Sunrise

Our Last Night

 =152
  
                    

       
          
  
  


    
                     
8

          

  
Full of des pair in side a dark ness. Self con scious and

    


                
14


 
             
scared. held pris on er of war. Run ning out of air

   
 

   
             
19

 
  
        
bur ied in a sad ness. Want a way out of this par a lyz ing


    
   

  
            
24

                
world. And the sound of the cries when a fam' ly's loved one dies. It

    

      
2

        
   
29

               
ech oes through a va cant room where a young soul still re sides.

       


               

34

      
When the night is cold and you feel like no one knows what it's

   


            
          
39

    
like to be the on ly one, bur ied in this hole. You can make it to the

 
 

                 

44

sun rise, Whoa, whoa. You can make it to the

                              
                             


           

48

sun rise. Whoa, whoa.

                              

                      
  
3

                 
52

    
     
Search ing for a way to es cape the mad ness.

   
  


    
         
     
56


 
       
A di re need for change as we fight for bet ter days. The hurt and the

   
 

      
          
        
61

           
   
pain cut deep like a raz or blade. Hold ing in a cry for love a

 
    

     
         
66


ban doned and a fraid. When the night is cold

                      
           


 
           
71

and you feel like no one knows what it's

                        
                        
    
4

              
    
74

like to be the on ly one, bur ied in this hole.


                                 
         

                 
 
78

You can make it to the sun rise, Whoa, whoa.

                           
                           

                 
 
82

You can make it to the sun rise. Whoa, whoa.

                             
                             

 
             

86

I won't go to my grave un til a

              
                
                     

   
        
90

diff' rence is made.

        
                                
           
5

    

94

I won't go to my grave un til a


                                

     
   
  
98

diff' rence is made.

             
                                

              
 

102

 
When the night is cold and you feel like no one

  
         


 
                
  
106

knows what it's like to be the on ly one, bur ied in this hole.

                          
                         


          
   
110

You can make it to the sun rise,

                     
               
    
                  
6

 
113

Whoa, whoa. You can make it to the sun rise.

                              
                             

        
       
117

Whoa, whoa. I won't go to my grave

                               
                              

  
             

121

               

un til a diff' rence is made. un til a

                 
                        

  
               
125

                                 
diff' rence is made. Un til a diff' rence is made.

                        


            
  
130 

                               
      
     
7

                

139

             
           
