Justin-Tyme


 
Roy Bargy

            
transcribed by Victor Beck

      
      

                   
 = 205 Swing
  
           3 
            
           
3

  
    


             
                                 
          
      
  
5

        
          
        
  
    


  
                            
            
9

    
     3  3
           
3 3

      
   


              
       
     
                      
            
        
 
     
13

      
                
        
    


        2.
                            
           
1.

         
18

         
    
       
      
     
  

3 3 3 3

  



              
            
 
                  
22

  
       
              
  
3

   
3

 

       

Piano Roll: MEL 240454, 1922, Justin-Tyme, Roy Bargy

                         
2

             
straight eights

         
 
    
26

       
             
    
    
3

  
3

       
  


     
     
  
       
         
              
31

 
        
              
  
3

       


                          
                        
  
1. 2.

  
35

     
     
                
3 3 3

       
  







   3    
   3     
                 
  
       
   
39
3

      
   
      
      
 
     


   


          

             
      
                                  
43


             
                 
 

  

      

      
 


                      
                    
     
     
             
47

   
        
  
  
                  
       
Piano Roll: MEL 240454, 1922, Justin-Tyme, Roy Bargy

 
 
                         
   
   
3

                       
52

 
           
             
 
             
 


                
                                 
1. 2.


                 
  
56

         
                   
 
  


          
 
              
       
   
      
61

 
 
3

      
 
  
         





    

 

3

    
   
3



                
     

             
             
65


3

         3

           
3 3 3

         
   
 



              
           
              
 
69

 
 
3

    
  
 
  
       

    

 
  
3

    
3


 
               
       

                        
      
    
    
 
1. 2.

   
73

     
           
             

3

       
Piano Roll: MEL 240454, 1922, Justin-Tyme, Roy Bargy