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Albrecht Classen (ed.), Magic and Magicians in the Middle Ages and the Early Mod-
ern Time: The Occult in Pre-Modern Sciences, Medicine, Literature, Religion, and
Astrology (Fundamentals of Medieval and Early Modern Culture, 20). Berlin and
Boston: De Gruyter, 2017, x + 757 pp., illustrated. ISBN 978-3-11-055607-0
modern world” (e.g., pp. 9, 13, 15, 17, etc.), sitting beside his acknowledgement
that magic was integral to accepted bodies of scientiae, not just in a “clerical
underworld,” but as one access to “esoteric” or “profound knowledge” of “won-
drous things” (pp. 18, 21, 102, with pp. 8ff., pp. 64ff., 104 ff.). We would have hoped
that these matters would have been more clearly sorted out to put the variety
of contributions in context.
Perhaps, in the end, it is better for all the articles to be read and not to have
systematized solutions at the beginning. But Classen relies as his key exam-
ple of types of magic on an early fifteenth century poem Der Ackermann (The
Plowman) written in High German for the distinctions of practices named geo-
mancy, hydromancy, chiromancy, necromancy augury, paedomancy, etc. (p. 5),
and readers have to wait 634 pages to learn that these categories derive from
Late-Antique Isidore of Seville (p. 639). Along the way we are helped with a
listing of relevant categories, used by Carolingian missionaries in the Early Mid-
dle Ages for handling local magicians (pp. 237–239 [Galle’s article in German])
and with tradition-legitimized ways of placing divine as against dark magi-
cal arts (ars notoria) (e.g., pp. 477ff.) or defining cultic malefici (pp. 568ff.).
Yet Classen himself has tended to lapse into simplicity by reducing problem-
atic magic to “necromancy” (esp. pp. 17, 19, 27, 79–50, 64–65, 105), which is not
indexed and for him apparently means sorcery in general, and only receives
its generic Latinization as nigromantia and its clearest definition as demon-
conjuring ‘black magic’ by Claire Fanger’s paper (at p. 478).
As theoretical background to the book, I notice that the whole book puts us
in touch with the new titles on Western magic. On ‘one hand,’ though, there
is surprisingly little placement of Lynn Thorndike’s seminal eight-volume His-
tory of Magic and Experimental Science (1923), and also little on the subsequent
history-of-science plumbing of what happens in the history of experimental-
ism and rational deduction during the time of most of the texts covered in
Classen’s collection. Thus Alistair Crombie’s massive Styles of Scientific Think-
ing in the European Tradition (1994) does not get a look in. Classen has learnt
of the recent Occult World (edited by Christopher Partridge) and Wouter Hane-
graaff’s survey there is acknowledged (p. 7), but strangely not Peter Forshaw’s.
And, ‘on another hand,’ when it comes to anthropological background, we often
get taken back to James George Frazer (sometimes to Durkheim, Lévy-Bruhl,
Malinowski, Mauss), but find nothing of the mass of newly documented mate-
rial on magic and sorcery, particularly from Melanesia. Nothing on ‘payback
theory’ really manifests, about more-or-less-private recourses and techniques
of revenge, for example, always featuring as among the last-surviving features
of traditional cultures, or about the transition from poisoning to (relatively)
non-poisoning societies. The whole question of universal(izing) religion com-
peting and holding advantage over what are overwhelming individual, local
and regional impetuses in this collection is not probed either.
Overall, the many chapters, on texts not accessible or well investigated
until recently—the Wistasse romance, The Book of Zabulon, Cantigas de Santa
Maria, Maugis d’Aigremont, Liber florum celestis doctrine, etc.—make this vol-
ume a wonderful contribution to learning. It is just that readers are left having a
harder time making sense of its manifoldness than might have been expected.
But perhaps that is not such a bad thing after all, for too much guidance can
flatten out variety or detract from a challenge better left to those daring to take
on this richly textured weighty tome.
Garry W. Trompf
University of Sydney
garry.trompf@sydney.edu.au