Kyrie

A m.1-27 sub phrases from 1-12 and 13-27 (Armed man melody in tenor)

B m. 28-41 sub phrases form 28-34 35-41 (Armed man melody partially working as cannon)

Gloria

A m.1-41 sub phrases 1-23 23-34 34-41 (Armed man complete in tenor + cannon partially)

B m. 42-94 sub phrases 42-56 57-70 70-90 91-94 (Armed man partially in tenor)

Credo

A m.1-58 sub phrases 1-21 22-58 (Armed man on Tenor)

B m. 59-126 sub phrases 59-69 69-84 84-87 87-118 119-126 (transition + part of armed man on tenor)

Sanctus

A m 1-39(uses intervals from armed man)

B m 40- 106 sub phrases 40 -53 54-71 72 - 90 91 - 106 (variation on the beginning of armed)

Angus dei

A 1-20 (Armed man partially on tenor)

B 21 - 36 (variation of Armed man in al voices)

C 37 - 72 (Both tenor and Alto making a cannon on a variation of armed man)

I first separated the music into large chunks that I thought made sense inside the 4 different movements,

either because of a cadence or double bar or because of a new voice entering. Then I went into the music

and saw instances of the armed man melody inside of the divisions I made, I found many instances of

partial parts of the melody occurring in the tenor, and when other voices took it usually was part of a

cannon, but very few instances of the whole melody or even a longer section of it, when those occurred it
was always in the tenor line. I then went back and tried to specify where and when those occurred inside

my division.