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In poems, like The Garden, his lyrical appreciation of natural beauty reaches the height of excellence.
Share to Twitter Share to Facebook Share to Pinterest. Some of Marvell’s remarkable poems include
Horatian Ode upon Cromwell’s Return from Ireland, The Garden, Dialogue between the soul and the
body, Bermudas, The Definition of love and a Drop of Dew, Eyes, and Tears, To his coy mistress
and a good many other lyrics. Marvell’s great lyrics can be ranked with the best works of his
contemporaries and bear fully the varied characteristics of lyrical poetry. At the same time, his poem
is as meaningful, like Shelley's, although this is much more restrained in impulsiveness and much
more intellectual in approach. He is chiefly a Secular poet with highly poetic speculations on the
diverse matters of interest. The poet seems to throw himself into the very soul of the garden with the
imaginative splendor of Shelley as seen in ode to the west wind. He is certainly one of the most
successful lyricists, who flourished in the middle of the 17th century. At the same time, his poem is
as meaningful, as Shelley's as seen in ode to the west wind. Andrew Marvell is usually classed with
metaphysical poets, although the lyrical elements of the Elizabethans are notably marked in him.
Andrew Marvell as a Metaphysical Poet In Andrew Marvell is found a poet of age whose
conspicuous gift has secured for him a place next to John Milton among the poets of his age. The
moral, derived by him from the quiet bosom of nature, is a deep as found in Wordsworth. “Society is
all but rude, To this delicious solitude”. (The Garden) As a poet, Marvell is as much versatile as
Donne, He is, of course, no religious poet like him or his followers Herbert and Vaughan. His poetry
bears out his Puritan patriotism, broad humanism, metaphysical wit, and commendable technique,
with the novelty of the syllogistic structure in poetry. But, like Donne, he is no less prominent, as a
love-poet and among the metaphysical love-poets, his place is very close to Donne’s. His poetry has
both imaginative excellence and emotional profoundly, both lofty thoughts and melodious
versification, both majestic utterances and intellectual restraint. He is also the just descendant of
Donne as a metaphysical poet and displays like him, a rare combination of wit and seriousness,
poetry and intellect. The poet proceeds to construct a sort of syllogism, a form of reasoning, in
which the conclusion is deduced from different propositions. He may not be claimed as an equal to
his great contemporary Milton. Marvell possesses the characteristics features of a great poet. It is,
however, to be noted that all his poems clearly bear out that Marvell is a true poet who does not
conform to any tradition but remains unmistakably new and individual. It is not the outburst of any
passion, but the play of intellect that determines the strength of his love poetry. But he comes very
close to him in his scholarly element of wit and subtlety which is absent in Miltonic verses.
At the same time, his poem is as meaningful, as Shelley's as seen in ode to the west wind. But, like
Donne, he is no less prominent, as a love-poet and among the metaphysical love-poets, his place is
very close to Donne’s. At the same time, his poem is as meaningful, like Shelley's, although this is
much more restrained in impulsiveness and much more intellectual in approach. But he comes very
close to him in his scholarly element of wit and subtlety which is absent in Miltonic verses. In poems,
like The Garden, his lyrical appreciation of natural beauty reaches the height of excellence. The poet
seems to throw himself into the very soul of the garden with the imaginative splendor of Shelley as
seen in ode to the west wind. The poet proceeds to construct a sort of syllogism, a form of
reasoning, in which the conclusion is deduced from different propositions. He is also the just
descendant of Donne as a metaphysical poet and displays like him, a rare combination of wit and
seriousness, poetry and intellect. His poetry has both imaginative excellence and emotional
profoundly, both lofty thoughts and melodious versification, both majestic utterances and intellectual
restraint. Share to Twitter Share to Facebook Share to Pinterest. Marvell possesses the characteristics
features of a great poet. Marvell’s great lyrics can be ranked with the best works of his
contemporaries and bear fully the varied characteristics of lyrical poetry. His poetry bears out his
Puritan patriotism, broad humanism, metaphysical wit, and commendable technique, with the
novelty of the syllogistic structure in poetry. Andrew Marvell is usually classed with metaphysical
poets, although the lyrical elements of the Elizabethans are notably marked in him. He is chiefly a
Secular poet with highly poetic speculations on the diverse matters of interest. It is, however, to be
noted that all his poems clearly bear out that Marvell is a true poet who does not conform to any
tradition but remains unmistakably new and individual. Andrew Marvell as a Metaphysical Poet In
Andrew Marvell is found a poet of age whose conspicuous gift has secured for him a place next to
John Milton among the poets of his age. Some of Marvell’s remarkable poems include Horatian Ode
upon Cromwell’s Return from Ireland, The Garden, Dialogue between the soul and the body,
Bermudas, The Definition of love and a Drop of Dew, Eyes, and Tears, To his coy mistress and a
good many other lyrics. The moral, derived by him from the quiet bosom of nature, is a deep as
found in Wordsworth. “Society is all but rude, To this delicious solitude”. (The Garden) As a poet,
Marvell is as much versatile as Donne, He is, of course, no religious poet like him or his followers
Herbert and Vaughan. He is certainly one of the most successful lyricists, who flourished in the
middle of the 17th century. It is not the outburst of any passion, but the play of intellect that
determines the strength of his love poetry. He may not be claimed as an equal to his great
contemporary Milton.
In poems, like The Garden, his lyrical appreciation of natural beauty reaches the height of excellence.
He is certainly one of the most successful lyricists, who flourished in the middle of the 17th century.
He is also the just descendant of Donne as a metaphysical poet and displays like him, a rare
combination of wit and seriousness, poetry and intellect. The moral, derived by him from the quiet
bosom of nature, is a deep as found in Wordsworth. “Society is all but rude, To this delicious
solitude”. (The Garden) As a poet, Marvell is as much versatile as Donne, He is, of course, no
religious poet like him or his followers Herbert and Vaughan. The poet seems to throw himself into
the very soul of the garden with the imaginative splendor of Shelley as seen in ode to the west wind.
The poet proceeds to construct a sort of syllogism, a form of reasoning, in which the conclusion is
deduced from different propositions. His poetry has both imaginative excellence and emotional
profoundly, both lofty thoughts and melodious versification, both majestic utterances and intellectual
restraint. It is not the outburst of any passion, but the play of intellect that determines the strength of
his love poetry. At the same time, his poem is as meaningful, like Shelley's, although this is much
more restrained in impulsiveness and much more intellectual in approach. But, like Donne, he is no
less prominent, as a love-poet and among the metaphysical love-poets, his place is very close to
Donne’s. He is chiefly a Secular poet with highly poetic speculations on the diverse matters of
interest. Share to Twitter Share to Facebook Share to Pinterest. His poetry bears out his Puritan
patriotism, broad humanism, metaphysical wit, and commendable technique, with the novelty of the
syllogistic structure in poetry. Marvell possesses the characteristics features of a great poet. At the
same time, his poem is as meaningful, as Shelley's as seen in ode to the west wind. Andrew Marvell
as a Metaphysical Poet In Andrew Marvell is found a poet of age whose conspicuous gift has
secured for him a place next to John Milton among the poets of his age. Marvell’s great lyrics can be
ranked with the best works of his contemporaries and bear fully the varied characteristics of lyrical
poetry. Andrew Marvell is usually classed with metaphysical poets, although the lyrical elements of
the Elizabethans are notably marked in him. It is, however, to be noted that all his poems clearly bear
out that Marvell is a true poet who does not conform to any tradition but remains unmistakably new
and individual. He may not be claimed as an equal to his great contemporary Milton. But he comes
very close to him in his scholarly element of wit and subtlety which is absent in Miltonic verses.
Some of Marvell’s remarkable poems include Horatian Ode upon Cromwell’s Return from Ireland,
The Garden, Dialogue between the soul and the body, Bermudas, The Definition of love and a Drop
of Dew, Eyes, and Tears, To his coy mistress and a good many other lyrics.
Share to Twitter Share to Facebook Share to Pinterest. Marvell possesses the characteristics features
of a great poet. At the same time, his poem is as meaningful, like Shelley's, although this is much
more restrained in impulsiveness and much more intellectual in approach. His poetry bears out his
Puritan patriotism, broad humanism, metaphysical wit, and commendable technique, with the
novelty of the syllogistic structure in poetry. He is also the just descendant of Donne as a
metaphysical poet and displays like him, a rare combination of wit and seriousness, poetry and
intellect. In poems, like The Garden, his lyrical appreciation of natural beauty reaches the height of
excellence. The poet proceeds to construct a sort of syllogism, a form of reasoning, in which the
conclusion is deduced from different propositions. But, like Donne, he is no less prominent, as a
love-poet and among the metaphysical love-poets, his place is very close to Donne’s. At the same
time, his poem is as meaningful, as Shelley's as seen in ode to the west wind. The poet seems to
throw himself into the very soul of the garden with the imaginative splendor of Shelley as seen in
ode to the west wind. Some of Marvell’s remarkable poems include Horatian Ode upon Cromwell’s
Return from Ireland, The Garden, Dialogue between the soul and the body, Bermudas, The
Definition of love and a Drop of Dew, Eyes, and Tears, To his coy mistress and a good many other
lyrics. He is certainly one of the most successful lyricists, who flourished in the middle of the 17th
century. But he comes very close to him in his scholarly element of wit and subtlety which is absent
in Miltonic verses. Andrew Marvell is usually classed with metaphysical poets, although the lyrical
elements of the Elizabethans are notably marked in him. Andrew Marvell as a Metaphysical Poet In
Andrew Marvell is found a poet of age whose conspicuous gift has secured for him a place next to
John Milton among the poets of his age. Marvell’s great lyrics can be ranked with the best works of
his contemporaries and bear fully the varied characteristics of lyrical poetry. It is not the outburst of
any passion, but the play of intellect that determines the strength of his love poetry. He may not be
claimed as an equal to his great contemporary Milton. He is chiefly a Secular poet with highly poetic
speculations on the diverse matters of interest. It is, however, to be noted that all his poems clearly
bear out that Marvell is a true poet who does not conform to any tradition but remains unmistakably
new and individual. The moral, derived by him from the quiet bosom of nature, is a deep as found in
Wordsworth. “Society is all but rude, To this delicious solitude”. (The Garden) As a poet, Marvell is
as much versatile as Donne, He is, of course, no religious poet like him or his followers Herbert and
Vaughan. His poetry has both imaginative excellence and emotional profoundly, both lofty thoughts
and melodious versification, both majestic utterances and intellectual restraint.
Andrew Marvell as a Metaphysical Poet In Andrew Marvell is found a poet of age whose
conspicuous gift has secured for him a place next to John Milton among the poets of his age. It is not
the outburst of any passion, but the play of intellect that determines the strength of his love poetry.
His poetry bears out his Puritan patriotism, broad humanism, metaphysical wit, and commendable
technique, with the novelty of the syllogistic structure in poetry. He is also the just descendant of
Donne as a metaphysical poet and displays like him, a rare combination of wit and seriousness,
poetry and intellect. At the same time, his poem is as meaningful, as Shelley's as seen in ode to the
west wind. Marvell’s great lyrics can be ranked with the best works of his contemporaries and bear
fully the varied characteristics of lyrical poetry. But he comes very close to him in his scholarly
element of wit and subtlety which is absent in Miltonic verses. But, like Donne, he is no less
prominent, as a love-poet and among the metaphysical love-poets, his place is very close to Donne’s.
Share to Twitter Share to Facebook Share to Pinterest. The poet proceeds to construct a sort of
syllogism, a form of reasoning, in which the conclusion is deduced from different propositions. At the
same time, his poem is as meaningful, like Shelley's, although this is much more restrained in
impulsiveness and much more intellectual in approach. The moral, derived by him from the quiet
bosom of nature, is a deep as found in Wordsworth. “Society is all but rude, To this delicious
solitude”. (The Garden) As a poet, Marvell is as much versatile as Donne, He is, of course, no
religious poet like him or his followers Herbert and Vaughan. Some of Marvell’s remarkable poems
include Horatian Ode upon Cromwell’s Return from Ireland, The Garden, Dialogue between the soul
and the body, Bermudas, The Definition of love and a Drop of Dew, Eyes, and Tears, To his coy
mistress and a good many other lyrics. Andrew Marvell is usually classed with metaphysical poets,
although the lyrical elements of the Elizabethans are notably marked in him. He is chiefly a Secular
poet with highly poetic speculations on the diverse matters of interest. In poems, like The Garden,
his lyrical appreciation of natural beauty reaches the height of excellence. Marvell possesses the
characteristics features of a great poet. His poetry has both imaginative excellence and emotional
profoundly, both lofty thoughts and melodious versification, both majestic utterances and intellectual
restraint. The poet seems to throw himself into the very soul of the garden with the imaginative
splendor of Shelley as seen in ode to the west wind. It is, however, to be noted that all his poems
clearly bear out that Marvell is a true poet who does not conform to any tradition but remains
unmistakably new and individual. He is certainly one of the most successful lyricists, who flourished
in the middle of the 17th century. He may not be claimed as an equal to his great contemporary
Milton.
The poet proceeds to construct a sort of syllogism, a form of reasoning, in which the conclusion is
deduced from different propositions. It is not the outburst of any passion, but the play of intellect
that determines the strength of his love poetry. He is certainly one of the most successful lyricists,
who flourished in the middle of the 17th century. His poetry bears out his Puritan patriotism, broad
humanism, metaphysical wit, and commendable technique, with the novelty of the syllogistic
structure in poetry. But he comes very close to him in his scholarly element of wit and subtlety which
is absent in Miltonic verses. Andrew Marvell is usually classed with metaphysical poets, although the
lyrical elements of the Elizabethans are notably marked in him. He is also the just descendant of
Donne as a metaphysical poet and displays like him, a rare combination of wit and seriousness,
poetry and intellect. Some of Marvell’s remarkable poems include Horatian Ode upon Cromwell’s
Return from Ireland, The Garden, Dialogue between the soul and the body, Bermudas, The
Definition of love and a Drop of Dew, Eyes, and Tears, To his coy mistress and a good many other
lyrics. In poems, like The Garden, his lyrical appreciation of natural beauty reaches the height of
excellence. Andrew Marvell as a Metaphysical Poet In Andrew Marvell is found a poet of age whose
conspicuous gift has secured for him a place next to John Milton among the poets of his age. Marvell
possesses the characteristics features of a great poet. He is chiefly a Secular poet with highly poetic
speculations on the diverse matters of interest. But, like Donne, he is no less prominent, as a love-
poet and among the metaphysical love-poets, his place is very close to Donne’s. At the same time, his
poem is as meaningful, as Shelley's as seen in ode to the west wind. His poetry has both imaginative
excellence and emotional profoundly, both lofty thoughts and melodious versification, both majestic
utterances and intellectual restraint. Share to Twitter Share to Facebook Share to Pinterest. It is,
however, to be noted that all his poems clearly bear out that Marvell is a true poet who does not
conform to any tradition but remains unmistakably new and individual. The poet seems to throw
himself into the very soul of the garden with the imaginative splendor of Shelley as seen in ode to
the west wind. At the same time, his poem is as meaningful, like Shelley's, although this is much
more restrained in impulsiveness and much more intellectual in approach. Marvell’s great lyrics can
be ranked with the best works of his contemporaries and bear fully the varied characteristics of
lyrical poetry. He may not be claimed as an equal to his great contemporary Milton. The moral,
derived by him from the quiet bosom of nature, is a deep as found in Wordsworth. “Society is all but
rude, To this delicious solitude”. (The Garden) As a poet, Marvell is as much versatile as Donne, He
is, of course, no religious poet like him or his followers Herbert and Vaughan.
The moral, derived by him from the quiet bosom of nature, is a deep as found in Wordsworth.
“Society is all but rude, To this delicious solitude”. (The Garden) As a poet, Marvell is as much
versatile as Donne, He is, of course, no religious poet like him or his followers Herbert and Vaughan.
It is, however, to be noted that all his poems clearly bear out that Marvell is a true poet who does not
conform to any tradition but remains unmistakably new and individual. Marvell possesses the
characteristics features of a great poet. At the same time, his poem is as meaningful, as Shelley's as
seen in ode to the west wind. In poems, like The Garden, his lyrical appreciation of natural beauty
reaches the height of excellence. Share to Twitter Share to Facebook Share to Pinterest. His poetry
has both imaginative excellence and emotional profoundly, both lofty thoughts and melodious
versification, both majestic utterances and intellectual restraint. He is certainly one of the most
successful lyricists, who flourished in the middle of the 17th century. The poet seems to throw
himself into the very soul of the garden with the imaginative splendor of Shelley as seen in ode to
the west wind. Marvell’s great lyrics can be ranked with the best works of his contemporaries and
bear fully the varied characteristics of lyrical poetry. Andrew Marvell as a Metaphysical Poet In
Andrew Marvell is found a poet of age whose conspicuous gift has secured for him a place next to
John Milton among the poets of his age. He is chiefly a Secular poet with highly poetic speculations
on the diverse matters of interest. He is also the just descendant of Donne as a metaphysical poet
and displays like him, a rare combination of wit and seriousness, poetry and intellect. At the same
time, his poem is as meaningful, like Shelley's, although this is much more restrained in impulsiveness
and much more intellectual in approach. His poetry bears out his Puritan patriotism, broad humanism,
metaphysical wit, and commendable technique, with the novelty of the syllogistic structure in poetry.
But he comes very close to him in his scholarly element of wit and subtlety which is absent in
Miltonic verses. It is not the outburst of any passion, but the play of intellect that determines the
strength of his love poetry. But, like Donne, he is no less prominent, as a love-poet and among the
metaphysical love-poets, his place is very close to Donne’s. The poet proceeds to construct a sort of
syllogism, a form of reasoning, in which the conclusion is deduced from different propositions.
Andrew Marvell is usually classed with metaphysical poets, although the lyrical elements of the
Elizabethans are notably marked in him. Some of Marvell’s remarkable poems include Horatian Ode
upon Cromwell’s Return from Ireland, The Garden, Dialogue between the soul and the body,
Bermudas, The Definition of love and a Drop of Dew, Eyes, and Tears, To his coy mistress and a
good many other lyrics. He may not be claimed as an equal to his great contemporary Milton.