PER CANTARE E SONARE = I LPM 501 LONDON PRO MUSICA EDITIONBATTAGLIA Prima parte della Battagl Andrea Gabrieli Srl. canto i= Sen - to, sen - funru-mor, sen = Yun ru = mor, chat SETTIMA PARTE Sn = ty sen = un ra - mor, chat Gad. ALTO F Sen - to, sen - fun rumor, sen - tun ru-mor — ch’al 4 z aunsro Yon mor, sen = tun Fa tor cal cele - onrava | Tne L * Sen - to, sen - fun ru-mor ch’al ciel uxt PeNORE on er mar eva Wreeto cen = tun omer son tn fu mor Basso sen- fun rumor ch’al ciel sie - stol tur-ba Ta tur-ba Ta = stol = le E tur-ba la - ia, fe tur-ba Ya - ria e (© 1992 London Pro Musca Edition. All rights of performance and reproduction reserved, LPMS01Que-st@'Ine-mi-co Que-stIne-mi-co Gue- Pet ne mi-€o Que-st'#'Ine- mi-eo t t ue st'@"INe-mi-co no - stro, fremarla ter = = fa; Que-st'#ne-mi-co no - stro, Que-st@"Ine-mi-co fa tre-mar h ter ra; Que-st'®l ne-mi-co no - stro, le, le, Ch'ad hor ne chia - Chvad horne chia -ma,ch’ad s no - stro, le, Chrad hor ne chia - Chad hor ne in - vidoe fol - = = Chvad hor ne chia ~7, Chad hor ne chia - maa san - guieno-saguer Wad hor ne chia = ma a san-guino-sa ger = a, a san-gui - hor ne chia - maa san - gui-no-sa_guer- ra, san = gui-no-sa guer san- guisno = sa guer Thor ne chia = ma ‘2 san = gui-no + sa chia - ma a sin = gui-no-sa guer - fa, a san - guino-sa guer Chad hor ne chia = ma a san = guino - saguer - ra, a san - gui- ma a san guieno-sa guer - ra, san = guino = hor ne chia = guer- ra, chad hor ne hor ne chia - ead hor ne chia - ma, ch’adhor ne chia aa san gui-no- sa guer - chad hor ne chia - ma = guer = fa, chad hor ne chia - ma a san = gui-san - guicno- sa guer san = guieno- sa guer - ra, san-gui-no-saguer san gui-no - sa guer a san - gui-no- sa guer - no-sa guer = ra san = gui-no - sa ‘guer sear ~ renpia-noel col pia - noel col pa mete ei mu-tiatter campi eimu-riat-ter—- rei mu-fiat- ter» ra,Allar all” ar-meall'ar - meall’ ar-meall’ all’ ar-meall'ar - me,all’ murigtter - ra, ej munigtter - 1a, Al ar eimucriatter - = rei mu-dat-ter = ma. ei mu-riatter = 1a Ale ar = me, i musiatier - ra | AM ar = me,all’ ar = me, all’ armeallfar - ei mu-riatier - rame, all’ ar-meall’ ar All” ar-meall’ar (0 = gnuenoall’ar-me gti = gnu-ngall’ ar-me grt - di, all! o- gru-noall a = ORT i e-prurreaiPar o- gnu-ngall ar 0 gnu-noall’ ar- me gri S |, o-gnu.- nol!” ar ar-me gti gi - Gi 0 gnu-noall'ar : o-gnt noall'ar ~~ 0 gnu-noalll’ar Al ar-meall'ar-meall’ ar - 0- gnunoall’ar - me 2 versa Ho sfi = Varme gri - di; Bil tambur chioc- chi, ei ~—tamburchioc— - . Si di, e Ta- vers El tamburchioc- chi, ¢ Va = versa-rio sli - di, ei tam-bur tam-bur chioc chi, Ej tamburchioc - chi, = Vas versa - rio sfi - di, e Va-ver-sa-rio Eid tamburchioc - chi, © Ta-versa-tio sfi - di, tam-bur chioc chi,Va = versa-tio sfi tay tam - bur chioe = chi, e = ch timid che == = Fo si = chioc - chi, fl tambur- chioc - chi, ¢ Ta - versa-rio si = = di, these fy eh umeke dics di © Ya ~ renee Ya - versa-rio sfi dite db dite db dite dette dette dite die: db si = Dibtedd debe cb eatin deb etic dette dette dette datte dob deb be dob dotbe dob dotte deb dobbe dotbe dabbe dotbe dobbe dob.‘Seconda parte della Battaglia AL- la bat-ta bat- ta Ve- ni-te for-ti ca -va-lie ~ ti, for-ti ca-va-lie Ve~ ni-te for-tica-va-tie Ve-ni-te nite tutti Ve- nite tutti for-ti ca-va-lie Ve~ nis te tut-ti for-ti ca-va- lie Bateta = gliao for- ti cava lis bat-ta = gliao for- ti ca - va-lie bat-ta - glia.o for-ti ca-va-lie we gine tear - di-ta-men - te: tear ~ di-ta-men - te, ar - a wai me-coar-di+tamen - tear - di-tumen = te, ar - me-coar - di ta- men ar. di-tamen - te, me-coardi - ta men - te, ar-di-ta-men - te, mme-cogr- di-tasmen = te,au-da-cie fie clave fie au-da-ce fie - Hi au - da- cig fle ~ - - t wu-dade fe = Do = mim col10 Yor - go-lio - sa Tor - go- Yor - go-glio-sa Yor - go-glio-sa men = te fer = 0 Vor - go-glio-s1 men - te, men "= = te Tor=foctosa omen te, Tors go-glioss men = tS men = te, Su, trom. fer - 10 Vor go-gli men = te, Vor - ‘go-glio-sa men - te. Su, trom - bet - te, suo-na - te, su, trom - bet - te, suo-na - te! fet suo - na - te! Su, trom - bet» te,suo-na - te, su, trom - bet - te, suo-na - te! Su, trom - bet - te, suo - ma - te, su trom = bet ~ te, suo - na - te! trombet - te, suo-ma te, su, trom-bet - te,suo-na - te, slo - nae te! su, trombet = te, suena - te, ‘suo = na - te! trom = bet - te suo-na - te! suo - na te! = testo-na = te su, trom ~ bet - te,suona - te!fa ri fa ri ra ron fan fan fan fon fan fa fri rari rari nna rica fon fa ri ra ron fan fan fan fan fan fa ti fa cirri ra ci ra riora tira fri feria ron fan fn fon fn fn fair MA whan adm fai fa ri ra ron fan fan fan fan fan fa ri fa ri rari ari rari ari ra fan fa fini ron fan fan fan fan fan fa iri tari rac rari rari ra fonfari rari ra ron fari rari ra ron fan fan fan ri eri ra ron fara ra ron fan fan fon fan fan fa rari fan fa ri rari ra ron fa fi rari ra ron fan fan fan fan fan fa ri ra ti fan. ra ron fai rari ra ron fare fa ron ferifari ra ron fa ri rari ra ron fa fi mari ra ron fan fan fan fan fan fari rai fan. fan fai rari ra ron ait Talat ow 705, E voi, guer- E voi, guerstie - E voi guer-rie = fan fon fan fan fa fi rari E voi.guer-rie - H, fan fan fan fan fa a E voi, guer-rie E voi, guerre — ri, fan fan fan fan fa ri rath E voi, guer tie - on, fe - ri fan fan fan fan fan fa ri ra si fan.voi, guer-rie = voi, guer-rie - voi, guer-rie E voi, guer-rie fe-r - tw e& bemaz - 2 - te La chewin-ta con suo dan-no, che,vinta con suo dan - no, che, vin-ta con suo dan - no, no-stra che, vin-ta con suo dan-no, che, vin-ta con suo dan no, nostra che, vin-ta consuo dan - no, vill gente che, vin-ta con suo dan-no, E no-stra14 40. no-stra glo - ria, € no- stra glo - ria, Ani a nol, no stra glo ~ ria, rRo- stra glo - a, Santa gos te Sora glo en glo - fla, ¢ no-staa glo - - fia, noi, noi, glo - glo - tia, glo = fia, © no-stra glo - ria, ‘A noi, a ono ok - no - stra glo - glo = fia, © — no-stra glo = - fay A noi, a noi a - sciafuggen-dola vit - to - ria, roi la - scia fuggendo la vit-to- tia, la ~ sciafuggendo la vit - to - ria, Ia ~ scia fuge Ia-sciafuggendola vit = to ri, Ia = scia fug- gen-do la vit-to - ria, sciafug-gen-do la vit - scia fug-gendo la vi sciafuggen-do la vit-to sciafug-gendola vit - to = ria,15 scia fug-gen-dola vit - to ria, la vit- to - ria, avi to = ria, gen-do la vit-to tia, la vit-to ria, i la vit-to = riala—vit-to - ria, la vit-to = sciafug-gendo la vit-to - ria, vit. to - ria, la lavsciafuggiin-do la vit- to = tia, Ia vit-to - a, le vito ~ ria, genedo la vit-to - ria, la vit-to - ria, la sto - fialavit- to — fia,lavit-to ~ scis ‘ug-gendo la vit - to la vit- to - +) a vit thay vit - tw = - tah vit- to + PE-B- in originalAndrea Gabrieli’s Battaglia comes from the second book of the Concerti di Andrea et di Giovanni Gabrieli, published in Venice in 1587. It is one of the most varied and colourful of the many. battle pieces of the Renaissance, with much word-painting. Indeed there is a great deal more musical substance here than in the the same composer's purely instrumental Aria della Battaglia. There is some common material with Janequin’s La guerre, which seems to be the central piece in the whole battaglia repertoire. Though Gabrieli does not divide the eight parts neatly into two choirs, there is a great deal of antiphony between different four-part groupings, sometimes to considerable effect, as in the emphasis on “a noi” towards the end of the seconda parte. As a reading of the text makes clear, the prima parte calls our attention to the fact that there is a battle going on, while the seconda parte isa call toarms. The whole piece is very theatrical, and may have been composed for some kind of dramatic entertainment. The seconda parte stands up well on its own, and can be effectively performed without the opening section. In this transcription the original note values have been retained. Editorial accidentals are shownin the usual way, applying to the one note only. The original printis quite explicit about the text underlay, and in fact the word-setting is very sensitive to the natural |hythms of the text. ‘ Bernard Thomas TEXT AND TRANSLATION Prima parte ‘ Sento, sent’ un rumor ch’al ciel si estolle E turba Faria e fa tremar la terra; Quest's nemico nostro, invido e folle, Ch’ad hor ne chiama a sanguinosa guerra, E, scorrendo veloce il piano e'l colle, Preda i beni, arde i campi e i muri atterra. Allarme, allarme ognuno, all'arme gridi; E il tambur chiocchi, e Vaversario sfidi. Dobbe dob. Seconda parte Alla battaglia, o forti cavalier, Venite tutti meco arditamente; E de’ nemici nostri audaci ¢ fieri Domiam col ferro Forgogliosa mente. Su, trombette, suonate!. Fan fari rari raron fan. E voi, guerrieri, ferite e amazzate La vil gente; che, vinta con suo danno, E nostra gloria, Anno’ lascia fuggendo la vittoria. Thear a noise that stretches to the sky, ‘And disturbs the air, and makes the earth tremble. This is our enemy, vile and stupid, Who now calls us to bloody war, ‘And, overrunning quickly the plain and hills, Plunders our goods, bums the fields and smashes our walls. To arms, everyone to arms, cry to arms; Beat the drums, and challenge the enemy, Dobbe dob. To battle, 0 brave warriors, Come all with me bravely, ‘And let us our arrogant enemies Conquer with steel. Up, sound the trumpets! Fan fari rari raron fan. And you, soldiers, wound and kill The vile crowd, who, defeated with their wounds, And our glory, To us leave the victory as they flee. \CANTO. BATTAGLIA Prima parte della Battaglia Andrea Gabrieli Sen - - to, sen = tun ru - mor, sen - fun ru - mor, val cel sie - stol - Ie E tur-ba Ta - tia, e tur-ba Va - ria © fa tre-mar tater = ra Que - st#'Ine-mi-co no - stro, in - vi-dge fol- -l, e fol - le, Wad horne chia - maa san-gui-no-sa guer - ra, 2 san-gui- 20 Rosa guer - 4a, Wad hor ne chia~maa san- gui-no- sa guer- ra, a san-gui-no-sa guer - 1a, Esco = ren =-2 "os g gnu-noall’ ar-me gri- di, ©- gnu-noall’ ar-me gi - diz Ei tam-bur chioc- 42 T ai, e Ta-versa - rio sfi - di, © Ya-versario sfi- -di, eil tam-bur chioc-chi, e Ta-versa-rio sfi - di, © Ya -versa-tio sfi - di. (©1992 London Pro Musica Edition. All rights of performance and reproduction reserved, LeMsovo1CANTO ‘Seconda parte della Battaglia = Al -labat-ta - glia, © for ti ca-valie - ri, Ve-ni-te tut-ti me-coar-di-ta-men - te, ar-di-ta-men te; E de'ne-mi-ci no -stri au- da-cie fie - ri, au-da -cie fie - Do-miam col fer - 10 Yor-go-glio-sa-men-te, Su, trom-bet- te, suo-na- te, su, trom- bet -te, suona - te! Fan farifariraron fan fanfanfanfanfarifari rarirarirarirarira ron fan % 9 farirarira ron fari rari ra ron fan fan fan fan fan fa ri rari fan. 3 =~ t Evoi.guerrie - i, fe-ri - te, e voiguerrie - ri, fe- ni - te e a-mazza -te La vil gen - te; che, vin -ta con suo dan - no, E — no-straglo - ria, e — no-straglo- ria, A noi, a 43 noi, a noida ~ scia fug-gen- do la vit - to - ria,“ona Yass ASUS BATTAGLIA Prima parte della Battaglia Andrea Gabrieli SETTIMA PARTE ( = Sen - to, sen - un ru - mor, val ria, e fa we-mar la ter - - oy Que - st ne-mi-co no - stro, in - vi-dge fol - e fol ~~~ te, Ch’ad hor ne chia - ma, dad horne chia - maa. san-gui-no-sa guer-ra, a san-gui- no-sa guer- ra, ch’ad 2 hor nechia-ma, ch’ad hor nechia-ma a_san-gui-no-sa guer-ra, a san-gui-no-sa guer-ra, pia-ngel col - - Ie, a. cam = pi ef muriatter - ra 34 Alar - me, all” ar-meall’ ar - me, all’ ar-meall’ ar - me 0-gnu-noal’ ar-me gri- di, all’ ar-me gr - di, al’ Yar-me gri - di; Bil tam-bur chioc-chi, 2 qil tamburchioc - chi, € Va-ver-sa- rio sfi- di, ell tam-bur chioe - 16 A chi, e Va-ver-sa-rio sfi - di, e Va-ver-sa-rio si - - di, (© 1992 London Pro Musica Edition. Allights reserved, LPM s0102SETTIMA PARTE Seconda parte della Battaglia Alla bat-ta~ glia, © for-ti ca-vaclie - ri, Ve-ni-te tut-ti me-cgar-di-ta-men - te, ar-di-ta-men-te, ar-di-ta-men - te de’ ne-mi-ci no - 10 au - da-cie fie - ri, au-da-de fie - ri = miam col 14 fer- ro Yor-go-glio-sa men - te, Su, trombet-te, suo-na- te, su, trom- bet - te, suo-na - te! suo-na _ te! Fan fai fari ra ron fan fan fan fan fan fai fari 2 23 rarirariraricarira ron fan farirarira ron farirarira ron fan fan fan 29 fan fan fa FE rari fan. E voi, guer-rie - ri, - - te ©) a-maz-za-te La vil gen - te; 38 che, vin-ta_con suo dan - no, E —no-straglo - ria, e no-straglo - ria, A. 4 noi, a noi, a noi la - scia fug-gen-do la vit-to - 47 ria, a noi la - scia fug-gen-do la vit-to - ria, la vit - to - na, la vit to - ria, la vit-to - ria, Ia vit-to = ria, LPMso1-02ALTO BATTAGLIA Prima parte della Battaglia tur-ba Va no- sa guer-ra, fa san- gui-no-sa guer + tun ru-mor, Andrea Gabrieli = ria, e tur-ba ; — maa san-guisno-sa guer-17 4 san-gui-no-sa guer - scor-ren do 30 4 a. dei Gi muriat-ter - ra. Al'ar - me, 38. all! ar-mell’ ar a pi ei mu-riateter me, all’ ar-meall" ar - me, = - gnu-noall’ ar me gti - di, 0 -gnu-noall’ ar me grid 2 = iS = <= ver-sa-Mo fi di, cil tam-bur chioe ~ chi, 46 == yuo © Ta-ver-sy - Wo sfi = versa rio sfi- di © 1992 London Pro Musica Edition, All rights reserved, LPM 502.03,ALTO ‘Seconda parte della Battaglia tiog for-ti ca-va-lie - ri, AL - Ta bat-ta - glia, ® ite tut-ti me-coar-di-ta-men- te, _ar-di-ta-men see te; Do-miam col fer - ro Yor-go-glio-sa_ men - te, Yor- go- glio-sa men - te Su, trom-bet - te, suo-na - te, su, trom - bet - te, suo-na - te! Fan fari farira ron 22 2 e fan fanfanfanfan farifari fami ta firarizarira ron fan fai rari ra ron fa ri ra rira ron fan fan fan fan fan farri rari fan. E voi guer-rie-ri, fe - ri - te, e voi, guer- che, vin-ta con suo dan - no, E —no-straglo- ria, © —no-stra gloria, A 42 noi, a noi la - scia fug - gen-do Ia vit - to - ria, a 47 2 noi la - scia fug-gen-do Ia vit-to - - ria, la vit-to ~ ria, la vit-to = ria, a vit-to = tia, la vit- to ~ LPM 501-03QUINTO. BATTAGLIA Prima parte della Battaglia Andrea Gabrieli a Win Gomtacten, ten Han a = her afar Ol ip = e tur-ba la - t stl = = soe E tur-ba Ta - ria, ria ef we-mar la ter - ray Que - st®1_ ne - mi-co no - stro, in = vi-dge fol - le, CW'ad hor ne chia - 7 ma a san-gui-no-sa guer-ra, a san-gui-no - sa, a san-gui-no-sa guer-ra_ch’ad hhor ne chia -ma a san-guino-sa guer-ra, a san-guino - sa, a san-gui-no-sa_guer- 25 rm, ve- lo = = coil pia - no el col - Ie, mu-riat-ter - 1a, All’ ar - me, all’ ar-meall’ ar - me,all’ ar-meall' ar - me, 0 - gunoallar-me gri- di, all’ ar-me gi - di, all’ Var-me gri - Ell tambur chioc-chi, 42 il tam-bur chioc- chi, @ Va- versa rio 46 A si. di, e Ya-ver-sa - rio sfi - di, e Va-ver-sa-rio sfi - di (© 1992 London Pro Musica Edition. AU rights of performance and reproduction reserved. LPM so1-0tvQUINTO. Seconda parte della Battaglia ‘AL -la bat ta ~ gli ° ca-va- lie #i, : Ve - ni-te tut-ti me-cgar-di-ta-men - te, ar-di-ta-men-te, ar - di-ta- men - te; E de’ne-mi-ci no - stri au-da-ciefie - i, au-dacie fe = ~~) i Do-miam col fer. = ro Yor- go-glio-sa men - te, men - te. 7 4& — 7 Su, trom-bet - te, sud - na - te, su, trom - bet - te, suo- na - te! fan farirari raron fan fon fan fan fan fari rari ravi ravi rarivarira ron fan fa ri rari ra ron 29 fai rari ra ron fan fan fan fan fan fa ri ra ri fan. E voi, guerrie - ni, fe voi,guer-rie- ri, fe - ri - - te © a-maz-za-te La vil gen - - 37 te; che, vinta con suo dan - no, E no-stra glo - ria, e no-stra al glo - ria, a noi, a noi, la-scia fugigen-do la vit - to ria, a 46 t noi la ~ scia fug-gen-do la vit-to - ria, Ja vit-to- ria, a vit-to = ria, St =m la vit-to = ria, la it-to = ria, la vit-to - ria, Lem soryYO Geaanmaiw. To evisu QUINTO BATTAGLIA Prima parte della Battaglia Andrea Gabrieli sen - Yunru-mor, sen - un ru - mor ch'al ciel sie - sol 9. - =e E tur-bala - 1 e tur-ba la - ria © f2 te-mar la ter = oa Que st’@'1_ne- mi-co B no - stro, in vi-doe fol - Ie, Ch’ad hor ne chia - ma a san-guino-sa guer-ra, a san-guino - sa, a san-gui-no-sa guer-ra_ ch'ad hor ne chia - ma fa san-gui-no-sa guer-ra, a san-gui-no - sa, a san-gui-no-sa guer- Pre - dai be - ni, ei mu-rigt-ter - ra, mu-tiat-ter - ra, All ar - me, all’ ar-meall’ ar ~ me, all’ ar-meall’ ar - me, 0 - 38. gnu-ngallar-me gri- di, all’ ar-me gri - di, all’ [ar-me gri - di; Eil tambur chioe-chi, a t © Va. versa-tio sfi - di, gil tambur chioc-chi, ei tam-bur chioc-chi, & Ta- versa-rio na si. di, e Va-ver-sa - tio si - di, e Va-ver-sa-rio sfi - di © 1992 London Pro Musica Edition. All rights of performance and reproduction reserved LPM 50104QUINTO Seconda parte della Battaglia Alla bat- ta - glia, for- ti ca-va-lie- Hi, Ve -ni-te tut-ti me-coar-di-ta-men - te, ar-di-ta-men-te, ar - di-ta- men - de'ne-mi-cimo - sti au-da-ciefie - 1, au-da-cie fie Su, trom-bet - te, suo - na - te, su, trom- bet - te, suo-na - te! fan fari rari raron 25 fan fan fan fan fan fEWrari rarivarieAmwrira ron fan fari rari a ron 29 fari rarira ron fan fan fan fan fan fa ri ra ri fan. E vol, guer-rie - ri, fe-ri - te, ¢ voiguer-rie - ri, fe - i = - te © a-maz-za-te La vil gen - - te; che, vin-ta con suo dan - no, E no-stra glo - tia, e — no-stra 4 glo - ria, a noi, a rol, la-scia fug-gen-do la vit - to - ria, a 46 —~ + noi la - cia fug-gen-do la vit-to - ria, Ia vit-to - ria, la vit-to - ria, 7] —_» 0. la vit-to = la, la vit-to ~ ria, la vito = ia M SOLOOTTAVA PARTE BATTAGLIA Prima parte della Battaglia Andres Gabrieli Sen - to, sen - un ru-mor chal ciel sie - stl - le E tur-ba Ta - ria, e tur-ba Ta - ria e fa tre-mar later - ra Que-st@'Ine-mi-co no - stro, chad hor ne chia - ma a san - gui-nd—- Sa guer- fa, a san- be - nh ei mu-riat-ter - ra, ei mucriat - ter - ra, 37 Al ar-meaal’ar - me, o-gnunoall’ ar - the gri - @i, o-gnu-ngall’ ar ~ ane gri - di 4 Ej tam-bur e Ta-versa-rio sfi- di, eil tambur 46 a i—e 6 <9 chioc- chi, e Ta-ver-sa- rio sfi - di, I versa - To sfi = di. (© 1992 London Pro Musica Edition. All rights of performance and reproduction reserved. LPM S01-05OTTAVA PARTE Seconda parte della Battaglia T Al ~ la bat-ta-glia,o for-ti ca-va-lie - ri, 0 for-ti ca-va-lie ~ ri, Ve - ni-te tut-ti me-coar-di - fa-men = te, ar-di-ta - men te EB de'ne-mi- ci no- sti au-da-cie fie - ri Do-miam col fer - ro Tor-gogliosa men - te, Vor - go-glio-sa men-te. Su trom-bet - te, suo-na - te, su, trom-bet - 3 19 te, suo-na- te, suo - na- te! fan farirariza ron fan fan fon fan fan fa ri rari raniarisariarira ron fan fan fan fan fan fan fav rari fan. E voi,guerrie - ri, e voi,guerrie-ri, —fe- 34 - te © a-mazza - te La vil gen - te; > + no, E no-stra glo - ria, e — no-stra_ glo - ria, a2 : A noi, a noi la ~ scia fug-gen-do la vit - to - 46 a moi la ~ scia fugigen-do la vit-to - ria, la vit - to - ria, la st == vit-to - ria, la vit - to - Fiala vit-to- ria, la vit- to = ria, LPM 501-05:OTTAVA PARTE BATTAGLIA Andrea Gabrieli Prima parte della Battaglia Sen - to, sen - un ru- mor chal ciel - ke E tur-ba Ia - ria, e tur-ba Ta - ria e fa tre-mar later ~ 73; Que-st’®Ine-mi-co no - stro, AI ar-meall’ar - me, o-gnungall’ ar - me gri- di, o-gnu-ngall’ ar - me gri - di: 4 a El. tam-bur chioc- chi, e Va-versa-rio sfi- di, ei tambur 46 - . . vt ¥ chioc-chi, ea ver-sa- rio sfi e Ta versa - fo sii - di, (©1992 London Pro Musica Edition. All rights of performance and reproduction reserved, LPM 501-45OTTAVA PARTE ‘Seconda parte della Battaglia AL ~ la bat-ta- glia,o for-ti ca-va-lie - ri, 0 for-ti ca-va-lie ~ ri, Ve - ni-te tut- me-coar-di - - Ta-men - te, ar-dita- men ~ fe E de’ ne- mi-ci no - stri au-da-cie fie - ri Do-miam col fer - ro Vor-gogliosa 15 men - te, Yor - go-glio-sa men - te, Su trom-bet - te, suo-na - te, su, trom-bet - 19 te, suo-na - te, suo - na- tet fan farirarira ron fan fanfan an fan fari rari Tati fai rari rari ra ron fan fa ri rarira ron fa ti rari ra ron fan fan fan fan fan fa ri rari fan. E voi,guerrie - ri, e voi,guerrie-ri, fe 34 = te © a-mazza - te La vil gen - te; che,vin-ta_con suo dan - no, E — no-stra glo - ria, € —no-stra_ glo - ria, 4 A noi, a noi la ~ scia fug-gen-do la vit- to - ria, a noi la - scia fug-gen-do la vit-to sn = to - la vit - To - fa, la vit-to- nla, la vit- to =~ ria, LPM S015‘TENORE BATTAGLIA Prima parte della Battaglia Andrea Gabrieli Sen - to, sen - tun ru-mor, sen - to, sen- tun ru - mor eval cel sie - stol Ie E tur-ba Ya - ria, 2, t no - stro, s-ria ec fa tre-mar la ter ra; Que - st’Ine - mi-co in - vi-doe fl - - bk e fol - Ie Chad hor ne 7 chia - ma a san-guino-sa guer - ra, a san-guino- sa guer - ra, eivad hor ne chia - ma a san-- gui - no-sa guerra, a san-gub no-sa guer- ra, % riatter - ra. ‘Alvar - me, all? ar-meallar-me, all’ ar - me, 38. o-gnu-noglll’ ar-me gri - di, o- gnunoall’ar - — megri- di;_—_ Ell tambur chioc.chi, 42 es © Va-ver-sa- rio sfi- di, e Va-versa-rio sfi - = di, ei! tam-bur chioc-chi, 46 nm < fis di e Ta. ver-sa- rio sf Va. ver-sa - Tio © 1992 London Pro Musica Edition. All rights of performance and reproduction reserved, LPMS501-05TENORE Seconda parte della Battaglia AL - la bat-ta- glia, al - Ja bat-ta- gliao for-ti ca-va-lie - ri, ta-men - te, ar-di-ta - men- te; Ve - ni-te tut-ti me-coar-di-ta-men - te, ar- di fie - ri, au-da-cie Te B - i Do-mam col fer - 10 Tor- goglio-sa Su, trom bet - te, suo-na - te, su, trom-bet - te, suo - na - te, suo - na - te! Fan farifariraron fan fan fan fan fan farifari rarirarirarirarira ron fan 27 farirariraron —— farirarira ronan fan fan fan fan fa ri rari fan. E voi, guer-rie - ri, te; che,vin-ta con suo dan - no, E no-stra glo - ria, 4 © no-stra glo - ria, A x a moi la scia fug-gen-do Ia vit- to - vit-to - ria, la vit. to = ria LPM 501-06TENORE BATTAGLIA Prima parte della Battaglia il ve Andrea Gabrieli 4 7 Sen - to, sen- fun ru-mor, sen - to, sen un ru - mor chal 3 — A: 2 > 4; tl | S ddl sie - tl - Oe E tur-ba Ta - ria, tur-ba Ta - 9 3 DAR > —=_ SS eee - ria e fa tre-mar la ter ra; Que - stIne-mi-co no - stro, > ur > in - viz doe fl - = ele fl - Ie Wad hor ne chia ~ ma | sin-gui-no-sa guer - ra, a san-gubno-sa guer- ra, | > {af 3 fe i} san - gui - no-sa guerra, a san-gui- no-sa guer - ra, olgnu-noall’ar-me gi - |di,o! grunoall'ar - —megri- ay (JRA tamu choc ai fe A e Ta-ver-sa- rio sfi- di,e Va-versa-rio sfi = - di, eil — tam-bur chioe-chi, > as 6 4 a > e Va-ver-sa-tio si - di e Va-versa- rio 9 si ~~ di a, © 1992 London Pro Musica Edition. Al rights of performance and reproduction reserved. LPM 501-06\ TENORE / Seconda parte della Battaglia > = = > 2 2 ge 2 Se a AL ~ la bat-ta- glia, all la bat-ta- glia for-ti c@a-va-lie - Soy > > 4 2 2. Ve - ni-te tut-ti me-cgar-di-ta-men - te, ar-di-ta-men - te, ar-di-ta- men-te; 4 4é ! > Ie = cig fie ri, au-da-cie fie - 13 Ss | Avis a a> > = =H Do-miam col fer |= 10 "Vor go-glio-sa men - te. Su, trom- q7 & 4 4. 4.24 ~ bet = te, suo-na = te, su, trombet-te, suo-na- te) | suo na a Fan farifariraron fan’ fan fan fan fan fa rifari rari rarirarira 3) 7 1 t Gaiman | fWeenrere lon hfe, ntonfosin itn Blob gunn Ros 13 te: che,vin-ta con suo dan- no, | E no-stra glo- ria, e —no-stra 4 344, eo | glo - ria, A noi, a noi ta = sci fug-gen-do Ia vit-to - re 4 —~ 2 22 ~ ria, a noi latscia fug-gen-do la vit to - ria, la vit-to- ria, a a la vit - to = ria LPM 501-06ySESTO BATTAGLIA Prima parte della Battaglia Andrea Gabrieli £ Sen - to, sen - Yun ru-mor, sen - tun ru - mor chal ciel sie - stol - Ie E tur-ba Va - ri e tur-ba Ta - 9 4 - ria e fa te-mar la te ~~ 1; Que - st’‘1 ne- mi-co 2 Chad hor ne chia - ma a san-gui-no - sa guer-ra, a. san-gui-no-sa_guer- ra, n, E scor-ren = =~ do ve-o = - ee Pre-dai be - = mi, ei ler ~ ra. All" ar ~ me, all’ ar - ‘me, all’ ar-meall’ ar - me, o- gnu-noaall’ ar-me gri - di, 2 o-gnu-noall ar = me gi = di; Bil tambur chioe-chi, e Ya-ver-sa-rio sfi- di, Dob-be dob dob-be dob dob-be dob, dob-be dob-be dob-be dob-be dob-be 46 — a dob dob-be dob dob-be dob dob-be dob dob-be _dob-be dob-be dob-be dob-be dob. (©1992 London Pro Musica Edition. All righs of performance and reproduction reserved. LM 501.07SESTO ‘Seconda parte della Battaglia Al = la bat-ta~ glia for-ti ca-va-lie = ri, 0 for-ti ca-va-lie ~ i Ve - ni-te tut-ti me-coar-di - ta-men - te, ar-di-ta-men- te, 9 4 E de'ne-mi-ci no - sti au-da-ciefie = - = - ot, au-da-cie fie ~ ri Bon ZL A 2 Do - miam col fer - ro Yor - goglio sa- men - te. iu, trom bet - te, suo - na - te, su, trom - bet - te, suo-na - te! suo-na - te! 24 fon farirariraron fan fanfanfan fan farirari rarirari rarirarira ron fan farirariraron 28 a farirarira ron fan fanfanfanfanfari ra ri fan. E voiguer-rie - ri, fe-ri - te 3B 1 Z © a-maz-za - te la vil gen = te; che, vin-ta con suo dan - no, E no-straglo - ria, e€ — no-straglo - ria, 2 4 A - A noi, a noi Ia scia fug-gen-do Ia vit-to - ia, a noi la = scia fug-gen-do la vit-to - ria, Ia vit-to-ria, a to - ria, la vit-to - ria, la vit-to - Hi LPM 501-07BASSO BATTAGLIA Andrea Gabrieli Prima parte della Battaglia Sen - to, sen - tun ru mor ch’al ciel sie - stl - Ie E tur-ba Va - ria, © tur-ba Ta ~ ria e fa - tre-mar Ia ter = ra Que = st’lne-mi-co no - stro, in - vi- doe fl - - le Ch’ad hor ne chia - - ma a san-gui-no-sa guer - ra, a san-guino - sa guer-ra, ch’ad hor ne chia - ma a san-gui-no-sa guer-ra, a san-guino- sa guer - a All” ar- meal’ ar-meall' ar - me © gnu-noall’ ar - me ei diy El tam-bur chioe - chi, e Va = veresa - rio sfi- di, Dob-bedob~ — dobbe dob dobbe dob dob-be dob-be dob-be dob-be dob-bedob a7 — — pe perenne dob-be dob dob-be dob dob-be dob dob-be dob-be dob-be dob-be dob-be dob. ‘©1992 London Pro Musica Edition. All rights of performance and reproduction reserved, LM s014sBASSO Seconda parte della Battaglia Al - la bat-ta-glia_o for-ti ca-va-lie - Ve - ni-te tut-ti me-coar-di-ta-men - te, ar-di- ta-men - te; Edo’ ne-mi-ci no - u ~ = sti, au-da-cie fie - i Do-miam col fer - ro or- goglio.sa 15 ‘men - te, Yor-go-glio-sa men - te, Su, trom-bet - te, suo-na - te, su, trom - 4 19 bet - te, suo-na - te! fan farri rari ra ron fam fan fan fan fan fa ri rari 26 rarivarirarivarira ron fan fari rari ra ron fa ri rari ra ron fan fan fan fan fan fa ri rari fan E vol, guer-rie - ri, fe -ri- te © a-maz- - mst la gen - te in-ta con suo dan - no, E no-stra glo- ria, € no-stra glo - ria, A noi, a noi la - scia fug-gen-do la = to ria, a noi hb - vit - to - ria, la vit to ~ ria, la a = : — vit = to. - ria, la vit- to =~ ria LPM 50108