PROPIEDAD DE Aatonio Matsllana fverybodys ) f Favorite Series No.124) French Horn Quartets Second Part Third Part | Fourth Part Edited by Jay Arnold in association with Charles Lindsay, Jr. Score for use with books 121 through 126 in this series: $1.00 © Copyright 1964 Amsco Music Publishing Company,240 West 55th Street, New York 10019 —— eoContents A MELODY IS DRIFTING ADESTE FIDELES ALMA MATER AMERICA, THE BEAUTIFUL AURA LEE BASQUE SONG CANZON from “Secrae Symphoniae” CHILDREN'S MARCH, THE CHORAL No. 42 CHORAL No. 257 CHRIST THE LORD IS RISEN TODAY CONTRA-DANCE CRUCIFIXUS from the Mass “Te Deum Leudamus” EMPEROR QUARTET Second Movement GOD REST YOU MERRY, GENTLEMEN GREENSLEEVES HABANERA from “Carmen” HARK! THE HERALD ANGELS SING JOY TO THE WORLD MARCH from “The Love Of Three Oranges” ‘MINUET NOBODY KNOWS THE TROUBLE I'VE SEEN © COME, ALL YE FAITHFUL PLAYFUL RELUDE PORT AND PEASANT OVERTURE Ofening Theme POLKA from “TheBartered Bride” POMP AND CIRCUMSTANCE PRAYER OF THANKSGIVING ROMEO AND JULIET Théme SLAVONIC DANCE, Op. 46, No. 1 ‘TANGO THERE LIVED A KING from “The Condolirs” TURKISH MAROH from “The Ruins Of Athens” VARIATIONS ON A THEME BY PAISIELLO WE WISH YOU A MERRY CHRISTMAS ‘YANKEE DOODLE BOY, THE Ny eood RuBorRBSssaot SSSR SGoe SeRow Be pee GERSs Johannes Brahms Jobn Reading H. 8. Thompson Samuel A. Ward George R. Poulton Folk Song Giovanni Gabrieli Traditional Johann Sebastian Bach Johann Sebastian Bach Easter Hymn Ludwig van Beethoven Giovanni da Palestrina Franz Joseph Haydn Old English Carol Folk Song Georges Bizet Felix Mendelssohn George F. Handet Serge Prokofieff Jean-Baptiste Lully Spiritual John Reading Jay Arnold Franz von Suppé Bedrich Smetana Edward Elgar Netherlands Song Peter I. Tschaikowsky Anton Dvorak Issac Albeniz Sir Arthur Sullivan Ludwig van Beethoven Ludwig van Beethoven Old English Carol George M. CohanThe Children’s March 1st Horn in F Traditional Bright tempo Ls SSS Sel vo = tie Jes © Copyright 1964 Amsco Music Publishing Company AI! Rights ReservedPomp And Circumstance Ist Horn in F Largamente Edward Elgar © Conerieht 1964 Amsco Music Publishing Company All Rights ReservedPoet And Peasant Overture Ist Horn in F Opening ‘Theme Maestoso Franz von Supe © Copsright 1964 Amseu Musie Publishing Company AN Rights Reserved. Greensleeves 1st Horn in F 3 a eee ea a Song eS SS of —— ey © Copsriht 1964 Amseo Susie Publishing Company AM Rigs ReservedIst Horn in F Basque Song Folk Song, Slowly, with expression Aura Lee . George R.Poulton Moderato aS 7 SS "O Copsright 1964 Amsco Music Publishing Company AN Rights ReservedAmerica, The Beautiful 1st Horn in F Grandioso Samuel A. Ward —= | = TF SS + Alma Mater Slowly H. S. Thompson Z AS + — + + = SS SSS =] nit,Ist Horn in F Prayer Of Thanksgiving Slowly Netherlands Song r — St O Come, All Ye Faithful (Adeste Fideles) Jobn Reading tf 964 Amsco Music Publishing Company At Rights Reserved10 Hark! The Herald Angels Sing Ist Horn in F Felix Mendelssohn Grandioso 7 oe Joy To The World George F, Handel Allegretto ~ 7 ee rit, © Copyright 1964 Amsco Musie Publishing Company Al Rights ReservedGod Rest You 1st HorninF cheney Merry, Gentlemen Moderato Old English Carol We Wish You A Merry Christmas Brightly ye Old English Carol of © Copsright 1964 Amsco Music Publishing Company All Rights Reserved12 Bee or Christ The Lord Is Risen Today Moderato Easter Hymn Emperor Quartet Second Movement Andante Franz Joseph Haydn © Copyright 1964 Amgen Musie Publishing Comaany All Rich's Reserved13 Ist Horn in F Choral No. 42 Johann Sebastian Bach Slowly of Choral No. 297 Slowly Johann Sebastian Bach © Copyright 1964 Ams wie Publishing Company Ail Rights Reserved4 Nobody Knows The Trouble I’ve Seen 1st Horn in F Slowly a wy SS Sy Spiritual 3] espressivo [19] A little cS <7 faster Slowly © Conyrigh: 1964 Amseo Music Publishing Company AIT Rights Reservedeee The Yankee Doodle Boy George M. Cohan Tempo di Marcia SSS SS Ss we © Copyright 1964 Amsco Music Publishing Company All Rights ReservedHabanera Ist Horn in F from “Carmen” ‘Allegretto Georges Bizet —rvs 1964 Amsco Music Publishing Company All Rights Reserved17 Ist Horn in F Tango Andantino Isaac Albeniz © Copyright 1964 Amsco Music Publishing Company Al Rights Reserved18 Slavonic Dance 1st Horn in F Allegro Anton Dvorak, Op.46,No.1 a f — Ss fee ge p> © Copyright 1964 Amseo Musie Publishing Company All Rights Reserved19 There Lived A King from ‘The Gondoliers” Allegro moderato Sir Arthur Sullivan Ist Horn in F © Copyright 1964 Amsco Music Publishing Company AI Rights Reserved20 A Melody Is Drifting Ist Horn in F Johannes Brahms, Op. 105, No.1 Delicately WF x rit ©Copyright 1964 Amsco Music Publishing Company All Rights Reserved21 Minuet Ist Horn in F Jean - Baptiste Lully Moderato B] ©Copyright 1964 Amsco Music Publishing Company All Rights Reserved22 1st Horn in F Romeo And Juliet Theme Moderato Peter I. Tschaikowsky << De 1 espressivo ‘poco rit. BH Sa tempo fesse © Convrinht 19464 Amara Masi¢ Publichine Comnane ATT Rishts Reserved"23 March From “The Love Of Three Oranges” Ist Horn in F Serge Prokofietf, Op. 63 Tempo di Marcia 3 > and ig fe r Sao SSeS ——= ff © Copyright 1964 Amsco Music Publishing Company Al Rights Reserved Me FH rol |V kl24 Variations . on a theme by Paisiello Ist Horn in F Andantino Ludwig van Beethoven rn wf iS = > > > > ———_ ¥ Com AIL Bisbee Resomved25 [39] a ‘a tempo —————— poo Tit 3”Contra - Dance Ist Horn in F ‘Allegro Ludwig van Beethoven trl CFP Re 7F 7 i ; © Coprrisht 1964 Amsco Music Publishing Company All Rights Reserved27 Polka | from “The Bartered Bride” 1st Horn in F Leone 3 Bedrich Smetana > ©) Copyristht 1964 Amseo Music Publishing Company All Rights Reserved28 Playful Prelude 1st Horn in F Bounce tempo B] Jay Arnold 3rd © Convrisht 1940 Amsco Music Publishing Company All Rights Reserved2930 Turkish March Ist Horn in F from “The Ruins Of Athens” Allegro Ludwig van Beethoven Rese ess © Copsright 1964 Amsco Musie Publishing Company All Rights Reserved31 . Canzon Ast. Horn in F from “Sacrae Symphonie” Giovanni Gabrieli Andante p : ~ —— = SS a SS y ee — ft Copyright 1954 Am == a=] yany AT Rights32 Crucifixus from the Mass“Te Deum Laudamus” 1st Horn in F Moderato Giovanni da Palestrina ef ‘© Coneright 1964 Amsco Music Publishinz Company All Rights ReservedEverybodys Favorite Series No124, Ss French Horn Quartets Fourth Part Edited by Jay Arnold in association with Charles Lindsay, Jr. Score for use with books 121 through 126 in this series: $1.00 © Copyright 1964 Anmsco Music Publishing Company, 240 West 55th Street, New York 10019Contents A MELODY IS DRIFTING ADESTE FIDELES ALMA MATER AMERICA, THE BEAUTIFUL AURA LEE BASQUE SONG CANZON from “Sacrae Symphoniae” CHILDREN'S MARCH, THE CHORAL No. 42 CHORAL No, 297 CHRIST THE LORD IS RISEN TODAY CONTRA-DANCE CRUCIFIXUS from the Mass “Te Deum Laudamus” EMPEROR QUARTET Second Movement GOD REST YOU MERRY, GENTLEMEN GREENSLEEVES HABANERA from “Carmen” HARK! THE HERALD ANGELS SING JOY TO THE WORLD MARGH from “The Love Of Three Oranges” MINUET, NOBODY KNOWS THE TROUBLE I'VE SEEN COME, ALL YE FAITHFUL PLAYFUL PRELUDE POET AND PEASANT OVERTURE Ofening Theme POLKA from “TheBartered Bride” POMP AND CIRCUMSTANCE PRAYER OF THANKSGIVING ROMEO AND JULIET Theme SLAVONIC DANCE, Op. 46, No. 1 TANGO THERE LIVED A KING from “The Gondoliers” TURKISH MARGH from “The Ruins Of Athens” VARIATIONS ON A THEME BY PAISIELLO WE WISH YOU A MERRY CHRISTMAS YANKEE DOODLE BOY, THE Johannes Brahms John Reading H. S, Thompson Samuel A. Ward George R. Poulton Folk Song Giovanni Gabrieli Traditional Johann Sebastian Bach Johann Sebastian Bach Easter Hymn Ludwig van Beethoven Giovanni da Palestrina Franz Joseph Haydn Old English Caro! Folk Song Georges Bizet Felix Mendelssohn George F, Handel Serge Prokofieff Jean-Baptiste Lully Spiritual John Reading Jay Arnold Franz von Suppé Bedrich Smetana Edward Elgar Netherlands Song Peter I. Tschaikowsky Anton Dvorak Issac Albeniz Sir Arthur Sullivan Ludwig van Beethoven Ludwig van Beethoven Old English Carol George M. CohanThe Children’s March 2nd Horn in F Traditional Bright tempo wfPomp And Circumstance 2nd Horn in F , Largamente Edward Elgat eS SS ; 5 Ce a a a rs 2a =< xe ° . + =] © Copyright 1964 Amsco Musie Publishing Company All Rights Reserved[73] Grandioso Poet And Peasant Overture 2nd Horn in F Opening Theme Franz von Suppé Maestoso {i Copyright 1964 Amsco Music Publishing Company Alt Rights ReservedGreensleeves 2nd Horn in F Moderato By Folk Song J ae a 7? ™p AW Ri| 2nd Horn in F Basque Song Slowly, with expression Folk Song See Se Aura Lee Moderato George R. Poulton NJ Amsco Musie Uublishing Company| America, The Beautiful 2nd Horn in F Grandioso Samuel A, Ward oe Alma Mater Slowly H. S. Thompson rr en rit, <_" Ti Cowyrieht 1966 Amsco Music Publishing Company All Rights Reserved2nd HorninF Prayer Of Thanksgiving ‘Netherlands Song Slowly O Come, All Ye Faithful (Adeste Fideles) Maestoso eee) ‘CConyright 1964 Amsco Music Publishing Company All Rights Reserved10 ' : eee Hark! The Herald Angels Sing Grandioso Felix Mendelssohn > x Joy To The World Allegretto cous F. Handel eS 7 cresc. ©)Coovrieht 1964 Amsco Music Publishine Company All Rights Reservedi en God Rest You Merry, Gentlemen Moderato Old English Carol We Wish You A Merry Christmas Brightly Old English Carol ef Ss =I 3 SS] cae = = © Copyright 1964 Am ssic Publishing Company All RightsR ond HorninF Christ The Lord Is Risen Today Moderato Easter Hymn ¥ eo Emperor Quartet Second Movement Andante Franz Joseph Haydn ar = > : ard <_¥ © Coperight 1964 Amsco Music Publishine Company AH Rights: ReservedChoral No, 42 2nd Horn in F Slowly Johann Sebastian Bach tf Choral No. 297 Slowly. Johann Sebastian Bach ©Copyright 1964 Amsco Musie Publishing Company ~All Rights Reserved14 Nobody Knows The Trouble I’ve Seen 2nd Horn in F } Spiritual Slowly _ a {3] eeS= rE = LS oe ee a Te ES [9] little faster a =O {g5]Slowly ——— > a & ; SSS Ee} vise SP —f a * © Copyright 1964 Amsco Music Publishing Company All Rights Reservedi eee The Yankee Doodle Boy Tempo di Marcia George M. Cohan > ‘OCopyright 1964 Amsco Music Publishing Company All Rights Reserved‘16 Habanera 2nd Horn in F from “Carmen” Allegretto Georges Bizet a 8] ee ee — =] é ——— ye a —= a = of —== +f ©) Consriohs 1854 Aver Mucir Publishing Comoane All Rights Reserved7 2nd Horn in F Tango Isaac Albeniz Andantino © Copyright 1964 Amsco Musie Publishing Company All Rights Reserved18 Slavonic Dance 2nd Horn in F Anton Dvorak, Op.46, No.1 Allegro a z = = ¥ © Copsrish 1964 Amsco Music Publishing Company All Rights Reserved & = 4S Se eo * > tf19 There Lived A King from “The Gondoliers” Sir Arthur Sulli Allegro moderato meee Suen 2nd Horn in F © Copyright 1964 Amsco Music Publishing Company All Rights Reserved20 . A Melody Is Drifting 2nd Horn in F Delicately Johannes Brahms, Op.105.No.1 A — ye rit. © Copyright 1964 Amseo Music Publishing Company Al Rights Reserved2 2nd Horn in F Minuet Moderato By Jean- Baptiste Lully Copyright 1964 Amsco Music Publishing Company AL Rights Resarved22 Romeo And Juliet 2nd Horn in F Theme Moderato Peter 1. Tschaikousky SS af espressivo <> 2

. —== a tf © Convrieht 1964 Amsoa Music Publishing Compare All Rights Reserved27 Polka from “The Bartered Bride” 2nd Horn in F 3 Bedrich Smetana Moderato 3) Ss a >, © Copyright 1964 Amsco Music Publishing Company All Rights Reserved28 Playful Prelude 2nd Horn in F Bounce tempo 5 aa Jey Arnold {© Coperight 1940 Amsco Musie Publishing Company Al Rights Reserved2930 Turkish March 2nd Horn in F from “The Ruins Of Athens” Allegro Ludwig van Beethoven oa aes 9 — SSS 7 Gee FF a crese. poco @ poco 7 Comeinht 1004 Ameen Mucie Pekshinn Comnmny AN Biches Reserved31 Canzon from “Sacrae Symphoniae” 2nd Horn in F ‘Andante Giovanni Gabrieli © Copyright 1964 Amsco Music Publishing Company All Rights Reserved32 2nd Horn in F Moderato Crucifixus from the Mass “Te Deum Laudamus” Giovanni da Palestrina Ser Gea ise | a a a acl we ‘© Copyright 1964 Amsco Music Publishing Company All Rights ReservedSotonio Mavesions fverybody’ ) Favorite | Series No.124) French Horn Quartets First Part | Second Part Fourth Part Edited by Jay Arnold in association with Charles Lindsay, Jr. Score for use with books 121 through 126 in this series: $1.00 © Copyright 1964 Amsco Music Publishing Company, 240 West 55th Street, New York 10019Contents ‘A MELODY IS DRIFTING ADESTE FIDELES ALMA MATER AMERICA, THE BEAUTIFUL AURA LEE BASQUE SONG CANZON from “Sacrae Symphoniae” CHILDREN’S MARCH, THE CHORAL No, 42 CHORAL No. 287 CHRIST THE LORD IS RISEN TODAY CONTRA-DANCE, CRUCIFIXUS from the Mane “Te Deum Laudamus” EMPEROR QUARTET Second Movement GOD REST YOU MERRY, GENTLEMEN GREENSLEEVES HABANERA /rom “Carmen” HARK! THE HERALD ANGELS SING JOY TO THE WORLD MARCH from “The Love Oj Three Oranges” ‘MINUET NOBODY KNOWS THE TROUBLE I'VE SEEN © COME, ALL YE FAITHFUL PLAYFUL PRELUDE POET AND PEASANT OVERTURE Opening Theme POLKA from “TheBartered Bride” POMP AND CIRCUMSTANCE PRAYER OF THANKSGIVING ROMEO AND JULIET Theme SLAVONIC DANCE, Of. 46,No. 1 TANGO ‘THERE LIVED A KING jrom “The Gondoliers” ‘TURKISH MARCH from “The Ruins Of Athens” VARIATIONS ON A THEME BY PAISIELLO WE WISH YOU A MERRY CHRISTMAS YANKEE DOODLE BOY, THE Johannes Brahms John Reading HL. S. Thompson Samuel A. Ward George R. Poulton Folk Song Giovanni Gabrieli Traditional Johann Sebastian Bach Johann Sebastian Bach Easter Hymn Ludwig van Beethoven Giovanni da Palestrina Franz Joseph Haydn Old English Carol Folk Song Georges Bizet Felix Mendelssohn George F. Handel Serge Prokofiell Jean-Baptiste Lully Spiritual John Reading Jay Amold Franz von Suppé Bedrich Smetana Edward Elgar Netherlands Song Peter I. Tschaikowsky Anton Dvorak Issac Albeniz Sir Arthur Sullivan Ludwig van Becthoven ‘Ludwig van Beethoven Old English Carol George M. CohanThe Children’s March 3rd Horn in F Bright tempo Traditional af aPomp And Circumstance 3rd Horn in F Largamente Edward’ Elgar = =E = = =| oye os ve ve ge ue ve 2 77 3 _ {3}Poet And Peasant Overture 3rd Horn in F Opening Theme Maestoso Franz von Suppé © Cooyrighe 1964 Amsco Musie Publis ompany AIL Rights ReservedGreensleeves 3rd Horn in F Moderato B) Folk Song mp : = = — 7 2S Sr = i = — a ae 7 27] = eS z== SS a= = SS FF ZoeBasque Son; 3rd Hornin F s Slowly, with expression Folk Song mp Aura Lee Moderato George R. Poulton ‘HE 1064 Amsco Music Publishing Company ALU Rights ReservedAmerica, The Beautiful 8rd Horn in F Grandioso Samuel A.Ward ef Alma Mater Slowly, ‘H. S. Thompson. tf 2 Ba © Copyright 1964 Amscw Music Publishing Company All Rights Reserved3rd HorninF Prayer Of Thanksgiving Netherlands Song Slowly a t O Come, All Ye Faithful (Adeste Fideles) Maestoso John Reading10 ' : Pe eaRoe Hark! The Herald Angels Sing Felix Mendelssohn, Grandiosa of Joy To The World Gee F. Handed Allegretto es xy . orese. 1 19%¢ Amen Mose Publishing Company All Rihns Reserved ai God Rest You Merry, Gentlemen 8rd Horn in F Old English Carol Moderato St We Wish You A Merry Christmas Old English Carol Brightly oA © Copyriaht 1964 Amsco Music Publishing Company Al] Rights Reserved12 an Christ The Lord Is Risen Today Moderato Easter Hymn ef Emperor Quartet Second Movement Andante Franz Joseph Haydn 7 ji z rit, ©Copyright 1964 Amsco Music Publishing Comune All Rights ReservedChoral No.42 3rd Horn in F Slowly Johann Sebastian Bach et Choral No, 297 Slowly Johann Sebastian Bach © Copyright 1964 Amsco Music Publishing Company All Rights Reserved14 Nobody Knows The Trouble I’ve Seen 3rd Horn in F Slowly Bl Spiritual a 9}A little faster aaa een areas s fe— © Copvrighe 264 Amseo Music Publishing Company All Rights Reservedaaa The Yankee Doodle Boy Tempo di Marcia George M. Cohan ‘2 Copyright 1964 Amsco Music Publishing Company All Rights Reserved16 oy : Habanera 3rd\ Horn in F from “Carmen” a Allegretto Georges Bizet ef —= sf © Coovright 1984 Amsea Music Puli ine Commune AIL Rights Reserved17 3rd Horn in F Tango Isaac Albeniz Andantino =S CoG Sd ! ‘© Copyright 1964 Amsco Music Publishing Company All Rights Reservedn avonic Dance 3rd Horn in F Anton Dvorak, Op. 46,No.1 Allegro oO == B= SSS ay SS SSS ‘OCopsright 1864 Amsco Music Publishing Company All Rights Reserved22 Romeo And Juliet 3rd Horn in F Theme Moderato Peter 1. Tschaikowsky ‘poco rit. os tg rt. © Copyright 1964 Amsco Music Publishing Company All Rights ReservedMarch From “The Love Of Three Oranges” 3rd Horn in F af jeff, a Tempo di Marcia 3 Serge Prokofieff, Op. 63 # ‘Copyright 1964 Amsco Music Publishing Company Al Rights Reserved24 Variations ; on a theme by Paisiello 3rd Horn in F Andantino sosterito Ludwig van Beethoven ee 5 —_== ¥ FP ccuteht 1084 Ameen Masts Pulliehion Camnane AN Rights ReservedPoco rit26 Contra - Dance 8rd Horn in F Ludwig van Beethoven Allegro an CF Cr Cre p> Prcomerinht 1964 Amsea Music Publishing Company All Rights Reserved27 Polka dH inF from “The Bartered Bride” 31 orn , Moderato 3 Bedrich Smetana Fl St (To next strain Fa Eeeerareey | DCal Fine ——| © Conrght 1964 Amsco Musie Publishing Company All Ridhts Recevved28 3rd Horn in F Playful Prelude Bounce tempo B] lav Arnotd f*S ss =————p © Coperight 1940 Ameen Music Publishing Company All Rights Resercad29 Ss30 Turkish March 3rd Horn in F from “The Ruins Of Athens” All Ludwig van Beethoven 231 Canzon 8rd Horn in F from “Sacrae Symphoniae” Giovanni Gabrieli Andante © Conyeight 1964 Amsco Music Publishing Company All Rights Reserved32 Crucifixus from the Mass “Te Deum Laudamus” 8rd Horn in F Moderato Giovanni da Palestrina SSS Ss mil n e555 . of ‘© Convright 1964 Amsco Music Publishing Company. All Rights Reservedfeverybody Favorite 2 Series No124 French Horn Quartets First Part Second Part | Third Part Edited by Jay Arnold in association with Charles Lindsay, Jr. Score for use with books 121 through 126 in this series: $1.00 © Copyright 1964 Amsco Music Publishing Company, 240 West 55th Street, New York 10019Contents A MELODY IS DRIFTING ADESTE FIDELES ALMA MATER AMERICA, THE BEAUTIFUL AURA LEE BASQUE SONG CANZON from “Sacrae Symphoniae” CHILDREN’S MARCH, THE CHORAL No. 42 CHORAL No, 297 CHRIST THE LORD IS RISEN TODAY CONTRA.DANCE CRUGIFIXUS from the Mau “Pe Deum Loudemus” EMPEROR QUARTET Second Movement GOD REST YOU MERRY, GENTLEMEN GREENSLEEVES HABANERA jrom “Germen” HARK! THE HERALD ANGELS SING JOY TO THE WORLD MARGH from “The Love Of Three Oranges” MINUET NOBODY KNOWS THE TROUBLE I'VE SEEN © COME, ALL YE FAITHFUL PLAYFUL PRELUDE POET AND PEASANT OVERTURE Opening Theme POLKA from “TheBertered Bride” POMP AND CIRCUMSTANCE PRAYER OP THANKSGIVING ROMEO AND JULIET Theme SLAVONIC DANGE, 0p, 46, No.1 TANGO THERE LIVED A KING jrom ‘The Gondotien”” TURKISH MARCH from “The Ruins Of Athens” VARIATIONS ON A THEME BY PAISIELLO WE WISH YOU A MERRY CHRISTMAS YANKEE DOODLE BOY, THE Bekaneaod’ 3 12 a2 42 1 16 10 10 21 14 a7 on a2 18 az 29 1 1s Johannes Brahins John Reading H. §, Thompson Samuel A. Ward George R. Poulton Folk Song Giovanni Gabrieli Traditional Johann Sebastian Bach Johann Sebastian Bach Easter Hymn Ludwig van Beethoven Giovanni da Palestrina Franz Joseph Haydn Old English Carol Folk Song Georges Bizet Felix Mendelssohn George F. Handel Serge Prokofieff Jean-Baptiste Lully Spiritual John Reading Jay Arnold Franz von Suppé Bedrich Smetana Edward Elgar Netherlands Song Peter I. Tschaikowsky Anton Dvorak Issac Albeniz Sir Arthur Sullivan Ludwig van Beethoven Ludwig van Beethoven Old English Carol George M. CohanThe Children’s March 4th Horn in F Traditional Bright tempo © Copyright 1964 Amseo Music Publishing Company ReservedPomp And Circumstance 4th Horn in F Edward Elgar Largamen © Coyeviels WG Ammen Mosier Publishing Comaine AT Rights Reserx Poet And Peasant Overture 4th Horn in F Opening Theme ‘Maestoso Franz von Suppé s a mp g vd] © Copyright 1964 Amsen Musie Publishing Company AIL Rights Reserved; Greensleeves 4th Horn in F Moderato 3 Folk Song pat SSS > = — SS pas a SSS SS]4th Horn in F Basque Song Slowly, with expression Folk Song Aura Lee Moderate George R. Poulton th 1964 Amsco Music Publishing Company AI Rights ReservedAmerica, The Beautiful 4th Horn in F Grandioso Samuel A, Ward ee SS SS : ——— net - sa SSS SSS i] = == ———— et 3 Se = Ss SS a a oT => eS= 2 SS =] Alma Mater "Slowly HS, Thompson = = SSS ve — =. == = SS ==] 13} 4 SSS © Coprvieht 1964 Amsen Musie Publishing Company ALI Rights Reserved4th Horn inF Prayer Of Thanksgiving Slowly Netherlands Song A O Come, All Ye Faithful (Adeste Fideles) Sot Maestoso John Reading ‘© Copsright 1964 Amsco Music Publishing Company All Rights Reserved10 Hark! The Herald Angels Sing 4th Horn in F Felix Mendelseobn Grandioso of ; a ae SSS SS SS t 4 + SSS oe ae 7S b Joy To The World George F. Handel Allegretto oresc. z a , = > > = _ . —— === 5 ° Sse oee se eee rit St © Comrieh 1964 neon toe Dube AM Riche Reservedau God Rest You Merry, Gentlemen 4th Horn in F Moderato Old English Carol wf We Wish You A Merry Christmas Brightly Old English Carol La ©Copyright 1964 Amsco Musie Publishing Company AU Rights Reserved4th Horn in F Christ The Lord Is Risen Today Moderato Easter Hymg wv Emperor Quarte Second Movement Franz Joseph Haydn © Copyright 1964 Amsco Music Publishing Company All Rights Reserved13 Toa eens Choral No. 42 Slowly Johann Sebastian Bach ag Choral No.297 Slowly Johann Sebastian Bach © Copyright 1964 Amsco Music Publishing Company All Rights ReservedNobody Knows The Trouble I’ve Seen 4th Horn in F Slowly Spiritual Ss = f ——— ——— SSS a fis}a tittle taster ———— t S—4th HorninF he Yankee Doodle Boy Tempo di, Marcia George M. Cohan ©Copyright 1964 Amsco Musie Publishing Company All Rights Reserved. Habanera 4th Horn in F from “Carmen” Allegretto Georges Bizet of —=a f ©) Copvrinhe 1984 Amsco Music Publishing Company All Rights Reserved7 4th Horn in F Tango Isaac Albeniz Andantino © Copyright 1964 Amsco Musie Publishing Company All Rights Reserved18 . Slavonic Dance 4th Horn in F Anton Dvorak, Op.46,No.1 Allegro a a 2 ¥ 2 i- = > t AI Rights Reserved ae 'T.Conssight 1964 Ameen Mesie Publishing Compens19 There Lived A King from “The Gondoliers” 4th Hornin F Sir Arthur Sullivan Allegro moderato = {© Copyright 1964 Auacu Muste Publishing Company All Rights ReservedA Melody Is Drifting 4th Horn in F Johannes Brahms, Op.105,No.1 Delicately al eu aut all ERLE 4ll alll aul == == 5 SS Z + ee | = - 5S oS S = =S z 7% a_? = 3 ii 88 Gb He? BB el aL ell = 2_? x a © Copyright 1964 Amseo Music Publishing Company All Rights Reserved.4th Horn in F Moderato {© Copyright 1964 Anisco Music Publishing Company Al Rights Reserved 21 Jean- Baptiste Lully22 Rome: nd Juliet 4th Horn in F ° na j Moderato Peter 1. Tschatkowshy af espressivo a a : = Se = i) —— = ¥ SS 1 Zz Ss Z GF ; poco rit. ———— 2p rit, © Copyright 1964 Amsco Music Publishing Company All Rights ReservedMarch From “The Love Of Three Oranges” 4th Horn in F Tempo di Marcia o 2 ot Serge Prokofieff, Op. 63 go> © Copyright 1964 Amsco Musie Publishing Company All Rights Reserved v vel25 139) 2 3 t amp @ fembo ae —_—__— poco rit,26 Contra - Dan 4th Horn in F ance Ludwig van Beethoven Allegro = © Copyright 1964 Amsco Mosie Publishing Company All Rights Reserved4th Horn in F 27 Polka from“The Bartered Bride” Moderato B) Bedrich Smetana SSS == == == SS B D.C.al Fine © Copyright 1964 Amsco Musi Publishing Company ———- All Rights Reserved = —— Dt bt Sao28 Prelude Playful 4th Horn in F [5] Jey Acnoie > Re: > = AN Richis2930 Turkish March 4th Horn in F from “The Ruins Of Athens” Allegro Ludwig van Beethoven31 Canzon from “Sacrae Symphoniae” 4th Horn in F ‘Andante Giovanni Gabrieli ef © Copsrivhe 1964 Amseo Music Publishing Company All Rights Reserved32 Crucifixus from the Mass “Te Deum Laudamus” 4th Horn in F Moderato Giovanni da Palestrina 7 © Conyright 1964 Amsco Music Publishing Company All Rights ReservedCONTENTS LORD AND FATHER OF MANKIND F.C. MAKER 1 INTEGER VITAE FREDERICH FLEMING 1 600 OF OUR FATHERS GEO. WARREN EMING 1 THE BLUE BELLS OF SCOTLAND ‘TRADITIONAL 2 (GOOD KING WENSESLAS TRADITIONAL 2 (0.600 OUR HELP IN AGES PAST CROFT 2 BREAK FORTH, O BEAUTEOUS HEAVENLY LIGHT ‘THE SPACIOUS FIRMAMENT 4.8, BACH HAYON 3 SEVENFOLD AMEN STAINER 3 SEE, THE CONQUERING HERO CONES HANDEL 4 Ho Is SYLVIA? SCHUBERT 4 CHRIST THE LORD HAS RISEN TODAY CAREY a ALL THROUGH THE NIGHT OWEN. 5 FAITH OF OUR FATHERS TRADITIONAL, NOW 1S THE MONTH OF MAYING MORLEY J ) ‘THE ASH GROVE WELSH 6 MATONA Lassus 6 FAIREST LORD JESUS TRADITIONAL 6 SEND OUT THY LIGHT Gounod 7 VIVE L'AMOUR TRADITIONAL 7 6000 NIGHT PINSUTI 8 BALLATA by PETRARCH PALESTINA 9 AVE VERUM MOZART to DEDICATION FRANZ 10 315 West 53rd Strest New York 19. N.Y.a LORD AND FATHER OF MANKIND 2.C. MAKER ‘Acs. MARVIN C. HOWE Andanty J = 83 of —= INTEGER VITAE FREDERICH FLEMING Moderato d= 76 Acs, MARVIN C. HOWE GOD OF OUR FATHERS GEO. WARREN Andante J = 112 ‘Att. MARVIN C. HOWE # res ee | —— f- ©Gopyright 1953 by CHAS: COLIN, 315 W. 83rd Street, New York 19, N.Y. 3 international Capyrtghe Secured. Mate én Wd 412 nights Reserved‘TRADITIONAL Aoderato J = 1163 a ‘Are. MARVIN C. HOWE GOOD KING WENCESLAS ‘TRADITIONAL Andante) = 8092 * ‘Ate, MARVIN C. HOWE 98 f 2 O GOD OUR HELP IN AGES PAST crorr Moderato | = 108 ‘Are. MARVIN C. HOWEBREAK FORTH, O BEAUTEOUS HEAVENLY LIGHT 8s Adagio ) = 66 Ds ea? fe THE SPACIOUS FIRMAMENT HAYDN Allegro | = 132 ‘Ast. MARVIN C. HOWE 8 —~ fo fe a OTE Se Peer) of hn) SEVENFOLD AMEN Moderato | = 92 Act, MARVIN C. HOWE STAINER o> L SS aeSEE, THE CONQUERING HERO COMES HANDEL, Masttéeo J = 84 ‘Are, MARVIN C. HOWE, 8 WHO IS SYLVIA? SHUBERT Moderato )—92 Ar. MARVIN €, HOWE ’ : CHRIST THE LORD HAS RISEN TODAY CAREY Allegro Moderato J = 120-132 ‘Art. MARVIN C. HOWE a8ALL THROUGH THE NIGHT - J OWEN indante | = 88 ‘Art. MARVIN C. HOWE 28 ee : ep FAITH OF OUR FATHERS ‘TRADITIONAL Moderato 1 = 96 ‘Ase. MARVIN C. HOWE 2 NOW IS THE MONTH OF MAYING MonLEY Andante J = 82 . Are, MARVIN C. HOWE. 4 8 SP KetoTHE ASH GROVE waste Modereto 1 = 116 ‘Are. MARVIN © HOWE o 2 2 = et 1 BSS=9 OS SS wfnP 8 a MATONA Lassus Moderato ‘Are, MARVIN C. HOWE 27 2 1s LPleere zener) FAIREST LORD JESUS ‘TRADITIONAL Moderato | = 76 ‘Act. MARVIN C. HOWE me oreee. fSEND OUT THY. LIGHT Are MARVIN. HOWE Adagio) = 80 =——ve 2 Ss [SSS SSF st? F DSalleds Code # 2? pero VIVE L-AMOUR : "TRADITIONAL Allegro ’ J, = 120-132 ‘Arr. MARVIN C. HOWE a 7 of 7 Wang spe Lene /GOOD NIGHT : PINSUTI Andonte Centabite = 100 ‘Ast, MARVIN C. HOW. Le ome. B Tango 2 Antmande pos a poco crescends Solo at 7 lim, — vat, ef elim.9 | BALLATA by PETRARCH Andante |= 69 Ast. MARVIN C. HOWE 2 —= 8AVE VERUM ‘MOZART Andante J = 66 ‘Are, MARVIN C. HOWE eco @ ooce erte. 2s. ———__ DEDICATION FRANZ Moderato = 96 ‘Ast, MARVIN C. HOWE 27It 4s hoped that this collection will be a welcome addition to the com- paratively limited literature for horn quartet. The material was selected for its musical value, appeal to the average audience, suit~ ability for horns, and conductveness to blend, Successful use of horns as an independent quartet requires the employ- ment of low register. This is normally notated in the bass clef. For training purposes, the fourth horn part is given in both bass and treble clef} the ledger Tines necessary below the treble clef should serve as a strong incentive to learning the truly easier bass clef. ‘The author mies the following suggestions: ae a. The group should weet REGULARLY and perform in public as extra incentive and reward. It 4s rather pointless to perform good music with a bad sound. Time necessary to develope blen@, intonation, and easy response should be spent at the outset of each rehear~ sal. The following will serve as a WARMUP: a) Have the group start EACH tone between second line 0,and the G one octave lower WITHOUT TONGUE, very softly, with "Who-0-0-0-0" type head and throat resonance. Exhale into the horn froma deep breath supply, ~ DON'T "BLOW". ‘The tone should speak very gently, - ami not in the least abruptly- 2) Cheek intonation with major thirds and major triads, not Just unison; check not only the slide tuning but the tone quality and RIGHT FAKD POSITION. Bright, tense tones are often sharp, and vice versa. The right hand 4s part of the instrument; without the hand the pitch 4s sharp; -too much hand is liable to be flat and stuffy. Train the group to-start together WITHOUT conductor by: a) Shutting their eyes, breathing audibly together IN TEMPO, and attacking with tongue pronouncing "T00". b) Have First horn raise left elbow IN TEMPO as he and the other players inhale IN TEMPO, and bring down the elbow IN TEMPO for the attack. This elbow motion need be only & slight one, not distracting. Regarding rough attacks, romenber the air stream starts and maintains the 1ip vibration; the tongue is merely & release valve and articulator for the air stream. The driving energy for the air comes via diaphramtic, abdo- minal, intercostal, ete., muscles. ARVIN C. Bh . Instructor of French Horn School. of Music +, University of Illinois Urbana, Illinois. H OR N Property of Q UA RT ETS Laura C. Klock, ‘Arranged by MARVIN C. HOWE KIt 41s hoped that this collection will be 4 welcome addition to the com- paratively limited literature for horn quartet, The material was selected for its musical value, appeal to the average audience, suit- ability for horns, and conductveness to blend. Successful use of horns as an independent quartet requires the employ~ ment of low register. This is normally notated in the bass clef. For training purposes, the fourth horn part is given in both bass and treble clef; the ledger lines necessary below the treble clef should serve as a strong incentive to learning the truly easier bass clef. ‘The author makes the following suggestions: eh ‘The group should meet REGUIARLY and perform in public as extra incentive and reward. It 4s rather pointless to perform good music with a bad sound. Tine necessary to develope blend, intonation, and easy response should be spent at the outset of each rehear- sal. The following will serve as a. WARMUP: a) Rave the group start EACH tone between second Line G aid the @ one octave lover WITHOUT TONGUE, very softly, with *who-o-0-0-0" type head and throat resonsnce. Exhale into the horn froma deep breath supply, - DON'T "BLOW" ~ The tone should speak very gently, - and not in the least abruptiy. b) Check intonation with major thirds and major triads, not Just unison; check not only the slide tuning but the tone quality and RIGHT HAND POSITION. Bright, tense tones are often sharp, and Vice versa. The right hand is part of the instrument; without the hand the pitch 4s sharp; -too much hand is liable to be flat and stuffy. Train the group to‘start together WITHOUT conductor by? a) Shutting their eyes, breathing audibly together IN TEMPO, and attacking with tongue pronouncing "TOO". b) Have first horn raise left elbow IN TEMPO as he and the other players inhale IN TEMPO, and bring down the elbow IN TEMPO for the attack, This elbow motion need be only a slight one, not distracting. Regarding rough attacks, remenber the air stream atarts and maintains the lip vibration; the tongue is merely a release valve and articulator for the air stream. The @riving energy for the air comes via diaphramatic,, abdo- mine}, intercostal, ete., mscles- Instructor of French Worn School of Music University of Illinois Urbana, IllinoisINTEGER VITAE GOD OF OUR FATHERS ‘THE BLUE BELLS OF ‘SCOTLAND (GOOD KING WENSESLAS (©.GOD OUR HELP IN AGES PAST BREAK FORTH, 0 BEAUTEOUS HEAVENLY LIGHT ‘THE SPACIOUS FIRMAMENT SEVENFOLD AMEN SEE, THE CONQUERING HERO CONES WHO Is SYLVIA? (CHRIST THE LORD HAS RISEN TODAY ALL THROUGH THE NIGHT FAITH OF OUR FATHERS NOW IS THE MONTH OF MAYING THE ASH GROVE MATONA FAIREST LORD JESUS SEND OUT THY LIGHT. VIVE L'AMOUR 6000 NIGHT BALLATA by PETRARCH AVE VERUM DEDICATION CONTENTS LORD AND FATHER OF MANKIND F. C. MAKER FREDERICH FLEMING GEO. WARREN EMING TRADITIONAL TRADITIONAL, CROFT 4.8. BACH HAYDN STAINER HANDEL SCHUBERT ‘carey OWEN TRADITIONAL MORLEY WELSH Lassus ‘TRADITIONAL Gounod TRADITIONAL, PINSUTI PALESTINA MOZART FRANZ Ses 315 West 53rd Street New York 19. N.Y.LORD AND FATHER OF MANKIND F.C. MAKER ‘Ass. MARVIN C. HOWE Andante ) = 88 nf, —= INTEGER VITAE {CH FLEMING Moderato 1—=76 Ar, MARVIN C. HOWE, GOD OF OUR FATHERS Andante ) = 112 . ‘Ass. MARVIN C. HOWE. 3 # —_—= + # oCopyright 1953 by CHAS. COLIN, 915 W. 59rd Street, New York 19, N.Y. International Copyright Secured Made in US.A. ALL Rights ReservedTHE BLUE BELLS OF SCOTLAND ‘TRADITIONAL Moderato J = 116 ‘Arc. MARVIN C. HOWE mf mia GOOD KING WENCESLAS ‘TRADITIONAL Andante J = 90.92 ‘Ase, MARVIN C. HOWE 3 2 f 2 O GOD OUR HELP IN AGES PAST Moderato J = 108 cRorr Are. MARVIN C, HOWE “BREAK FORTH, O BEAUTEOUS HEAVENLY LIGHT A882 ows Adogio | = 66 THE SPACIOUS FIRMAMENT HAYDN, Are. MARVIN C. HOWE SSS Se Cereees SEVENFOLD AMEN — Moderato S92 ‘Act, MARVIN C. HOWE 2 2 2 aoSEE, THE CONQUERING HERO COMES HANDEL Moentoso J = 84 ‘Ars. MARVIN C. HOWE WHO IS SYLVIA? SHUBERT Moderato |—92 Aer. MARVIN C. HOWE = —_ Sf =e CHRIST THE LORD HAS RISEN TODAY . CAREY Allegro Moderato } = 120132 ‘Are. MARVIN C. HOWE 2 2ALL THROUGH THE NIGHT OWEN Andante ) = 88 ‘Ars. MARVIN €, HOWE 2 A FAITH OF OUR FATHERS ‘TRADITIONAL Moderato } ==96 Age, MARVIN C. HOWE NOW IS THE MONTH OF MAYING MORLEY Andante J =82 Ace. MARVIN €, HOWE Fgh FoyeTHE ASH GROVE Moderato ] = 116 wHistt ‘Act. MARVIN C. HOWE dim 7h weston MATONA Lassus Moderato ‘Ac. MARVIN C. HOWE fiGee teraz) FAIREST LORD JESUS Modercto ) = 76 ‘Ate, MARVIN C. HOWESEND OUT THY LIGHT oD count Adagia J = 80 ‘Are. MARVIN C. HOWE A PS DSablode, Coda £P ere VIVE L-AMOUR Allegro J, == 120-132 Ace. MARVIN C, HOWE 2GOOD NIGHT | Andante Cantabile 1 = 100 PINSUTI ‘Are, MARVIN C, HOWE | 22 cress. toysBALLATA by PETRARCH PALESTRINA Andante J = 69 Are. MARVIN C. HOWEDEDICATION FRANZ Moderato b= 96 ‘Ase. MARVIN C. HOWIt 4s hoped that this collection will be a welcome addition to the com paratively limited literature for horn quartet. The mterial was selected for its musical value, appeal to the average audience, suit- ability for horns, and conduciveness to blend. 4 Successful use of horns as an independent quartet, requires the employ- nent of low register. This is normally notated in the bass clef. For training purposes, the fourth horn part is given in both bass, and treble clef; the ledger lines necessary below the treble clef should serve as a strong incentive to learning the truly easier bass clef. ‘The author makes the following suggestions: 1. The group should meet REGUIARLY and perform in public as extra incentive and reward. 2. It 4s rather pointless to perform good music with @ bad sound. Time necessary to develope blend, intonation, and easy response should be spent at the outset of each rehear- sal. The following will serve as a WARM a) Have the group start EACK tone between second line G and the G one octave lower WITHOUT TONGUE, very softly, with "Who-o-0-0-0" type head and throat resonance. Exhale into the horn froma deep breath supply, - DON'T "BLOW". ‘The tone should speak very gently, - and not in the least abruptly. d) Check intonation with major thirds and mjor triads, not just unison; check not only the slide tuning but the tone quelity and RIGHT HAND POSITION. Bright, tense tones are often sharp, and vice versa. The right hand is part of the instrument; without the hand the pitch 4s sharp; too much hand is liable to be flat and stuffy. Train the group to-start together WITHOUT conductor by: a) Shutting their eyes, breathing aydibly together IN TEVPO, and attacking with tongue pronouncing *T0O". bv) Have first horn raise left elbow IN TEMPO as he and the other players inhale IN TEMPO, and bring down the elbow IN TEMPO for the attack. This elbow motion need be only a slight one, not distracting. Regarding rough attacks, remenber the air stream starts and maintains the lip vibration; the tongue is merely a release valve and articulator for the air stream. The driving energy for the air cones via diaphramtic, abdo- minal, intercostal, etc., muscles. Instructor of French Horn School of Music ‘University of Illinois Urbana, IllinoisLA HORN QUARTET eet Property CONTENTS LORD AND FATHER OF MANKIND F.C. MAKER INTEGER VITAE FREDERICH FLEMING G00 OF OUR FATHERS GEO. WARREN EMING THE BLUE RELLS OF SCOTLAND ‘TRADITIONAL GOOD KING WENSESLAS ‘TRADITIONAL (0 GOD OUR HELP IN AGES PAST CROFT BREAK FORTH, 0 SEAUTEOUS HEAVENLY LIGHT 4.8. BACH ‘THE SPACIOUS FIRMAMENT HAYDN SEVENFOLD ANEN STAINER SEE, THE CONQUERING HERO COMES HANDEL, WHO IS SYLVIA? SCHUBERT (CHRIST THE LORD HAS RISEN TODAY caREY ALL THROUGH THE NIGHT OWEN FAITH OF OUR FATHERS ‘TRADITIONAL NOW IS THE MONTH OF MAYING MORLEY THE ASH GROVE WELSH MATONA cassus FAIREST LORD JESUS TRADITIONAL | ‘SENO OUT THY LIGHT GouNoo VIVE L'AMOUR TRADITIONAL, (6000 NIGHT PINSUTI BALLATA by PETRARCH PALESTINA ‘AVE VERUM MOZART DEDICATION FRANZ SJ Chas. Colin nes ‘315 West 53rd Street New York 19, N.Y.LORD AND FATHER OF MANKIND Je F.C. MAKER aE Arn MARVIN €. HOWE em Z me f tm. 7 oF INTEGER VITAE FREDERICH FLEMING Moderato J = 76 fic. MARVIN C. HOWE EZ 7 s _ GOD OF OUR FATHERS gn eauy Andante J = 11 Ase, MARVIN C. HOWE = f # oCopyright 1953 by CHAS. COLIN, 315 W. 53rd Street, New York 19, N.Y. International Copyright Secured Wade in 1.8.4 ALL Rights ReservedTHE BLUE BELLS OF SCOTLAND ‘TRADITIONAL Moderato = 116 ‘Arr. MARVIN C. HOWE. ame] ee 2 G0OD KING WENCESLAS somes Andante J =: At MARVIN C HOWE 22 2 F 2 , —— Bp f O GOD OUR HELP IN AGES PAST Moderato | = 108 Act. MARVIN C, HOWE, =z & meBREAK FORTH, O BEAUTEOUS HEAVENLY LIGHT 2, 5 pach Adegio) = 66 Are, MARVIN C HOWE Soma 3 2 Sane oF 7 THE SPACIOUS FIRMAMENT HAYDN. Allegro J = 13% Are. MARVIN © HOWE Wp etiendy =~ =f Modes Jae SEVENFOLD AMEN Aer MARVIN. HOWE 2 FSEE, HE CONQUERING HERO COMES | Macuaso J = 84 Ace, MARVIN HOWE 3a te oe ~~ a * Moderato |= 92 WHO IS SYLVIA? De. SHUBERI Are. MARVIN C. HOWE 4 te . ” SS mp FA —F CHRIST THE LORD HAS. RISEN TODAY Allegro Moderato } = 120.132 f Ae MARGIN G. HOWE 4 was # 4ALL THROUGH THE NIGHT Andante J = 88 Art. MARVIN HOWE S |, FAITH OF OUR FATHERS nou, sateas'] 36 1 ESI es SP ere oof ores NOW IS THE MONTH OF MAYING. Andante J = 82 ‘Are, MARVIN C. HOWE 4 Zool Een Fae FanoTHE ASH GROVE Moderato J = 116 = Ea MATONA Lassus 7 ‘Act. MARVIN €, HOWE t = ree P fore alle Reers, Seeget? S2F eae? tae FAIREST LORD JESUS sesommonan Moderao } = 76 Arr. MARVIN C. HOWE 2. 2 F 2 eed |r tesSEND OUT THY LIGHT Adegic | = 80 GouNoD ‘Aer, MARVIN C. HOWE §: a DAWhales 5 Coda nat eta [CLP Zo ‘Bere # 2 VIVE LAMOUR TRADITIONAL Allegro J, = 120-132 Ase. MARVIN C. HOWEGOOD NIGHT PINSUTI Andante Cantabile | = 100 Ast. MARVIN C. HOWE FF Reh ~ | aaledo eres f ateyeAni marge A Arimends poss a pec crescendo oi - &. PAR fae der Sle maf all. ef Limm =PBALLATA by PETRARCH PALESTRINA Andante | =69 Art. MARVIN C. HOWEete ls i 4H a9AVE VERUM Andante J = 66 MOZART ‘Ate. MARVIN C. HOWE 2DEDICATION rRANz eee Arr. MARVIN C, HOWE 2 P feo Pi 7p erase. aA WAY TO PLAY By FRED WEBER AUTHOR OF THE FOLLOWING FAMOUS BAND METHODS BELWIN ELEMENTARY BAND METHOD... cu Fred Weber FIRST ADVENTURES IN BAND. .oeoccgeconnnennmun —-Fred Weber BAND BUILDER PART Loon - cn Douglas-Weber BAND BUILDER PART Il. : Douglas: Weber BAND BUILDER PART Ill. one DOUGIOS- Weber BELWIN INTERMEDIATE BAND METHOD. ~ one Fred Weber BELWIN PROGRESSIVE BAND STUDIES... Fred Weber REHEARSAL FUNDAMENTALS NOTE SPELLERS FOR BAND INSTRUMENTS A WAY TO PLAY ‘A Beginning Band Course for class or private instruction especially for the Elemen= tary School Beginner. Designed to build a solid foundation in the Fundamentals of, music in the most interesting and entertaining manner making use of these new features (© A sary esey NEM eppctch 10 the Ge few lestons, making penile the playing of TUNES ard MelODte amos ined 18 The student becomes fall with the machiict of playing the insumeat fore ing inoduced tothe problem of READING musi 1 Eliinaion of moet teaching compromies between instruments Harmony nutes re erranged expeclly forthe common bes ing inruments, 1+ Musi Fundamental progress it bated on areulychoten melodies and leeresting devices rather than Imantacred enero: 2 secon exploring the poms of tarsterng 10 other related insvumens and emphasizing the ios berenn the begining and cela ieroman, Ths helps grey m tuleing 2 balanced Published for SEVEN BASIC INSTRUMENTS and CONDUCTOR, FLUTE with Tranter Instruction ti 1 ar CLARINET wih Tra ALTO SAXOPHONE with Trailer Insrctions to TENOR SAXOPHONE with Tranafor Instructions 0 Batane Saxophor BELWIN, Inc., Rockville Center (L. I.), New YorkCONTENTS BITTERSWEET CANON CAROL FANTASY, A FROM A FOREST GLEN LEGEND, A LENTO CANTABILE MARCH BRISK MOOD PENS(VE OLD GERMAN FOLK SONG SONATINA No. 2 SUMMER SONG SYMPOSIUM Clair W. Johnson Mozart-Gower Arr. by Harold L. Walters Paul Koepke « Tschaikowsky-Irons Widor-Irons Milton Dieterich Clair W. Johnson Brahms-Voxman Forestier-Cofield ‘Mendelssoha-Voxman Milo Dieterich TWO QUARTETS (Modal Chorale—Hornpipe Rondo) VIEW HALLOO! WINTER SUNSET INSTRUMENTATION ® FIRST HORN SECOND HORN Leroy Ostransky Paul Koepke Frank D. Cofield THIRD HORN FOURTH HORN FULL SCORE ROLLIN one PBbeatemera Publishing Corporation rr Sem tir 09 en 22 Ne 14 15 2 3 10 1 1i 4x Winter Sunset Ast Horn FRANK D. COFIELO Andante con moto Me” es. WS legato mf o. 43) a S agitato = — f REP Soli a no Sele) P\__ceqhndante con moto 4 mae rail af p90d a poco rit nf mp © Copyright MCMLVII by Rubank, Inc. Chicago, tt. 2 Internotional Copyright Secured2 d A Carol Fantasy 4st Horn Complied ond Arranged by HAROLD L. WALTERS Allegro moderate (d 2 (My Shere More Grazing (German, 17h century) 7 —= tf 2 (0) 3 r — 1 Little Tiny Child (English, 1591) ‘Andante cantabile @ = 78) (20) Come, All Ye Shepherds (Morevien, 1750) retto (J = 100) 9) © Copyright MEMLUII by Rubenk, In. Chicago, II Internetioncl Gopyright Secured 33 From A Forest Glen ist Horn PAUL KOEPKE Slow and sustained (J 68) (5) tf PPO 19) ey OP (20) tip erese SS tapreasivaly (2s) In time ~— mp fe mp dim. poco a poco (33) “op = A Ey op (o) ? af mp —= tf (4s) = 2 2? yy Pe aS a = Baa E aa} a 2. —$—<———— P mp rest: wf s) ef eapreseively aim pooo a poco” P © Cepyright MEMLVII by Rubank Inc Chicegos It 4 laternatianal Capycight Secured4 Symposium 1st Horn MILTON DIETERICH Larghetto (d= 28) mp EI (sa) erg ef T P ceatemes | We) Hl UP & mp ‘mebain Hn. Quast reatativo ep mp © Copyright MCLVH by Rubant, Ine. Chicege il Internotions! Copyright Secured 5e} Sonatina No. 2 4st Horn VOSEPH FORESTIER Arg by Frark D. Cofield Allegretto yO —= >> =— Allegro assai (sa), 3 If 2a He - =F © Copyright MCMLVII by Rubenk, Inc., Chicago, I ‘ ‘ternational Copyright Secured4st Horn _ 2d —== fF ‘aooel poco a "poco 6 Lento Cantabile CHARLES M. WIDOR ‘Arr. by Earl 0. trons Con espressione 1 Sole wf Sys 2 (4s) SS SS t = nie BP © copyright MCMLVI by Rubenky Ine, Chicago, Mh Tatecnatione! Copyrigit Secured 7 a fompo