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  • Claveles de Galipan

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    nahum kallaji
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    This document contains sheet music for the paso doble dance piece "Claveles De Galipan". It includes musical notation for the mandolina, cuatro, contrabajo, and mandolina instruments. The sheet music is arranged for a paso doble dance in 3/4 time and consists of the typical chord progressions and melodic lines for the genre.

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    This document contains sheet music for the paso doble dance piece "Claveles De Galipan". It includes musical notation for the mandolina, cuatro, contrabajo, and mandolina instruments. The sheet music is arranged for a paso doble dance in 3/4 time and consists of the typical chord progressions and melodic lines for the genre.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    3 views3 pages

    Claveles de Galipan

    Uploaded by

    nahum kallaji
    This document contains sheet music for the paso doble dance piece "Claveles De Galipan". It includes musical notation for the mandolina, cuatro, contrabajo, and mandolina instruments. The sheet music is arranged for a paso doble dance in 3/4 time and consists of the typical chord progressions and melodic lines for the genre.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Claveles De Galipan

    Paso Doble Arr: Nahum Kallaji

     
                   
    A

    Mandolina 

      
    
               
     
    Cuatro 
    Em Am Em Am Em C B7

       
                

    pizz.
    Contrabajo

    9        
          
    B

    Mdn.     
        


     %     
        
    Ct. 

    Em B7 Em B7 Em Am Em

       
    Cb.
                 

    17 
    Mdn.                       
    1.

     Am  Em B7  Em Am  G  B7  Em


    Ct. 

                 
    Cb.    

    25 
                   
                  
    C

    Mdn. 
         
    2.

       
    
    

     %   Em % D7


     

      
    
     %
            
    Ct. 
      
    G % D7 G

    Cb.
                      
      
    33           
    2

    Mdn.     


          
     D7
    Ct.                

    G E7 Am7 E7 Am7 C D7

              

     

    Cb.  

    41 
    Mdn. 
                     
     
     %  Am7  D7  G  G D7
     G  D7  G  % 
    Ct. 
     

    Cb.
                      

    50     
    Mdn.   
            
     %
    Ct.               

    E7 Am7 E7 Am7 C D7 % Am7

                  
    Cb.    

    59           
    Mdn.  
       

    Ct.             

    D7 G % E7 % Am7 % D7 %

    Cb.
                      
    68   
    3

          

    Mdn.    

    To


              
    
    G % C C#° G/D E7 Am7 D7 G
    Ct.

                    
    Cb.  

       
        
    D.S. Y

    Mdn.   

     
    77
    Coda
    
    

     %  
    Ct.      

    B7 G D7 G

    Cb.
      
       

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