Te Amaré - Llajtaymanta-Partitura - y - Partes

Violin II Te Amaré
Llajtaymanta
           
Arr. Klauss Kelcher

             
 = 83
    


                         
8
                               
15
            
            
22 
      

             
                             
29
     
    
                               
36
 espress.

        
            
     
44
 dim.
   
                       
  
52
  
   
(dim.)
        
               
 
60 To Coda
     

                    
68 D.S.
 
Copyright © 2023 by K.Kelcher. All rights reserved.
   
2
                           
76
     
               
           
83
 
          
         
     
92
Violin I Te Amaré
 = 83       
Llajtaymanta
Arr. Klauss Kelcher
                             


    
          
8
                               
16
                    

22 
               

29
                          
36
 espress.
                           
 
43
dim.
                   
    
51
      
(dim.)
                        
58 To Coda
 
             

         
65 D.S.

                       
2

72

                       
79
      
                        
86
 

       
   
93
Te Amaré
 = 83       
Llajtaymanta
 
Arr. Klauss Kelcher
      
Violin I      

       
Violin II        
  

   
Viola          

       
   

Violoncello

  
    
           
7

       
         

 
   
 
   

   
   

13 
                        

          
           
   
  
18  
2
                         


               
     

                     
   
   
24 
          
   


   
             
 
 
           
                    
   

           
   
     

30     
              
            
 
          
                
  
             

                    
    
       
 
 
   
   
    

       
36 
3
           
    
 
   
      
                 
   
                          
  
     
         
         
  
41               
        
 
 espress.
     
          
    

     
        
          
espress.

    
          
espress.
    
espress.
49     
                          
    
               
dim.
   
      
        
dim.

     
dim.
    
dim.
55  
4
                  
  
  
           
     
   
   
                    
    
          
  
         
    
   

61        
             
To Coda
 
     
        
     
 
             


           
  
67                      


   
D.S.
             
         
  
    
      

     
   

74 
                      
   
             
 
 
         

      
     
81   
5
              
      

     
          
    
    
      
               

      
 
              
  
87         
             

       
           
    
 
 
                     

 
      
            
     
 

    
   
94
         
      
 
   
   
  
  
 
Viola Te Amaré
Llajtaymanta
 
Arr. Klauss Kelcher
    
  
 = 83
        

                

11
                 
     


19
          
                                        
   
27

      
                                  
   
33
  
                             
 
39

   
espress.
                  

47
dim.
         
                          
To Coda

56
    
   

          
63 D.S.
           
     

73

    
                                 
2
 
83
 
         
   
90

Violoncello Te Amaré
Llajtaymanta
   
Arr. Klauss Kelcher
   
 = 83
   
  

       
    
12
     

              
 
 
 
       
24
  

                          
           
     
33

             
   
  
   
41
           
espress. dim.
           
      
 
51

  ToCoda
(dim.)
          
   
D.S.

60
       

    
    
70

            
                     
 
81


             

 
89
 

Te Amaré - Llajtaymanta-Partitura - y - Partes

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Te Amaré - Llajtaymanta-Partitura - y - Partes

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Violin II Te Amaré

                    

               

           

67                      

                

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