘ema, te new gel nd ie seal he same don ae 4 Sine ses oalry or eat occ. tthe ae nono ied tytcimn ye Cali Hamo Pon there areas inal hemo pro tn a pastiche ion. wl a eon of history with cil con Suton ery machin ind, Deitel breaking wi ober oman spree he lin ad apes tht accompanied Key ple, these ureter eget rae mia end exes. Above al ‘eye pleare! ‘With, by Christopher Mane Tom Kalin, and Dre arn come tomnind These ims "out the pst nd yrs history: Kalin Soon (982) another depiction, along with Hiteheock’s Rope (1948) and Fence’ Cimpason 1939) the mrdres Leopold and Loch-—yt this time they sec epiciy lovers Munch The Hours and Times (1991) oaks on 008 ‘nbjes [ohn Lennon and Bete? manager Bran Epstein ther weekend ip fe Baredona and eaplores the extent ofthe elationship between the men ‘Whe Kalin and Muh are relatively ne names to te “ques film sene Devel aman sa pioneer of sors with is ms Sebastian (1875), Jobe (0977), gli Comersation (198) and The Last of Eland (197). Hs ost sect dad (1991), goes bakin history to out Chisiopher Marlowe, Marlowe’ play and a king and examines omophobia and misogyy— ‘within arate that combine the evo piece eth the contemporary rad ia pa acon of Britains Outage “When acusing the Quer New Wve of th 90s the ig winners ofthe 1991 ondanc im Festal connote oveooked Tod Hayne Pion (1991) and Jennie Lvigstons documentary Fr suring (190) ae groundbreaking teks Noon da they rea definite iene for gy fms Hayes Gene Fnpied Po ook ssn creating a noinear naratetonerveave tree {ua er Haro mo} into one fim, o ake an idiosyncratic et coer ent work also rete controversial (and ticket eli) stir wth he NEA At {hesame ime Livingston winning documentary of New York Cy drag balls ‘exringinek and Latino gi men exposes marginalized group within mar ‘alae group. Meanwhile Gus Van Sant—whose My Own Private Maho {1991 wst wo ten actor(Keane Reeves and River Phen) to explore the word Porand set haters experimenting with arate by sipping Sukespest’s Henry Vito is grit nad sensve work. orth mos part the Quer New We as been dominated by white mals asboth art and sujet and Greg Araki The ing Ends commonly incl in mass medi. Arai efns hse "a gy Asan Ameria and“t ‘Be-carying (albeit contol) member of wo, count em, twa, oppresed” Sualtural groups During the summer of 1982, when Arak emblazoned na Weyer (August 21-27, 192) athe geil gods a end ofrine emarke,.He's beautify doesst have Asian characteris films” Indeed his lacking of non hiss isa point deems i ‘worersia purtculry inthe Asian Ameriean community So ara iss hav ony featured white characters. The absence of characters of ors thre ms make it dificult to discus iss inany comet of ni Ye looking at his ims and judging fom what besa, for Araki etic ccessriyan sue I poke to him about this point to which he eon "Tv alays wanted to ave an Asian charter in my lms bu it justo own to wh the ert actor [ean think shold choose the bet er efor jade ethniity White inthe pst he was working under extent Timid budgets, his nore substantially onded upcoming, Tl Fed Ups his"gay Jahn Hughes movie directed by Godard features multesc (Catino half fanAmerian, Pein, andl ye Aan ast of ens Su film might appease some of his erst ths ation ofelor—eris hispilosophy "acceptable" Araki says of Tay Fe Upy"Te pas ‘ot writen in any or of ethnic way: Their thnicty was completly int ‘changeable The etic ofthe characters was ike wardrobe, semi ‘Agin 2 in al fhe lms the relationships are bound not y ei by the intrest and sexuality of Americanized, “integrate.” characte maker Rody Bogsoa aks similar stance and questions expectatios frm him tan Asian American and iaker"Why should the work ie «used terms of my race?” Few Asan American iamaers gay stag) ae dacusing gy | ‘bia sues in an Asan contest with pehops the exception of Richard Fang and ew hers incidentally, Fang piece i Moving the image secon ‘mended red regung the mut excsieness of" and“Asan wo In addition, theese t hand are completed. Pang rear, "Many Asin ‘or gay and lesbian tapes and filme are sl guided by notions of "posite imagen” Within 2 marginalized group theres concern ao ha ei ‘being porteayed i spect 10"the bigger picture” What distinguishes he new que fins from she TV movie ofthe week, the de opti “correc” rposiv images” My Ov Prt dao was critic fer is raeoleptic er shart, Swor boly ache the ay murderers eopl ‘nd Loe, while Te Living Bsr bile san responsible move freggarsk” Arabs HIV-positive lovers are distracted by peachy mori, Tot are guided bya carpe dem philosophy in thee nilsson whee ‘hey wild gas, extinguis hr enemies hit the road and ave uns so Inshor. what occurtings a unselconscous group of fmmakrs uking saratve ued formal ris and creating complet character. ‘While mos ofthe eritcsm of the Quer New Wave concerns the absent of women agnod del af itis of The Living End core from hee seatation of women. The Living Bd the women ae inconsequential. The _otagonists ae onthe run fom the ain an opposites attra Fos fo ere im made py fon (Craig Gilmore) acute, uptight Hm rte while Tne toks and ats ikea quer rat boy but sa ikea, complete romantic. “he itching Lake (Mike Dy) has run-in with wo kl esians Teme subject since the Baie tinct uproar). The women are minor, Saocuous, campy caricters and simpy ad tothe over-the-top tone af the ‘ost cy if thatthe profagnists xp. The lesbian characters (Fea and Dai played by performance ait Joann Went and ex- Warhol ates Mary \Woronoy) ae sousing.nelficient killers who function more as ages to ‘ice lesbians who steeotypeally listen to fk music—"Don't these senchsfien to anything besides dang and Michele Shocked” ke won Ui Hoeven what does deserve ci isthe character of Date played by Dany Marta who sated in Arak three beeMdered people: Darcy serve 3 thc tint fag hag—sesan ast heel Gustrate) as an inet yin ‘sf cnfdant who tens to his problems, worries about him tothe pint {bathe mites drupe watsfor scl ole) clans up matters for tim wil he’ being irresponsible. Perapsits a attempt to echo the re tcp in these bewildered peopl between the staight woman (Alicia) snd [avi the ay male, but where handed es skilful In the lowe ingle ‘ewes alc, Davids and Crag-—Alciar eset tothe rarrtve (and even tasequl share in complied orsplaine satus) heres in The Living du Dace’ presen srptive an intone othe main eal” tory af the boyon the rad ‘Not ni sthe representation of aia and women in gener aking, but lean maker are onspcuoslabseat fom the queer cinem move ‘ment Lesan filmmakers ave Ben subject ited funding hence contin [Path wor to videoahough inf eghten yar ok Sale Bening hak ‘ane inf aot wither veny-dllarudgetd sel subject videos thot with Fisher Price Pinelision camera. weve acconding 1 Chery Shs hardy surpising, ners economics alone, hat ore queer ‘Tome ae working in phoogs4py than ln oF wide. In the New Quest ‘ire ksianare drowning” Apparent thre ar esa lakers the Hs etl cct (working veo creating short films, documentaries) but they ate vastly overshadowed bythe men who are making the feature \enath arrative ms that tact he aenton of bot funding at pes th lake Prt Parmar dacumentaries Pla of Rage 00 ‘Gull qucer bu “queer positive enn eaturing Angela Davis Alice ‘ale. an Tein T Mina) and Ras are impressive works bt aes Ahm mentioned alongside the works of Araki Kalin Haynes Parmar echoes Smyth's sentiments and adds; "hese festivals ae pro= rammed predominantly by white gay men and women, who prose thir bem constituencies, father marginalizing queers of clot” Parmar basana Hae Arca ees point, but that sot tay flrs of clo (although mos male ae not getingattonton inthe Queer New Wve. Marion Rigg Tongues Untied fecturing he sensual poetry of Escx Hemphill and faking unabasbo ‘black mes loving Hack men caused a tr when PBS aired he lin it "PON sais sa Julien from Britain, whose Pasion of Remembrance 15%) nd Looking or Langston (1989) now seem ke gays? made Yun Sex eles (1991), which aks om a itrraci eltonsipbetwsen aps nd a oul boy and rail and homophobic violencia London during the Quen Sve Jubilee in 197. Atthe same time alee is Hanif Keri’ {ils Me (1982), which i Kueish’sdectng debut, chose vo explores lifeand drugs rather than his‘experise of sexual polis and ail suse hisprevious sereensrtngs My Bend Lande 988) and Samy ad Rosie Get Laid (198) ‘The absence sbi makes and representation witin quer ie dla nd gay of color is problematic and dnb replies be rmainsteam inasense Although gender and aca neqaliy ests in whats s.cxting movement of progress, optimistically the quer feng mae ae centng the space for lesbians and lsblans and gas of color, The gat Fins ae unconventional isk aking and thought provoking allo thet acteristics that have consent seen in Gregg Arak work—anddesever Permanent space in a independent en foram. Araki upeoring Tuy Ped Ups definitly something look for ard etring hal Vemarse actor Jimmy Duval, whom he bosts is his new superstar my oe Dallesnde). And perhaps the superficial "Qucer Cine label willbe het ith the aforementioned Chris Munch, Jennie Livingston, Tedd Haynes mal ingfims sansa themes Arai ads hats fh hs*right" fm promis tobehi mat offensive nd shocking reesuring hat his dea permanent fiaturein independent cinema otee 1 BR RA Qe Snatn” Th Vilage 24 Mach 19824. 2 Gregg Arh Moving he mage: independant sion Pac Americ Mei (tongs Aan Americ tun Cente UCLA apd Vinal Communi, 91.08 arene Cs, "Profile ad Posts? BOMB Fl 1992):27. dy Bama Anotho) Rfaion on Race? Mong he mag 29 (Chery Soh" Feme tS and Sond (Seber 198239. Pri Pra."Qusr Questions Sight Sud Spee 192) 35. _ looking for My Penis | The Eroticized Asian in Gay Video Porn | Richard Fung | Seren het t crainethe ato bees pesmi nd han || erin tear om gne-bl colton Penpeiv 1 ths ne | ot ay ofa erence el esa oc hat Ovo wie > |Meat ainda reese bing common sowed allo | sone ecygy seni Racing We fond he smelter od | on pamete production (yeti biting een per 10: Mongo |) Ghai ep 6h etre uence pears. arlene | drlopmental prea age a fist itrcouse, ag at st pregnancy, mamber of | reps pay sel hres (ef erg te a a j | j j | ey ss characteris ate ce macy, ut, eas) an Toon behavior periy of ral respons prt of Mestory fom nset of puberty. wl ain androgen eel and el tad! ‘This posage fom the Jura of Reseach Personality was writen by ‘Universo Western Onto pctologt Ppp Rashon, who enjoy con sera conroseryn Canadian academic circles andin the popular mei. isthe riculstdthroughoot his work, appropriates bolgial sts ‘continuum of reproductive rates of oysters troup chimpanzees and ost that gre of “sent” interpreted as penis and vagina sie fe {eency finer buttock and ip recotlts pote thei nultyand sociopathic behsvio and inversely with intligence, health, and Iongevity. Rushton ss ae athe dstermining factor and ples Est Asians [Rushton uses the wond Oriel on ne nd ofthe spectrum and bles on ‘he tbe Since whites al agua in he mide the postion of perfec ba cs, theres no neo for analysand they remain ree of seri ‘Notwithstanding profound seni hortnmigs, Ruston’ work eves sam exellent articulation ofa dominant discourse on race and sexuality in Western society ptem of dens and reciprocal practic tht originated in Europe simultaneous) with ome argue as conscious jutifation fr) obowa yet on tg Set cub armna tenet Saly en me Sin ren toe name a t Sieg gs tthe eta a Span te Ye Se deeloes sae a si imac eras mor cy he Th ea Gr erie eee meso Sameer mine wore in ete ante ieonertsh mae ou ema inna wearers rr nba oe rebar cinema aeremaatemne er sr tn ae eal vs tia ei enn Sra orton eanes ena eeheechepacs arc eyecare aban Sep uae se ee ae cero at a ier east tere re so tae er ora at cot on ie emer un Kop Tes Ta Bi Grematans 219863 r {Sean etn, eal ope he i Fh Mee Janeen Stine Freeh’ ms re bed y Ela Leper et Mae Meu nd emma Maen Rie ek Soc men nthe pane "Doe Radel Conse Dot Ral oa Fics rns eping 1989-90 2-23 Te rnngoi irae Newnan re Serene AUS (Mn tomas Si rca ORI I ac freee dons ho wore wth me i | Gieriendl ine Cornat Nees on the Files of Gregg Aral |sanAmercun films have been eyped as being about socially progressive ‘san American subject matter. Most gay fe ae narative love stories rmormen or two women fll n Tove with results chat are either happy oF happy. Gregg Araki is an Asian-American who does not make Asian erica is: Hei a gay Slmmaker whose fils do sot configure solely "yaks young, Los Angeles-based flmmaker whose fs ovo festre fins Three Bewildered People nthe Night (1987) and The Long Weekend ‘0 Desai) (1989) ae highly unusual They are areal no ust Because leo iA Ome Maa, Gov rk Howland Cin Usk nen Te Seve Mai the Ng, Greg rset a ton Va Nee ler, on awean Donal he arg We ei (O apse), Grae Male tis budge are extremely ow, bt bea his proach asain hat eon ected and produced thee narave etre we als aig 1S cameraman ee sound resend, and er on bork pokes. ki was bom in Soutien Califia 1959, He eceed is BA. in sum sds rom the Unters of Car, Sant Barbar, 1982 a EMEA. in fle production fom she Univesity of Souther Californian 1985; Gen his beckpround and custion, Aras choice vo purse dr ‘hate Hmaking ems pl. Whats Araki apa weet Bs ‘Rha to sat he expectation astocited wih such a endeavor. Mow of the Asiap-Aesican moda produced in Southern Calfornia de at and oll sues petite Ash Amercan communi, rena the maker’ personal Asam-Ametca hes, n coerce ems ‘Sacre ime documentaries about Aage Bland or the interment Simp imeviews with pars and grandparen, or Gon natrates SEEM wih th immigzant expen When ated i chook As ‘Kran re enous o mone nha eon “Anche pene b applied sv well the prewar wo adhere 19 meen pier incur anda Marat making res nthe le mode of Finmsting praier, and mow sandents tend such schools i order © tome point inhi mode of commer prod. Ate Hwa ped by iste en att eat the kd of turns pucny fred lyrood. Nee patti fom he fim roan sous a Sr nat oung finales bet ened nthe ape rst apuent seams conn, ‘Soa cing ad paid comer "al the nth fa Po lea cnc he pocoteal pref or gs yoda, ose odencmbroeln enc ifr ng emote Bead rope Night po 1a fae fay Ure of young woman nova ssa, rej whe seen san coed abut ht serait sd TEL tent oy ml pesos To coe hc pl Sopatoowent eee ers te mal donee rps sy ot Wake ’m te eh peeve on ere bming oe tits wh young won rene Kos gh of cg, ke Sree dors kd bod singin etn ot he low ic eanee payor ins somo cscs eh ch ‘Roacerscelaad ne eer ame bras lo ee ‘Sisaounde fee del fempy pseu oval he nd, SCholend appears of te eae staring hoe ad peaking toi plead wie en igh og eke toward where Secu lp be peo ge gh Sv so Bra shranen ai blac, ea hen caged i dloge ih ‘Sat cyte non equa te re ees in The Hawa! Rp me Night ses eee ound he ant o he asorhp which dees tee ome see ‘elonens of sen a sd Sete scion wich acy Scuiare seers bane by te poly of elie Iowan oats rion. eke Beto Motiv the Nghe te dan ns ove tor hich is Sia expos br never nus econ Te lee ‘Eee ol eprom af uareve die sed pay oh ce aay fling Sone nih hale essa deste Frases xen homee te owe Sin at ote me ay theses fn tow thes of marae mover ae wd Ie The Lang Weekend (O"Dspr)Aak ups he ane by kipying satis beeen charac Ths in populated byte cous tromei trom td ool ah whe pers wed se, Tower ened nba f vce demands ge nas opt hanna won and he tno of mate dopacemert Tih ocd Thee Bed Ppl cone pte ith iSui, the evo works ate similar in many respects. Like Three Bewlded People, The Long Weekend isnot easy t0 watch. Again, Araki drat hs raveative by presenting scenarios of attenuated inactivity, while che ane ‘asked tocndure minate-by minute reports ofthe angst afictng the vais Characters. Overtime, however these moments become emblematic of Scare for genuine cootact with the realy of presently Los Angels the later lim there is more comact than occurred in Three Bevel People, with more scenes where the characters crowd ino the same sp, foamed together in the eramped surroundings of small apartments an {Eahvonable elabs which make up bohemian L-A. Sil the sense of solaon prevalont in Arak eater fl persists, because these character, 00, Tooke one another inthe ey. "Most low-budget feature lms attempt to recreate the illusions ofl «common to cornmeal cinema, bur with smaller budgets. Not Araki, Recor fising hat his moves ae not commercial, he allows for intentional spss oughess inorder to emphasing the qualities oft, contrast, and die ‘on thst underscore his characteristic portrayal of 2 generation adi Hs narratives do not flow. Rather, they proceed through elipss,blokags, mpi, devices wich break the coninulty 0 alow for breathing. The re notable silanes beween this aspect of Arak’s method and ear ‘Boca pretedents, Aras use of temporal extension to invoke an aa fies of the conditions ofthe fmmaking practice was one ofthe stags {Employed by Andy Wathol in a lm such 2s Blow Job (1963), where War es he metaphor of sexual consummation to define narrative contin [tv easngly,outie the lrame, In many respecs, Araki tries 0 poston ‘BoA in tht arena etching tite to reveal the seams in the work. Like ‘Warhol he wants to remind the viewer af the Fae of he film, provoking ilasion and then holding that lason up to seraiay. Although Ara Sis {Tstend ime, however they do no exhibit Warhols increta ses fre {Hine ad spacial continsty. lated, Araki ews to narrative conta Sipnigcane depart from the simple sequential order tha character ‘Warhols flim work before Chelsea Girls (1966) ‘Vinually, Arak fm are immediatly aeesing, with a composon! boldness hat is always encing, Heis tracted to the quality of ight win ‘he ariicaly lit urhan landscapebuildings and streets pierced by he Sharpness of neon lights, Shooting wih black-and-white, 16mm Tr soc, ‘Gh can record photographic images in very low light, Araki sve Vien of location in and around Los Angeles, wandering the streets a i to render compositions that reveal the particular arcitectraldsonanct {harcty, whit mismatehed styles an insistent decorative touches, Aas [mage often have the quality of charcoal smudges, withthe fn’ gains ‘hut shades grey and black to bled ogee In contrast, the ryt sa rk exalishe though edtng are en chpprs empasrng cord aaa a and cng Sncomfore he cra oo HRBSS aethan on ng jurston eves int naa neion ‘ton brs ous eso a ny cape As een sas ae ont trough nerpeion: Fr exp would Be sas of i ors re seu ei he ms can Berea 2 in Ps dnwnledpment ofthe vay of Romans in ca ao nol be caso cam that the dlocation of deste ea ee Stam hi ls can be ented inde the ‘ah motte hugh te inguin of race Ame se. an ore pcaphor for soil condos emp but hat Tog Ail ed since ert hse works according ea peli pede dre the tendency ward aus aa se ecely ego tat accounts for much of ame CT eons ie an neath prospec of auc fear dus ey plvare ale provides 3 fon ene gua the sane mea sobs warns oft St please which econo. Sa ay Aral ao watt provoke sl consciousess ea ee temo, Elngsting dramatic tine he esa hat inet Sinn, tee a sen cotwos decison ihe compas umatcconverions in ode fo prone the 2 rena of the masons of whats of he Sen Tee aeprand Hull and Fassbinder, who all sed formal Ue Godan cto engender sch eltcossousne, Aa emains ac grins of and etaers to naatineconeention ‘pele ou Bu covnatne bin depicon of usted sie. Baan eis should be comes = fall member of he conte ee care fmmakes. AS a one-man production aa yeh naeen be prowess slo ost ee ere ming wth are i work rated tha of se nab aS Fic, Peay Awe 2 Gus Van Se Tol ayes oo maker worn nh tonal ue mat aaah Roddy Boge, Tah Tir aon Most wks ane rasan, booby the ambinain a re Geeg Ars han aeady rove esl 0 be A a ae popes tht he wil develop ito an arts of concinal ‘stonSeer gac eee rce ae nee aeeiee amameeeae HARD CORE INDEPENDENT Interview with Greg Acaki ‘ane Siar at prt on Be se wi Te Line Ed, ts move ender Asan Amerca ioe £3 fete youd sen fa nt mi 1980, gp: on my “Dia” ee te ogra { Betcn ey. rm e es rogh ser ort tan to veal. be But you det sen ey mnt Theyre al So teas rupee tn og nes, out tne vite y realy us mor test ‘outa Cato 9 tra mais me, esr peeton, thd gore. The Pn So new dots or Souten Callin igo ier jour iol te utes med, teats eto en fre dou tink nasa of Seaton Cara? ‘thas to wth Son Caioa tow socks hl ma Rane Be on fy, a Deri you tka mae tye ait We a oe in igven age sn ptr atime tn, [Sth Annee oraz puss ne ba 110. al eps wt efi |e tao 2 i ‘se Waarty tpeon fl, nthe dean pg ae fn ao tegen psn Pl ost eas Se my aac yoy ia sy Yn © py An Hae {tulthais my move. hol am ard lat am oe a ‘ate way et eat gree yank Bea fms, uve seat aca er oe pode ecto ‘tothe al eater orate eoitanes seinen al ae nal Ogee cee Tov amon cease ret restores sna, oe fd gat ora no Fomor Me er a at om tro aramy y tanger omy ow tare iste sere Fe PU ene rat ry my eo pe a pep Fa eel Setar ns hen he wen me You fos te punk yw an ls? 1 ceftalyts.Te wi OM psy etn i tye {he ae oct that os at have he ote eh ‘ain, tou beams nga ely ard Feet et en wr uae a to yl ents poxtputk wate empty ae "cto tom dare arom targa acne oy me fat reason cueg ont ang Eee age maar ‘Sc Ary matt bs ae ny We of Dy Tht dost mae he ay rman Fey at or Te Bate 896, ras Ber sg teres to qasten De wea at zy aw ‘as me rep. 0 ¢ you ts arog a os Resnik fewer ma ere as fw oe hr en iy 2 en ‘iene Hee Sh derma ‘Tho meta mas cute hi Sncnos mene The a ‘ays woo ort oe re bee Tran or Kea Sty ty ae ety seth Tyree as ay es twa pt we he fs ca of redo mae td ey Beremeren Aaa at uate trata un Irina dat rating ah eu Greta et we a hegre rf i ee ‘ints arg rw tn rei ane tbe Wana ke Ss a erase thine ine et re hance es tre saphena Coughing tard orm caret st Ftc cw wre Te Lig Ea ca Pa ene SE Sane tt ee ow Shiy eat uncer whe Te cig Bot a ce rs py. gt om ch sat oy thik en ars he Ly Lis sys i cates by sk oe sa he "Sian re amar We co ve 3m See ie ess ba ats wy use Sellinet base vs ee ye, Boks 2 estan os weeps, yu cy Setar tit rete a ccs ye 2 ee Saye eee hat ‘E.Sun, ew fn ect 2 eaton peso ey soe sor ae ‘ec Crohn Tiger, en Dragan ones a ts Suc Tt, ey ong ora te Wd {etre emt te cn Cae at‘2 aston te ween of what putt, Stew sac emer aee, ects nse ean Ce as Syria om ‘ntcarpanes a ast es: nd seco $50.00 re They ae a gw ao, etn i ae ts saa Teiigerae nase snare 22s ott wa ayer aaa iia th ono one Tat mf ces ate bon ice Crouching Tier, Hen a So ra ete ay of a wh 2 ot ‘oundares Yul od in gay cute, wee thing about Wet gin at hey epee av nom aster acne