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  • Sposa Son Disprezzata Violino I

    Uploaded by

    Joao Carlos
    3 views4 pages
    This musical composition is a lament by Antonio Vivaldi about a disrespected wife. It is written for solo violin and contains various musical phrases and motifs repeated throughout. The piece explores different tempos and moods to convey the emotions of the lament.

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    Original Title

    Sposa son disprezzata Violino I

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    © © All Rights Reserved

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    This musical composition is a lament by Antonio Vivaldi about a disrespected wife. It is written for solo violin and contains various musical phrases and motifs repeated throughout. The piece explores different tempos and moods to convey the emotions of the lament.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    3 views4 pages

    Sposa Son Disprezzata Violino I

    Uploaded by

    Joao Carlos
    This musical composition is a lament by Antonio Vivaldi about a disrespected wife. It is written for solo violin and contains various musical phrases and motifs repeated throughout. The piece explores different tempos and moods to convey the emotions of the lament.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 4

    "Sposa son disprezzata"

             
           
    Antonio Vivaldi (1678-1741)

        
    Largo

         
         
          
           
        
    7

                
          
         
    15

      
                 
           
    22

      

                    
          
       
    29

           


       
         



    34

                            
           
    39

    
    
                    
       
    45

      
               
         
      
    52

                              
       
    58

      
                                    
    65
          
    2

           


    71

     

      

                      
    79

        
                               
    86

           
          

     
        
    93
    Violino
    "Sposa son disprezzata"

           
            
       
    Antonio Vivaldi (1678-1741)

      
    Largo

       
       
                
            
    7

                
          
         
    15

      

                 
          
    22

      

               
       
         
    29

      

                          
       
     
    35

     
                    
       
    41

      

             
         
     
    47

     

                 
           
    54

      


       
                    
    60
                  
    2

              
    67

           
                   
    75

     

     
                  
    83

               
              
     
    89


        

      
    98

     

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