Title: Mastering the Art of Crafting a Phantom of the Opera Literature Review

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Lost Wedding Ring: Erik gives Christine a plain wedding ring and says that she is protected so long
as she wears it, although Raoul doesn't like it since he wants to marry Christine himself. Yes, both in
Phantom and in Frankenstein the tragedy of the story outweighs any horror. SeeTickets are a
secondary marketplace and that prices may be above face value. Leaning into the afternoons, I fling
my sad nets to that sea that is thrashed by your oceanic eyes. In Gaston Leroux's novel, Erik is
hideously ugly from birth. Will Christine stay on the stage or disappear into the opera house’s dark
cellars and grim secrets. The son of an ambassador to Britain, his father had been killed in a riot in
Bombay. And yet, like Apollo (creativity through precision) Erik is a master of art and inspiration
(creativity through rebellion). Her husband was a great fan of photography, and there are many
pictures of her on the internet if you care to look. Well, I have no husband, and I shall never marry!”
What the Hell, Hero?: Christine and her guardian both chew out Raoul for too quickly assuming the
rights of a husband or lover with his love interest and meddling in Christine's private affairs.
Understandable, as Erik has been trying to freak him out by playing the ghost and throwing skulls at
him. Giry's pride was so great that the celebrated box-keeper imagined that everybody knew her. It is
not the music audiences will remember; it’s the opera’s chandelier swinging crazily over the stalls, or
a masked figure crouched menacingly over a gilded angel. There are many things which could have
contributed to Erik’s deformity, although some of his traits (e.g., his glowing cat’s eyes) are
scientifically improbable. He was not, as was long believed, a creature of the imagination of the
artists, the superstition of the managers, or the absurd and impressionable brains of the young ladies
of the ballet, their mothers, the box-keepers, the cloak-room attendants, or the concierge. But now I
find myself drawn to my studio over several successive evenings, working by the hard-edged light of
a halogen lamp, manipulating the brush to create the blotched and mottled texture of Erik's skin.
Here is a tidy summary of their most obvious parallels: Nilsson’s family was forced to leave their
home due to poverty, moving to the southern hamlet of Skatelov (compare to Christine’s fictitous
hometown of Skotelof) where she began singing with her father at church, accompanied by his
violin. Whether the Phantom is actually justified in feeling outrage at his ostracism is a key open
question of the story. The Gentleman or the Scoundrel: Raoul and Erik, with Raoul being the
gentleman due to his being upper class, usually polite, and genuinely on good terms with Christine,
while the dangerous and uncontrollable Erik whom can mesmerize Christine with his artistic passion
as a singer is the scoundrel. This lends a pleasingly perverse Freudian twist to the erotic tension
between the two characters, and the performers John Owen-Jones and Celia Graham make the most
of it. That eerie disembodied voice you hear echoing your words is just the wind, really. After twenty
years, Claudin is forced to leave his job as a result of pains in his hands which are affecting his
ability to play. Imagine what people who believe that are going to think of somebody like Erik—no
matter what he does. After abducting Christine to force her to marry him, Erik finds her trying to kill
herself and ends up binding her to prevent another attempt. No Celebrities Were Harmed: Many of
the characters in the original novel, including some of the main cast, are thinly veiled versions of real
people who lived in Paris around the time Leroux wrote the story, and a few references to real events
are also made. The name alone attracts much attention (Christine or Christine is indeed the feminine
version of the male name Christian) as does her strange transformation after kissing Erik. Squibb
since 2010. Outside of his responsibilities in his prior. Readers of the novel understand that Erik is a
genius, but also a tremendously manipulative sociopath, and that while Raoul is hardly less
emotionally stable, Christine’s choice is natural. Gaston Leroux’s Gothic novel was first published in
French in 1911. It also analyzed reviews to verify trustworthiness.
He looked at Mme. Giry, in her faded shawl, her worn shoes, her old taffeta dress and dingy bonnet.
It's All About Me: Arguably, everyone except Christine, the Persian and Madam Valerious: Raoul:
After Christine murmurs: “Poor Erik!” At first, he thought he must be mistaken. Faint in Shock:
Christine faints on stage after her splendid gala performance. At the same time, he continues to pay
for expensive singing lessons for a young soprano who is heavily implied to be his illegitimate
daughter (introducing some touches of incest). It won an Olivier Award in London in 1986 and a
Tony Award in New York in 1988. In 2001, Mr. Prince had them switch roles to keep things fresh.
Emily - Goodreads This is such a great, memorable book of all time. Released in 1989, the Robert
Englund (Freddy Kruger) version combines elements of “Faust,” “The Wizard of Oz,” “Friday the
13th,” “A Nightmare on Elm Street,” “The Texas Chainsaw Massacre,” and other slasher films to
make the goriest interpretation of Leroux’s novel ever produced. The somewhere is mine And from
there I'll continue. The American edition which I have to hand shows only the eerily-deserted grand
staircase of the Paris Opera House on the cover. In his hands, the show concentrates more on the
horror than the romance; but only once does he turn to the audience and growl - which, considering
how scenery chewing this role could be, counts as admirable restraint. Give us your email address
and we’ll send this sample there. Although Leroux transforms the cigarette-smoking, wine-slurping,
nude model, Irishwoman into an emotionally-judicious, level-headed, chaste Scandinavian, the
insidious effect of Erik on Christine is utterly carnal: as I will point out ad nauseam in my notes,
Erik’s power of Christine is unquestionably meant to be read with a sexual subtext. Scrapbook
Story: We hear the story from the Narrator based on his research (which contains several flashbacks
narrated by Christine to Raoul and by Madame Giry to the new managers), memories of one of the
new Opera managers Moncharmin, and the Persian. In the yellow-white halogen light I
experimentally exhale smoke from my pipe onto the painting, wreathing the Phantom in a drifting
cloud. The Phantom has won over 50 awards including 3 Olivier, an Evening Standard Award, 7
Tony’s and 3 Outer Critic Circle Awards. Novel by Gaston Leroux Published in 1909 Partly inspired
by historical events at the Paris Opera during the 1800s. Although he suffers in the hands of phantom
he believes that true love will conquer (Gale, 2014). The Phantom's entire face is covered by a gray
mask which leaves only one eye visible in the Hammer version. Instead, our system considers things
like how recent a review is and if the reviewer bought the item on Amazon. Set in Victorian London,
it follows the gruesome revenge of Professor Petrie, who was thought to be killed in the fire that
destroyed his musical manuscript. Perhaps his three biggest influences were a trio of late Victorian
novels written about tragic romances, hidden motives, and secret identities. The musical beautifully
combines a mixture of genres, performed through opera, leaving the audience entrapped in a tragic
tale of love. In the phantom of the opera this is depicted by Erik relation with Christine, the quest for
him to win Christine’s heart, doing everything in his capacity as a phantom. And, to be honest, it's a
pretty schlocky Gothic romance. And the films? The 1925 silent version with Lon Chaney, Snr., once
seen, remains indelibly in the mind, resonating with the authentic power of a dream, or of a
nightmare. And for those images alone, this show is still worth seeing. (Marlowe, S, 2002). The face
described by Leroux seems so genuinely appalling that I find myself drifting towards a masked
portrayal after all. Majesty’s Theatre in London’s West End, featuring Brightman. It's scary, creepy,
romantic, sweet, sexy, dark, sad, depressing, etc.
On a canvas board I have previously applied a coating of ivory-colored oil paint with a palette knife.
The designer died earlier this month, aged 53, and if Phantom has stood the test of time, it’s because
of her. Hearing his music coming from another room, Claudin, wrongly believing that the publisher
has stolen his work, attacks and kills him. Falling Chandelier of Doom: Probably not the Trope
Maker, but definitely the Trope Codifier and still one of the most famous examples of the breed.
Based on a real-life accident when one of the counterweights of the Opera House's grand chandelier
fell into the auditorium and killed a woman. Clicking on the image will take you there (right click
opens a new tab). Lemony Narrator: Gaston Leroux, which Lowell Bair, at least, mostly preserves.
When Raoul and the Persian fall into it, it starts as a Sauna of Death and ends as a Drowning Pit,
although its greatest torture is psychological. The phantom costumes reveal a hat with an attached
mask and cape, this feature depicts fear and the true state of a fearless living. The syphilis argument
has good ground to stand on (Edvard Munch’s macabre painting “The Inheritance” (the painting
above) shows a version of what Erik’s infancy may have looked like: a Victorian woman in
mourning clothes cradles a green-skinned baby with dark eyes and a chest oozing with sores). The
Narrator lampshades in the Epilogue that Erik, with an ordinary face, would have been one of the
most distinguished of mankind, due in no small part to his artistic and engineering skill. The story
opens with the day on which the managers of the opera are due to retire and are given a final
performance to mark the event. O world, all is night, life is the lightning.) Octavio Paz from Live
Interval. Pointy-Haired Boss: Deconstructed with Opera managers Richard and Moncharmin:
Everybody knows they got their jobs thanks to their connections, and that they don’t know a lot
about music or how to run the Opera. Singer and composer Winslow Leech is cheated and framed
for drug dealing by record producer Swan. And if you're looking for cheesy synth music, or a true
masterpiece of horror, or groundbreaking storytelling, then you should look to one of the many, many
Phantom adaptions. What you tell is so worthwhile for me, because you give me some feedback on
what I was aiming for at the time: a determination not to compromise on a fidelity to Leroux's
description of the character, even though it would be published as a Puffin imprint for a younger age
group. But most of all, the show belongs to Sarah Brightman and Michael Crawford, who soar and
swoop through their hugely demanding roles like eagles. It's All About Me: Arguably, everyone
except Christine, the Persian and Madam Valerious: Raoul: After Christine murmurs: “Poor Erik!” At
first, he thought he must be mistaken. Like many other stories, The Phantom of the Opera engages
the conventions of horror as a metaphor for the unfair results of social class and its rigid distinctions.
But Christine is being all weird and vague about her new music teacher, who she claims is the Angel
of Music. Feel free to paraphrase them for school work or study from them. Christine enters as a
Christ-figure in that she freely, voluntarily offers herself in Raoul’s stead. Stalking is Love: Again,
Erik. And Raoul. Start of Darkness: The Phantom's exile from the human race because of his
ugliness. I admonish all who have any knowledge in these matters that they write it down. In fact,
the bombastic film may be the only thing that makes the musical look understated. She was renowned
for her honey-blond hair, piercing blue eyes, and the supernatural sublimity of her singing. This is
later explained in that The Phantom can move through the hatches on the Opera, and some rooms
were intentionally designed to be spied upon. Professional Killer: According to the Persian, Erik did
this as part of his work for the Shah-in-Shah: He took part calmly in a number of political
assassinations; Proto-Superhero: The Phantom is an archetype for many later super villain concepts.
When the victim cannot endure any more, there's also a rope to hang himself.
Yes, both in Phantom and in Frankenstein the tragedy of the story outweighs any horror. Technician
Versus Performer: Explanation for the difference between Carlotta and Christine. Redundant Rescue:
Raoul's and the Persian's rescue mission ends with Christine being forced to save them from the
Phantom's Death Trap. He makes it hard for the two love birds to actualize their love and does
everything he could do to ensure he wins the love of Christine. Hyacinthe Olivier Halanzier managed
the house from 1875 to 1879. A fire starts, Petrie throws what he thinks is water, but is really acid,
on the fire, Some acid splashes back in his face and scars him. Love Triangle: Raoul and Erik are
both after Christine's affection, although on Christine's part, her feelings for Erik are a mix of pity
and horror rather than love. Christine plays her role very well in bringing the phantom to her knees
and her charm is irresistible. Film is an art form with a language and an aesthetic all its own. The
modern era furnished Leroux with plenty of models, also. Death Trap: The Phantom installed one as
the first room beyond the back entrance to his lair to intercept trespassers. Tragic Monster: Erik, who
has known nothing but hatred and fear his entire life, and wants desperately for someone, anyone to
love him. The airy baroque interiors of the Paris Opera House are transformed under Leroux's pen
into spaces which become dark, brooding, and strangely claustrophobic in their vastness ( above, and
below ). Visit to find information for show times, calendar event dates and how to buy tickets.
Gaston Leroux, then a journalist, based the story's mystery elements on a theory that the tragedy was
actually a failed murder plot. It’s only when he actually triumphs that he realizes how impractical
those dreams are. Upload Read for free FAQ and support Language (EN) Sign in Skip carousel
Carousel Previous Carousel Next What is Scribd. When Raoul first comes face to face with Erik in
the Perros graveyard, he faints. The crown prince and a Diva Parisian opera singer whose bewitching
voice casts a powerful spell. Columnists in search of subjects chronically were eager to know who he
was, what his name was, where he came from, what he was doing in Paris. It's only once he sees
how miserable he's made Christine that he puts aside his self-pity for empathy. Domestic Abuser:
Erik could be a deconstruction if not an Unbuilt Trope. Fans of the novel and its derivatives have
pointed to a number of conditions including a ghastly combination of cutaneous porphyria (the so-
called “Vampire” disease) and congenital syphilis given to him by his infected mother (possibly
alluded to by the gaudy furniture which he has inherited from her). The son of an ambassador to
Britain, his father had been killed in a riot in Bombay. But she knows that he is capable of brutality,
that he would demand a subterranean existence away from the moderating forces of society, and that
(like the equally manic Raoul) his love is an all-consuming fire that threatens to overwhelm them
both. Reply Delete Replies Reply kendesi April 21, 2012 at 8:05 PM Hello Peter, I have just by
chance come upon your blog and it was so interesting reading about the process of creating the
portrait of The Phantom of the Opera. Like Svengali, Erik decides to form Christine into a sort of
musical Pygmalion: turning a so-so chorus girl into a prima diva. I do not agree with Christine Daae's
choice in the end. Faint in Shock: Christine faints on stage after her splendid gala performance.
Emma's weblog is about the discoveries which can be made when we look into this mirror, and the
encounters through art, writing and poetry which allow us to glimpse the oneness behind the many
forms reflected there.
Petrie breaks into the printers that is publishing his music under Lord D'Arcy's name to burn every
copy. Run to touch iron, if you didn't take the precaution of having keys or a horseshoe near you.
The problem is that this spectacle takes place early on and nothing afterwards can really compete.
Led by the current Phantom (there have been 10 after Michael Crawford), Hugh Panaro, an up-and-
coming musical theater star who finds the right mix of shock and schmaltz, most of the cast retains
the freshness of opening night. Paris Opera House. Beautiful Many floors, levels, beyond cellar level,
fountains, a lake, a big chandelier and even a ghost (Phantom of the Opera). Origin. If you are lucky,
he only will strangle you to death. If there is a The Phantom of the Opera SparkNotes, Shmoop
guide, or Cliff Notes, you can find a link to each study guide below. They drag Erik from the
carriage, beat him to death and throw his body into the river Seine. Erik lives beneath the Paris
Opera House and is able to move freely around the building because he is believed by most people
who work in the theater to be a ghost that haunts it. Puffin Classics edition, 1994 This post has been
partially rewritten from my article which originally appeared in the Spring, 1995 edition of the
Phantom fanzine BENEATH THE MASK. The Phantom of the Opera loves this beautiful girl whoes
name is Christine. This plays revolves Erik the phantom who is so possessed in winning the heart of a
beautiful girl Christine. Hypnotize the Captive: The Phantom's voice has a seemingly mesmeric effect
on Christine. Ugly Guy, Hot Wife: What would have been, had Erik carried through with his ultimate
plan, given his deformities and Christine's beauty. The contents of the guide provide a strong
framework for helping students understand the underlying meaning of a work of literature. Half a
dozen people were injured by the heavy metal disks that rained from the ceiling after a frayed cable
released the weights into the fourth tier, but 56 year old Madame Chomette (who was seeing an
opera for the first time) was the only casualty. It’s only when he actually triumphs that he realizes
how impractical those dreams are. The result looks melodramatic - the very thing I'm trying to avoid.
In-depth examples deepen students' appreciation for how creative choices by filmmakers affect what
viewers experience and how they respond. See full terms and conditions and this month's choices.
The voice is really that of Erik, the Phantom of the Opera. Compelling Voice: Yes, this does come
across all too well in a literary medium. After twenty years, Claudin is forced to leave his job as a
result of pains in his hands which are affecting his ability to play. The somewhere is mine And from
there I'll continue. Torture Technician: The Persian reveals that Erik worked as one of these for the
Shah-in-Shah in Mazenderan. Please try again. Not in a club? Learn more Join or create book clubs
Choose books together Track your books Bring your club to Amazon Book Clubs, start a new book
club and invite your friends to join, or find a club that’s right for you for free. Like Richard, he was
infamous for his violent temper and insecurities, and like Moncharmin, he was secretly ridiculed for
his lack of musical literacy and amateurism. A grisly study in class, corruption, and evil, the film is
typical of Hammer productions in all the best ways: queasily gory, scandalously sensual, and
decadently Gothic, where Claude Rains took Leroux’s source material to the level of candy-coated
musical, Herbert Lom sinks it (literally) into the dank sewers of decay and corruption. There is a
rumor of existence of a phantom, for many people no one can believe that phantom does really exist.
Bad Liar: Christine, to the point where the Persian is practically Face Palming as she fails to Show
Some Leg to Erik to get him and Raoul out of the torture chamber unnoticed.