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  • Ziemia Obiecana - Temat - Bassoon Nowy

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    maria.partyka1
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    The document is a musical score for the film "The Promised Land" composed by Wojciech Kilar. The score uses musical notation and symbols over 127 lines to notate the piece in 4/4 time with tempo and expression markings. It features melodic and rhythmic motifs that develop and repeat throughout the piece in support of the film.

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    Ziemia Obiecana -Temat- Bassoon Nowy

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    The document is a musical score for the film "The Promised Land" composed by Wojciech Kilar. The score uses musical notation and symbols over 127 lines to notate the piece in 4/4 time with tempo and expression markings. It features melodic and rhythmic motifs that develop and repeat throughout the piece in support of the film.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    2 views2 pages

    Ziemia Obiecana - Temat - Bassoon Nowy

    Uploaded by

    maria.partyka1
    The document is a musical score for the film "The Promised Land" composed by Wojciech Kilar. The score uses musical notation and symbols over 127 lines to notate the piece in 4/4 time with tempo and expression markings. It features melodic and rhythmic motifs that develop and repeat throughout the piece in support of the film.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    TEMAT

    z filmu "Ziemia Obiecana"


    Wojciech Kilar

      3 
          
                               
     = 160

      3             

                       
    3 3

            
               
    24 3 3 3 3

    cresc.

       3   3   3   3   3   3   3   3 

                               
    32

                                 
           
    37 3 3 3 3

    cresc.

       3   3   3   3   3   3   3   3 

                               
    44

          
         
                  
           
     
    49 3
    3 3 3



    3

                                       
    3

    
           
    57 3

        
    3

                       
                   
    67

    3 3 3

                                          
    3

              
    75

     
    3
    3

           

                                
           
    3


    80

    3
                                                  
     
    3 3 3

      
    93

    3 3 3 3 3 3 3

        
                               
                  
    98

    3 3 3 3

              
             
                      
    107

     

                                            
    
    115

         
     
              
              
          
    
    121

      
     
    127

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