‘CONDUCTOR PANY ea BARBER OF SEVILLE OVERTURE GIOACCHINO ROSSINI Arranged by M.L. LAKE 5305 FULL BAND conductor 1st a 2nd passoons Sed Hora tn F Db Piccolo 15t Bb Alto Saxophone 3th Hom dn P Ist a dnd Plates (3) anu Eo Alto Saxophone Ist @ and Horas so Eb (2) ard Flute & ¢ Plevolo Bb Tenor Saxophone ard & 4th Horns in Bb (2) ist & 2nd Oboes Eb Baritone Saxophone Ist & 2nd Trombones (2) Eb clarinet Solo of ist 8b cornet (2) 3rd Trombone Solo.er 1st > Clarinet(a) Bnd Bo Cornet Baritone d ia'sb clarinet (3) Sra Bo Cornet Taritone 5 Sra ab Clarinet (2) 1st & 2nd Bb Trumpets (2) String Base Eb Alto Clarinet 1st Horn in’? Basses (Tubes) (2) Bb Bass Clarinet 2nd Horn in P Tapani Dru (2) SYMPHONIC BAND Conductor Ist Bb Alto Sexophone (2) 3rd Hora in F 1p Piezoto 2nd Kb Alto Ssxopnone th Horn in F st a 2nd Plutes (8) Bb Tenor Saxophone 1st &'2nd Horas in Eb (2) ard Plute & ¢ Piccolo E> Baritone Saxophone 3rd @ 4th Horas in B (2) Ast nd Doses (2) Bb Bass Saxopkone st & 2nd Trombones’ (3) Bb clarinet Solo oF Ist Ab Corset (2) Sed Troan Solo oF Ist Bb Clarinet (4) 3nd'Bb Cornet (2), Baritone ind Bb clarine: (4) 4rd Bb Coraet_(2) Baritone 5. (2) 3nd Bb Clarinet, (4) se a 2nd Bb Trumpets (2) String Bass Rb Alto Clarint (2) 4st Hom InP Basses (Tubes) (5) Bb base Clarinet (2) 2nd Horn in P ‘apant se a 2nd Bassoons (2) Dram (6) PRICE Fall Band... 9.00 Symphonic Band.......... 13.50 Parts, cachsessccsceees 260 Conductor. : 1.50 62 Cooper Square, New York 3 BOSTON + CHICAGO * DALLASThe Barber of Seville Overture GIOACCHINO ROSSINI (1792-1868) “The Barber of Seville” is considered Rossini’s greatest and most popular work. It is in the form of Opera Bufta, and the story is from the Beaumarchais comedy, being the same which Mozart immortalized in “The Marriage of Figaro.” The first performance of the opera was given at Rome, February 5, 1816. The first American per - formance took place in New York in 1825. It is recorded that Rossini completed this opera in about fifteen days. The libretto was given to him in sections, and he wrote the music as fast as the verses were finished. The sparkling gaiety of the Overture, together with its freshness and grace help to make it a welcome addition to any program.Barber of Seville Overture CONDUCTOR Andante maestoso (4:48) Fit ole, nd cer oe ameip | en. J 305 Ta | ree P dolce Bente Sax’. — Fy AE A Aa 2a247-140 . Copyright MCMXXVIT by Cart Flaches Inc., New York 8 [Timo of performance ‘8% minutes, Gioacchino Rossini arr by ML, Lake Printed in the U.S.A.4 CONDUCTOR & solo BC. sum sax ett oes, — —Frr Bass Wa basea . Base BD Bassa Lees Cees) Allegro vivace (d=128)CONDUCTOR 5 Ob. Bis, Pieg.& FL6 CONDUCTOR 1 118, « a aa wae See bor ter trrr : I =\ Sark Solo Bh Clk f 2nd cL ‘Troms, Alto c.te Bax PPE Bae own,CONDUCTOR 7 Pice.te FL prt eP181 Selo Gor. |cis.t Sax's tee PT 3 geOeG. f > Wood # sare ft P be Reha aia Bar.t Basses ba It Ob, 'Tatet Wood t Sax’ = P ~c Eee |... | eye Solo Bb cr. ‘add Alto & Bass CIs,8 CONDUCTOR ® cise on aan oe oN MAE 6 P AG o~ tte tesa. 8. SS el | stcrnust ata Wood . wr LL, TYCONDUCTOR 9 0b. Bh Ae ck Geter) Cres: Pers, < add Pice.& FI sempre erese. (foempre ores40 CONDUCTOR @ meenCONDUCTOR a Bice, & FI. Seite ty 0, & Solo B cL. ® Pies BLE ott ve | om pave 4a tst Cor.t Horas | Sax 512 CONDUCTOR i Lot a + SOS ‘and OL Saxe, mp Add Ist Cor & Horns (p Ten Bax. & Bats Cl(or Bar) ats torns sust.) (Pigg FL.) nee FBC Ten, Sax. & Base ClCONDUCTOR 13 1) FL& ci, _— —— _——. —_—_——~ (p Saxe oR bass ada pice. FL sempre crése. ‘sora aust.) lfeempre crese.14 CONDUCTOR Tweak Eke “east /qighis : chek “Pi mosso ond Con. Horns ‘Wood SaxCONDUCTOR 0 © Wood & sax tremoio Piee.& FI Cork, Troms