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 SCHIRMER'’S LIBRARY
b OF MUSICAL CLASSICS if

JOHANN SEBASTIAN BACH

Two- and Three-Part

Inventions
For the Piano

Edited by

CZERNY, GRIEPENKERL and ROITZSCH

IN TWO BOOKS
(Also in One Book Complete)

TWO-PART INVENTIONS — Library Vol. 850

THREE-PART INVENTIONS — Library Vol. 851

TWO- AND THREE-PART INVENTIONS
(Complete) — Library Vol. 813

A Second-Piano Part to the

Fifteen Two-Part Inventions
by Louis Victor Saar is published by G. Schirmer, Inc.

G.SCHIRMER New York/London

Copyright, 1904, by G. Schirmer, Inc.

Printed in the U. S. A.
 PREFACE
J. S. BACH appears to have written the 2-part and obbligato Parts well and correctly, and at the
3-part Inventions for his pupils expressly as a preparation same time not merely how to get good /nven-
for his larger works—more especially for the ‘‘ Well- tions [ideas], but also how to develop the same
tempered Clavichord ”’—and for this purpose they cannot well; but above all, to obtain a cantabile Style
be too highly recommended. Even at the present day, of playing, and together with this to get a
assiduous practice of these Inventions will be of the ut- strong. Foretaste of [the art of ] Composition.”
most utility to each and every talented student of piano-
The keys-common to both sets are C-major, C-
forte-playing who wishes to rise above mediocrity, as
minor, D-major, D-minor, Eb-major, E-major, E-minor,
regards developing his fingers and his musical taste. For
F-major, F-minor, G-major, G-minor, A-major, A-
in none of the recent, easier piano-pieces does the left-
minor, Bb-major, B-minor. The 2-part Inventions were
hand part contain such an independent treatment of the
composed in Céthen; those in 3-parts, on the other
theme, as in these Inventions.
hand, were probably not finished until the beginning of
The title which Bach bestowed on these Inventions
the Leipzig period. Of the two original manuscripts of
reads, literally:
this work, one is in the ‘‘Clavierbichlein far W. F.
‘*A faithful Guide, whereby admirers of the
Bach” (Céthen, 1720); the other, with numerous emen-
Clavichord are shewn a plain Method of learn-
dations, was formerly in the possession of Ph. E. Bach,
ing not only to play clean in two Parts, but
and passed later into Louis Spohr’s hands.
likewise in further Progress to manage three
Fifteen Two-part Inventions.
 Fifteen Two-part Inventions.

Johann Sebastian Bach.

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 SCHIRMER’S LIBRARY
of Musical Classics
PIANO SOLO COLLECTIONS
SERIES TWO

BRAHMS, J. DEBUSSY, C.
- 1465 Op.83. Concerto, Bb. 2-Piano Score (Hughes). L. 1795 ; Suite) Four le Fiano.
.1499 Op.116. Fantasies (Deis). DIABELLI, A.
- 1500 Op.117. 3 Intermezzi (Deis). L. 266 Op. 151,
- 1501 Op.118. 6 Piano Pieces (Deis). 168. ~ 11 Sonatinas (Klee).
. 1602 Op.119. 4 Piano Pieces (Deis). DUKAS, P
Bl ic
. 1347 Album of Favorite Pieces (Whiting). ’ :
. 1728 Complete Works for Piano Solo in Three bis The Sorceacr =; Apprentice -(Sendo7
Volumes (Mandyczewski), Bk. I; DUSSEK, J. L.
LS1729) Bka iiss 730) Bk ii L. 41 Op. 20. 6 Sonatinas (Klee).
L. 1757 pans dtd in Two, Volumes (Sauer), EARLY KEYBOARD MUSIC
Ob ty da hiss Volt L. 1559 122 Pieces written for the Virginal, Spi-
L. 256 i
Spapiet Pee s (Scharfenberg), Bk. net, Harpsichord and Clavichord by
16th, 17th and 18th Century Com- SEQ
SSS
SE
EE
CHAMINADE, C. posers (Oesterle), Bk. I: Byrde to A.
L. 211 Selected Compositions. 17 Pieces, Bk. I; See L. 1560, Bk. II: Couperin to
L.212..BK. 11 ;
CHOPIN, F. FAURE, G. er: :
FRIEDHEIM EDITION L. 1673 Album of Piano Pieces (Philipp).
L. 33 Etudes. FIELD, J.
JOSEFFY EDITION L. 42 18 Nocturnes (Liszt).
-1350 Op.11. Concerto No. 1, Em. 2-Piano Score.
1351 Op.21. Concerto No. 2, F«1. 2-Piano Score. FRANCK, C. i : ‘
; ee L. 1383 The Djinns. Symphonic Poem, 2-Piano
Album. 33 Favorite Compositions. iS Huch
S.
EQS
QQ Ballades.
:
Concert Pieces.
L. 1232
cone Nasbes): es
Prelude, Chorale and Fugue (Pinter).
aan E : SE
>. Impromptus.
L. 1407 Variations
(Philipp).
Symphoniques. 2-Piano Score

Mazurkas.
Miscellaneous Compositions. GERMAN, E.
Nocturnes. L. 1535 3 Dances from “Henry VIII”.
Preludes.
Rondos. GODARD, B.
Scherzi; Fantasy, Fm. L. 213 18 Selected Pieces, Bk. I; L. 214, Bk. II.

ie
aN
ay
soll
ed
ll
ad
a Waltzes. GRIEG, E.

7 MIKULI EDITION L. 198 woe Poetic Tone-Pictures (Ruthardt).

Op. 11. Concerto No. 1, Em. L. 199 . 6. Humoresken (Oesterle).
Oe erage ce eee L. 892 sds Sonata (Gallico).
Ballades, { L. 201 .12. Lyrical Pieces (Ruthardt).
Ponce. (Bseces. L. 1399 Concerto, Am. 2-Piano Score (Grainger).
piudes: L. 728 .17. Northern Dances and Folk-Tunes
Impromptus. (Ruthardt).
Mazurkas. L. 200 .19. Aus dem Volksleben, Sketches of Nor-
Miscellaneous Compositions. wegian Life (Oesterle).
Nocturnes. L. 1373 .24, Ballade. In the form of Variations on a
Polonaises. Norwegian Melody (Hughes).
Preludes. 1771 .28. Album-Leaves (Oesterle).
Rondos. 209 .34. 2 Elegaic Melodies (arr. by the Com-
of poser) (Oesterle).
cee han aay 7 tm: 772 .38. Lyrical Pieces (Oesterle).
Sonatas.
Te
ee
LES
OS
ae
Al
hl
hag
el
Sk
A
A Wal 812 .40. From Holberg’s Time. Suite in Antique
ate Style (Sternberg).
CLEMENTI, M. 773 .438. Lyrical Pieces (Oesterle).
L.811 Op.36. 6 Sonatinas (Kohler), 205 .46. “Peer Gynt” Suite No. 1 (arr. by the
L. 40 Op. 36, Composer).
37, 38. 12 Sonatinas (Kohler). 774 .47. Lyrical Pieces (Oesterle).
L. 385 poe (Buonamici), Bk. I; L. 386,
775 .54. Lyrical Pieces (Oesterle).
1420 Op.55. “Peer Gynt” Suite No. 2 (arr. by the
COUPERIN, F. Composer).
L. 1744 Harpsichord Pieces (Oesterle-Aldrich). el
io
ajahetala
ShSNS
danas 106 45 Selected Compositions, Bk. I; L. 107,
A-1188 Bk. II.

G. SCHIRMER New York / London

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DESIGN COPYRIGHT 1939, RENEWED 1967, BY G. SCHIRMER, INC.
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 SCHIRMER’S EIB Relea
of Musical Classics
PIANO SOLOCOLLECTIONS
SERIES ONE

ALBUM OF 25 PROGRESSIVE PIANO CLASSICS L. 13 . The Well-Temperey Clavier (Czerny),

Bk. I; L.14, Bk.
L. 1314 Selections by Bach, Beethoven, Chopin,
Dussek, Handel, Haydn, Hummel, Kuh- The Same palace e, sp. L. 1483, Bk.

ee
QQQQeQqqnqggqqge lau, Mendelssohn, Mozart, Schubert,
Schumann, and Weber.
I; L. 1484, Bk. II.

BARTOK, B.
ALBUM OF 25 PIANO CLASSICS L. 1741 Selected Works for the Piano.
L. 1315 Selections by Bach, Beethoven, Chopin, L. 1780 For Children, Vol, I; L.1781, Vol. II.
Se Field, Handel, Haydn, Mendelssohn,
Scarlatti-Tausig, Schubert, and Schu- BEETHOVEN, L. VAN
mann.
1.970 Op. 33. 7 Bagatelles.
ANTHOLOGY OF 32 MODERN CLASSICS L. 1709 Op. 119,
126. Bagatelles, Bk. II.
L. 1264 Selections by Brahms, Dvorak, Grieg. L. 621 Op. 15. Concerto No. 1, C. 2-Piano Score (Kul-
Henselt, Jensen, Liszt, Moszkowski, lak).
Paderewski, Rath, Rubinstein, Saint-
Saéns, Schiitte, Schytte, Sgambati, L. 622 Op. 19. aera No. 2, Bb. 2-Piano Score (Kul-
Sinding, and Tschaikowsky. ak).
L. 623 Op. 37. Concerto No. 3, Cm. 2-Piano Score
(Kullak).
ANTHOLOGY OF 28 PIANO CLASSICS Op. 58. Concerto No. 4, G. 2-Piano Score (Kul- |
L. 1263 Selections by Bach, Beethoven, Chopin, lak)
Field, Handel, Haydn, Mendelssohn,
Mozart, Schubert, Schumann, and Op. 73. Concerto No. 5, Eb. 2-Piano Score (Kv1-
Weber. lak).
Contra-Dances (Seiss).
Easy Compositions (Biilow-Lebert),
BACH, J. §. Ecossaisses (arr. by Busoni).
L. 12 Album. 21 Favorite Pieces (Heinze).
Qe
SEQ L.L. 1579 reere
Dee
)
German Dances (Seiss).

i
Chaconne, Dm (trs. by Busoni).
Sonatas (Biilow-Lebert), Bk. 1; Lae
22 Chromatic Fantasy and Fugue; Concerto Bk, II e e

in the’ Italian Style; Fantasy, Cm; The Same. Urtext Edition, L. 1769, Bk. I;
AN Prelude and Fugue, Am.
L. 1770, Bk. II.
L. 1527 Concerto, Dm. 2-Piano Score (Hughes).
The Same. L. 301, Bk. I; L. 302, Bk. U;

f\
L.17 a tease Suites (Czerny), Bk. I; L. 18,
L. 303, Bk. III.

f\
L. 1494 Fantasie and Fugue, Gm (Liszt- L. 1562 Symphonies (arr. by Singer), Bk. I;tiv
Hughes). L. 1563, Bk. II.

/\ L. 1436 First Lessons in Bach (Carroll), Bk. I; L. 6 Variations (Biilow-Lebert), Bk. T; L. a

L. 1437, Bk. II. Bk. II.

f\ L.19
L. 1512
French Suites.
Two-Part Inventions (Boponi):
L. 1511 32 Variations on an Original Theme in
C Minor (Biilow).

(\
The Same (Czerny), L. 850
The Same (Mason), L. 379. BERTINI, H.
A) L. 1498 Three-Part Inventions. (Baseni): L. 135 12 Little Pieces and Preludes (Vogrich)..

jn
The Same (Czerny),L L.758 Op.101. 24 Melodious Pieces.
The Same (Mason), L. 380.

IN|
L. 1574 Two- and Three-Part Inventions
BIZET, G.

if
(Busoni).
The Same (Mason), L. 16. L. 357 L’Arlésienne. 2 Concert Suites.

fn
The Same (Czerny), L. 813.
The Same (Bischoff), L.1771. BRAHMS, J.

|f\
18 Little Preludes and Fugues L. 1360 Sonata, C (Whiting).
(Buonamici).
L. 1361 Sonata, Fim (Whiting).
8 Organ Chorale Preludes (trs. by
Henderson). L. 1561 Sonata, Fm (Bauer). e

Partitas (Czerny), Bk. I; L. 21, Bk. II. L. 1368

\
Prelude and Fugue, Am (Liszt-Hughes). 3 Sonatas (Whiting).
Short Preludes and Fugues (Mason). L. 1599 4 Ballads.

\ Toccata, C (trs. by Busoni). L. 1429 Concerto, Dm. 2-Piano Score (Hughes).

L. 1598
/\
Toccata and Fugue, Dm (trs. by Busoni). Variations and Fugue on a Theme by
Handel.
Toccata and Fugue, Dm (Dorian) (trs.
L. 1450
/\
by Prostakoff).
Toccatas (Hughes).

/\ phe ed ee Clavier (Bischoff),

L. 1260 Waitzes (an i i Ghee (Whit.
ing).

RK The Same. L. 1760, Bk. II. L. 1261

L. 1080 Op. 79.
Capriccios and Intermezzos (Whiting).
’ 2 Rhapsodies (Gebhard).

/\ -G.SCHIRMER =New York/London

DESIGN COPYRIGHT 1939, RENEWED 1967, BY G. SCHIRMER, INC. e