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As such, it is not only a shifting multi-layered portrait of Mulligan, person and artist, it is also a
cross-section of journalistic and essayistic jazz history. Packed with information, the set is a bulging
suitcase stuffed with Porter’s detailed examination of the collection and interviews with those who
involved in the salvage work, plus insightful talks with Montgomery’s rightful heirs in guitarists
George Benson and John Scofield. When Wes really made it big they came back together, but with
his name as the drawing card, for the last years of his life. Cool.I'm in. Nice to see it's not a EU 'grey
label' also. Resonance Records is pleased to introduce the third such archival offering with In the
Beginning. Writings On A Jazz Original is a most welcome addition to the extensive literature
already devoted to one of the giants of the music. Now, that's an awful hard thing to do, but it
would be different. I do love the book and appreciate the time and effort that you've put into it. It
may not display this or other websites correctly. But each of these things has a feeling of its own,
and it takes so much time to develop all your technique. I won't describe the book more, because I
don't want to take away the serendipitous joys of finding a new story, a new insight, musicians seen
from multiple perspectives. The release is attractively designed by Burton Yount. That album began a
life-long interest in Mulligan’s music. As Gerry considered how best to respond, Bob Brookmeyer
glared at Wallace, jerked a thumb at Mel Lewis, and said frostily, “We’ve got a Jewish drummer.
And, print format or not, I'm really enjoying reading it. It is a Reader, or a collection of articles,
interviews, and liner notes to recordings. Gerry Mulligan: Writings On A Jazz Original By Steven A
Cerra. On the air, Wallace’s tone became more contentious, and instead of asking the questions he
had asked at rehearsal, he said accusingly, “I understand you were involved with drugs, and did
some time because of it!” This left Gerry with little more to say than “yes.” Though Wallace was
using the information Gerry had given him at the rehearsal, he gave his audience the impression that
he was confronting Gerry with the results of his own private investigations. He was it for me, and I
didn't look at nobody else. From Fred Wesley, Pee Wee Ellis, Paul Jackson the Headhunter, Richard
Galliano to Rick Margitza, Tony is involved in many projects involving jazz, soul and funk icons
such as Kurt Elling, Charlie Haden, Ernie Watts and Gonzalo Rubalcaba,Flavio Boltro. But Cerra's
book, an appealing collection, does not duplicate the previous works. Just like the Miles Davis
Reader and the Duke Ellington Reader, Writings On A Jazz Original offers something a little
different. He was a man, with some routine traits and some faults and a few peculiarities and this
one large touch of genius. But I think it is such a valuable compilation that it should get heralded
right now. And determining who is playing in these settings with Montgomery is also tricky, because
DeCamp left no notes on the subject. Nor do I mean to imply that he was made out of spun sugar, or
that you could faintly see a halo when he walked down the street without a hat. In my opinion, Wes
Montgomery’s version of “Impressions” by John Coltrane is the absolute best in the world. Other
musicians were incredibly eager to play with Wes; in addition to co-star and guest-star recording
with Cannonball, Milt Jackson, and George Shearing, there were many plans and requests from name
performers that just never did get to happen—and, sadly, there wasn't even amateur recording
equipment on hand during those few weeks in the early '60s, mostly at the Jazz Workshop in San
Francisco, when he worked as part of John Coltrane's band. The ES-175 book was revised and re-
edited in 2007, replete with am additional chapter and many new and previously unpublished
photographs.
After the initial publication costs are met, 50% of all proceeds will be donated to The Gerry
Mulligan Foundation to buy musical instruments for individual students and school music programs.
When a man shows up in the big city preceded by all sorts of stories about his legendary
accomplishments back home, the natural tendency is for the New York musicians to gang up on him
and try cutting him down to size. I won't describe the book more, because I don't want to take away
the serendipitous joys of finding a new story, a new insight, musicians seen from multiple
perspectives. I was expecting it to be the standard paperback size, but this book is large. For the
balance of the ’50s all the way into the early ’70s, Mulligan burnished his reputation with various
iterations of the quartet, which included trombonist Bob Brookmeyer and trumpeter Art Farmer. He
made his first important recordings for Orrin Keepnews in 1960. The 2nd edition has numerous
additions, including many new photographs and details of the Gibson Wes Montgomery guitar,
together with an examination of all available film footage and music publications. For those who
thrive on darkness, there's heroin, cancer, imprisonment, broken hearts as well. Of course there are
thousands of hours of Gerry on record and film to savor. Many are embryonic versions of his best-
known works that, nevertheless, reveal a remarkable maturity and cleverness, his early forays into
hard bop and post-bop with hints of the blues and deep soul signaling the arrival of a sublime talent.
Resonance is proud to present another chapter in the legacy of Wes Montgomery.” Finally, if it
couldn’t get any better for Wes Montgomery fans, Resonance has signed on with the Wes
Montgomery Estate to release even more previously unissued music sometime in 2016-2017. This is
the third book published this year devoted to one of the most innovative performers of the post-war
jazz scene. But Montgomery used to loose off solos as if he was sitting on his back porch talking to
friends. We appeared on Mike Wallace’s television show during the time that Wallace was in the
process of building a reputation as an investigative reporter. The first surprise when it arrived is the
size of this book. But there was a cat living in Indianapolis named Alex Stevens. It may not display
this or other websites correctly. But Charlie Christian did; I mean, he stood out above all of it to me.
I think you'd have more control of the instrument. During either his first or second recording trip to
New York, he sat in with Horace Silver's group at the Village Gate one night. In order to get a
certain amount of speed, you should use a pick, I think. For nearly 60 years, all five songs from that
session (except “Love for Sale,” which later appeared on the 1983 Columbia Records compilation
Almost Forgotten) have languished in the vaults. If you want to check out my Top 5 classic Albums
list you can do so here: Top 5 Classic Jazz Albums. Cool.I'm in. Nice to see it's not a EU 'grey label'
also. And the horns of “Sandu” march in audaciously, as if taking lead of a New Orleans’ second
line parade, before those of a mournful “Whisper Not” drop to their knees in prayer. This project is
made possible with the help of Robert Montgomery, Wes’s youngest son and the head of the Wes
Montgomery Estate, who signed on as associate producer. On the air, Wallace’s tone became more
contentious, and instead of asking the questions he had asked at rehearsal, he said accusingly, “I
understand you were involved with drugs, and did some time because of it!” This left Gerry with
little more to say than “yes.” Though Wallace was using the information Gerry had given him at the
rehearsal, he gave his audience the impression that he was confronting Gerry with the results of his
own private investigations. A jazz guitarist extraordinaire acclaimed and celebrated all over the
world. Gerry Mulligan: Writings On A Jazz Original By Steven A Cerra. Cerra has provided a
comprehensive and insightful exploration of his contribution to jazz, offering a profound exploration
of Gerry Mulligan’s musical legacy as well as his enduring impact.”.
When a man shows up in the big city preceded by all sorts of stories about his legendary
accomplishments back home, the natural tendency is for the New York musicians to gang up on him
and try cutting him down to size. We appeared on Mike Wallace’s television show during the time
that Wallace was in the process of building a reputation as an investigative reporter. This site may
earn a commission from merchant affiliate links like Ebay, Amazon, and others. He played guitar,
and he was about the toughest cat I heard around our vicinity, and I tried to get him to show me a
few things. He was a man, with some routine traits and some faults and a few peculiarities and this
one large touch of genius. I was expecting it to be the standard paperback size, but this book is large.
Readers will additionally gain valuable insights into Mulligan’s musical influences, collaborations
and partnerships, which affected the evolution of his distinctive sound. The new project with Ulf
Wakenius comes only reinforce the promising talent and the musically brilliant moment that he
enjoys now. Even before that release, Buddy Montgomery's widow Ann approached Feldman and
Resonance founder George Klabin with the Turf Club, Missile Lounge, and jam session recordings,
looking for a respectful home for this never-released music. I think you have achieved something
special in pulling this together. Gerry managed to field Wallace’s questions with his usual aplomb, but
he found himself at a loss when Wallace asked him, “I notice there are no black musicians in your
group. Writings On A Jazz Original is a most welcome addition to the extensive literature already
devoted to one of the giants of the music. To me the biggest thing is to keep the feeling within your
playing regardless of what you play. I know it doesn't affect everyone, but I happen to be one of
those who has trouble enjoying a solo by a man I happen to know to be personally a son of a bitch.
Large-scale public approval, however, did not come so swiftly. For the balance of the ’50s all the way
into the early ’70s, Mulligan burnished his reputation with various iterations of the quartet, which
included trombonist Bob Brookmeyer and trumpeter Art Farmer. Bluntly, I considered the small-
group, strictly-jazz settings of almost all the Montgomery albums I produced to have been the most
fertile musical soil for him. Being Gerry Mulligan: My Life In Music comes from a collection of
audio tapes he left behind which have been lovingly reconstructed as an autobiography by Ken
Poston. To me, Mulligan is in the odd position of being simultaneously celebrated and viewed at a
curious distance. He wasn't a drug addict or alcoholic nor a womanizer. In my opinion, Wes
Montgomery’s version of “Impressions” by John Coltrane is the absolute best in the world. Cerra's
book is not the only one on Mulligan: Sanford Josephson's biography, JERU'S JOURNEY: THE
LIFE AND MUSIC OF GERRY MULLIGAN, appeared in 2015, and two oral histories appeared
earlier. I thank you. I hope you make a fortune - both for the Foundation and for yourself. (I have
already persuaded a good friend to purchase this book and will try with others I know). Cool.I'm in.
Nice to see it's not a EU 'grey label' also. Share to Twitter Share to Facebook Share to Pinterest. Of
course there are thousands of hours of Gerry on record and film to savor. Pieces are culled from
books, album liner notes and Steve's own posts. He does it without a mistake, like some cats play
piano they couldn't make a mistake if they wanted to. But after two months time, I still couldn't use
the pick. I highly recommend this book for any fan of Gerry Mulligan, but also for any fan of jazz.
As Gerry considered how best to respond, Bob Brookmeyer glared at Wallace, jerked a thumb at
Mel Lewis, and said frostily, “We’ve got a Jewish drummer. That album began a life-long interest in
Mulligan’s music. I didn't realize he was playing so much bass until I heard him with Diz. He's
trying to get away from the guitar phrase and get into horn phrasing. To me, Mulligan is in the odd
position of being simultaneously celebrated and viewed at a curious distance. Cerra himself doesn't
demand center stage, but his writing is clear and unfussy, a pleasure. Keeping this in mind and
working on this aspect of your playing can really improve your solos more than you can imagine. For
fifteen years he has worked with the cream of world-class jazz musicians, both as a music producer
or musician and musical director. But each of these things has a feeling of its own, and it takes so
much time to develop all your technique. Voted best Hammond Player in 2010 by JAZZIT magazine
(Italia), Leonardo Corradi met Jimmy Smith on stage seven years ago, just six month before his
death. It may not display this or other websites correctly. But the feeling of closeness remained for
both of us—I'd have to say that there haven't been over half a dozen people in the world who have
meant more to me.”. Bluntly, I considered the small-group, strictly-jazz settings of almost all the
Montgomery albums I produced to have been the most fertile musical soil for him. On the air,
Wallace’s tone became more contentious, and instead of asking the questions he had asked at
rehearsal, he said accusingly, “I understand you were involved with drugs, and did some time
because of it!” This left Gerry with little more to say than “yes.” Though Wallace was using the
information Gerry had given him at the rehearsal, he gave his audience the impression that he was
confronting Gerry with the results of his own private investigations. Simon, Ira Gitler, Michael
Cuscuna, Jack Gordon, Nat Hentoff and Leonard Feather, among others. And determining who is
playing in these settings with Montgomery is also tricky, because DeCamp left no notes on the
subject. Share to Twitter Share to Facebook Share to Pinterest. The new project with Ulf Wakenius
comes only reinforce the promising talent and the musically brilliant moment that he enjoys now.
Scarce vintage glossy 9.25 x 7.25 photo, signed in fountain pen. Given that the print size is standard,
that was when I realized how comprehensive the book was going to be. The result was often
valuable and informative writing. He had a strong fear of flying: he took short trips if absolutely
necessary, but they left him pretty shaken up. (The first time he was approached about a European
tour he pointed out that he didn't much care for ocean voyages either, and finally claimed he'd go
only if someone could figure out a way he could drive there.). I got a job playing just the solos,
making money in a club. He asked questions that had been prepared by his staff, and Gerry answered
frankly about his career, his experiences with drugs and the law, and other aspects of his life. The
book is available as both an eBook and a paperback exclusively on Amazon.com. With the holidays
coming up, why not consider purchasing a copy for the Jazz fan in your family. In 1985, Rolex in the
Sea-Dweller's minority version of the first use of rolex replica watches 904L steel, more rust,
corrosion resistance, but at the same time 904L steel has a drawback, that is, with the increase in
steel hardness. More unpredictable, a sly remake of Gil Evans’ “So What,” the magnificent entryway
into Miles Davis’ masterpiece Kind of Blue, rushes in, only to have the group settle down and turn it
inside out. The book is a reader, and its seven discrete chapters cover specific periods in the
musician’s musical life, each chapter presenting selections from essays, articles, interviews and liner
notes by various hands and providing insights into Mulligan’s unique style, contributions and impact
on the jazz genre. I now look forward to months of careful reading (probably with Mulligan playing
in the background.) Hi Steve, Well, I've read enough of your book to allow me to think that I can
comment intelligently on it. Mulligan is in the pantheon of great jazz innovators and his legacy is
given the justice it deserve's in Cerra's tome.
But there was a cat living in Indianapolis named Alex Stevens. Writings On A Jazz Original is a
most welcome addition to the extensive literature already devoted to one of the giants of the music.
The result was often valuable and informative writing. He gives it a real soft touch, but the ideas are
just like Tal Farlow's to me. That way you have a lot of variations, if you can control each one of
them and still keep feeling it. The other two Montgomerys are half the original Mastersounds quartet,
which a few years ago won the Critics Poll as Best New Small Group. For some, he would have
been slightly behind Ellington's majestic Harry Carney; for others, he would have outstripped Carney
as an innovator and creative thinker. And there's another guy from Houston who plays with his
thumb. Share to Twitter Share to Facebook Share to Pinterest. That all those people fell in love with
his music is a tribute to him, a triumph of artist over surroundings. Resonance is proud to present
another chapter in the legacy of Wes Montgomery.” Finally, if it couldn’t get any better for Wes
Montgomery fans, Resonance has signed on with the Wes Montgomery Estate to release even more
previously unissued music sometime in 2016-2017. Listeners will be gripped by the history and
experiences underlying these recordings during this time of segregation, a time when the South had a
brewing fear of integration. I know it doesn't affect everyone, but I happen to be one of those who
has trouble enjoying a solo by a man I happen to know to be personally a son of a bitch. If pre-
ordered on iTunes, customers will receive four tracks instantly: “Four” (recorded at the Turf Club),
“A Night in Tunisia” (recorded at the Missile Lounge), “Far Wes” (recorded for Epic Records in
1955), and “Smooth Evening” (recorded in 1949 for Spire Records). Resonance Records is pleased
to introduce the third such archival offering with In the Beginning. Cerra’s choice includes many
hard-to-find items like a chapter from the now out-of-print and pricey Ruddick biography of Chet
Baker discussing the formation of the Gerry Mulligan quartet. At 20 years old Leonardo Corradi
recorded his first album with the great guitarist Peter Bernstein. When Wes really made it big they
came back together, but with his name as the drawing card, for the last years of his life. They deserve
this lavish, deluxe-edition packaging, specially pieced together for Record Store Day 2019 with an
assortment of vintage photos to rummage through. Bluntly, I considered the small-group, strictly-jazz
settings of almost all the Montgomery albums I produced to have been the most fertile musical soil
for him. Consider, if you will, a book of reviews of Ulysses: a reader would learn not only about the
subject, Joyce's work, but how it was regarded, decade after decade. There are three Downbeat
Blindfold Tests that Mulligan undertook including one with Harry Carney. Given that the print size
is standard, that was when I realized how comprehensive the book was going to be. Gerry Mulligan:
Writings On A Jazz Original by Gordon Jack “Steven Cerra studied drums with Victor Feldman and
Larry Bunker before going on the road with Bobby Troup, Anita O’Day and Juliet Prowse during the
sixties. At first, I was disconcerted that the book lacked an index (possibly a financial decision) but
rambling through its pages, I have welcomed the opportunity to find surprises without arrows
pointing to them. For the balance of the ’50s all the way into the early ’70s, Mulligan burnished his
reputation with various iterations of the quartet, which included trombonist Bob Brookmeyer and
trumpeter Art Farmer. Mulligan is in the pantheon of great jazz innovators and his legacy is given the
justice it deserve's in Cerra's tome. Of course I would have preferred it if there could have been some
middle ground, if he could have gone out to the mass market sounding rather more like the Wes I
knew and worked with. Most of all, I've lost a hobby—it has been a very long time since I could
have that pleasantly voluntary degree of involvement that the fan has, listening to jazz only when
you care to, listening only for enjoyment, having only a superficial or non-existent or gleaned-from-
magazines knowledge of musicians as people. Resonance Records is pleased to introduce the third
such archival offering with In the Beginning.
I didn’t know that the 1966 track, released just 2 years before his untimely death, was recorded in
Rudy Van Gelder’s studios in New Jersey for the album Tequila (on Verve Records). In the
Beginning features extensive liner notes, and meticulously designed artwork that have become the
label's trademarks. Share to Twitter Share to Facebook Share to Pinterest. I didn't realize he was
playing so much bass until I heard him with Diz. I'd like to hear a guitar play parts like instead of
playing melodic lines, leave that and play chord versions of lines. I know it doesn't affect everyone,
but I happen to be one of those who has trouble enjoying a solo by a man I happen to know to be
personally a son of a bitch. They deserve this lavish, deluxe-edition packaging, specially pieced
together for Record Store Day 2019 with an assortment of vintage photos to rummage through. Had
there been a jazz festival with Leon Roppolo and Ornette Coleman on sequential stages, Gerry
would have sat in with both of them and made everyone feel at home with his presence. Gerry
Mulligan: Writings On A Jazz Original By Steven A Cerra. His interest in Gerry Mulligan began
when he first heard the Mulligan sextet’s famous 1954 San Diego concert which featured Jon
Eardley, Bob Brookmeyer, Zoot Sims, Red Mitchell and Larry Bunker. I didn't know that George
Duvivier had been invited by Duke to join the band at the same time Duke found Jimmie Blanton,
and why Duvivier said no; I hadn't known how Al Cohn had lost one eye; his tumultuous
relationship with Chet Baker, his working relationships with Miles Davis, Gil Evans, and much
more. I won't describe the book more, because I don't want to take away the serendipitous joys of
finding a new story, a new insight, musicians seen from multiple perspectives. From the start, no one
had to coax players of the caliber of Percy Heath or Tommy Flanagan or Hank Jones to record with
Wes, and I still remember his early sessions as among the most enjoyable I've ever been involved
in— despite the fact that Percy could run Wes a close second in the fine art of complaining about the
imperfection of his own performance. I feel that those records, most of which present Wes with little
more than first-class rhythm accompaniment—have far more validity and lasting importance than
the albums he made later for others, the big-selling records with heavy backgrounds, pop-oriented
repertoire, and hardly any room for improvisation. Getting notified via SMS Text Message will
require you to verify your cell phone via the profile page in your account. Cerra’s choice includes
many hard-to-find items like a chapter from the now out-of-print and pricey Ruddick biography of
Chet Baker discussing the formation of the Gerry Mulligan quartet. Of course there are thousands of
hours of Gerry on record and film to savor. Resonance Records is pleased to introduce the third such
archival offering with In the Beginning. They reward his gestures with their dazzling chops. Had
there been a jazz festival with Leon Roppolo and Ornette Coleman on sequential stages, Gerry
would have sat in with both of them and made everyone feel at home with his presence. Steven
writes: “The purpose of this book is to provide the reader with a sequential and thematic account of
the life and music of Gerry Mulligan (April 5, 1927-January 20,1996.) I’ve been enjoying reading it.
Nor do I mean to imply that he was made out of spun sugar, or that you could faintly see a halo
when he walked down the street without a hat. That album began a life-long interest in Mulligan’s
music. We appeared on Mike Wallace’s television show during the time that Wallace was in the
process of building a reputation as an investigative reporter. This fact is reflected in the compelling
written material sourced by Cerra, which comprises the book’s first three chapters and represents
over two-thirds of the book’s pages. He had a nearly fifty-year career as a jazz luminary, a deep
influence as a singular player of a sometimes-underestimated instrument, the baritone saxophone. I
never saw him in my life, but he said so much or the records that I don't care what instrument a cat
played, if he didn't understand and didn't feel and really didn't get with the things that Charlie
Christian was doing, he was a pretty poor musician—he was so far ahead. The book is a reader, and
its seven discrete chapters cover specific periods in the musician’s musical life, each chapter
presenting selections from essays, articles, interviews and liner notes by various hands and providing
insights into Mulligan’s unique style, contributions and impact on the jazz genre. I didn't know that
George Duvivier had been invited by Duke to join the band at the same time Duke found Jimmie
Blanton, and why Duvivier said no; I hadn't known how Al Cohn had lost one eye; his tumultuous
relationship with Chet Baker, his working relationships with Miles Davis, Gil Evans, and much
more. Then, after a while, it breaks and I don't even want to hear them. Nothing. I think it's because
at the times I don't want to hear, I've heard so much it's got me confused and I'm so far away from it
on my instrument—from the things I've been hearing— that I've got to put it aside and go back to
where I am.